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Lot 453
A Louis XVI rosewood secrétaire à abattant, c.1780, French, with a rectangular marble top, above the fall-front enclosing a fitted interior, with two cupboard doors and raised on tapering turned supports, with damages,92cm wide37cm deep143cm highCondition ReportOne door is missing its hinges - it sits loosely in the frame but comes off when opened. No historic signs of woodworm. Chips and nibbles to the marble top. Losses to the veneer. In need of attention. The key is present. Mould to the interior compartments. The brass escutcheon is missing its top screw. No lifting to the leather but it is heavily stained and worn - the original green colour is heavily faded. Please see the additional images.
Lot 558
A pitch pine housekeeper cupboard, early 20th century, with a shaped back panel, with four doors, to a plinth base, 185cm wide 48cm deep 100cm high Condition ReportWith knocks and wear throughout. Losses to the right side of the top. Slit to the front of the top to the right side. Historic flight holes. Splits to the wood on the top, sides and back. The lock has been removed from the left door, the left doors with splits to the inside where the lock has been sawn off. The right doors with lock complete but without key. both doors with modern magnets to keep them held closed. Watermarks and residue to the top and interior. Historic repairs. Please see additional images.
Lot 58127
Spohler, Johann Franziscus (Rotterdam 1825 - 1923 Amsterdam)Gemälde "Sommertag in Haarlem", Öl auf Leinwand, Häuserzeile an einer Gracht mit reicher Personenstaffage, unten rechts signiert "J.F.Spohler", rückseitig auf originalem Papieretikett wohl vom Künstler in Tinte betitelt und bezeichnet "Harlem Holland ....dert door J.F. Spohl..", 26,5 x 34,5 cm, ~1890, sehr guter, alt gereinigter Zustand mit nur geringen Randretuschen (ausführlicher Zustandsbericht auf Anfrage), rückseitiges Etikett alt foliert/überklebt, sauber moden gerahmt (36 x 44 cm)6302 Johann Franziscus Spohler ist für seine typischen Straßenszenen mit reicher Personenstaffage mit Kindern und Tieren bekannt, am beliebtesten sind die sonnendurchfluteten Sommertage mit reichem Licht - Schatten - Kontrasten, für die dieses Gemälde geradezu als Paradebeispiel dienen kann, interessant und ehr selten ist die rückseitige Betitelung
Lot 148
A GEORGE III GILT BRASS MOUNTED EBONISED TABLE/BRACKET CLOCK MADE FOR THE IBERIAN MARKET ROBERT HIGGS AND DIEGO EVANS, LONDON, CIRCA 1780 The five pillar twin fusee bell striking movement with trip-hour repeat and later anchor escapement regulated by lenticular bob pendulum, the symmetrical foliate scroll engraved backplate signed Higgs y, DIEGO EVANS, Bolsa Real, LONDRES to a central reserve beneath a basket of flowers, the 7 inch brass break-arch dial with calendar aperture and shaped recessed silvered plate further signed Higgs y, DIEGO EVANS, Bolsa Real, LONDRES to the matted centre within applied silvered Roman numeral chapter ring incorporating Arabic five minutes beyond the minute ring, with scroll pierced steel hands and applied rococo scroll cast spandrels to angles beneath arch with TOCAR/SILENCIO selection dial flanked by conforming cast mounts, the bell-top case with hinged brass carrying handle over rococo scroll cast mount to superstructure and brass pineapple finials over double cavetto top mouldings, the hinged front with giltwood fillet mouldings to the glazed dial aperture and folate cast and pierced upper quadrant frets, the sides with break-arch windows and the rear with break-arch glazed door set within the frame of the case, on cavetto moulded skirt base with gilt brass ogee bracket feet. 48cm (19ins) high with handle down, 28cm (11ins) wide, 18cm (7ins) deepProvenance: The Late William Keith Neal, Antique firearms collector, formerly of Bishopstrow House, Warminster, Wiltshire.Robert Higgs is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1743 and gaining his Freedom of the Clockmaker's Company in 1750. He worked from Sweetings Alley and took his brother Peter into partnership in 1770. James Evans is recorded by Baillie as also working from Sweetings Alley from 1773. In 1775 he went into partnership with Robert and Peter Higgs; the firm subsequently moved to Exchange Alley and continued in business until around 1825. The partnership of Higgs and James Evans specialised in producing clocks for the export market - particularly to Spain hence a significant proportion of surviving examples (including the current lot) being annotated and signed in Spanish. Condition Report: The movement is in relatively clean working condition however the strike train sometimes 'miscounts' the hour suggesting that slight adjustment to the rack/snail system is required. The escapement has been changed from verge (with short bob pendulum) to anchor although minimal intervention to the plates has occurred hence the clock would convert back leaving little evidence of the present arrangement if so desired. Movement otherwise is in good original condition but with some re-pinioning. The dial is in good original condition retaining older mellow surface exhibiting some rubbing and discolouration, The minute hand has been restored. The case is in good condition with faults limited to slight rubbing to the ebonised finish (most noticeably to the front door) and some light shrinkage cracking (most noticeably to the superstructure). The rear has a small veneer loss to the lower left-hand corner; the escutcheon plate to the front door is a later addition. Clock has a crank winder and a case key. Condition Report Disclaimer
Lot 70
A GEORGE II WALNUT, BURR WALNUT, CROSSBANDED AND FEATHERBANDED BUREAU CIRCA 1750 The fall front opening to an arrangement of pigeon holes and drawers around a central cupboard door 105cm high, 93cm wide, 52cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses, veneer loss and repair, some bubbling to some veneers, the interior with old marks including ink staining. One key present for interior door - no key for the main fall Lowest handle is missing some metal to the sides of the plateLegs appear to be replacement, may well have had bun feet previously and replaced with brackets The fall is 86cm wide and 34cm deep when open the internal measurement of the interior section is 25cm highPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 149
A VICTORIAN GOTHIC REVIVAL INLAID MAHOGANY BRACKET CLOCK THE DIAL SIGNED FOR JOHNSON, LONDON, MID 19TH CENTURY The twin fuse gong striking movement with anchor escapement regulated by lenticular bob pendulum with holdfast to the shouldered backplate, the 7 inch cream painted Arabic numeral shaped-top dial inscribed Johnson, London to centre, with steel moon hands and subsidiary Strike/Silent dial to arch, the gable-top case with stylised leafy scroll carved decoration over slender cavetto cornice and hinged front with shaped arch glazed dial aperture inset with canted brass fillet bordering the dial within line inlaid surround, the sides with lancet-shaped glazed apertures beneath brass rosette ring side handles and the rear with gable-shaped glazed door set within the frame of the case, on line edged cavetto moulded skirt base with squab feet, (dial re-touched). 48cm (19ins) high, 29cm (11.5ins) wide, 19cm (7.5ins) deep Condition Report: Movement is complete and in full working condition with no visible evidence of alteration or noticeable replacements; a gentle clean and overhaul is advised. The dial appears to retain the original cream ground finish however the black scripted numerals, signature etc has been re-touched therefore dial presents as being in very good condition. We cannot offer any assurances that the signature for Johnson is correct however it is most likely that the current script replicates/is a restoration of the original text. The case is in good presentable condition. The apex of the carved cresting has been restored and there are some very slight shrinkage cracks to the top surfaces. The right-hand side aperture has veneer patch repairs to the edges bordering the glass; the rear door has similar patch repairs and some unevenness to the colour. Faults to the case are otherwise very much limited to minor bumps, scuffs and other blemishes commensurate with age and use.Clock is complete with a pendulum, winder and case key.Condition Report Disclaimer
Lot 130
A 19th century oak cased long case clock, with a broken swan neck pediment and turned columns above a long arched door, box base and plinth, the 30.5cm dial painted with a country house to the arch, floral spandrels, Roman numerals, seconds subsidiary dial and calendar aperture inscribed, Wm Williams, Carmarthen, the eight day movement striking on a bell
Lot 332
A Pioneer sound system, comprising stereo tuner, TX-5500, stereo turntable PL-155A, and stereo cassette tape desk CT-F4040, each boxed, together with a Pioneer stereo amplifier, SA-5000 II, boxed with operating instructions, a Pioneer Avante stereo rack, CB-300A, two Pioneer speakers, and a Pioneer metal music cabinet, with three shelves beside a glass door enclosing single shelf, 60cm high, 64cm wide, 36cm deep. (a quantity)
Lot 81
A timepiece Vienna style wall clock: the eight-day duration, weight-driven movement having a dead-beat escapement and maintaining power, the white enamel dial with black Roman numerals and blued steel hands, the mahogany case with a glazed, arched trunk door, pediment top and turned columns, height 112cm.
![19th century mahogany bedside unit, the cupboard door with moulded carved design, raised on short cabriole legs [77x44x40cm]](https://cdn.globalauctionplatform.com/1e961fd0-27d2-4f4f-b0cb-b15e00b1ef0a/3824ec86-919a-4aec-89d2-b15f01010c3d/468x382.jpg)
![Eastern 2 door mahogany wood cabinet with brass fittings [117x52x113.5cm]](https://cdn.globalauctionplatform.com/1e961fd0-27d2-4f4f-b0cb-b15e00b1ef0a/85256cc3-4b3f-47ba-99a0-b15f0104bf29/468x382.jpg)
Lot 903
21st Cent. Belgian oil on canvas - signed Diederik Boyen and dated 2014 on the side - this imposing work is the biggest one ever made by the artist || BOYEN DIEDERIK (° 1968) olieverfschilderij op doek : "Le(n)a" - 220 x 165 getekend en gedateerd 2014 aan de zijkant dit imposante werk is het grootste werk ooit gemaakt door de kunstenaar
Lot 299
pair of earrings in white gold (18 carat) each with a bigger diamond surrounded by small ones - in total : ca 0,85 carat of very high quality brilliant cut diamonds with removable entourage, so it can be worn in two ways || Paar oorbellen met een entouragemodel in witgoud (18 karaat) telkens bezet met een grote briljant (samen 0,64 karaat) omringd door kleine - in totaal bezet met ca 0,85 karaat blauwwitte (D/E/F) kwaliteitsbriljant (Vvs/Vs) - met afneembare entourage, dus op twee manieren te dragen !
Lot 133
pendant of two 17th Cent. oil on canvas from the cercle of Peter Snayers with war scenes of a nice quality || SNAYERS PETER (1592-1666/67) - OMGEVING van pendant zeventiende eeuwse olieverfschilderijen op doek telkens met een oorlogstafereel met veel personages - telkens 33 x 40 cm nagezien door expert Jean-Pierre De Bruyn (dixit : "... mooie kwaliteit")
Lot 91
antique Bhutanese sculpture (with typical Bhutanese large head) in guilded bronze inlaid with turquoise beads || Antieke Bhutanese sculptuur in gedoreerde brons en bezet met cabochons in turkoois met de voorstelling van een zittende gekroonde godheid (met typisch Bhutanees groot gezicht) met zwaard in de hand : "Manjushri" - hoogte : 19,5 cm uit een particuliere collectie van Antwerpen (door de grootoom van de huidige eigenares tijdens een reis naar het Oosten tussen 1899 en 1903)
Lot 768
Alechinsky signed acryl painting on panel with the original border with a collage of "Jiri Kolar paper", titled "Jiri Kolar Calendrier - Juillet" with certificate by the artist dd 2022 (Cat. rais. n° 4286), signed by Alechinsky and by Frédéric Charron, who made the catalogue raisonné || ALECHINSKY PIERRE (° 1927) acryl op paneel met originele boord met een collage van "Jiri Kolar papier" getiteld "Jiri Kolar Calendrier - Juillet" - 80 x 120 getekend en te dateren in 2013 met certificaat van de kunstenaar zelf, opgemaakt in 2022 (Cat. rais. n° 4286), ondertekend door Alechinsky en Frédéric Charron, die de catalogue raisonné maakte
Lot 237
Ancient Egyptian New Kingdom limestone wall sculpture with the representation of the head of a god with certificate - prov : former USA collection (found wrapped in old newspaper paper - pre 1934) || OUD - EGYPTE - NIEUWE RIJK (ca 1550 - 1200 BC) fragment van een wandsculptuur in zandsteen met de voorstelling van het hoofd van een godheid - 14,6 x 15,7 x 3,1 cm met certificaat prov : vroegere collectie uit de USA (door erfgenamen gevonden in oud krantenpapier / van voor 1934)
Lot 849
Panamarenko signed "Nouvelle sunthèse d'Anvers' - box with complete contents edited on the occasion of 'Antwerp Cultural Capital' dd 1993 || PANAMARENKO (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) "Nouvelle sunthèse d'Anvers' - box met volledige inhoud dd 1993, uitgegeven ter gelegenheid van 'Antwerpen Culturele Hoofdstad' getekend Concept en lay-out door PANAMARENKO (PS VAN VAN HERREWEGHE HENRI ) (1940 - 2019) en Ronny de Meyer. Het bevat 2 publicaties, een video, een CD met kaartenset en een genummerd plexi plaatje
Lot 308
pair of earrings in pink gold (18 carat) each with a circa 0,50 carat brilliant cut diamond (together : 1,02 carat) surrounded by small ones || Paar oorbellen met een entouragemodel in roos goud (18 karaat) en telkens bezet een grote briljant (I - Vs), samen 1,02 karaat wegend, omringd door kleine, samen ca 0,30 karaat wegend
Lot 344
ring with a classic design in white gold (18 carat) with a 4 carat emerald surrounded by circa 1,10 carat of high quality brilliant cut diamonds || Vrij klassieke entouragering in witgoud (18 karaat) bezet met een smaragd van zeker 4 karaat, omringd door ca 1,10 karaat witte (E/F/G) kwaliteitsbriljant (Vs)
Lot 660
set of three late 19th Cent. French vases with a design by françois Legras (in three different sizes) in frosted crystal with a partially enamelled, partially gilded floral decor || LEGRAS FRANÇOIS (1839 - 1916) serie van drie bolvormige vazen (drie verschillende hoogtes van 5 tot 17 cm) van ca 1890 in gesatineerd kristal met een uitgespaard floraal decor, deels geëmailleerd en deels gedoreerd - gerealiseerd door de Cristallerie Montjoye gemerkt
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