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Lot 56
Local, OXFORDSHIRE, Radley College, Oxford, 1857, a silver vessica-shaped award, unsigned, full-length figure of St Peter on capital, rev. eagle, serpent and scroll, edge named (C.V. Carlisle, 1906), 80 x 49mm, 148.90g. Details and suspension loop carefully gilded, extremely fine; an impressive award £100-£120 --- Charles Valentine Carlisle (1888-1958) attended Radley from 1901.
Lot 849
Panamarenko signed "Nouvelle sunthèse d'Anvers' - box with complete contents edited on the occasion of 'Antwerp Cultural Capital' dd 1993 || PANAMARENKO (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) "Nouvelle sunthèse d'Anvers' - box met volledige inhoud dd 1993, uitgegeven ter gelegenheid van 'Antwerpen Culturele Hoofdstad' getekend Concept en lay-out door PANAMARENKO (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) en Ronny de Meyer. Het bevat 2 publicaties, een video, een CD met kaartenset en een genummerd plexi plaatje
Lot 219
Greville, Robert Kaye, Scottish Cryptogamic Flora, or Coloured Figures and Descriptions of Cryptogamic Plants, Greville, Robert Kaye, Scottish Cryptogamic Flora, or Coloured Figures and Descriptions of Cryptogamic Plants belonging chiefly to the Order Fungi; and Intended to Serve as a Continuation of English Botany, Printed for Maclachlan & Stewart, Edinburgh; and Baldwin, Cradock & Joy, London, 1823, 6Vol. in 3 books, late 19th century(?) half calf binding in green with gilt lettering to spine, with 360 hand-coloured plates, Robert Kaye Greville, a prominent figure in 19th-century botany, left an indelible mark on the scientific world with his groundbreaking work in cryptogamic flora. Born in Bishop Auckland, Durham, Greville's early years were shaped by his parents, Dorothy and Robert Greville, the latter being the rector of the parish church in Edlaston, Derbyshire. His childhood fascination with natural history evolved into a lifelong commitment, although his path initially led him to the study of medicine. However, realizing that his passion for botany outweighed the pursuit of a medical career, Greville made a bold decision to abandon four years of medical education in London and Edinburgh, focusing instead on his true calling. In 1816, Greville married Charlotte Eden, the niece of William Eden, 1st Baron Auckland. Greville's dedication to botany became more apparent in 1823 when he embarked on the ambitious project of illustrating and publishing the "Scottish Cryptogamic Flora." This monumental work was released in monthly parts and aimed to complement the catalog of flora found in Smith and Sowerby's "English Botany." Greville meticulously drew each specimen himself, accompanied by detailed text, creating a comprehensive depiction of the Scottish cryptogamic flora during the early 19th century. The following year, in 1824, Greville expanded his botanical contributions with the publication of "Flora Edinensis," a guide to the flora of Edinburgh. His dedication and scholarly contributions did not go unnoticed, as evidenced by the University of Glasgow awarding him a doctorate in 1826. Greville's influence extended beyond publications; he delivered numerous lectures in the natural sciences and amassed collections that were later acquired by the University of Edinburgh, preserving his specimens of plants and fungi in the Herbarium of the Royal Botanic Garden Edinburgh. Notable among Greville's adventures was a boat trip to the Isle of May in late 1826 or early 1827, accompanied by students William Ainsworth and Charles Darwin. Despite his eminence as a cryptogamist, Greville's contagious laughter at seabirds led him to lie down on the greensward, creating a memorable moment for his companions. In 1828, Greville received a significant honor when Mount Greville in Queensland was named in his honor by fellow botanist Allan Cunningham. This mountain, now part of Moogerah Peaks National Park, stands as a testament to Greville's global impact on botany. Beyond his botanical pursuits, Greville showcased his diverse interests. In 1835, he published piano music for a sacred melody, and in 1839–40, he served as president of the Botanical Society of Edinburgh for the first time. Greville's engagement in political causes, such as abolitionism, capital punishment, Sunday observance, and the temperance movement, reflected his commitment to social issues. In 1840, Greville played a key role as one of the vice-presidents at the World's Anti-Slavery Convention in London, illustrating his dedication to humanitarian causes. His involvement in various learned societies, including the Biological Society and the Royal Society of Edinburgh, showcased his standing as a respected figure in the scientific community. Greville's impact extended internationally, as he held honorary memberships in the Royal Irish Academy and the Howard Society, along with corresponding memberships in natural history societies in Brussels, Paris, Leipzig, and Philadelphia. Notably, he served as the secretary of the Sabbath Alliance and contributed to the compilation of the Church of England's 1838 hymn book. Towards the end of his life, Greville faced financial challenges, prompting him to transition to professional artistry, creating landscape paintings that were exhibited. Despite financial hardships, he remained dedicated to his botanical work. In 1865–66, Greville served as President of the Botanical Society of Edinburgh for the second and final time. He continued to be actively involved in his research until his passing on June 4, 1866, at his home in Murrayfield, Edinburgh. Greville's legacy endures through his contributions to botany, his dedication to social causes, and his impact on the scientific community. His burial in Dean Cemetery in Edinburgh marks the final resting place of a man whose passion for nature and humanity left an everlasting imprint on the world of science and beyond.
Lot 1375
A 19th century Adam Revival mahogany library bookcase, arched cresting carved and applied with a sunflower and bell husks, nulled capital above a pair of glazed doors enclosing eight adjustable shelves, the projecting base with a pair of panel doors, each enclosing a further adjustable shelf, plinth base, 261.5cm high, 171.5cm wide, 42.5cm deep
Lot 1554
A Sheraton Revival satinwood and marquetry serpentine display cabinet, moulded cornice with simulated dentil capital above a glazed door enclosing four shelves, the lower panels tulipwood crossbanded and inlaid with Classical urns, tapered legs, spade feet, 186cm high, 145.5cm wide, 43cm deep, c.1900
Lot 1556
A Sheraton Revival satinwood banded mahogany and marquetry floor-standing corner display cabinet, broken arch pediment with dentil capital above a pair of astragal glazed doors enclosing three shelves, the base with a pair of panel doors inlaid with scrolling acanthus and flower head bosses, enclosing a further shelf, bracket feet, 218.5cm high, 79cm wide, 35cm deep, c.1900
Lot 1628
An Edwardian Sheraton Revival tulipwood and rosewood crossbanded satinwood break-centre display cabinet, outswept cornice with simulated dentil capital above an astragal glazed door enclosing two shelves, the projecting base with a drawer and door, enclosing a shelf, tapered square legs, spade feet, outlined throughout with boxwood and ebony stringing, 200.5cm high, 125.5cm wide, 46cm deep, c.1905
Lot 1661
A pair of unusual Arts & Crafts period oak flanking credenzas, each with a slightly oversailing top with moulded edge and dentil capital above a bevelled glazed door enclosing two shelves, neighboured on one side by a curved glazed vitrtine door, the other, a niche and three short drawers, divided and flanked by earthenware columns, plinth base, each 85.5cm high, 143cm wide, 40cm deep, c.1900
Lot 541
Ca. AD 900 - 1100.A 22 ct gold pendant with a lunate shape and a loop for suspension. The Viking culture, contrary to popular belief, was greatly influenced by the peoples with whom it came into contact in both cults and customs. But this is completely normal considering that they were possibly amongst the greatest travellers in history and consequently connoisseurs. In jewellery, the style and iconography of the late Viking period 10th and 11th centuries were strongly inspired by Byzantine productions, the only place in the world during that historical period capable of launching fashions, creating styles and crafting objects to be traded with the entire western area that was being raided precisely by the Vikings. We are therefore not surprised that a motif such as the moon motif from Roman fashion and then passed down through Constantinople could be found around the necks of prominent Viking warriors. We also know that seven thousand Vikings formed the Varangian Guard under the direct command of the emperor of Costantinople. The threads that bound the Vikings to the capital of the Eastern Roman Empire were many and well intertwined. For similar see: Viking Art. Thames and Hudson, pg. 67, n. 64. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 24mm x 18mm; Weight: 2g Provenance: From the private collection of a Cambridgeshire gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
Lot 3
New Kingdom, XVIIIh Dynasty, reign of Amenhotep IV-Akhenaten, Ca. 1353 - 1336 BC.A sandstone relief depicts a high official originally sitting in front of a balance. He is depicted according to the new artistic canons: feminine breast, prominent belly, long and expressive face, thin arms with long hands and tapering fingers. His right arm is raised in a gesture of command, and his left arm is bent at elbow, with the hand gripping a scribe's writing palette. The man wears a transparent robe and thickly wavy wig, typical elements of clothing in Amarna Period. A hieroglyphic text divided into four columns shows the titles and the unfortunately incomplete name of the person. However, it is possible to reconstruct his name both based on the hieroglyphs, albeit incomplete and based on the titles: he is probably Huya, a high official of Pharaoh Akhenaten and steward of Queen Tiye, Pharaoh's mother. Behind the figure of Huya we can see the bust of a standing figure with a shaved head, represented in smaller dimensions than Huya. The column of hieroglyphs above it shows only his name: Meh, he was probably a servant of Huya. Along the right side, the fragment has a raised edge, which allows us to affirm that it comes from the corner area of the wall of a tomb. The relief fragment was part of a larger scene of weighing the gold of the tributes, an activity in which Huya in his function of “Overseer of the Double Treasury” presided. The piece is dated to the late New Kingdom, precisely during the reign of the “heretic Pharaoh” Amenhotep IV-Akhenaten (1353-1336 BC). In addition to revolutionising Egyptian religion, by imposing the cult of the solar disk Aten, he gave impulse to a new artistic style, characterised by exaggerated forms, called 'Amarna art' by scholars, from the name of the village of Tell el-Amarna, in Middle Egypt, the place where stood the ancient city of Aketaten “Horizon of the Sun-Disk”, founded by Akhenaten to be the new capital of Egypt. For similar see: La storia della scultura del Mondo, Egitto1978, p. 146 fig.2. This piece is accompanied by a report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 420mm x 410mm; Weight: 9.15kg Provenance: Property of a London collector; formerly with Mayfair family S. A., acquired from a London professor in the late 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 547
Ca. AD 500 - 700. An extraordinary cross-shaped pendant made of rock crystal in a conical shape, with the widest part facing outwards, joined by a 21 ct gold bezel enclosing a circular garnet. At the ends of the crystal arms are gold end pieces decorated with filigree arranged in circles. An object of great value that was made and used by a prominent figure in the capital of Constantinople. it could be a high prelate or even a person from the imperial family. The refined decorations and precious materials of this object came from specialised workshops that were almost certainly located in the capital at that time. The taste is strictly from the eastern part of the empire. This cross may also have been made as a gift between people of the highest social standing, perhaps even between emperors and kings. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: 50mm x 33mm; Weight: 12g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 43
Amsterdam is the vibrant capital city of the Netherlands, renowned for its picturesque canals, historic architecture, rich cultural heritage, and progressive outlook. Situated in the western part of the country, Amsterdam is known for its distinctive blend of old-world charm and modern sophistication, making it a popular destination for tourists, artists, and entrepreneurs alike.The city's iconic canal belt, a UNESCO World Heritage Site, is lined with elegant 17th-century canal houses, many of which have been converted into museums, galleries, shops, and cafes. Visitors can explore Amsterdam's cultural treasures at world-class institutions such as the Rijksmuseum, Van Gogh Museum, and Anne Frank House, which offer insights into the city's artistic, historical, and social significance.Amsterdam is also celebrated for its diverse and cosmopolitan atmosphere, with a vibrant culinary scene, lively nightlife, and multicultural population. The city is home to a thriving creative community, with a burgeoning arts scene, innovative startups, and a reputation as a hub for design, fashion, and technology.Beyond its urban attractions, Amsterdam boasts abundant green spaces, including the expansive Vondelpark and scenic waterfronts, where locals and visitors alike gather to relax, cycle, and enjoy the outdoors. The city's bike-friendly infrastructure and network of cycle paths make it easy to explore its many attractions and neighborhoods on two wheels.With its blend of historic charm, cultural vibrancy, and forward-thinking spirit, Amsterdam continues to captivate visitors from around the world, offering a unique and unforgettable experience that reflects the essence of Dutch culture and hospitality.Measures 33 x 24.Canvas backed.
Lot 293
Washington, D.C., the capital of the United States, is a city steeped in history, culture, and political significance. Situated along the Potomac River on the country's East Coast, Washington, D.C. is home to iconic landmarks, world-class museums, and diverse neighborhoods that reflect the nation's past, present, and future.The city's most famous address is 1600 Pennsylvania Avenue, the location of the White House, the official residence and workplace of the President of the United States. Adjacent to the White House is the National Mall, a sprawling green space flanked by the Washington Monument, the Lincoln Memorial, the U.S. Capitol Building, and a series of Smithsonian museums, including the National Museum of American History, the National Air and Space Museum, and the National Gallery of Art.Washington, D.C. is also known for its vibrant neighborhoods, each with its own distinct character and charm. From the historic streets of Georgetown, with its cobblestone sidewalks and upscale boutiques, to the hip and eclectic vibe of Adams Morgan, with its diverse array of restaurants, bars, and live music venues, the city offers something for everyone to explore and enjoy.In addition to its political and cultural significance, Washington, D.C. is a hub for education, research, and innovation, with numerous universities, think tanks, and government agencies located throughout the city. The city's dynamic economy attracts professionals from a wide range of industries, including government, technology, healthcare, and hospitality.Washington, D.C. is also a city of green spaces and outdoor recreation, with a network of parks, trails, and waterfronts that offer opportunities for hiking, biking, boating, and picnicking. Rock Creek Park, the largest urban park in the city, provides a tranquil escape from the hustle and bustle of downtown, while the Tidal Basin offers stunning views of the cherry blossoms in the springtime.Overall, Washington, D.C. is a city of contrasts, where historic landmarks stand alongside modern skyscrapers, and where political power intersects with cultural diversity. Whether exploring its iconic monuments and museums, strolling through its charming neighborhoods, or experiencing its vibrant arts and culinary scenes, Washington, D.C. offers a truly unique and memorable experience for visitors from around the world.Measures 33 x 24.Backed by canvas.
Lot 357
Dublin, the capital city of Ireland, is a vibrant and historic destination renowned for its lively atmosphere, rich culture, and friendly locals. Situated on the east coast of Ireland, Dublin is a city steeped in history, with roots dating back over a thousand years.At the heart of Dublin lies the River Liffey, which divides the city into two distinct halves: the north side and the south side. The city's historic center is characterized by its charming Georgian architecture, cobblestone streets, and picturesque squares. Visitors can explore landmarks such as Trinity College, home to the famous Book of Kells, and Dublin Castle, a symbol of the city's medieval past.Dublin is also famous for its vibrant pub culture, with countless traditional Irish pubs scattered throughout the city. Visitors can enjoy live music, hearty Irish fare, and a pint of Guinness or a glass of Irish whiskey while soaking up the lively atmosphere and chatting with locals.The city's cultural scene is thriving, with world-class museums, galleries, and theaters showcasing Irish art, literature, and history. The National Gallery of Ireland, the National Museum of Ireland, and the Abbey Theatre are just a few of the city's cultural highlights.Dublin is also a city of literature, with a rich literary heritage that includes famous writers such as James Joyce, Oscar Wilde, and W.B. Yeats. Visitors can explore sites associated with these literary giants, including the James Joyce Centre, the Oscar Wilde House, and the Dublin Writers Museum.Beyond its historic and cultural attractions, Dublin offers plenty of opportunities for outdoor recreation, with parks, gardens, and scenic coastal walks within easy reach of the city center. Visitors can also take day trips to explore the beautiful countryside and coastal villages of County Dublin and beyond.With its rich history, vibrant culture, and warm hospitality, Dublin offers a unique and unforgettable experience for visitors of all ages and interests. Whether you're exploring its historic landmarks, enjoying its lively pubs, or immersing yourself in its literary heritage, Dublin is sure to leave a lasting impression.Measures 30 x 21.Canvas backed.
Lot 66
Malick Sidibe was a renowned Malian photographer known for his powerful black-and-white images that captured the vibrancy and spirit of Mali's youth culture during the 1960s and 1970s. His work has had a profound influence on African photography and contemporary art. Here's an overview of his life and contributions:**Early Life and Education:**1. **Birth:** Malick Sidibé was born on March 25, 1936, in Soloba, a village in French Sudan (now Mali).2. **Photographic Training:** He initially worked as an apprentice in a photography studio in the capital city of Bamako, where he learned the technical aspects of photography.**Photographic Career:**3. **Studio and Portraiture:** Sidibé eventually opened his own studio in Bamako, where he gained recognition for his portrait photography. He became known for his ability to capture the personalities and aspirations of his subjects.4. **Youth Culture:** What sets Sidibé apart is his documentation of the vibrant youth culture in Bamako during the 1960s and 1970s. He captured the exuberance of dance parties, celebrations, and social gatherings, reflecting the changing cultural landscape in post-independence Mali.5. **Black-and-White Photography:** Sidibé primarily worked with black-and-white film, and his images are characterized by their stark contrast and intimate, candid style.6. **Recognition:** His work gained international acclaim, and he received numerous awards and honors for his contributions to photography and art.**Legacy:**7. **Influence:** Malick Sidibé's photographs are celebrated for their ability to convey the joy, hope, and sense of identity of his subjects. His work has had a significant influence on contemporary African photography and global visual culture.8. **Museum Exhibitions:** His photographs have been exhibited in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York City.9. **Collector's Items:** Sidibé's original prints have become highly sought-after collector's items, reflecting the enduring value and importance of his work.**Passing:**10. **Death:** Malick Sidibé passed away on April 14, 2016, in Bamako, Mali, leaving behind a rich photographic legacy.Malick Sidibé's photographs continue to be celebrated for their ability to capture the spirit of a transformative era in Mali's history. His work remains a source of inspiration for photographers and artists, highlighting the power of photography to document and celebrate culture and identity.Measures 6 x 6.
Lot 252
Arizona, located in the southwestern United States, is a state renowned for its stunning natural beauty, diverse landscapes, and rich cultural heritage. Known as the "Grand Canyon State," Arizona is home to one of the world's most iconic natural wonders, the Grand Canyon, a breathtaking gorge carved by the Colorado River over millions of years.In addition to the Grand Canyon, Arizona boasts a wealth of other natural attractions, including the majestic red rock formations of Sedona, the towering cliffs of Monument Valley, and the scenic desert landscapes of Saguaro National Park. Outdoor enthusiasts flock to Arizona to explore its numerous hiking trails, rock climbing routes, and scenic drives, while wildlife enthusiasts can spot diverse species of birds, mammals, and reptiles in the state's diverse ecosystems.Arizona is also rich in Native American history and culture, with numerous tribes calling the state home for thousands of years. Visitors can learn about the traditions and heritage of Arizona's indigenous peoples at cultural centers, museums, and archaeological sites such as Canyon de Chelly and Montezuma Castle.The state's vibrant cities offer a mix of urban amenities, cultural attractions, and outdoor recreation. Phoenix, the state capital, is a bustling metropolis known for its vibrant arts scene, championship golf courses, and world-class dining. Tucson, home to the University of Arizona, offers a laid-back atmosphere, historic neighborhoods, and a thriving food and music scene.Arizona's diverse population, which includes a large Hispanic and Latino community, adds to the state's cultural richness and culinary diversity. Visitors can savor authentic Mexican cuisine, including tacos, burritos, and tamales, as well as regional specialties such as Navajo fry bread and Sonoran hot dogs.With its stunning landscapes, rich history, and vibrant culture, Arizona offers endless opportunities for exploration and adventure, making it a must-visit destination for travelers seeking to experience the beauty and diversity of the American Southwest.Measures 33 x 24.Backed by linen.
Lot 269
Paris, the capital city of France, is renowned worldwide for its timeless elegance, rich history, and unparalleled cultural offerings. Often referred to as the "City of Light" (La Ville Lumière), Paris is celebrated for its iconic landmarks, artistic treasures, and romantic ambiance.At the heart of Paris lies the majestic Eiffel Tower, an enduring symbol of the city and one of the most visited monuments in the world. Visitors flock to the tower to admire its stunning architecture, ascend to its observation decks for panoramic views of the city, and experience the magic of its twinkling lights at night.Paris is also home to an array of world-class museums and art galleries, including the Louvre, the Musée d'Orsay, and the Centre Pompidou, which showcase masterpieces by some of history's greatest artists, from Leonardo da Vinci and Michelangelo to Monet, Van Gogh, and Picasso.The city's historic neighborhoods, such as the Marais, Montmartre, and Saint-Germain-des-Prés, exude charm and character, with their cobblestone streets, quaint cafes, and vibrant street markets. Visitors can stroll along the Seine River, explore hidden courtyards and gardens, and soak up the atmosphere of Parisian life.Paris is also renowned for its culinary delights, with an abundance of bistros, brasseries, and Michelin-starred restaurants offering exquisite French cuisine. From croissants and baguettes to escargot and foie gras, Paris tantalizes the taste buds with its delectable dishes and culinary traditions.Beyond its iconic landmarks and cultural attractions, Paris offers endless opportunities for shopping, entertainment, and leisure. The city's boutiques, department stores, and flea markets cater to every style and budget, while its theaters, cabarets, and music venues provide a rich tapestry of entertainment options for visitors of all interests.With its timeless beauty, cultural richness, and romantic allure, Paris continues to captivate travelers from around the globe, offering an unforgettable experience that celebrates the art, history, and joie de vivre of the French capital.Backed by canvas.Measures 33 x 24.
Lot 372
Thomas Dworzak is a German photojournalist and documentary photographer known for his work covering conflict zones and capturing the complexities of human experiences. Born in Cologne, Germany, in 1972, Dworzak has worked extensively in regions marked by conflict, providing visual narratives that go beyond the immediate events to explore broader social and cultural contexts.Here are some key points about Thomas Dworzak:1. **Magnum Photos:** Thomas Dworzak joined Magnum Photos, a prestigious international photographic cooperative, in 2000 as a nominee member and became a full member in 2004. Magnum was founded by renowned photographers like Robert Capa and Henri Cartier-Bresson.2. **Chechnya and the Caucasus:** Dworzak has covered conflicts and socio-political issues in the Caucasus region, particularly focusing on Chechnya. His work provides a deep and nuanced understanding of the complexities of the conflict and its impact on individuals and communities.3. **Iran:** Dworzak has documented various aspects of Iranian society, offering a visual exploration of the country's cultural richness, political landscape, and the lives of its people.4. **Russia and Former Soviet Union:** Dworzak's work extends to other parts of the former Soviet Union, where he has documented the social and political changes in the post-Soviet era. His projects often highlight the diverse cultures and the effects of historical transformations.5. **Grozny: Nine Cities:** Dworzak's photobook "Grozny: Nine Cities" delves into the aftermath of the Chechen conflict, portraying the reconstruction efforts and the resilience of the people in Grozny, the capital of Chechnya.6. **Awards and Recognition:** Thomas Dworzak has received recognition for his contributions to photography, including awards such as the Alfred Fried Photography Award.7. **Multifaceted Approach:** Dworzak's photography is characterized by a multifaceted approach, combining traditional documentary techniques with an exploration of the broader socio-political and historical context.8. **Projects and Exhibitions:** Dworzak's work has been featured in various solo and group exhibitions globally, contributing to the broader conversation on documentary photography and conflict zones.9. **Educational Initiatives:** In addition to his photographic work, Dworzak has been involved in educational initiatives, including conducting workshops and sharing his experiences with aspiring photographers.Thomas Dworzak's photography reflects a commitment to capturing the human stories within the larger narratives of conflict and social change. Through his work, he provides viewers with a deeper understanding of the complexities of the regions he covers and the resilience of the people living in challenging circumstances.Verso is blank.
Lot 173
Los Angeles, often abbreviated as LA, is a vibrant and diverse city located in Southern California, USA. It is the second-most populous city in the United States, known for its iconic landmarks, cultural attractions, and entertainment industry.As the entertainment capital of the world, Los Angeles is home to Hollywood, the global center of the film and television industry. Visitors can explore famous attractions such as the Hollywood Walk of Fame, Grauman's Chinese Theatre, and the Hollywood Sign, as well as visit studios and see live tapings of television shows.Beyond Hollywood, Los Angeles boasts a rich cultural scene with world-class museums, galleries, and theaters. The Getty Center, the Los Angeles County Museum of Art (LACMA), and the Griffith Observatory are just a few of the city's cultural highlights. The city is also known for its vibrant music scene, with venues ranging from intimate jazz clubs to iconic concert halls like the Hollywood Bowl.Los Angeles is renowned for its diverse culinary scene, offering a wide range of cuisines from around the world. From gourmet food trucks and trendy eateries to Michelin-starred restaurants, the city has something to satisfy every palate. Additionally, LA's ethnic neighborhoods, such as Koreatown, Little Tokyo, and Chinatown, offer authentic dining experiences and cultural immersion.Outdoor enthusiasts will find plenty to explore in Los Angeles, with miles of coastline, scenic hiking trails, and picturesque parks. Popular outdoor destinations include Griffith Park, Runyon Canyon, and the beaches of Santa Monica and Venice.Despite its sprawling size, Los Angeles is a city of neighborhoods, each with its own distinct character and charm. From the hipster enclaves of Silver Lake and Echo Park to the upscale neighborhoods of Beverly Hills and Bel Air, there's a neighborhood to suit every lifestyle and preference.Overall, Los Angeles offers a dynamic mix of culture, entertainment, and natural beauty that attracts millions of visitors from around the world each year. Whether you're exploring iconic landmarks, indulging in world-class cuisine, or soaking up the California sunshine, LA has something for everyone to enjoy.Measures 33 x 24.Backed by linen.
Lot 120
Iceland, known as the "Land of Fire and Ice," is a Nordic island nation located in the North Atlantic Ocean. Despite its name, Iceland is characterized by stunning natural beauty, including dramatic landscapes, geothermal wonders, and an abundance of glaciers and volcanoes.The capital and largest city of Iceland is Reykjavik, which is home to over two-thirds of the country's population. Reykjavik is known for its vibrant arts and culture scene, with numerous museums, galleries, and music venues showcasing Icelandic creativity and talent.Iceland's natural attractions are among its biggest draws, with highlights including the Blue Lagoon, a geothermal spa renowned for its warm, mineral-rich waters; the Golden Circle, a popular tourist route featuring the Geysir geothermal area, the Gullfoss waterfall, and Thingvellir National Park, a UNESCO World Heritage Site; and Vatnajokull National Park, home to Europe's largest glacier and a diverse range of landscapes, including volcanoes, lava fields, and glacial rivers.The country's unique geography also provides opportunities for outdoor adventures such as hiking, horseback riding, whale watching, and even ice climbing and glacier trekking. Iceland's pristine wilderness and dark night skies also make it an excellent destination for stargazing and experiencing the Northern Lights.Despite its remote location and small population, Iceland boasts a modern and progressive society, with a high standard of living, strong social welfare system, and commitment to environmental sustainability. The country is known for its gender equality, renewable energy initiatives, and emphasis on education and innovation.Icelandic culture is rich and diverse, with a strong emphasis on literature, music, and folklore. The Icelandic sagas, written in the Middle Ages, are considered some of the greatest works of medieval literature, while contemporary Icelandic musicians such as Björk and Sigur Rós have gained international acclaim for their innovative and experimental music.Overall, Iceland's combination of natural wonders, cultural richness, and modern amenities make it a truly unique and unforgettable destination for travelers seeking adventure, relaxation, and inspiration.Measures 33 x 24.Backed by canvas.
Lot 376
Alfred Joseph CHARRON (1863-1955) "Genie des sciences" Bronze with shaded brown patina, on a griotte red marble base and column, capital and base in chased and gilded bronze, circa 1900. Signed on the base, founder's stamp Leon Virlet. - Weight: 22.33 kg - Shipping unavailable - Region: France - Sizes: H 740MM X L 370MM - At first glance: good condition
Lot 85
Attributed to Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768)"Virgin of Carmen and the souls in purgatory".Oil on canvas glued to board. On the back handwritten label indicating the property of Fray Juan de Lora (1722 - 1790) Spanish Bishop of Merida (Region of the Andes) and Maracaibo, will grant forty days of indulgence to the one who prayed a salve in front of this and evil. Signed in Velacruz on January 15, 1785.28.5 x 23.5 cm.Miguel Cabrera was one of the most renowned painters in the field of Novo-Hispanic painting of the eighteenth century, with a production that the Dallas Museum of Art defines as "legendary: more than 309 works from his great studio have been documented". Of all the painters of that time, Cabrera was the one with the greatest personality; the conventional treatment in his figures was undoubtedly the basis of his way of painting, since he placed in his paintings models that were not ideal, but corresponded to people that the artist knew and treated, as when he incorporated in some paintings portraits of donors or of the so-called "prelates" because he had the need to observe directly and copy from nature.In addition to easel painting, his production includes the design of altarpieces, large format works, as well as small copper works and nun's shields. Cabrera's religious painting produces figures of remarkable beauty, a beauty understood under the ideological assumptions of the devotion of the time. It is a refined art that possesses a well-arranged chromatic richness, is sustained by a great work of composition and, no less important, a subtle and expressive drawing.Little is known of his youth; in fact, according to the Andres Blaisten Museum, it is not until the painter's will in 1768 that we know he was a native of Oaxaca.His first news are from 1739, the year of his marriage to Mrs. Ana María Solano, as well as we know of his time in the workshop of Juan Correa in the capital of the Viceroyalty.Archbishop Rubio Salinas was Cabrera's protector, whom he named his chamber painter. He was also painter of the Society of Jesus, for whose churches he made numerous works.In 1753 he was named president for life of the Academy of San Carlos.In 1756 Cabrera published "Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura", an account of the image of the Virgin Guadalupe in the printing press of the Jesuit college of San Ildefonso.His work is preserved in many churches and convents in Mexico.Two of his images of the Virgin of Guadalupe are in the Vatican Museum.Another, made in 1756, for the temple of San Francisco Javier, is conserved in the National Museum of the Viceroyalty. Reference Bibliography:- Andres Blaisten Museum. (n.d.). https://museoblaisten.com/Artista/79/Miguel-Cabrera
Lot 80
Diego Quispe Tito (Cuzco, Peru, 1611 - 1681)"Adoration of the Kings".Oil on canvas.165 x 209 cm.Important and great painting, for its quality, dimensions and provenance. On the seat of the Virgin it seems that there are remains, but illegible, of a signature.Provenance: Chappel of a palace- house of an Andalusian marquisate, an spanish noble family whose lineage dates back to the 12th century.Como leemos en la Real Academia de la Historia Quispe Tito "Miembro de una familia de la aristocracia incaica, es considerado entre los principales iniciadores de la escuela cuzqueña de pintura. Provenía, al parecer, del pueblo indígena de San Sebastián, que guarda una parte significativa de su producción. Ella se centra en las obras decorativas de la iglesia parroquial de esa localidad, para la cual trabajó intensamente entre 1634 y 1669. Durante esos años realizó cuatro grandes ciclos pictóricos: Vida de San Juan Bautista, La Pasión, Martirio de San Sebastián y los Doctores de la Iglesia.A través de estos conjuntos de lienzos se compendia la original madurez de Quispe Tito, caracterizada por una reinterpretación ingeniosa de las estampas europeas y por una pincelada precisa y ágil, de vivaz colorido.Pronto su fama llegaría a trascender los límites del Cuzco, y ya en 1667 ejecutaba por encargo de las iglesias de Potosí un Jesús entre los doctores del templo y Los desposorios de la Virgen, ambos actualmente en el Museo de la Casa de Moneda de esa ciudad.Dentro de la propia capital incaica, la obra más ambiciosa de Quispe Tito es el lienzo de Las postrimerías o el Juicio Final, realizado para la portería del Convento de San Francisco en 1675. El pintor andino abandona aquí las fórmulas dinámicas de representación del Juicio Final, vigentes hasta el alto Renacimiento y el primer barroco europeos, para recuperar el esquema ordenado, en forma de sucesivos estratos horizontales, usual entre los pintores del medioevo. En la Sagrada Familia regresando de Egipto (Museo Nacional de Historia), fechada en 1680, se constata el virtuosismo característico de sus últimas obras. El pintor se ha basado aquí en una difundida composición de Rubens, pero Quispe Tito reduce notablemente la proporción de las figuras respecto del fondo, para emplazar la escena de la historia sagrada dentro de un vasto paisaje idealizado y fantástico, que anuncia así la aparición de uno de los géneros favoritos de la pintura cuzqueña en el siglo siguiente. Contemporáneamente ejecutaba la conocida serie del zodíaco, colgada en los muros de las naves laterales de la Catedral del Cuzco. Hoy sólo existen nueve de los doce signos, sea por haberse destruido tres de ellos, o porque el artista muriese antes de completar el encargo.Se trata de un ciclo cristianizado, en el que cada uno de los emblemas zodiacales se identifica con sendas parábolas de Cristo o con historias evangélicas. En este caso Quispe sigue de un modo literal sus fuentes gráficas flamencas, desplegando al mismo tiempo un oficio pictórico de inspiración europea, cuyo alto nivel técnico resulta insuperable en el contexto cuzqueño.De este modo el artista, en la última etapa de su vida, parecía adaptar su trabajo a las preferencias estéticas de una clientela culta y urbana, lo que pudo atraer la atención del obispo Mollinedo y de su Cabildo catedralicio.
Lot 81
Diego Quispe Tito (Cuzco, Peru, 1611 - 1681)"The Holy Family in the workshop of Nazareth."Oil on canvas.169 x 224 cm.Provenance: From the same collection of lot 80. A palace- house of an Andalusian marquisate, an spanish noble family whose lineage dates back to the 12th century.Como leemos en la Real Academia de la Historia Quispe Tito "Miembro de una familia de la aristocracia incaica, es considerado entre los principales iniciadores de la escuela cuzqueña de pintura. Provenía, al parecer, del pueblo indígena de San Sebastián, que guarda una parte significativa de su producción. Ella se centra en las obras decorativas de la iglesia parroquial de esa localidad, para la cual trabajó intensamente entre 1634 y 1669. Durante esos años realizó cuatro grandes ciclos pictóricos: Vida de San Juan Bautista, La Pasión, Martirio de San Sebastián y los Doctores de la Iglesia.A través de estos conjuntos de lienzos se compendia la original madurez de Quispe Tito, caracterizada por una reinterpretación ingeniosa de las estampas europeas y por una pincelada precisa y ágil, de vivaz colorido.Pronto su fama llegaría a trascender los límites del Cuzco, y ya en 1667 ejecutaba por encargo de las iglesias de Potosí un Jesús entre los doctores del templo y Los desposorios de la Virgen, ambos actualmente en el Museo de la Casa de Moneda de esa ciudad.Dentro de la propia capital incaica, la obra más ambiciosa de Quispe Tito es el lienzo de Las postrimerías o el Juicio Final, realizado para la portería del Convento de San Francisco en 1675. El pintor andino abandona aquí las fórmulas dinámicas de representación del Juicio Final, vigentes hasta el alto Renacimiento y el primer barroco europeos, para recuperar el esquema ordenado, en forma de sucesivos estratos horizontales, usual entre los pintores del medioevo. En la Sagrada Familia regresando de Egipto (Museo Nacional de Historia), fechada en 1680, se constata el virtuosismo característico de sus últimas obras. El pintor se ha basado aquí en una difundida composición de Rubens, pero Quispe Tito reduce notablemente la proporción de las figuras respecto del fondo, para emplazar la escena de la historia sagrada dentro de un vasto paisaje idealizado y fantástico, que anuncia así la aparición de uno de los géneros favoritos de la pintura cuzqueña en el siglo siguiente. Contemporáneamente ejecutaba la conocida serie del zodíaco, colgada en los muros de las naves laterales de la Catedral del Cuzco. Hoy sólo existen nueve de los doce signos, sea por haberse destruido tres de ellos, o porque el artista muriese antes de completar el encargo.Se trata de un ciclo cristianizado, en el que cada uno de los emblemas zodiacales se identifica con sendas parábolas de Cristo o con historias evangélicas. En este caso Quispe sigue de un modo literal sus fuentes gráficas flamencas, desplegando al mismo tiempo un oficio pictórico de inspiración europea, cuyo alto nivel técnico resulta insuperable en el contexto cuzqueño.De este modo el artista, en la última etapa de su vida, parecía adaptar su trabajo a las preferencias estéticas de una clientela culta y urbana, lo que pudo atraer la atención del obispo Mollinedo y de su Cabildo catedralicio.
Lot 149
Essex, Gestingthorpe.- Charter, Geoffrey Anchel of Great Yeldham has granted and confirmed to William Cook of Gestingthorpe of one piece of land called "Neyne acres" and a capital messuage called Tailloas in Gestingthorpe, witnesses: Thomas Hugh, William Salman and others, red wax seal with Star of David impression, small tear along fold, Gestingthorpe, 10th December 1375; Wethersfield.- Charter, grant by Thomas Cranford, John Algore and John Yongeman of Wethersfield confirm to John Oakemant, John Walacre, Lawrence Kyng and Thomas Loveland all land and meadows called Bakers in the fields and village in Wethersfield, witnesses: John Skot, John Hawstoke and others, 15 lines, 3 red wax seals with strong impressions, 2 with some loss, 132 x 255mm., September 1467, both manuscripts in Latin, on vellum, folds, slightly yellowed, v.s., v.d. (2).
Lot 536
A pair of early 20th century German metalwares silver plated candlesticks, circa 1900, marked WMFN for Württembergische Metallwarenfabrik, in the Neoclassical style, each filled square concave base decorated with swags, bows and ribbons over a textured ground, Corinthian column and acanthus capital, 12 x 12cm, 31cm highThe initials 'WMFN' have been struck in italics and are accompanied by the 'Antler' mark, used around 1900. This extra mark was developed from the Wurtemburg Coat of Arms, but its meaning is not clear. It may be in commemoration of WMF's 20-year jubilee, or simply in celebration of a new century. The letter 'N' following 'WMF' represents the German word 'Neusilber', or nickel silver, the base metal material used to make the item before being silver plated. The 1/0 mark relates to the thickness of the silver plating. These series of marks are rare on WMF-made items.
Lot 2
Registration No: UO 6944 Chassis No: 259167 MOT: ExemptSubject to a full restoration during the 1980sSupplied with an extensive history file that includes a buff logbook and many period documentsConverted to utility specification by Whiteway’s Cider in period and eligible for historic commercial vehicle eventsMorris Motors began in 1912 when bicycle manufacturer, William Morris, moved on from the sale, hire and repair of cars to car manufacturing. He planned a new light car assembled from bought-in components; in this way he was able to retain ownership by keeping within the bounds of his own capital resources. A factory was opened in 1913 at the former Oxford Military College in Cowley, Oxford, where Morris's first car, the two-seat Morris Oxford 'Bullnose' was assembled. Morris Cowley was a name given to various cars produced by the Morris Motor Company from 1915 to 1958. In 1926, the Bullnose radiator was replaced by a flat version known as the ‘Flatnose’ and built by Morris until 1931.First registered on the 31st May 1928, 'UO 2944' was built as a two-seat Tourer with dickey which was converted within the first few years of its life into a very pretty utility vehicle by Whiteway's Cider of Exeter. Fitted with its smart wooden pickup back, it was used regularly to transport bags of apples from the orchard to the pressing factory. It subsequently was transferred into the ownership of a local doctor and remained in his custodianship for over fifty years and was used to travel the length and breadth of the country - with a number of house moves between Devon and London recorded in the buff logbook on file. In 1980, and now in a rather dilapidated state, it was donated to a charity auction in aid of a local church and was sold to a Morris enthusiast who carried out an extensive, ground-up restoration which is documented via a set of photographs. After restoration, it became a regular sight at numerous Bullnose Morris Club events throughout the 1980s and featured in a number of the club magazines. Offered for sale in 2002, our vendor (who owns a number of Morris Oxfords and Cowleys) bought the vehicle via auction and has maintained the car himself ever since, attending a number of events including the London to Brighton Commercial Vehicle Run, where it was greatly received. In the vendor's words, mechanically it is in 'good fettle' and starts up very easily with all functions working as intended. The bodywork is still in a very respectable condition, with aging that is expected from a 40 year old restoration and the interior is in 'very good' condition, with the Blue leather seat suiting it very well. The mohair hood, also now 40 years old, is somewhat faded but appears in overall 'fair' condition. Now ready for a new, loving owner, 'UO 6944' is ready for enjoyment and will surely give many years of happy driving and should turn heads with its interesting history. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Lot 149
A 19th century sampler. Worked in polychrome thread on a linen ground, featuring the capital and lower case letters of the alphabet over a row of foliage and a row of crowns. The lower section stitched with images of a heart flanked by birds, trees and flowers, 26cm x 22cm, framed and glazed
Lot 226
WILLIAM MINSHALL BIRCHALL (BRITISH, USA, 1884-1941)Prince of Wales Eastern Tour / H.M.S. ‘Renown’ leaving Portsmouth 26.10.1921Signed ‘W.M. Birchall’ (lower right) and inscribed with titleWatercolour heightened with white13½ x 20in. (34 x 51cm.); together with Donald Maxwell (1877-1936): H.M.S. ‘Renown’ at dusk, watercolour -- 9 x 13¾in. (23 x 35cm.)(2)The battlecruiser Renown, 26,500 tons, was laid down in 1915, built in a remarkable twenty months and completed in September 1916 as the fastest capital ship of her day. Capable of 32½ knots under full steam and impressively armed with 6-15in. guns, she proved a hugely valuable addition to the fleet during the Great War. She was then selected to convey the Prince of Wales (later King Edward VIII and latterly Duke of Windsor) on three overseas tours between 1919 and 1921.slightly faded, might benefit from a clean
Lot 28
VIEW OF THE FONTANKA FROM THE GROTTO AND THE RESERVED PALACE. Unknown Western European engraver. View of the Fontanka River from the Grotto and the Reserve Palace. Engraving with a cutter, etching. Real watercolor painting. Around 1775. Size: 36 x 48 cm. Engraving from the original by G.A. Kachalov 1753 according to the drawing by M.I. Makhaeva. Engraving Avenue on the Fontanka River, view from the Grotto and the Reserve Palace, noon. From the album "Plan of the capital city" of St. Petersburg, with the image of famous avenues, published by the works of the Imperial Academy of Sciences and Arts of St. Petersburg, released for the fiftieth anniversary of the city in 1753. On the left bank of the Fontanka there was the building of the Reserve Palace, where supplies were brought for the needs of the Summer Palace, the residence of Peter I. In front of the bridge was the Special Shipyard, founded in 1716-1717. and rebuilt A.I. Korobov in the late 1730s. To the right is a part of the Summer Garden and the Grotto. The creation of the Summer Garden took place under the control of Peter I himself. The grotto (dismantled at the beginning of the 19th century) was a small pavilion decorated with sea stones, shells and fountains.
Lot 567
A Victorian brass and pottery oil lamp - the fluted column with foliate capital, to a flared circular base chased with stylised flowers and foliage, the column knop and separate reservoir in floral painted pottery, with Hinks Patent fitting, lacks burner, 47.5 cm high; together with a turned wooden baluster form table lamp by Dennis French of Brimscombe, Glos. 39 cm high plus fitting; and a table lamp by Port Isaac Pottery. (3)
Lot 528
A 19th century rosewood side cabinet,with a single frieze drawer over a pair of brass grilled doors91 x 102 x 36cmSilk is coming away from the boards right hand door, holes and staining elsewhere. repaired section of veneer on front edge, left hand corner chipped and missing. key is absent and brass keyhole lining missing from right hand door. wear marks to base consistent with door opening and closingscratch to right side approx 3cm x 2cm, left hand pilaster has small disocolouration 2 x 3cms. interior has two fixed narrow shelves with green paper pinned to them. piece of veneer missing to the top of the left hand door 1cm x 4cms.piece of filet missing to the top of left hand capital
Lot 714
Early XX Century Sepia Photographs of Sheffield Sports and Athletic League Teams (x 5). Trade cards including Panini 86, Nabisco, Barratt.The ball came from a private vendor who had it for some time, silver and white capital lettering on it, South Africa vs New Zealand ?? test, Capetown 16th July 1949, unable to verify if the ball was used in the 1949 match. There are nineteen Panini Stickers
Lot 4
Antique table piece with glass and silver, 835/000. Glass round bowl with a brace-shaped edge with gold-colored decoration, placed on a capital oval-contoured silver base decorated with decorated edges and curled and volute-shaped elements. Placed on 4 claw feet. Gross total approx. 1700 grams. 30x23x34cm. Crack in saucer, otherwise in good condition.
Lot 689
Special capital pearl necklace, designer Erny van Reijmersdal, with silver. Necklace ending in a V-shape, generously decorated with black freshwater pearls in various sizes. width 26-87 mm. length 41.5 cm. The necklace has a wide silver box clasp. total approx. 215 grams. In very good condition.
Lot 950
Chinese Canton school: 'Whampoa Pagoda' and 'Trading Junk South China', gouache on panel, 19th C. Dim.: 19,5 x 15,5 cm (each work) The Pazhou Pagoda, also known as the Whampoa Pagoda or Pa Chow Pogoda, is an early modern Chinese pagoda on Pazhou Island in Haizhu District, Guangzhou, the capital of China's Guangdong Province. The Whampoa Pagoda initiated work in 1597 and it was completely built in 1600. The pagoda is situated on a knoll at the south bank of Pearl River. Although it was built as a Buddhist landmark, it was also a useful navigation point for merchant ships traveling to Guangzhou. It is an octagonal tower with 9 main sections and 17 sub sections. The tower stands at about 59 metres (194 ft), and has a diameter at the base of 12.7 metres (42 ft). It covers a total area of 111 square metres. (source: Wikipedia)
Lot 311
Mary Reid Henderson (1882-1964) white metal galleried tray with Celtic knot embossed design and capital letter "A" in central cartouche. Embossed "MRH" monogram. Henderson studied at the Glasgow School of Art (1901-1908), was was an active member of the Ladies Artist Club, Head Teacher of Art at Helensburgh School and skilled in a variety of media, including metalwork, watercolour and oils, embroidery and craftsmanship. Width 52cm, depth 34.5cm, height 4cm. (L)
Lot 602
A FRENCH EMPIRE GILT LEAD AND TÔLE FIGURAL LAMPEARLY 19TH CENTURYin the form of a classical maiden supporing a Doric capital issuing leaves, the plinth base decorated with swans, leaves and swags, fitted for electricity65.5cm high (excluding fitting)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 467
19th century, the gilded Corinthian column with moulded Grecian figures and palmettes to the capital and base, fitted with eight pedals, on paw feet, engraved 'Maker to the Royal Family His Most Christian Majesty the King of France and H J M Emperor of all Russias', and to the reverse brass plate 'Sebastian Erards, 18 Great Marlborough St, London, Patent 2686' height 167cm, width from top 99cm, depth 43cm exc. peddles; together with a lacquered and gilt tin string box with contents, 41cm long. *CR Requires re-stringing, losses, to moulding and gilt, column warped, minor losses to moulding, patches of gilt touch-ins.
Lot 392
A mixed lot of works of art and collectibles, 19th and 20th century; including a group of fourteen mounted and framed plaster intaglio casts, the frame 27cm diameter; an Edwardian mahogany and brass mounted photographic plate; a leather briefcase (damages); four wood stands; a composition model of a column capital; a carved wood box; metal mounts and photograph frames
Lot 400
A composition columnar pedestal in late Gothic taste, modern; with Composite capital, the shaft with vertical reserves of flower filled guilloche in low relief, above and beneath a frieze of draped figures; with waisted and vanework cast base on a square socle; 95cm high, 24cm wide at the base
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