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9ct gold Art Deco period paste set ring 3.6g approx. Size N. Together with a heart pendant and an unusual contemporary hardstone pendant. (B.P. 21% + VAT)

PEDRO CHORÃO - NASC. 1945, "Entre o Céu e a Terra", oil on canvas, signed and dated 1996, on the back. Notes: it was part of the exhibition "60 Years 60 Artists Modern and Contemporary Art", held between November 24th and December 4th, 2011 at the Mystetskyi Arsenal Museum in Kiev, according to the label pasted on the back., Dim. - 130 x 162 cm

Edwin EDWARDS (1823-1879) Brixham, 1863 Etching Signed, titled and dated within the etching 13.5cm x 22.5cm, 27cm x 35cm with the frame. Edwin Edwards (1823 – 1879) was a successful English artist who now is little known. Edwards didn’t become a professional artist until he was 38. He concentrated on etchings and landscapes of his native England. He was well liked and had many clients. About 54 of his works were accepted by the prestigious Royal Academy. He presented very realistic views of life in contemporary England. This etching shows the covered fish market in Brixham. An example can be found in the Royal Albert Memorial Museum and Art Gallery, though it is not currently on view. Shipping is available from £25.22 to a UK Mainland address.

Ivan BRAY (1967) Comfort Mixed media on paper backed onto card Image of the painting found within the catalogue 'Poetry & Truth' from Goldfish Contemporary Fine Art 28.5cm x 20cm Together with three other works by the artist, largest 36.5cm x 28cm. Shipping is available from £25.22 to a UK Mainland address.

Graham Evernden (1947-) Sunlit Wood 155/295 & Dappled Way 19/295, limited edition etching with aquatint; David Suff (1953) Homage 133/175, Threshold 113/175, Pathway 28/150, Shaded Urn 28/150, Rose Walk 28/150, Lavenham Walk 26/150, Conservatory Window 17/150, Conservatory Bench, 17/150 and Conservatory Corner 17/150, limited edition etchings (12)Provenance: Christie's Contemporary Art

General, Royal College of Art, a silver award medal, unsigned (by W. Gardner), crowned cypher, rev. named (Awarded to Peter Arthur Bucknell for Special Distinction in the School of Design 1946), 50mm, 78.20g. Extremely fine and very rare £100-£120 --- The following excerpt from the Royal Mint Annual Report for 1939 was kindly sourced by Dr. Kevin Clancy, Director of the Royal Mint Museum. “The Royal College of Art instituted a medal for award to a few students distinguished in the Diploma examination each year. The medal was designed and modelled by Mr William M. Gardner, a student of the college from whose plaster-casts the dies were produced and the medal struck by the Mint. The obverse of the medal consists of the initials R.C.A. upon a knot, surmounted by a crown and encircled by the inscription Royal College of Art. On the reverse is engraved an inscription embodying the name of the recipient, the subject in which distinction had been gained and the date. The first five medals were presented to the selected students by Mr. Kenneth Lindsay M.P., Parliamentary Secretary to the Board of Education, on the 14th of July 1939”. William Gardner went on to do design work for the Royal Mint over the next three decades. His work included the reverses of the 1953 brass Threepence and of the 1982 Twenty Pence. Peter Arthur Bucknell was an expert on fashion and author of the standard reference book ‘Evolution of Fashion’. His co-author and illustrator was Margot Hamilton Hill (Daniels), a contemporary at the RCA, who, as well as an illustrator was also a theatre designer and lecturer on the history of fashion and theatre.

FRANCE, L’Intransigeant, 1925, an Art Deco bronze award medal by G. Contaux after Cassandre, futuristic head right with mouth open wide, rev. wreath and pillars, unnamed, 60mm (cf. Baudey/Bricher 1992, 128; cf. DNW 40, 780). A significant and rare Art Deco medal, extremely fine and nicely patinated; in contemporary case [of issue?] £100-£150 --- Adolphe-Jean-Marie Mouron, aka. Cassandre (1901-68), graphic artist, stage designer and painter; his design was chosen for the official poster publicising the 1925 Paris Expo. The medal was sponsored by L’Intransigeant, a newspaper

COLLECTION OF ANTIQUE BOOKS, some leather bound, together with a collection of contemporary art booksProvenance: private collection Gwynedd

François Pompon(1855 Saulieu - 1933 Paris) nachEisbärBronze, dunkel patiniert. Posthumer, zeitgenössischer Guss, Anfang 21. Jh.; Darstellung eines nach rechts schreitenden Bären. In moderner Weise stilisierte Bronzeplastik nach der berühmten Marmorskulptur Pompons "Ours blanc", welche als sein vollendetes Werk gilt und mit der ihm 1922 auf dem Pariser Salon der Durchbruch gelang - Exemplare hiervon befinden sich im Museum of Modern Art in New York und im Musée d´Orsay in Paris. Pompon war im Atelier Auguste Rodins und Camille Claudels tätig, nach 1905 widmete er sich ausschließlich der Tierdarstellung. H. 45 cm; L. ca. 85 cm.After François Pompon (1855 - 1933). Dark patinated bronze. Posthumous, contemporary cast, early 21st C.

Zeitgenössischer Bildhauer(Tätig 20./21. Jh.)"Nana" als Hommage an Niki de Saint PhalleKunststoff, schwarz lackiert und polychrom bemalt; schwarzer Steinsockel. Große, vollplastische, stilisierte Figur einer fröhlich tanzenden Frau, deren Lebenslust ihr Kleid mit Herzen- und Blumendessin entspricht. Diese ist durch die berühmten "Nana"-Plastiken der französischen Künstlerin Niki de Saint Phalle (1930 - 2002) inspiriert, welche seit Mitte der 1960er Jahren die Bildersprache der Pop Art auf sinnliche, farbenfroh gestaltete, weibliche, oft tanzende Figuren mit voluminösem Körper anwandte. Im Oktober 1965 stellte sie eine erste "Nana" in Paris aus, 1966 folgte eine riesige, erotisch konnotierte "Nana" vor dem Stockholmer Moderna Museet. Ihre 1974 in Hannover am Leibnizufer der Leine aufgestellten "Nanas" führten seinerzeit zu Proteststürmen. Ges.-H. 143 cm.Contemporary sculptor active 20th/21st C.; Painted plastic sculpture on stone base.

Bentley & Trimen, Medicinal Plants, Bently, Robert, & Trimen, Henry, Medicinal Plants: being descriptions with original figures of the Principal Plants Employed in Medicine, Printed London, J. & A. Churchill, New Burlington Stree, 1880, in 4 Vols, contemporary half calf with gilt lettering, with 306 botanical plates, each meticulously hand-colored with some extending across double pages, Robert Bentley, born in 1821, distinguished himself as an English botanist and pharmacologist whose contributions significantly impacted the fields of botany and pharmacy. His academic journey led him to become a professor in botany at King's College in 1859, where he imparted knowledge and inspired future generations. In recognition of his expertise and dedication, Bentley attained the prestigious status of a Fellow of the Royal Pharmaceutical Society in 1874. His legacy endures through his influential teachings and his notable contributions to the intersection of botany and pharmacology. Henry Trimen, born in London in 1843, emerged as a notable botanist whose impact reached the lush landscapes of Ceylon, present-day Sri Lanka. Serving as the director of the Royal Botanic Gardens in Ceylon from 1879 to 1895, Trimen played a pivotal role in shaping the botanical landscape of the region. His profound knowledge and passion for flora culminated in the publication of "The Flora of Ceylon" in 1893, a testament to his dedication to botanical research. Trimen's legacy extends beyond borders, leaving an enduring mark on the rich biodiversity of the Royal Botanic Gardens in Ceylon. David Blair, born in 1820, etched his name into the annals of botanical artistry and lithography during the 19th century. His creative talents found expression in various notable works, including contributions to the "Transactions of the Linnean Society" in 1875. Blair's artistic flair further adorned publications such as Berthold Carl Seemann and James Britten's "Journal of Botany, British and Foreign" (1872-8), James Britten's "European Ferns" (1880), and Lena Lowis' "Familiar Indian Flowers" (1881). A skilled botanical illustrator, Blair left an indelible mark on scientific publications, enriching the visual appeal of botanical knowledge. The exact year of his passing remains uncertain, but his artistic legacy lives on in the detailed and exquisite renderings that continue to captivate enthusiasts of both art and botany.

Manner of Henry Leach (1809-1885), a contemporary composite simulated oak model, of a squirrel, in the folk art taste, 27.5cm high

SOPHIE CHARALAMBOUS (CONTEMPORARY, BRITISH CYPRIOT): A LARGE PASTEL DRAWING ON PAPER DEPICTING A GIRL WITH A BASKET OF LEAVES, Signed and dated 2009. Sophie is represented by Rebecca Hossack Art Gallery. 108cm x 88cm Mounted in a pine frame. 112cm x 92cm

Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, which evolved into the iconic "Obey Giant" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his "Hope" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.

Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his ""Andre the Giant Has a Posse"" sticker campaign in the late 1980s, which evolved into the iconic ""Obey Giant"" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his ""Hope"" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.

Malick Sidibe was a renowned Malian photographer known for his powerful black-and-white images that captured the vibrancy and spirit of Mali's youth culture during the 1960s and 1970s. His work has had a profound influence on African photography and contemporary art. Here's an overview of his life and contributions:**Early Life and Education:**1. **Birth:** Malick Sidibé was born on March 25, 1936, in Soloba, a village in French Sudan (now Mali).2. **Photographic Training:** He initially worked as an apprentice in a photography studio in the capital city of Bamako, where he learned the technical aspects of photography.**Photographic Career:**3. **Studio and Portraiture:** Sidibé eventually opened his own studio in Bamako, where he gained recognition for his portrait photography. He became known for his ability to capture the personalities and aspirations of his subjects.4. **Youth Culture:** What sets Sidibé apart is his documentation of the vibrant youth culture in Bamako during the 1960s and 1970s. He captured the exuberance of dance parties, celebrations, and social gatherings, reflecting the changing cultural landscape in post-independence Mali.5. **Black-and-White Photography:** Sidibé primarily worked with black-and-white film, and his images are characterized by their stark contrast and intimate, candid style.6. **Recognition:** His work gained international acclaim, and he received numerous awards and honors for his contributions to photography and art.**Legacy:**7. **Influence:** Malick Sidibé's photographs are celebrated for their ability to convey the joy, hope, and sense of identity of his subjects. His work has had a significant influence on contemporary African photography and global visual culture.8. **Museum Exhibitions:** His photographs have been exhibited in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York City.9. **Collector's Items:** Sidibé's original prints have become highly sought-after collector's items, reflecting the enduring value and importance of his work.**Passing:**10. **Death:** Malick Sidibé passed away on April 14, 2016, in Bamako, Mali, leaving behind a rich photographic legacy.Malick Sidibé's photographs continue to be celebrated for their ability to capture the spirit of a transformative era in Mali's history. His work remains a source of inspiration for photographers and artists, highlighting the power of photography to document and celebrate culture and identity.Measures 6 x 6.

Sol LeWitt (1928–2007) was an American artist known for his pioneering work in conceptual art and minimalism. He was a central figure in the development of both movements and is renowned for his geometric, grid-based wall drawings and sculptures.Born in Hartford, Connecticut, LeWitt studied art at Syracuse University before serving in the Korean War. After his military service, he moved to New York City, where he became associated with the burgeoning art scene of the 1960s.LeWitt's early work was influenced by the minimalist movement, which emphasized simplicity, geometry, and industrial materials. He began creating his signature wall drawings in the late 1960s, which consisted of precise, geometric shapes arranged in intricate patterns on gallery walls.One of LeWitt's most famous series is his "Paragraphs on Conceptual Art" (1967), a series of short essays in which he outlined his ideas about art as a conceptual rather than a physical object. LeWitt believed that the idea or concept behind a work of art was more important than its execution, and he often created instructions or diagrams for his wall drawings that could be executed by assistants or even by viewers themselves.In addition to his wall drawings, LeWitt also created sculptures, prints, and drawings, all of which explored themes of repetition, variation, and seriality. He was known for his rigorous approach to art-making and his commitment to exploring the possibilities of geometric abstraction.LeWitt's work had a profound impact on the development of contemporary art, and he is celebrated for his contributions to conceptual art, minimalism, and the broader field of contemporary art practice. His wall drawings can be found in museums and galleries around the world, and his ideas continue to influence artists working today.Edition of 1500.Measures 8 x 8.1984.

Robert Rauschenberg (1925–2008) was an American artist who profoundly influenced the course of 20th-century art with his groundbreaking work in painting, sculpture, printmaking, photography, and performance. He is widely celebrated for his innovative approaches to materials, techniques, and concepts, as well as his pioneering role in bridging the gap between Abstract Expressionism and Pop Art.Born Milton Ernest Rauschenberg in Port Arthur, Texas, Rauschenberg studied at the Kansas City Art Institute and the Académie Julian in Paris before attending Black Mountain College in North Carolina, where he studied under renowned artists such as Josef Albers and John Cage. It was at Black Mountain College that Rauschenberg began to develop his interdisciplinary approach to art-making, which would become a hallmark of his career.Rauschenberg's early works challenged traditional notions of painting by incorporating found objects and unconventional materials into his compositions. He famously created his "Combines" series, which blurred the boundaries between painting and sculpture by combining painted canvases with everyday objects such as tires, stuffed animals, and household appliances.In the 1960s, Rauschenberg turned his attention to printmaking, collaborating with master printers to create innovative works that pushed the boundaries of the medium. He also experimented with performance art, collaborating with choreographer Merce Cunningham and composer John Cage to create groundbreaking works that combined dance, music, and visual art.Throughout his career, Rauschenberg continued to push the boundaries of artistic expression, exploring themes such as technology, politics, and the environment. He embraced new technologies and materials, incorporating elements such as photography, digital imaging, and industrial processes into his work.Rauschenberg's influence on contemporary art is immeasurable, and his work continues to be celebrated for its innovation, experimentation, and boundless creativity. He received numerous awards and honors throughout his lifetime, including the National Medal of Arts and the Golden Lion at the Venice Biennale.Today, Rauschenberg's work is held in major museum collections around the world, and his legacy lives on through the countless artists he inspired and the ongoing exploration of his revolutionary ideas and techniques in contemporary art.

Miami, Florida, is a bustling coastal city renowned for its vibrant culture, stunning beaches, and diverse population. Situated on the southeastern tip of the United States, Miami boasts a unique blend of tropical climate, cosmopolitan atmosphere, and rich history.The city's iconic South Beach area is famous for its vibrant nightlife, art deco architecture, and pristine sandy shores. Visitors flock to South Beach to soak up the sun, explore the trendy boutiques and cafes along Ocean Drive, and admire the colorful lifeguard stands that dot the coastline.Beyond the beaches, Miami is home to a thriving arts and cultural scene, with world-class museums, galleries, and performing arts venues. The Wynwood Arts District, known for its vibrant street art and galleries, is a must-visit for art enthusiasts, while the Pérez Art Museum Miami showcases contemporary and international art in a stunning waterfront setting.Miami's diverse population lends itself to a rich tapestry of culinary offerings, with an abundance of international cuisines to savor. From authentic Cuban cuisine in Little Havana to fresh seafood in Coconut Grove, the city's dining scene offers something to tantalize every palate.In addition to its cultural attractions, Miami is a hub for business, finance, and trade, with a growing tech sector and a strong presence in industries such as healthcare, hospitality, and real estate. The city's strategic location as a gateway to Latin America and the Caribbean makes it a vital center for international commerce and investment.With its year-round sunshine, vibrant culture, and diverse attractions, Miami offers a unique and unforgettable experience for visitors and residents alike. Whether relaxing on the beach, exploring the city's cultural landmarks, or indulging in its culinary delights, Miami captivates with its energy, warmth, and endless possibilities.Backed by canvas.Measures 33 x 24.

Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his ""Andre the Giant Has a Posse"" sticker campaign in the late 1980s, which evolved into the iconic ""Obey Giant"" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his ""Hope"" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.

Alex Colville (1920–2013) was a Canadian painter known for his meticulously detailed and enigmatic works, which often depicted scenes of everyday life imbued with a sense of mystery and tension. He is considered one of Canada's most renowned artists of the 20th century and a master of magic realism.Born in Toronto, Canada, Colville studied fine art at Mount Allison University in New Brunswick and later served as a war artist during World War II. His experiences during the war profoundly influenced his art, and themes of conflict, isolation, and existential unease are recurrent in his work.Colville's paintings are characterized by their precise draftsmanship, carefully composed scenes, and muted color palette. He often depicted ordinary people engaged in mundane activities—such as swimming, fishing, or sitting in a living room—but rendered them in a way that imbued them with a sense of mystery and ambiguity.One of Colville's most famous paintings is "Horse and Train" (1954), which depicts a powerful black horse charging down a railroad track toward an oncoming train. The painting is often interpreted as a metaphor for the struggle between nature and technology, as well as a meditation on mortality and the passage of time.In addition to his paintings, Colville also worked as a printmaker and created a series of iconic designs for Canadian coins, including the popular centennial penny in 1967.Colville's work received international acclaim, and he represented Canada at the Venice Biennale in 1966. His paintings are held in major museums and collections around the world, and he is celebrated for his ability to capture the quiet drama and underlying tension of everyday life.Alex Colville's legacy as one of Canada's greatest artists endures to this day. His works continue to fascinate and intrigue viewers with their haunting beauty and enigmatic narratives, and he remains a revered figure in the world of contemporary art.Measures 37.7 x 37.7.

Gerhard Richter, born in 1932 in Dresden, Germany, is a highly influential and internationally renowned contemporary artist known for his diverse and experimental approach to painting. He is considered one of the most significant artists of the post-war era and has made significant contributions to various artistic movements, including abstract art, photo-realism, and conceptual art.Richter's work is characterized by its versatility, encompassing a wide range of styles, techniques, and subject matters. He explores themes of memory, perception, and representation, often blurring the boundaries between figuration and abstraction. His paintings reflect an ongoing investigation into the nature of painting itself and challenge traditional notions of artistic practice.One of Richter's notable bodies of work is his photo-painting series. Using photographs as source material, Richter creates paintings that often appear almost indistinguishable from the original photographs. This technique blurs the line between painting and photography, raising questions about the nature of image-making and the role of representation in art.Richter's abstract paintings are also highly regarded. He employs a variety of techniques, such as scraping, smearing, and layering paint, to create complex and textured surfaces. His abstract works often evoke a sense of ambiguity and invite viewers to engage with the interplay of colors, forms, and textures.In addition to his paintings, Richter has created installations, sculptures, and glass works. He has also explored the medium of printmaking, producing a significant body of prints throughout his career. Richter's versatility and willingness to experiment with different mediums and techniques have solidified his reputation as a boundary-pushing and innovative artist.Richter's contributions to the art world have been widely recognized. He has received numerous awards and honors, including the Golden Lion at the Venice Biennale in 1997 and the Praemium Imperiale in 1997. His work is held in prestigious museum collections around the world, and his exhibitions continue to draw large audiences.Gerhard Richter's artistic practice embodies a relentless pursuit of artistic exploration and intellectual inquiry. His ability to constantly reinvent his approach to painting, challenge conventions, and create works of profound depth and beauty has established him as a leading figure in contemporary art. Richter's impact on the art world is immeasurable, and his legacy as an innovative and influential artist continues to inspire generations of artists and art enthusiasts alike.Measures 40 x 21.5.

Robert Mapplethorpe (1946–1989) was an American photographer known for his provocative and often controversial black-and-white images that explored themes of sexuality, identity, and classical aesthetics. Born on November 4, 1946, in Floral Park, New York, Mapplethorpe gained prominence in the 1970s and 1980s as a prominent figure in the contemporary art world.Mapplethorpe's work often featured stylized and meticulously composed photographs, ranging from portraits of celebrities and artists to floral still lifes. He became particularly known for his explicit depictions of the male nude and BDSM subculture, which sparked debates around issues of censorship and artistic freedom.One of Mapplethorpe's most famous series is the "X Portfolio," which includes explicit and homoerotic images. Another notable series is his floral still lifes, where he applied the same meticulous attention to form and composition.In addition to his contributions to photography, Mapplethorpe was a central figure in the New York City art scene, collaborating with musicians, writers, and other artists. He also explored themes of race, gender, and the human body, pushing the boundaries of what was considered acceptable in mainstream art.Robert Mapplethorpe passed away on March 9, 1989, due to complications from AIDS. Despite the controversies surrounding his work, he is widely recognized for his significant impact on contemporary photography and the broader discourse on art, censorship, and sexuality. His legacy is preserved through exhibitions, publications, and ongoing discussions about the boundaries of art and expression.Measures 12 x 10.8.

Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, which evolved into the iconic "Obey Giant" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his "Hope" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 30 x 25.Pencil signed.

Robert Mapplethorpe (1946–1989) was an American photographer known for his provocative and often controversial black-and-white images that explored themes of sexuality, identity, and classical aesthetics. Born on November 4, 1946, in Floral Park, New York, Mapplethorpe gained prominence in the 1970s and 1980s as a prominent figure in the contemporary art world.Mapplethorpe's work often featured stylized and meticulously composed photographs, ranging from portraits of celebrities and artists to floral still lifes. He became particularly known for his explicit depictions of the male nude and BDSM subculture, which sparked debates around issues of censorship and artistic freedom.One of Mapplethorpe's most famous series is the "X Portfolio," which includes explicit and homoerotic images. Another notable series is his floral still lifes, where he applied the same meticulous attention to form and composition.In addition to his contributions to photography, Mapplethorpe was a central figure in the New York City art scene, collaborating with musicians, writers, and other artists. He also explored themes of race, gender, and the human body, pushing the boundaries of what was considered acceptable in mainstream art.Robert Mapplethorpe passed away on March 9, 1989, due to complications from AIDS. Despite the controversies surrounding his work, he is widely recognized for his significant impact on contemporary photography and the broader discourse on art, censorship, and sexuality. His legacy is preserved through exhibitions, publications, and ongoing discussions about the boundaries of art and expression.Measures 9.25 x 9.5.

Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0

Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images.One of Misrach's most notable bodies of work is titled "Desert Cantos," a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization.Another significant project by Misrach is "The Golden Gate," a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape.Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA).Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 11.5 x 14.0.

Shanghai is a bustling metropolis and one of China's most dynamic and vibrant cities, situated on the eastern coast of the country. Renowned for its stunning skyline, modern architecture, and rich history, Shanghai is a melting pot of cultures and influences, offering visitors a unique blend of old-world charm and contemporary innovation.The city's iconic waterfront area, known as the Bund, features a striking collection of historic buildings from the early 20th century, including grand banks, trading houses, and consulates. Across the Huangpu River lies the futuristic skyline of Pudong, home to the Shanghai Tower, the Oriental Pearl Tower, and other iconic skyscrapers that illuminate the night sky with dazzling light shows.Shanghai's cultural scene is equally impressive, with a wealth of museums, galleries, and performing arts venues showcasing both traditional and contemporary Chinese art and culture. The Shanghai Museum, located in People's Square, houses a vast collection of ancient Chinese artifacts, while the Shanghai Grand Theatre hosts world-class opera, ballet, and theater performances.The city's historic neighborhoods, such as the French Concession and Old Town, offer a glimpse into Shanghai's storied past, with narrow alleyways, traditional tea houses, and ancient temples nestled among modern skyscrapers. Visitors can wander through bustling markets, sample street food delicacies, and explore hidden gems tucked away in the city's labyrinthine streets.Shanghai is also a culinary paradise, with a diverse array of dining options ranging from Michelin-starred restaurants to humble noodle shops. The city's cuisine reflects its cosmopolitan character, drawing inspiration from both traditional Chinese flavors and international influences. From mouthwatering dim sum and spicy Sichuan hot pot to delicate xiaolongbao (soup dumplings) and savory Shanghai-style braised pork, Shanghai offers a culinary adventure for every palate.In addition to its cultural and culinary attractions, Shanghai is a thriving center of commerce, finance, and innovation, with a rapidly growing technology sector and a vibrant startup ecosystem. The city's dynamic energy, entrepreneurial spirit, and forward-thinking mindset make it a magnet for ambitious professionals and creative minds from around the world.Overall, Shanghai's blend of old and new, East and West, makes it a captivating destination for travelers seeking to experience the pulse of modern China while immersing themselves in its rich cultural heritage. With its endless opportunities for exploration, discovery, and adventure, Shanghai offers a truly unforgettable experience that leaves a lasting impression on all who visit.Measures 33 x 24.Backed by linen.

‡ DAVID WOODFORD (b.1938) large, fine exhibition quality oil on canvas - Llyn Llydaw, Eryri (Snowdonia) with clouds and shaft of sunlight inscribed verso, 82 x 118cmsProvenance: private collection West Midlands, smaller version of this scene illustrated as Plate 32, 'The Art of David Woodford - Mountains and Memories' by Tom Dutton (Gwasg Carreg Gwalch) 2016Auctioneer's Note (Dr Harry Heuser): rooted in the experience of nature and its close observation, David Woodford’s paintings are at once monumental and of the moment. Ranging from pochades (or pocket-size plein-air sketches) of arresting immediacy to sublime large-scale canvases, such as this example, on which the artist keeps working in his studio for as long as ten years, these landscapes are as much concerned with the eternal as they are with the evanescent.Woodford captures the distinctive features of the rugged Welsh countryside, with special focus on the grandeur of Eryri (Snowdonia), where the Shropshire-born artist has been living for over half a century. More than achieving topographical transcripts of the land, however, his paintings captivate us with their intentness on the atmosphere and the mercurial temperament of the elements – the ‘fugitive … moods’ of nature, as Woodford puts it – that make startlingly new and revelatory what we might assume to be unchanging.A Royal Cambrian Academician who trained at West Sussex College of Art and, as a mature student returning to college after a five-year period of teaching, at the Royal Academy Schools in London, Woodford has been committed to a sustained engagement with nature since the late 1960s. At a time when drawing and painting were being challenged by conceptualism, when academic and curatorial attention was diverted from traditional methods and materials to new media, Woodford set out rigorously to pursue the essentials that many practitioners and educators temporarily and, in some cases, permanently abandoned. As Woodford acknowledges, his practice has benefitted greatly from the instruction and insights he received in his schooling from ‘painters who taught, not teachers who painted.’Woodford’s works have been exhibited widely in England and Wales; a major retrospective featuring over 200 paintings and drawings was staged in 2023 at Oriel Môn. The subject of books including The Art of David Woodford (2016), his works are in the collections of The Arts Council, The National Library of Wales, and the National Museum of Wales.Woodford’s landscapes are only gaining in relevance. They are increasingly resonant in an age in which human interventions into nature threaten what we thought would not only take care of itself but continue to sustain us. Anticipating contemporary debates, Woodford has long presented us with a world without people, a world that, he says, ‘will survive without them.’ Contemplative, studious and unwavering, his art, both singly and collectively, brings home how rewarding a lifelong creative process of discovery can be.Dr Harry Heuser, curator, art writer and researcher, co-author of Welsh artist biographiesComments: framed, ready to hangDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further detailsLATER NOTE: location of scene corrected since the printing of the hardcopy catalogue

‡ HYWEL HARRIES (1921-1990) oil on board - entitled verso, 'Salem Revisited', signed and dated '73, 59 x 75cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentAuctioneer's Note (Prof. Robert Meyrick):Hywel Harries’ Salem Re-visited is an interpretation of Salem, a 1908 watercolour by Sydney Curnow Vosper. It is a reminder of the historic significance of chapel-going in Wales and the centrality of Nonconformist Christianity in Wales. An art teacher, painter and cartoonist, Harries understood the cultural reference in Vosper’s painting, which shows the interior of Capel Salem Cefncymerau near Harlech. Purchased by industrialist William Hesketh Lever, the image became familiar through mass-circulated reproductions advertising Sunlight Soap.In October 2019, Rogers Jones successfully brokered the purchase by the National Library of Wales of Vosper’s second version of the painting. Vosper painted Salem in the wake the 1904-05 Welsh Revival, which saw a resurgence of religion. Once a national icon, emblematic of religious piety among the rural poor in Wales, Salem’s ubiquity depended on that context. In the intervening years it was distributed through Urdd Gobaith Cymru, reproduced as covers for Cymru Fydd calendars, and used by nationalists and Welsh language activists. As art historian Peter Lord points out, framed prints of Salem are nowadays consigned to ‘folk memory,’ a curious relic of times past. Carmarthenshire born, Harries trained at Llanelli School of Art until 1941, when his studies were interrupted by RAF service. After resuming his studies at Cardiff Technical College in 1947, he held teaching posts at Ealing and Machynlleth before his 1954 appointment as Head of Art at Ardwyn Grammar School (later Penglais Comprehensive School) at Aberystwyth, a position he held until his retirement in 1981.Harries is best known for his paintings of Aberystwyth townscapes and the landscape of Ceredigion. He developed a distinctive handling of layered dry paint using a soft warm palette. His landscapes often explored spatial effects and the decorative flattening of interlocking planes of colour, pattern and form, while his townscapes deploy a narrower tonal range and muted colours. Harries’ Salem Re-visited paintings were a rare dalliance with abstraction. Fellow Welshman Ceri Richards had likewise sought contemporary responses to familiar subjects when he made paintings after Rubens’ The Rape of the Sabine Women in the National Gallery, London, in 1946. Harries would also have been aware of Pablo Picasso’s abstracted translations of paintings by Cranach, Velázquez, and Ingres.Salem portrays the 71-year-old widow Siân Owen Tŷ’n y Fawnog taking her pew before the start of a service. Even in 1908 the scene depicted by Vosper was something of an anachronism. Stove-pipe hats were rarely worn then; in fact, only one such hat could be sourced for the women to model. In 1938, Vosper recalled the names of his sixpence-an-hour models; among them were a local carpenter, farmer, shopkeeper and a tailor’s dummy he named Leusa Jones. In Salem Re-visited, Harries has lettered their names on or alongside each character. The popular belief is that the devil lies in the detail of the folds of Siân Owen’s richly patterned paisley shawl, even though Vosper refuted that the likeness was intentional. There is no ambiguity in Harries’ flat monochrome rendering of the shawl as the profile of a demonic face in contrast to its colourful surroundings. Uncharacteristically for Harries, the act of painting appears on this occasion to be more important than representation or narrative. The illusion of pictorial space being abandoned, the relative position of the congregation becomes unclear. The jigsaw arrangement of overlapping shapes allude to the fragmentary nature of appearances in momentary glances. Peter Lord described this approach as a ‘Cubist-cum-patchwork quilt oil painting.’For Harries, there was an additional resonance in Vosper’s Salem. He was himself a man of faith and a staunch chapel-goer. He was an elder at Capel Salem (later to become Capel Morfa) in Aberystwyth. Always smartly presented in jacket, collar and tie, there was nothing bohemian about him. Indeed, Harries looked every bit the chapel deacon. Founding Ceredigion Art Society in 1963, Harries placed his knowledge, experience and enthusiasm for art into the service of the community. He was Vice-President of the Royal Cambrian Academy and chaired the Art and Craft Committee of the Council of the National Eisteddfod. In retirement, he authored several books, among them Cymru’r Cynfas: Pymtheg Artist Cyfoes [Wales on Canvas: Fifteen Contemporary Artists] (1983).Prof. Robert Meyrick, art historian, curator and educator, until recently Professor, Head of Aberystwyth University’s School of Art and Keeper of the School of Art Museum and Galleries. Comments: framed, ready to hangDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further details

Serge Poliakoff(1906 Moskau - 1969 Paris)"Composition grise et noire" (Komposition in Grau und Schwarz). Originaltitel1959 entstandene für Poliakoffs Oeuvre repräsentative, asymmetrische Komposition aus abgestuften, hellsilbergrauen bis zu annähernd schwarzen Flächen. Die Werke Poliakoffs bestehen aus einfachen, nebeneinander liegenden, fast strukturlosen, reinen Farbflächen, wobei ihre freie Anordnung und der Verzicht auf geometrische Strenge ganz der lyrischen und musikalischen Persönlichkeit des Künstlers entsprach. Auch in unserer Komposition harmonieren die Flächen miteinander, sie sind zwar formal getrennt, aber doch in einer bemerkenswerten, immanenten Ausgewogenheit untrennbar miteinander verbunden. Poliakoff, einer der wichtigsten Vertreter der "École des Paris", emigrierte 1923 nach Paris. Seit 1935 fand er dort sukzessive zur Abstraktion, Farbe und Fläche wurden alleiniges Ausdrucksmittel. Entscheidend beeinflusste ihn Kandinsky, den er 1937 kennenlernte. Durch Sonja und Robert Delaunay erkannte er die emotive Wirkung von Farbe und Simultankontrasten, Otto Freundlich inspirierte ihn durch seine gebogenen "Farbform-Kompositionen". 1938 beschickte Poliakoff erstmals den Salon des Indépendants, 1945 zeigte die Galerie l’Esquisse eine erste Ausstellung mit abstrakten Bildern Poliakoffs, 1946 beteiligt sich Poliakoff am ersten Salon des Réalités nouvelles. In den folgenden Jahren gelang Poliakoff mit seinen puzzle- bzw. teppichartigen Kompositionen aus aneinandergrenzenden, vibrierenden Farbflächen der internationale Durchbruch. 1959 und 1964 beteiligte er sich an der documenta I und II; 1960 erhielt Poliakoff eine Einzelausstellung in Berner Kunsthalle mit 137 Bildern; 1962 widmete man ihm sogar einen eigenen Saal auf der Biennale in Venedig. Mitte der 1960er Jahre war Poliakoff schließlich einer der berühmtesten und bedeutendsten Maler seiner Generation. Gouache/Papier. R. u. sign.; 47 cm x 63 cm. Rahmen.Provenienz: Galerie Sacchetti, Ascona; Galerie Bonnier, Genf, und Svensk-Franska Konstgalleriet, Stockholm (1973 fusioniert); Auktion "Contemporary Art", Sotheby's, London, 03.07.1998, Lot 226; Galerie Neher, Essen; deutsche Privatsammlung.Beigefügt: Echtheitsbestätigung von Alexis Poliakoff, Archives Serge Polikakoff, Paris, 01.09.2000 (1958 dat.). Die Authentizität wurde von Thadée Poliakoff, Archives Serge Poliakoff, Paris, in einer aktuellen E-Mail am 16.02.2024 bestätigt; es ist im Archiv unter der Nr. 858083 registriert und im Catalogue raisonné, Bd. III (1959-1962), mit der Nr. 59-196 für das Jahr 1959 aufgeführt. Gouache on paper. Signed. Accompanied by a certificate of authenticity from Alexis Poliakoff, 1st of September 2000. The artwork is published in the catalogue raisonné, volume III, no. 59-196. It is registrated by the Archives Serge Poliakoff, Paris, under no. 858083. The authenticity was recently confirmed by the Archives Serge Poliakoff in a mail from 16th of February 2024.

A suite of contemporary chrome and gilt metal bathroom fittings in the Art Deco style, comprising a pair of wall sconces with frosted globe shades, a toilet roll holder, soap holder, towel hook, pair of taps and mixer, two glasses, and a door handle. 

TINA SPRATT (B.1976) ARR, "TEAL", RECLINING WOMAN IN EVENING DRESS, SIGNED WITH MONOGRAM, OIL ON CANVAS, 89 x 49cm. LABEL VERSO FOR THE CONTEMPORARY FINE ART GALLERY, ETON.

Zola (Émile) Le Naturalisme au Théâtre, first edition, signed presentation inscription from the author to Philippe Gille on half-title, some light foxing and marginal browning, contemporary cloth-backed boards, morocco spine label, strips of fading to upper cover, spine ends and corners slightly rubbed, spine sunned, label rubbed and chipped, 8vo, Paris, G. Charpentier, 1881.*** The first edition of Zola's second book with a warm presentation inscription: "á Phillipe Gille, son dévoué confrère, Emile Zola". Philippe Gille (1831-1901) was a French dramatist and opera librettist who, from 1869, was the art and music critic for Le Figaro and reviewed many of Zola's books. Maggs Bros. catalogue no. 367 in 1918 lists a presentation copy of La Joie de Vivre to Gille with the same inscription as this book.

Indian Art & Culture.- Singh (Madanjeet) Ajanta. Painting of the Sacred and Secular, numerous colour illustrations, frontispiece tipped-in, original cloth, dust-jacket, tiny amounts of rubbing to extremities, slip case, 1965 § Avalon (Arthur) Principles of Tantra, 2 vol., contemporary red morocco, gilt, spines sunned, 1914 § Snellgrove (David L.) and Tadeusz Skorpiski. The Cultural Heritage of Ladakh, 2 vol., colour frontispieces tipped-in, illustrations, some in colour, original cloth, gilt, dust-jackets, 1977; and c.95 others Indian art, culture and religion, v.s. (c.100) 

*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) Ursula McCannell signed "M Scale" upper right, pencil on paper, with additional portrait sketch and other drafts verso, the sheet 45.8cm x 29.2cm (unframed)Note: This work would have been executed whilst K.M. Scale was studying at Farnham School of Art in the 1930s.Ursula McCannell (1923-2015) was the only child to the painter Otway McCannell, the former head of Farnham School of Art where K.M. Scale studied. At the age of 13 she showed at the Wertheim Gallery and had her first major exhibition at the Redfern Gallery in London when she was sixteen, which led to her being elected the youngest member of the Woman's International Art Society and the youngest exhibitor at both the New English Art Club and the Royal Academy (1940).Ursula McCannell studied at the Farnnham Art School, benefiting from her father's enthusiasm and discipline. She attended the Royal College of Art where she met Peter Rees Roberts whom she later married. In the succeeding years she had numerous one man shows at prestigious, leading galleries and important group shows including: Royal Academy, Leicester Galleries (London) €“ 'Artists of Fame and Promise', Leger Gallery (London) the London Group and the New English Art Club.Her work is held in many private and public collections including the Contemporary Arts Society and Manchester City Art Gallery.The picture showing Ursula at the easel at aged 14 shows the influence of K.M. Scale, who as a fellow young female artist, was no doubt an inspiration to Ursula's burgeoning talents. 

*BOB COSFORD (Contemporary) 'Debs' triptych, 1/1, Inkjet on wood, hand finished and distressed with acrylic and varnish, 70cm x 140cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 70cm x 140cm

*LEO DAVY (1924-1987) 'Untitled' circa 1984, oil on board, 127cm x 182.9cmLeo Davy was born in 1924 in Shipley, Yorkshire, the seventh of nine surviving children to an art teacher and painter father and a mother who was the daughter of a painter. At the age of just ten he won a national drawing competition and in 1939 he studied at the Kingston School of Art, under Reginald Brill, before moving on the Slade School of Fine Art between 1942 and 1945, then evacuated to Oxford due to the Blitz, where he studied alongside such future stars as Kyffin Williams. Davy was included in a mixed summer show at the important contemporary gallery Gimpel-Fils in 1950 alongside avant-garde artists of the day, including Patrick Heron, William Gear, Alan Davie and William Scott.Davy was strongly dedicated to the development of abstraction. It was through his panel paintings and works on paper that he reduced and refined scenes of everyday life into his own carefully considered abstract vision, applying thinck paint and washes to form blocks of colour, often quite angular. He settled in a dilapidated cottage in North Cornwall in 1968 with his wife, where he lived and worked until his sudden death in 1987. Davy was a self-imposed outsider, as David Duncan remembers: Davy was 'a man of very few words, in fact would only speak if spoken to'. Although Davy's main intent was to isolate himself and to follow an independent line of philosophical enquiry through his painting, his art was an essential means of communication to the rest of the world. As Davy proclaimed in 1946, at the age of 20, 'I only want to paint what only I can paint.' .Framed dimensions: 131cm x 206cm

*BOB COSFORD (Contemporary) 'Cheeky Charlie' 1/1, signed verso, inkjet on UV laminate aluminium composite, hand-finished with glitter, 78cm x 60cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 78cm x 60cm

*BOB COSFORD (Contemporary) '3$ Play' 1/1, signed verso, inkjet on UV laminate aluminium composite sheet, hand-finished and distressed with acrylic and resin, 110cm x 78cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 110cm x 78cm

*BOB COSFORD (Contemporary) 'Dodgems' limited edition of 5, signed verso, inkjet on UV laminate applied to aluminium composite sheet, hand finished, 59cm x 107cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 59cm x 107cm

*BOB COSFORD (Contemporary) 'Rogue' 1/1, signed verso, inkjet on wood, hand-finished with acrylic, distressed with paint splashes and resin, 100cm x 76cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 100cm x 76cm

*AUGUSTUS JOHN (1878-1961) 'Study of a Girl' charcoal and coloured chalks on paper, 34.2cm x 26.6cmProvenance: Louise Salaman and thence by descent Private Collection, DorsetExhibited: The Maas Gallery, Clifford Street, Mayfair, LondonLouise Salaman, later known as Mrs E. W. Bishop, was a contemporary of Augustus John at the Slade School of Fine Art between 1893-8.Framed dimensions: 56cm x 48cm

*BOB COSFORD (Contemporary) 'Pistol Girl' 2019, 1/1, signed verso, inkjet on wood, hand-finished and distressed with acrylic and resin, 122cm x 81cmBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece".Overall dimensions: 122cm x 81cm

A contemporary Wade Art Deco style "The Gallery Collection" Japanese Garden flower jug, inspired by the original 1930s design, 20 cm

Carole Hagemann Dodds (Contemporary)"Warkworth", an impressionistic, striking study of the historic Northumberland fortress and town from the banks of the River Coquet, oil on canvas, titled and signed verso, 50 cm x 50 cm overall[Dodds attended the Newcastle College of Art and Industrial Design and the Falmouth College of Arts where she won a joint second award for her entry in the Student Medal Competition in 1999. She has also taken part in numerous group and solo exhibitions.]

After Keith Fearon (Contemporary)A print commemorating 40 years of the Coronation Street depicting the characters / cast and their printed signatures, published by Lemon Art, in moulded frame under glass, 57 cm x 77 cm overall

Julia Chandler (Contemporary)A vibrant, woodland abstraction of leafless trees reflected in the tranquil waters of a river, as seen from a grassy bank lined with purple wildflowers, oil on board, monogrammed, artist inscribed verso, in moulded metallic frame, 63 cm x 73 cm overall[Chandler studied at the Edinburgh College of Art and the Norfolk Oil Painting School, she paints various subjects but largely abstracted landscapes and flowers.]

Joe Hargan (b.1952), 'His Masters Voice', signed and dated 'Hargan 01' (lower right), oil on canvas, 37 x 37 cm, framed and glazed 56.5 x 56.5 cmPurchased from The Contemporary Fine Art Gallery Eton 2001

Nick Smith (b.1984)AM90Giclée in colours, 2023, signed, dated, dedicated and inscribed 'A/P' in pencil, aside from the edition of 90, published by Rhodes Contemporary Art, London, on wove paper, with full margins, sheet 419 x 592mm (16 1/2 x 23 3/8in)

Nick Smith (b.1984)American GothicGiclée in colours with screenprinted varnish, 2020, signed in pencil, numbered from the edition of 150, published by Rhodes Contemporary Art, London, on wove paper, with full margins, sheet 700 x 804mm (27 1/2 x 31 5/8in)

Andy Warhol (1928-1987)Ali, Neiman and Andy Warhol, Los Angeles Institute of Contemporary Art, 1981Offset lithograph printed in colours, 1981, from the edition of unknown size, published by the Los Angeles Institute of Contemporary Art, Los Angeles, accompanied by a letter from The Andy Warhol Foundation for the Visual Arts, on wove paper, the full sheet printed to near the edges, sheet 895 x 540mm (35 1/4 x 21 1/4in)

WINE. – [William ELLIS.] The London and Country Brewer. Containing the Whole Art of Brewing all Sorts of Malt-Liquors, as practiced both in Town and Country… in Three Parts. To Which is added A Supplement. London: Thomas Astley, 1742. Fourth edition, 8vo (198 x 120mm.) 3 parts and ‘A Supplement’, separate titles to each part, continuous register and pagination, 4pp. ‘Index’ and 16pp. publisher’s advertisements to rear. (Browning, moderate spotting throughout, some leaves heavily, corner creases to several leaves.) Contemporary calf (rebacked with original lettering piece retained, covers and extremities rubbed, scuffing). Note: parts 2-3 and the ‘Supplement’ are second editions and dated 1743. Provenance: Edward Braxton Reynolds (bookplate to front pastedown). – And a further seven volumes relating to wine and brewing (including a first edition of William Robert Loftus’s ‘The Brewer: A Familiar Treatise on the Art of Brewing’, 1856, 12mo, and a third edition of Thomas A. Knight’s ‘A Treatise on the Culture of the Apple and Pear, and on the Manufacture of Cider and Perry’, 1809, 12mo, and Joseph J. White’s ‘Cranberry Culture’, 1870, 8vo) (8).

HANSARD, T.C. Typographia: an Historical Sketch of the Origin and Progress of the Art of Printing. London: Baldwin, Cradock and Joy, 1825. First edition, 8vo (242 x 140mm.) Engraved and woodcut plates, 3 folding, wood-engraved illustrations. (Toning, crease to last leaf.) Contemporary half calf, red morocco lettering piece to spine (some loss to top of spine, extremities lightly rubbed).

HUNT, Robert (editor). Ure’s Dictionary of Arts, Manufactures, and Mines. London: Longman, Green et al., 1860. 3 vols., fifth edition, 8vo (224 x 134mm.) Illustrations in the text. (Mild toning.) Near contemporary red half morocco (lightly rubbed). – And a further sixteen volumes relating to art (including Bernard Berenson’s ‘Italian Pictures of the Renaissance’, 3 vols., 1957-1963, 8vo) (19).

λ &nbspPIUS FOX (GERMAN B. 1983) TAFEL (PFT 91) Oil on paper laid to board Signed and dated 2013 (verso) 33 x 24cm (12 x 9¼ in.) UnframedProvenance: The Artist Patrick Heide Contemporary Art, London, where purchased by Count Manfredi della Gherardesca 26 June 2013 Condition Report: In good original condition. Some light surface dirt. Condition Report Disclaimer

λ &nbspMONICA STUDER & CHRISTOPH VAN DER BERG (SWISS B. 1960 & 1962) TERRASSE MIT SCHLITTEN FROM HOTEL VUE DES ALPES Inkjet print on photopaper on aluminium 148 x 197cm (58¼ x 77½ in.)Executed in 2004.Provenance: Nicolas Krupp Contemporary Art, Basel, where purchased by Count Manfredi della Gherardesca, 15 September 2005

Dame Elisabeth Frink CH DBE RA (British, 1930-1993),'Lying Down Horse', Limited edition lithograph on paper published by Christie's Contemporary Art, Signed in pencil, blind stamped and numbered '151/250' to lower margin, Christie's biographical label verso, 55cm x 73.5cm, Framed and glazed CONDITION REPORT:The piece shows a feint stain line across the top edge, most noticeable on the left hand side.  The paper shows minor age related darkening, but no obvious foxing.  The colour appears strong, but may have faded somewhat over time.  The frame appears to be structurally sound.

ARR Sonja Benskin Mesher RCA (British Contemporary) Looking Out: The Drawing, mixed media on paper, 83 x 58 cm (i), frame 105.5 x 79 cm Provenance: private collection of an art historian, purchased from Oriel Davies 2004