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Dr Robert John Thornton (1768-1873), publisher 'Roses';'Carnations'two coloured aquatint and mezzotint engravings with hand-colouring from the Temple of Flora, 'Carnations' dated 1 January 181230 x 21cm, each in a parcel-gilt ebonised frame (2)Condition ReportFrame size 49 x 38cm. Some light fading to colours. The paper is aged and foxed in some areas. Some small holes/creases to the Roses. Frame fittings secure and ready to hang. Glazing entact. Some light wear to frames commensurate with age and use. Overall the prints are in fair condition and ready to hang.

Graham CLARKE (1941) Two works 'L'Anniversaire' and 'November' Hand worked etching with aquatint, each signed and numbered out of 400, the largest plate size 13.5 x 17cm. Shipping is available from £25.22 to a UK Mainland address.

Sheila OLINER (1930-2020) Cornish Irises Etching/aquatint, signed and inscribed, numbered 66/175, plate size 40cm x 30cm, 66cm x 53cm framed. Shipping is available from £32.50 to a UK Mainland address.

A pair of Newmarket Heath coaching aquatints - 'The Mail Coach in a Storm', 19th century. (2)Frame sizes: 42cm x 56cmOne of the aquatint are in a clean state with no visible areas of significant damage or marking, the olour pigment has retained well with very little fading or discolouration. There is some minor discolouration found in the sky section.The Mail Coach in a Storm of Snow aquatint has heavy acid and burn marking found throughout the entire composition. There are areas of discolouration to the paper and the colour pigment had faded in the majority of areas.

Henri Merke (fl. 1799-1820) after Samuel Howitt Four scenes of India from Oriental Field Sports by Captain Thomas Williamson, first published 1807-8 - Killing Game in Boats; Beating Sugar Canes for a Hog; Driving Elephants into a Keddah; The Dead Tigerhand-coloured etchings with aquatint42 x 53cmFramed 52 x 64cm

Graham Clarke (1941-) Fireworkers - from the History of England seriessigned, titled and numbered 25/200aquatint, with original card sleeve, unframed63.5 x 44cm

Graham Evernden (1947-) Sunlit Wood 155/295 & Dappled Way 19/295, limited edition etching with aquatint; David Suff (1953) Homage 133/175, Threshold 113/175, Pathway 28/150, Shaded Urn 28/150, Rose Walk 28/150, Lavenham Walk 26/150, Conservatory Window 17/150, Conservatory Bench, 17/150 and Conservatory Corner 17/150, limited edition etchings (12)Provenance: Christie's Contemporary Art

Graham Clarke (1941-) Men of Kent - from the History of England seriessigned, titled and numbered 25/200aquatint, with original card sleeve, unframed63.5 x 44cm

Alechinsky signed and (19)62 dated aquatint from the series "Morsures" of 1962 || ALECHINSKY PIERRE (° 1927) aquatint n° Epreuve d'Artiste III/X met een typische compositie uit de suite "Morsures" van 1962 - 48 x 38 getekend en gedateerd (19)62

Alechinsky signed quite early print (aquatint on Japanese paper) with a typical composition dd 1977 || ALECHINSKY PIERRE (° 1927) mooie, vrij vroege aquatint n° 37/60 op Japans papier met een karakteristieke compositie getiteld "Frontière Naturelle" dd 1977 - 76,5 x 51 getekend

Bernar Venet signed mixed media print (aquatint and etching) with a typical composition dd 1998 || VENET BERNAR (° 1941) print in gemengde techniek (aquatint en droge naald) n° 6/90 met een typische compositie ("Combinaison aléatoire") dd 1998 - 50 x 50 getekend

‡ LUIGI KASIMIR (Austro-Hungarian, 1881-1962) aquatint etching - 'Brooklyn Bridge' circa 1927, tug boats in the East River, Brooklyn Bridge in the centre, silhouette of Lower Manhattan in the background, signed in pencil lower centre, open edition, gallery label verso J. Assenheim & Son, 37 New Street, New York, inscribed in ink 'Original Proof Etching NY Skyline + Brooklyn Bridge', (pl.) 29.5 x 43cmsProvenance: private collection Vale of GlamorganComments: foxing to mount, small spots of foxing to the river, lower right, framed, glazed.

Thomas Rowlandson (1756-1827), 'Inn Yard on Fire', etching and aquatint, image size 13" x 18" (33 x 46cm).

*Valerie Thornton (1931-1991) etching and aquatint - St Margaret's King's Lynn, signed and dated '78, 35/50, 58cm x 39cm, in glazed frame

Valerie Thornton (1931-1991) etching and aquatint, St Margaret's Cley (1973) Artist's Proof, singed, titled and dated in pencil, 43cm x 55cm, in glazed frame

Glyn Thomas (b.1946) signed limited edition etching and aquatint - Mersea Boats, 69/75, 30cm x 20.5cm, in glazed frame Paper very slightly browned where paper meets mount, condition is otherwise good

Francisco de GOYA y Lucientes: Los Caprichos, the complete set of eighty etchings with burnished aquatint. No date, [Madrid, in the Calcografia for the Real Academia, c.1881-86]. With a Typed note pasted to the inside cover (certification of authenticity), dated 1951, signed by Adolfo Ruperez Grima (1880-1972), stating that this copy is the fifth edition, and that each image has the stamp of the 'Calcografia' on the verso. Oblong 4to (240 x 330mm), bound in the publisher's original boards, with the etched self portrait (Plate 1) repeated on the upper cover. Spotting to some plates (mostly marginal, except for one plate); Covers rubbed and a little soiled; upper cover detached. This volume rarely appears complete with all 80 engraved plates

‡ JOHN PIPER (1903-1992) limited edition (55/70) etching and aquatint - entitled verso, 'Old Church of Mynachlogddu' on Goldmark Gallery label, signed fully in pencil, 40 x 53cmsProvenance: private collection GwyneddComments: framed, glazed, ready to hang

‡ GEORGE CHAPMAN (English / Rhondda School 1908-1993) etching and aquatint in two colours - inscribed verso 'Maerdie' (sic) signed in pencil, dated verso 1980, 36 x 29cmsProvenance: private collection CeredigionComments: framed and glazed, ready to hang

Alfred Blundell - Culford School etching, 22x34cm, together with Dorothy Sweet, Norman Gateway, Bury St Edmunds, etching with aquatint, 30x23cm (2)

Paul Wunderlich(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols)"Sofafigur". OriginaltitelFarbradierung und -aquatinta/Bütten, 1968. Sign. und nummeriert 63/95. Gedruckt von Georges Visat, Paris. Wvz. Riediger 335. Plattenmaß 49 cm x 37,8 cm; Blatt 66 cm x 51 cm. Rahmen.Etching and aquatint in colours on laid paper, 1968. Hand-signed and numbered 63/95.

Salvador Dalí(1904 Figueras - 1989 ebenda)"L'alchemiste" (Der Alchemist). OriginaltitelKaltnadelradierung und Farbaquatinta mit Pochoir-Kolorierung/Arches-Velin, 1973-1975. Sign. u. nummeriert 3/250. Im Druck sign. u. dat. 1975. Arches-Wasserzeichen (vor 1980). Wvz. Michler/Löpsinger 581g. Plattenmaß 52 cm x 42 cm; Plattenmaß 52 cm x 42 cm; Blatt 76 cm x 57 cm. Drypoint and aquatint in colours with stencil hand-coloring on arches wove paper, 1973-1975. Hand-signed and numbered 3/250. Further signed and dated 1975 on the print. Watermark (before 1980). Full margins.

Ernst Fuchs(1930 Wien - 2015 ebenda)"Daphne in Eva Mystica". OriginaltitelKolorierte Strichätzung und Aquatinta/Velin, 1969. Sign., nummer. 7/12 sowie bez. "Farbproben Handkoloriert". Wvz. Weis 147 IIIa. Plattenmaß 39,5 cm x 29,5 cm. Rahmen.Hand-coloured etching and aquatint on wove paper, 1969. Hand-signed and numbered 7/12.

Ernst Fuchs(1930 Wien - 2015 ebenda)"Tanz der Salome". OriginaltitelVernis mou und Aquatinta in Blau/Velin, 1977. Sign. und num. XXXIV/LX E.A. (Künstlerex.). Druck bei Zein, Wien. Wvz. Weis 278 I c. Plattenmaß 44,3 cm x 35 cm. Rahmen.Vernis mou and aquatint in blue on wove paper. Hand-signed and numbered XXXIV/LX E.A.

Harold Whaley (Isle of Man 1896-1976): 'A Southern Valley', etching signed titled dated 1928 and numbered 11/25 in pencil; Claude Hamilton Rowbotham (British 1864-1949): 'London' and 'Borrowdale', pair coloured etchings with aquatint signed in pencil, original title labels verso, together with a collection of further prints (qty)

Ferdinand Luigini (French 1870-1943), European scene, aquatint print, singed pencil bottom right, framed. (17.5cmx21cm) 

David Koster (British,1926-2014), 'Wren and Forsythia', etching with aquatint in colours, numbered 20/50, titled and signed in pencil, 26x34cm, framed and glazed

A LATE 18TH/EARLY 19TH CENTURY HAND COLOURED AQUATINT DEPICTING THE RIGHT HONOURABLE LORD BOLTON GOVERNOR OF THE ISLE OF WIGHT, THIS REPRESENTATION OF THE VOLUNTEERS RECEIVING THE ISLAND BANNER PRESENTED TO THEM BY HIS LORDSHIP, 59 45.5cms.

Claude Rowbotham (British 1880-1920): 'Westminster' and 'St Paul's from Blackfriars', pair aquatint etchings signed and titled 17cm x 25cm (2)

James Priddey (British 1916-1980): 'Litchfield Cathedral', aquatint engraving signed and titled in pencil; After Jean Claude Nattes (British 1765-1822): St Denis Paris, etching max 39cm x 29cm (2)

Michael Atkin (Scarborough 1952-): ‘Paul and Amanda Leave Town’ - Scarborough from the Spa Chalet, coloured etching with aquatint signed titled and numbered 9/60, 35cm x 59cm

Phil Greenwood (born 1943), treeline, etching/aquatint, signed in pencil, plate 51cm x 42cm, framedSlight discolouration in the margin, mount also slightly discoloured

Graham Clarke (British b.1941), Dingley Dell, etching with aquatint, signed lower right, inscribed and numbered 1/75 lower left, 34 x 54cm. Framed and glazedCondition Report: Under glass, paper very slightly discoloured, may benefit from a clean.

Patrick Procktor (British 1936-2003), Lilies, colour aquatint, initialled lower right, inscribed B.A.T. lower left, unframed, plate 54 x 34.5cm. UnframedCondition Report: Waterstaining/discolouration to margins, initials very faint, needs cleaning.

*JOHN PIPER (1903-1992) 'Summer Garden, Fawley Bottom' (Levinson 369), 1984, signed, numbered 74/85 and inscribed "For Rowley, with love & thanks" in pencil to the margin, etching and aquatint, printed at Kelpra Studio, the plate 38.5cm x 57.5cmNote: This work is probably the best known of group of prints from the 1980s featuring the Piper's garden at Fawley Bottom, BuckinghamshireFramed dimensions: 53.3cm x 70.5cm

*ROBYN DENNY (1930-2014) 'Generations, 3+'1978, signed, dated, titled and numbered 23/35 in pencil lower right, etching with aquatint on watercolour wash on paper, the sheet 53cm x 71cm (unframed)

*ROBYN DENNY (1930-2014) 'Graffiti 8'1977, signed, dated, titled and numbered 16/28 in pencil to the margin, etching with aquatint on wove, the sheet 69.2cm x 57.2cm (unframed)

*ROBYN DENNY (1930-2014) 'Generations 14'1978, signed, dated, titled and numbered 22/35 in pencil lower right, etching with aquatint on watercolour wash on paper, the sheet 53cm x 71cm (unframed)

*SALVADOR DALI (1904-1989) 'Combat des Cavaliers (from Calderón: La vie est un songe)' signed and numbered 219/250 in pencil to the margin, etching and aquatint on B.K. Rives paper, the image 33cm x 52cmProvenance: With certificate of authenticity from E. Subirana S.A., Barcelona, dated 6th February 1982 (verso)Framed dimensions: 68cm x 85cm

*JULIAN TREVELYAN (1910-1988) 'Lions'1966-67, from the 'Africa' suite. signed, titled and numbered 19/125 in pencil to the margin, etching with aquatint, the sheet 56.5cm x 79cm (unframed)

*GEORGES ROUAULT (1871-1958) 'To love would be so sweet' plate thirteen from 'Miserere et Guerre', 1923, published 1948, signed and dated in plate lower left, aquatint, roulette, drypoint over heliogravure on paper, the image 57cm x 40.5cmProvenance: Private collection, Dorset.Framed dimensions: 81cm x 61.3cm

*TERENCE MILLINGTON (b. 1942) 'Sofa'1974, signed, dated, titled and numbered 3/60 in pencil to the margin, etching and aquatint, the sheet 50.8cm x 71.2cm (unframed)

*ROBYN DENNY (1930-2014) 'Generations 22'1978, signed, dated, titled and numbered 17/35 in pencil lower right, etching with aquatint on watercolour wash on paper, the sheet 53cm x 71cm (unframed)

ANISH KAPOOR (b. 1954) Untitled (2002) signed and numbered 127/200 in pencil to the margin, aquatint in colours, the plate 49.5cm x 66.5cmFramed dimensions: 79cm x 93cm

*JOHN PIPER (1903-1992) 'Mixed Styles: Regency - Victorian - Modern 1939, from 'The Brighton Aquatints', signed in pencil to the margin, hand coloured etching and aquatint, from the edition of 250, the plate 19cm x 27.5cmNote: The Brighton Aquatints, a bound set of 12 etchings, were printed by the Curwen Press and published in late 1939, in an edition of 250. They celebrated the rich diversity of the famous seaside town's architecture.Framed dimensions: 35.2cm x 43.5cm

Ian Davenport (b.1966)UntitledEtching with aquatint, 2009, signed, inscribed 'For Clodagh' and dated in pencil, numbered from the edition of 21, printed by Thumbprint Editions, published by Waddington Galleries, London, on wove paper, with full margins, sheet 430 x 358mm (16 7/8 x 14 1/8in) (framed)

David Shrigley (b.1968) Pulped Fiction (Nineteen Eighty-Four) The book, 2023, comprising one screenprint and the screenprinted dust jacket, with title-page, text and justification, this copy initialled and dated in pencil, numbered from the first 250 in the edition of 1250, the print also initialled, dated and numbered in pencil verso, co-printed by Aquatint and Jealous Print Studio, published by Shrig Books, London, overall 265 x 210mm (10 3/8 x 8 1/4in) In 2017, a charity shop in Swansea made headlines after exhibiting several hundred copies of Dan Brown's 'The Da Vinci Code' in their window with a sign asking people to stop donating copies. Despite 'The Da Vinci Code' being one of the best-selling novels of all-time, the charity shop was hardly able to re-sell any of the books. This inspired Shrigley who embarked on a project to turn these unwanted copies into a new edition of George Orwell's 'Nineteen Eighty-Four'. The artist asks us to re-focus on Orwell's dystopian novel, which tells the story of Winston Smith, a party member who rebels but ultimately submits to an oppressive regime. Shrigley notes 'This novel is as relevant today as when it was first published in 1950'.

Frits Thaulow (1847-1906)Pont d'Amiens, sous la Neige & Pont Pietra VeronaTwo etchings with aquatint printed in colours, 1895-6 & circa 1899, each signed in pencil, the second inscribed 'No.87', from the editions of unknown sizes, published by Galerie Georges Petit, Paris, with their blindstamp, on laid paper, with full margins, sheet 553 x 687mm (21 3/4 x 27in) and similar (2)

Robyn Denny (1930-2014)Graffiti 19Etching with aquatint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 40, printed by JC Editions, London, published by Bernard Jacobson Gallery, London, on Arches wove paper, with full margins, sheet 700 x 567mm (27 1/2 x 22 3/8in)

ROWLANDSON, Thomas (illustrator). – [after William COMBE.] The Adventures of Doctor Comicus or the Frolicks of Fortune, A Comic Satirical Poem for the Squeamish & the Queer. London: B. Blake, [1815.] First edition, 4to (219 x 131mm.) 15 hand-coloured aquatint plates, including the frontispiece and additional title, original paper wrappers bound-in. (Browning and occasional light spotting.) Early 20th century brown full calf, brown morocco lettering piece to spine, t.e.g. (lightly rubbed, occasional scuffing to covers). Provenance: Sybil and Wallace Warner (bookplate to front pastedown). [Tooley, 431].

BIBLIOGRAPHY. – Robert Lee WOOLF. Nineteenth Century Fiction, A Bibliographical Catalogue. New York and London: Garland Publishing, 1981-1986. 5 vols., 4to (304 x 225mm.) Photographic illustrations. (Mild toning.) Original green cloth. – And a further forty-two volumes of bibliographical and book reference (including J.R. Abbey’s ‘Travel in Aquatint and Lithography 1770-1860’, 4 vols., 1972, 4to) (47).

ARR Norman Ackroyd (b.1938) Wenlock Edge, signed and dated '92 lower right, numbered 48/60, sugarlift aquatint, 17 x 19 cm (PL), frame 32 x 33.5 cm Provenance: private local collection, purchased from The London Original Print Fair 1995

Julian Trevelyan RA, British 1910-1988, The Palio, Siena, 1959; etching and aquatint in colours on wove,signed, titled and numbered 12/50 in pencil, printed by John Brunsdon, published by Editions Alecto, image: 50 x 41 cm, (framed)(ARR)

Dame Elizabeth Frink CH DBE RA, British 1930-1993, Horse, 1986; etching and aquatint in colours on wove, signed and numbered 24/100 in pencil, printed at Kelpra Studio, London, with their blind stamp, published by Harpvale Books, plate: 21 x 19.5 cm, (framed)(ARR)

David Hockney OM CH RA, British b.1937- Rapunzel 1969, from Illustrations for Six Fairy Tales from the Brothers Grimm (S.A.C. 81-86, M.C.A.T. 78-83) The complete leporello with six etchings (five with aquatint), and texts, signed on title page in pencil, edition 83/100, published by Petersburg press in association with the Kasmin Gallery, 1970, folded: 45.8 x 31 cm, unfolded: 45.8 x 280.5 cm,  (unframed) (ARR) Note: Catalogue Raisonne Scottish Arts Council 81-86Exhibited: Museum of Contemporary Art Tokyo 

Patrick Procktor RA RWS, British 1936-2003, Marcus and a Pink, 1971; etching and aquatint in colours on wove, signed and numbered 377/500 in pencil, image: 54 x 34.5 cm, (framed)(ARR)

Georges Braque, French 1882-1963,L'ordre de oiseau blanc au fond bleu et rose, 1962;colour aquatint with soft ground etching on cream paper, signed in pencil and numbered 16/30,  sheet: 42 x 53 cm, (framed)  (ARR)

John Hoyland RA,  British 1934-2011, Mahi, 1986; etching with aquatint in colours on wove,  signed, dated and numbered 30/40 in pencil,  from the English Etchings series,  printed by Kelpra Studio, London, with their blind stamp, published by Waddington Graphics, London, with their blind stamp,  sheet: 60.5 x 50.5 cm,  (unframed)  (ARR)

Patrick Procktor RA RE RWS,  British 1936-2003, Back of Zoo, Regent's Park, 1971; etching with aquatint printed in colours on wove,  signed and inscribed AP in pencil,  plate: 54.5 x 69 cm,  (framed)  (ARR)

John Hoyland RA, British 1934-2011, Ekel, 1986; etching with aquatint in colours on wove, signed, dated and numbered 17/40 in pencil, from English Etchings, published by Waddington Gallery, London, sheet: 61 x 50.5 cm, (unframed) (ARR)