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Roberts British Wireless for The Blind Fund stereo radio cassette recorder

A VICTORIAN FIGURED WALNUT SIDE OR CENTRE TABLE MID 19TH CENTURY 73cm high, 124cm wide, 60cm deep Condition Report: Marks, knocks, scratches, abrasions, consistent with age and useSome knocks and marksThe top is figured so there are some areas of infil to the natural variant timber veneers, being book-matched these repeatOverall solid and stableWith two blind frieze drawers, no handles as designedClean and polished appearance overallPlease see additional images for visual reference to condition and appearance  Condition Report Disclaimer

An Edwardian mahogany writting desks with blind fret carved drawers on tapered legs94 x 84 x 51cm

Colours Elin Day and Night roller blind, 160 cm width x 180 cm drop, and floral cushions

Sir William Russell Flint RA RSW PRWS, after, (British, 1880-1969), ‘The Distant Gaze’, signed in pencil lower right margin, lithograph in colours, printer’s blind stamp lower left margin, 60cm x 76cm frame size.

Sir William Russell Flint (1880-1969), after, ‘Carlotta on the Loire’, limited edition number 509/850, in pencil lower right, blind stamp for Michael Stewart Fine Art, lower left, lithograph, 80cm x 95cm frame size.

HERBERT DICKSEE R.E. (1862 - 1942) from an edition of 325, original artist proof etching on vellum - The Prodigal, a seated terrier on stone steps, signed with initials and dated 1926 in the print, signed in pencil, various blind stamps, 48 x 39cmsProvenance: private collection ConwyComments: framed and glazed

Andy Warhol "Endangered Species" portfolio with 10 screenprints. These works are unsigned and unnumbered Printer's proof, outside the signed & numbered edition Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher : Ronald Feldman Fine Arts Inc., New York Publisher stamp on the Veso & printer's blind stamp || WARHOL ANDY (1930 - 1987) portfolio met tien screenprints : "Endangered Species" - telkens 91 x 91 telkens met een uitgeversstempel op verso & met drukkersblindstempel Deze werken zijn ongesigneerd en ongenummerd. Drukproef, buiten de gesigneerde en genummerde uitgave Gedrukt door Rupert Jasen Smith, New York. De prent is niet voorzien van het AWAAB-stempel. Uitgever : Ronald Feldman Fine Arts Inc., New York

George Cunningham, 'Millhouses' Limited Edition Colour Print of 500, pencil signed and blind backstamp, 26 x 42.5cm, By George signed book.

An original Second War memorial scroll awarded to Pte. W.A. Williams Royal Army Ordnance Corps from Breage, Helston; original 1929 St Dunstans Blind Sailors Soldier and Airman poster and a needlework sampler depicting military scenes (3)

Five large 19th century black and white engravings including "Blind-Man's Buff, Blind Fiddler, Rent Day, The Reading of a Will" etc., framed and glazed

Alice Barnwell (British, 1910-1980). The Wolds, coloured artist proof etching, signed and titled in pencil, with Rembrandt guild blind stamp, 24cm x 31cm.

A 1920s oak wall mirror, inverted break front, moulded cornice above blind fret frieze and a bevelled plate, flanked by spirally turned pilasters, 71cm high, 100cm wide.

ALBERT IRVIN (1922-2015) limited edition (81/90) screenprint - 'Montcada I', dated '93, signed, dated and titled in pencil, blind stamp Advanced Graphics London, (i) 86 x 70cmsProvenance: private collection CardiffComments: framed, glazed, ready to hang, CCA Galleries label verso

ALBERT IRVIN (1922-2015), limited edition screenprint (27/90) - 'Copperas', dated '91, signed, dated and titled in pencil, blind stamp Advanced Graphics London (i) 88 x 120cmsProvenance: private collection CardiffComments: framed, glazed, ready to hang, CCA Galleries label verso

A Dissolving Set of Lantern Slides With a Snow Effect, comprising of three wooden framed slides, the first a hand-painted static image of carol singers in the moon lit snow before a house, the second slide with a family in the warm glow of a house behind a red curtain that rises, the third a perforated blind to give the effect of falling snow, slides, 7" x 4.5" Note: According to the vendor 'this dissolving set has been used as the final item in many Christmas performances. The complete set of only three slides provide a mini show as the snow starts to fall, the light in one of the lens systems is slowly increased to reveal a group of carol singers assembled outside a country house. A light is switched on inside the front room and the blind slowly raised to show the family gathered as they listen to the carol and finally the blind is lowered'

Stereoviews by J Cramb J Cramb 9 from the London Series, some with J Cramb blind stamp. 9 views in Scotland, some with J Cramb blind stamp and 3 others.(21). Handling wear and some fading to the images.

*Bernard Cheese (1925-2013) print - Trout on a Plate, 12/35, signed and blind stamped, 43cm x 48cm, unframed

George II Chippendale mahogany toilet mirror, the swing plate with re-entrant angles, the platform base with three drawers flanked by blind fret angles on ogee bracket feet, 53cm wide

Photography - A W. Butcher & Sons "The National Camera", half-plate folding camera, mahogany body, Thornton-Pickard roller blind shutter, brass barrel lens, apparently unmarked.; Two plate carriers.

A ‘George III’ mahogany Pembroke table, oval top with fall leaves above a single frieze drawer, blind to verso, tapered square legs, brass casters, 71.5cm high, 48.5cm opening to 96cm wide, 85.5cm deep, elements c.1810

A 19th century Chippendale Revival chest, canted rectangular top above two short and three long graduated cockbeaded drawers, brass swing handles, pierced batwing backplates, blind fretwork foreangles, bracket feet, 83cm high, 102cm wide, 51cm deep

A 19th century Continental walnut and marquetry bureau plat, rectangular top with inset tooled and gilt leather writing surface above three frieze drawers, blind to verso, shaped apron carved and applied with scrolls, cabriole legs, scroll feet, 78.5cm high, 151.5cm wide, 79cm deep, c.1870

A Chippendale Revival mahogany and blind fretwork library bookcase, moulded cornice above a pair of astragal glazed doors enclosing two shelves, the projecting base with a pair of frieze drawers, 177.5cm high, 76cm wide, 45cm deep, early 20th century

A Chippendale Revival mahogany break-centre library bookcase, astragal glazed doors, the projecting base with panel doors, outlined with blind fretwork, bracket feet, 250cm high, 204cm wide, 52.5cm deep, c.1890

A Post-Regency mahogany drum table or rent table, circular top with inset tooled and gilt leather writing surface, above four frieze drawers, divided by blind, turned column, reeded sabre legs, brass capped casters, 80cm high, 117cm, 19th century

A Post-Regency mahogany drum table, circular top with reeded edge and inset tooled and gilt leather writing surface, above three frieze drawers, divided by blind, turned column, sabre legs, brass capped casters, 77.5cm high, 107.5cm diameter, 19th century

A Post-Regency mahogany Pembroke table, rounded rectangular top with moulded edge above a single frieze drawer, blind to verso, turned column, sabre-form cabriole legs, brass-capped casters, 72cm high, 53cm opening to 97cm wide, 81.5cm deep, c.1830

A Sheraton Revival satinwood crossbanded mahogany bowfront bedroom or chamber cabinet, oversailing top with a pair of hinged covers enclosing an arrangement of compartments, bone handles, above a blind drawer and a pair of doors, tapered square legs, 79cm high, 55cm wide, 34cm deep, c.1905

A George II Revival mahogany serpentine serving table, oversailing marble top above a blind fretwork frieze carved and applied with stylised waves, cabriole legs carved to the knees with C-scrolls, acanthus and bell husks, ball and claw feet, 86cm high, 121cm wide, 59cm deep

A George III mahogany banded oak splay-front corner cabinet, reeded cornice above a panel door and a spice drawer, flanked by blind, 122.5cm high, 80cm wide, 48cm deep

A Post-Regency mahogany bedroom night cupboard, rectangular top with channelled edge and three-quarter gallery, above a blind drawer and cupboard door, reeded tapered cylindrical legs, brass casters, 80.5cm high, 52cm wide, 55.5cm deep, c.1830

A Victorian Gothic Revival oak pedestal centre table, octagonal top above a dog-tooth frieze, chamfered square pillar carved with blind tracery, incurve base, outswept feet, 72.5cm high, 48cm wide, c.1850

An early Victorian mahogany Pembroke table, rounded rectangular top with moulded edge and fall leaves above a single frieze drawer, blind to verso, turned legs, brass casters, 75cm high, 52.5cm wide, 91cm deep, c.1840

A 19th century mahogany sofa table, rounded rectangular top with fall leaves above a frieze drawer, blind to verso, turned stretcher, sabre legs, brass casters, 74.5cm high, 63cm wide, 61cm deep, 19th century with alterations and reductions

Franz Liszt - a large photograph, signed and inscribed, showing Liszt in his study at Weimar, by Louis Held, blind stamped Louis Held Weimar 1884, the mount inscribed Meinem Liebster Bädedecker—(Frau Carrie Lachmund) herzlich ergebend F Liszt, Juli 84-Weimar, framed, 49.5cm x 55cm overallLouis Held (1851-1927) was court photographer at Weimar from 1882: "He forever changed the field of Liszt iconography. Held's portraits of Liszt...are unsurpassed in both content and form" (Alan Walker, Franz Liszt. The Final Years (1996), p.7). Caroline Lachmund was the wife of the American pianist Carl Lachmund, one of Liszt's pupils at Weimar (Walker, p.419)Provenance: Sotheby’s Music sale, London, 04 December 2007, lot 72.

A George IV mahogany room centre library writing table, rounded rectangular top with inset tooled leather writing surface, above four ebony cockbeaded frieze drawers, the ends with blind, turned and reeded legs, brass casters, 75cm high, 122cm wide, 74cm deep, c.1825

A George III mahogany Pembroke table, rounded rectangular top with channelled edge and fall leaves above a single frieze drawer, blind to verso, turned legs, 67cm high, 53.5cm opening to 106cm wide, 86cm deep, c.1810

A George IV mahogany work table, rounded rectangular top with fall leaves above a pair of frieze drawers, blind to verso, tapered reeded legs, brass casters, 71cm high, 37.5cm opening to 74cm wide, 47.5cm deep, c.1825

A Regency mahogany pedestal drum table, of small and neat proportions, circular top with inset tooled and gilt leather writing surface above four frieze drawers, divided by four further blind, spreading square column, incurve square base, brass paw feet, 69.5cm high, 43.5cm diameter, c.1820

A Regency mahogany sofa table, possibly Irish, rounded rectangular top with fall leaves above a pair of frieze drawers, blind to verso, turned supports, rope twist stretcher, hipped sabre legs applied with draught-turned roundels, brass casters, 71.5cm high, 94.5cm opening to 144cm wide, 70cm deep, c.1820

A Regency Revival mahogany sofa table, crossbanded rounded rectangular top with fall leaves above a pair of frieze drawers, blind to verso, turned stretcher, sabre legs, brass paw-capped casters, 70cm high, 109cm opening to 159.5cm wide, 61cm deep, late 19th/early 20th century

After Basile Ede,Bird prints, a set of six,signed and with blind stamp,22x31cm,and a collection of other prints including two after Louise Rayner.Qty: Qty

Helen Bradley, The Fair at Daisy Nook,colour print, signed and with blind stamp,53x77cm,and Sunday Afternoon in Alexandra Park, colour print, signed and with blind stamp, 43x52cm, both with original cards.Qty: 2

Peter Scott print,Widgeon in flight,colour print, signed and with blind stamp,38x55cm.

A pair of three light figural porcelain candelabra, Blind Man's Buff, naturalistic floral and foliate base, fixed sconces, crossed swords mark, 29cm.Condition report:Item 1 - repair to man's arm, repair to base, losses to branches and leavesItem 2 - losses to woman's fingers, losses to leaves, chips to leaves on sconcesBoth items may have had their sconces repaired.Please see additional uploaded images.

A pair of reproduction George III style mahogany bedside tables, with blind fret aprons, on square moulded legs, width 40cm, depth 40cm, height 73cm

A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include a William Russell Flint limited edition print 'Mill Pool St Jean de Cole', published 1980 numbered 136/850 with blind stamp bottom left, approximate size 54cm x 70cm including visible margins (frame damaged), an open edition print 'Unexplored City ' by the same hand, four modern Chinese paintings on fabric depicting flowers, a Gerald Coulson open edition print 'The Ploughman and the Sea', four botanical prints depicting fruit, four prints depicting race horses, reproduction maps, and a display case with glass shelves etc

THOMAS A EDISON, AN EARLY 20TH CENTURY MAHOGANY AND BEECH CASED EDISON DISC PHONOGRAPH, model LU-37, No. SM-26101, the hinged lid enclosing the turntable, a swinging arm and stop/start lever, the case with blind fretwork detail, above a door that's enclosing thirty-three divisions and sixteen various Edison discs, width 45cm x depth 51cm x height 110cm (condition report: winding handle present, mechanism working and plays discs, general signs of wear and usage to case and discs)

ELIOT, George (Pseud. Marian EVANS): Felix Holt. The Radical, in Three Volumes. Edinburgh and London: William Blackwood and Sons 1866, First Editions (Baker & Ross's and Carter's binding D, the spines with 'The Radical' appearing in the title and a small leafy ornament below). All three half-titles present, plus a 4 page 'publisher's adverts'. pp. [4], 303 [1bl]; [4], 290; [4], 283 [1bl], 4pp (publisher's adverts). Original publisher's brick red blind-stamped cloth with gilt lettering to spines, yellow endpapers. Light rubbing to covers; owner's name etc. in pencil to front endpapers. A VERY GOOD AND CLEAN SET (3)

Anthony TROLLOPE: TWO FIRST EDITIONS, etc: TROLLOPE, Anthony: 1- Ayala's Angel, in Three Volumes. Chapman & Hall, 1881, First Editions. PP: iv, 280; iv, 272; iv, 277. Original orange silk-grain cloth, titles in gilt to spines, Boards and spines with decorations blocked in black, black endpapers. Covers rubbed and with tears; first gathering in volume one detached; inner hinges cracked; 2- The Life of Cicero, in Two Volumes. Chapman & Hall, 1880, First Editions. PP: vii, (i) blank, 280; vii, (i) blank, 423. Maroon cloth with gilt lettering to spines, Inscription to front blank and owner's name stamped to title page of volume two; 3- British Sports and Pastimes. Virtue, Spalding, & Co., no date, early edn. Original blind-stamped boards, 322pp. (6)

W B YEATS: THREE FIRST EDITIONS, Etc: YEATS, W B: Charles Ricketts (ill): Early Poems and Stories, Macmillan, 1925, 1st. Edn. DW by Ricketts (10/6). 2908 copies printed. PP: x, 528, (ii) Adv. Publisher's original green cloth, blind stamped with decoration by Ricketts and with gilt lettering to spine. Spotting to endpapers; o/w VG++/Fine copy; POEMS. Fisher Unwin, 1901, 1st. Edn. Thus with a new introduction by Yeats (First published in 1895 and 2nd Edn. 1899). 304pp. Original Publisher's highly decorative covers in gilt. G+; Mythologies, 1959, 1st Edn. DW (21s); A Vision, 1962, Revised with corrections. DW (30s); VG; Harper, GM: 1- Yeats's Golden Dawn. Macmillan, 1974, 1st Edn. DW (£7); VG+; 2- A Critical Edition of Yeats's A Vision (1925). Macmillan, 1978, 1st Edn. DW (£20); VG+; Plus 3 books relating to Yeats (9)

A VG+/VG+ lot of Cream and Blind Faith albums - 3 in total - Gears is the RSO press

Edwardian mahogany display cabinet, break-bow-front with moulded cornice over blind fretwork frieze, enclosed by two glazed doors, fitted with two cupboards, on square tapering supportsDimensions: Height: 189cm  Length/Width: 138cm  Depth/Diameter: 46cm

Archibald Coates of Wigan - Eight-day 18th century oak longcase clock with a flat top and blind frieze beneath, square hood door flanked by reeded pilasters with wooden capitals, trunk with reeded quarter columns and long door with a wavy top, on a square plinth with applied shaped skirting, brass dial with cast spandrels plain dial centre with seconds dial and square date aperture, slivered chapter ring with Roman numerals, five minute Arabic's and minute track, dial pinned to a weight driven rack striking movement striking the hours on a bell. With weights and pendulum. Dimensions: Height: 215cm  Length/Width: 50cm  Depth/Diameter: 25cm

LIBRARY OF SIXTEEN GWASG GREGYNOG PRESS PUBLICATIONS comprising (1) Agnes Miller Carter, limited edition (8/15) special binding, wood engravings from XXI Welsh Gypsy Folk-Tales, John Sampson and the Gypsies of Wales by Ian Rogers, fine condition (2) Cerddi Waldo Williams, limited edition (9/250), written and illustrated by J. E. Caerwyn Williams and Rhian Davies, (3) Gwendolin Seventy Five Years On', limited 'red box' edition, one of 25, (4) 'Cathedral Builders and Other Poems' by John Ormond, limited edition (16/50), with drawings by the author, (5) 'A Descriptive Catalogue of Printing at Gregynog, 1970-1990' by David Esslemont & Glyn Tegai Hughes, limited edition (791/900), quarter leather copy by Alan Wood, one of one hundred bindings, (6) 'Gregynog Poets', limited edition (23/400), series of twelve poems by some of the best known poets in Wales, selected by Meic Stephens, each poem presented individually and accompanied by a specially commissioned wood engraving, presented in Solander drop-back box, (7) Johann Wolfgang Goethe (1749-1832) limited edition (12/200) volume of Goethe Poems bound in quarter leather and printed on mould-made paper at Gwasg Gregynog 2000, (8) 'Cerddi Robert Williams Parry', limited edition (6/200), in quarter green goatskin, blind rule, with green buckram boards, the title blind embossed on upper cover and titles in gold to spine, printed in 1980, (9) 'Inwards Where All the Battle', limited edition (4/300) a selection of Alun Lewis's writings from India, with drawings by David Gentleman, bound in quarter-leather and printed by Gwasg Gregynog, 1997, (10) 'Emynau Williams Pantycelyn', limited edition (32/100) quarter leather binding, (11) 'David Lewis Jones - A Tribute', limited edition (9/30) in full cloth binding, (12) 'Lazarillo de Tormes', limited edition (9/80) quarter leather bound, drawn out of Spanish by David Rowland with wood engravings by Frank Martin, (13) The Story of the Afanc King & The Sons of Teyrnon', limited edition (55/200),with words by Christopher Meredith, images by Sara Philpott, (14) 'Hwiangerddi' by O M Edwards, limited edition (6/100), quarter leather bound by Alan Wood, illustrations by Jac Jones, (15) 'The Lost Children' by Byron Rogers, 2005, limited edition (4/300), in red cloth slipcase, (16) 'Gwyddau Yng Ngregynog (Geese at Gregynog)', limited edition (42/250) R. Gerald Jones, wood engravings by Colin See-Paynton

"Amor als Blinder". OriginaltitelAuf profiliertem, marmoriertem Rundsockel stehender Amor mit verbundenen Augen beim "Blinde-Kuh"-Spiel. Polychrome Malerei mit Goldstaffage. Entw. Heinrich Schwabe. Modell-Nr. L 119. Minim. best.; Schwertermarke. H. 18 cm.A porcelain figure of a cupid playing "Blind man's buff". Minor chipped. Crossed swords mark.Meissen. Ende 19. Jh.

Salvador Dalí(1904 Figueras - 1989 ebenda) nach ElephantenChromolithographie/Velin. Sign. oder bez., nummeriert MIII/MM (1003/2000), Blindstempel sowie im Stein bez., sign. und dat. 1964. Nach einem Werk Dalís aus dem Jahr 1964. Darstellung 32 cm x 42,4 cm. Rahmen. After a work of Salvador Dalí from the year 1964. Lithograph in colours on wove paper. Hand-signed or inscribed, numbered MIII/MM and with blind stamp. Signed, dated and inscribed in the stone.

An Edwardian silver vesta case, engraved acanthus leaf decoration, with a blind shield, Birmingham 1908, together with a smaller silver vesta, combined weight 43g (2) 

Pair of Staffordshire figures (A/F), together with a coloured Parianware figure of a masked gentleman playing Blind Mans Bluff, 15" tall