We found 5745 price guide item(s) matching your search

An Edwardian silver sugar caster, Harrison Brothers & Howson, Sheffield 1903, with embossed floral decoration, 13.5cm high, together with a pair of Edwardian silver sauce boats, makers marks rubbed, London 1901, total weight approx 11.5oz (3)

Early George V silver twin handled bowl of octagonal form, with reeded border and ring handles, on an octagonal base (London 1911) Harrison Brothers & Howson. All at approximately 9ozs. 20.5cm across handles.

Set of silver 1930s silver lobster picks, with engraved initials, in original fitted case (Sheffield 1939) Harrison Brothers & Howson. All at approximately 6ozs. 19.3cm overall length.

Set of six pairs 1930s fruit knives and forks, with silver blades and mother of pearl handles (Sheffield 1937) Harrison Brothers & Howson. Knives 18cm overall length.

HARRISON BROTHERS & HOWSON; a late Victorian hallmarked silver floral decorated heart shaped picture frame, London 1898, and a Dreyfous easel back travelling clock with floral painted decoration, the white enamel dial measuring 4.5cm diameter (2).

HARRISON BROTHERS & HOWSON; a Victorian hallmarked silver and silver handled butter knife, Sheffield 1871, a further Victorian hallmarked silver and silver handled butter knife, a silver plated baby feeding spoon, a Birmingham hallmarked silver egg cup and a white metal handled button hook (5).

A Victorian walnut canteen box, enclosing silver and mother of pearl flatware comprising twelve fish knives and eleven fish forks, Harrison Brothers & Howson, Sheffield 1874, and an associated set of twelve dessert knives and eleven dessert forks, of conforming maker, Sheffield 1871 (46)

A Late 19th Century Horn handled Silver Mounted Carving Set by Harrison Brothers and Howson

PETER HOWSON (SCOTTISH B.1958): A PEN ON PAPER DRAWING DEPICTING A GROTESQUE MAN, 28cm x 20cm Loosely framed and glazed 32cm x 23cm Signed and dated '07.

PETER HOWSON (SCOTTISH B.1958): A PASTEL DRAWING ON PAPER DEPICTING A PORTRAIT OF A MAN, Signed bottom right. 28cm x 22cm Mounted in a frame and glazed. 53cm x 43cm

Boxed set of hallmarked rat tail spoons Sheffield by maker Harrison Brothers & Howson and a Georgian Fork maker J H over A H total weight approx 120g

A PAIR OF SILVER STOP FLUTED CORINTHIAN COLUMN CANDLESTICKS BY HARRISON BROTHERS AND HOWSON, SHEFFIELD 1888, LOADED. H 16cms. TOGETHER WITH A PLATE ON COPPER PAIR OF CANDLESTICKS. H 29cms.

An Edward VII silver wire fruit basket, mark of Harrison Brothers & Howson (George Howson), London 1905, of oval form, wired side with applied cast trailing vine swagged decoration and scalloped reed and tie rim, raised on an oval base with four applied cast trailing vine feet, 26 x 20cm, 11cm high, 713.2g (22.9ozt)Overall in good condition with no obvious sign of damage or repair. Some light surface scratches and nicks, as to be expected and commensurate with age and use. Hallmarks clear and readable

A pair of Victorian silver library candlesticks, mark of Harrison Brothers & Howson (George Howson), London 1896, each loaded base of oval form with reeded edge, short knopped column and campana shaped sconce with fully marked detachable wax pan, 11.5 x 9cm at the base, 12cm high (2)

A set of six George V silver dessert knives and forks, with pistol grip handles, by Harrison Bros & Howson, Sheffield 1914, 25oz overall, with five similar knives with steel blades

A late Victorian silver cake basket, of rounded rectangular form with scroll ends, having gadrooned borders and open wirework sides, by Harrison Bros & Howson, Sheffield 1900, 29cm long, 17oz

A silver bachelor's coffee pot, of baluster form, with hinged domed cover, scroll and leaf capped spout, and composite handle, presentation inscription to the underside 'From the indoor and outdoor servants of Astley Hall 25-9-36', by Harrison Bros & Howson, Sheffield 1936, 18.5cm high, 13oz overall

An Edwardian silver salver, the shaped and gadrooned border with foliate and scallop decoration, on scroll feet, by Harrison Bros & Howson, London 1901, engraved presentation inscription, 46cm wide, 75oz

A Victorian silver tea caddy, Harrison Brothers & Howson, Sheffield 1891, of vase shape with cylindrical cover on three shell and scroll feet, 11cm high and a silver tea caddy of bombe shape on four scroll feet, Charles Stuart Harris, London 1902, retailed by Wilson & Gill, 11cm wide, approximately 384g

Artist's proof 'War Wife' 1994 by Peter Howson with label from Wiseman Originals, London and blindstamp Advanced Graphics, London. Image 21" x 25", frame 23" x 27"

A GEORGE V SILVER PRESENTATION SALVER, of a circular form with wavy rim, raised on four scroll feet, reverse engraved 'Presented By, The Management And Employees Of Bemrose Flexible Packaging, To David C.Wigglesworth On The Occasion Of The Opening Of The New Factory On 25th August 1978', hallmarked 'Harrison Brothers & Howson' Sheffield 1932, approximate width 26cm, approximate gross weight 560.0 grams, 18.0 ozt (condition report: general light wear, would benefit from a gentle clean and polish, overall condition good)

A silver scallop shell butter dish - Sheffield 1909, Harrison Brothers & Howson, raised on three ball feet, together with a table lighter in the form of a hunting horn, a spoon and a napkin ring, weight 159g.

* PETER HOWSON OBE (SCOTTISH b. 1958), FALLEN ANGELS limited edition print on paper, signed, titled, dated '05 and numbered 6/100 mounted, framed and under glass overall size 58cm x 76cm Overall good condition some dust and residue present to the outside of frame and glass.  there are no estimates or reserves for the Antiques and Interiors auction

with cut-glass handles, by George Howson, Sheffield 1907, together with 4 late Victorian Old English tablespoons by Maxfield & Sons, London 1896, 4 other tablespoons, a toddy ladle and two small ladles, some of the above either initialled or crested, mixed makers & dates; the salad servers 11.5" (29.2cm) long; 18.5ozt weighable silver (12). *CR All pieces with wear & in mixed conditions Please contact Connor for further information connor.swanwick@lawrences.co.uk.

of shaped circular outline, with a gadrooned border and raised on four ball & claw feet, by George Howson, Sheffield 1936; 10" (25.4cm) diameter; 20ozt. *CR A bit worn, 2 or 3 very minor dents to the centre and some black pitting marks. Please contact Connor for further information connor.swanwick@lawrences.co.uk.

A PAIR OF GEORGE V SAUCE BOATS, typical form silver sauce boats, scalloped rim, scrolled handle with acanthus detail, raised on three hoof feet, engraving to base 'LW & AH July 1st 1930' hallmarked 'Harrison Brothers & Howson' Sheffield 1927 and 1929, approximate gross weight 431.1 grams, 13.86 ozt (condition report: general moderate wear, clear hallmarks, overall condition good)

oil on canvas, signed framed image size 75cm x 60cm, overall size 95cm x 80cm Condition of the picture is good overall, with no visible or known issues. Note: In the late 80s and early 90s, Howson embarked on a thematic exploration of what his biographer Robert Heller describes as his ‘Patriots’: the fascists, the football hooligans, the bully boys of the UK... “People who use brute force for brute ends”. It would go on to become the facet of his work for which he is arguably best known. The brutish and muscular ‘Game Boy’s’ raise their fists in a gesture pitched somewhere between a neo-Nazi salute and the celebratory stance of a football fan or roused member of a street mob. He sports the typical uniform of baseball cap and too-tight t-shirt, a nod of ridicule on Howson’s part, but with sinister “wrist gauntlets that furl out into a threatening combination of football scarf and leather strap”. The figure’s face is contorted into a mask of “swinish hate”, as Heller puts it.

An Elizabeth II silver tankard, An Elizabeth II silver tankard, Harrison Brothers & Howson Ltd, London, 2015, height 12.2cm, gross weight 9.11ozt. In original case. Overall condition goodLight scratches in keeping with ageMarks clear and legible

Set of Golf clubs including Big Bertha and Howson Attacker in a Howson golf bag

HARRISON BROTHERS & HOWSON; a set of four Victorian hallmarked silver forks, with resin handles, Sheffield 1870, together with a small collection of teaspoons, a caddy spoon, a tablespoon and two napkin rings, combined approx 9.25ozt/287.7g.

A set of five Victorian silver mother of pearl fish knives, by Harrison Brothers & Howson, Sheffield 1864, two Victorian Scottish silver Queens pattern teaspoons, another two with Glasgow marks, weighable silver 65gms (9) Condition Report:Available upon request

A set of six Victorian silver coffee spoons and pair of sugar tongs, by Harrison Brothers & Howson, Sheffield 1893, cased and two George III silver tablespoons, 5ozs 12dwts (case and two) Coffee spoons in good condition. Tablespoons with light wear

A George V silver sauceboat, crested, 19.5cm l, by Harrison Brothers & Howson, London 1912, 7ozs Good condition

A pair of Victorian silver mother-of-pearl handled butter knives, Harrison Brothers & Howson, Sheffield 1878, floral engraved blades, overall 18cm, in fitted leather case Condition Report: No damage or repair, hallmarks clear and matching

Oak canteen with three internal drawers, containing EPNS cutlery and three silver spoons by Harrison Brothers & Howson, Sheffield, 1922, 5.5ozt; and a cased set of twelve EPNS fish eaters (2)

Fine Victorian silver openwork sugar or sweetmeat basket. Decorated with foliate motifs and neo-classical cameo panels. Hallmarked for London 1858, Harrison Brothers and Howson. Approx. 17cm high, inc. rope twist handle, and 163g. (silver only)

Peter Howson (Scottish, b. 1958) The Polish Recruit Oil on Paper With Flowers East Gallery invoice Framed and glazed Measures approx. 59cm x 41cm (23" x 16") Peter Howson was born in London in 1958; he moved to Scotland in his childhood and enrolled in the Glasgow School of Art in 1975. Peter has admitted that it was only in his final year of art school that his talent was finally recognised and able to grow with the assistance of his tutor, mentor and friend: Sandy Moffat. Peter credits Sandy with discovering his potential as an artist and giving him the confidence to begin his career. In 1983, after graduating from University, Peter débuted his first public commission, a series of wall murals dedicated to the community in Feltham, London. From this point on, Peter has built a reputation as one of his generation’s most formidable figurative artists and has consistently exhibited both internationally and in the United Kingdom. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.    

* PETER HOWSON OBE (SCOTTISH b. 1958), AN AYRSHIRE CHILDHOOD limited edition etching on paper, signed, titled, dated '90 and numbered 8/50mounted, framed and under glassimage size 23cm x 30cm, overall size 52cm x 60cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958), STUDY OF A MAN mixed media on paper, signed and dated 2014mounted, framed and underimage size 28cm x 19cm, overall size 57cm x 47cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958) FIGHTER pastel on paper, signedmounted, framed and under glassimage size 60cm x 44cm, overall size 88cm x 71cmCondition is good overall, with no visible or known issues.

* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), BALLOONISTS COMING TO EARTH oil on paper, signed, titled and dated 1987 verso framed and under glass image size 50cm x 39cm, overall size 70cm x 60cm Note: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale. "Young Camper Discovering Grotto in The Ground" is a major work representative of this period. It appeared in a solo show held at the Barbara Toll Gallery in 1983. Within days of the show, the doyen of the New York art critics, John Russell, fully endorsed the painterly qualities of a young, unknown Scottish artist in his New York Times review. From here it was purchased by significant US contemporary art collectors, Boake and Marian Sells. Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations.

* PETER HOWSON OBE (SCOTTISH b. 1958), PILGRIIM mixed media on paper, signed and dated '08, titled verso mounted, framed and under glass image size 29cm x 22cm, overall size 56cm x 47cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958), ANGEL OF LIGHT RETURNING mixed media on paper, signed and dated '08, titled versomounted, framed and under glassimage size 30cm x 22cm, overall size 55cm x 47cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958), THE CONTEST limited edition woodblock print on paper, signed, titled, dated '87 and numbered 16/30mounted, framed and under glassimage size 21cm x 30cm, overall size 39cm x 46cmCondition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958), HEIRESS watercolour and pen on paper, signed and dated 2006, titled label versomounted, framed and under glass image size 21cm x 14cm, overall size 39cm x 33cm Label verso: The Open Eye Gallery, EdinburghNote: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.

* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 30cm x 22cm, overall size 56cm x 48cm

* PETER HOWSON OBE (SCOTTISH b. 1958), MALE HEAD IN PROFILE pastel on paper, signed and dated '09, Mounted, framed and under glassimage size 30cm x 22cm, overall 52cm x 45.5cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958), REDEPMTION mixed media on paper, signed and dated '08, titled versomounted, framed and under glassimage size 30cm x 22cm, overall size 56cm x 47cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* PETER HOWSON OBE (SCOTTISH b. 1958), DEFEATED limited edition artist's proof print on paper, signed, titled, dated '94 and numbered A/P 1 mounted, framed and under glassimage size 34cm x 54cm, overall size 53cm x 74cm

* PETER HOWSON OBE (SCOTTISH b. 1958), THE PATRIOTS oil on canvas, signedframed image size 75cm x 60cm, overall size 95cm x 80cm Note: In the late 80s and early 90s, Howson embarked on a thematic exploration of what his biographer Robert Heller describes as his ‘Patriots’: the fascists, the football hooligans, the bully boys of the UK... “People who use brute force for brute ends”. It would go on to become the facet of his work for which he is arguably best known. The brutish and muscular ‘Game Boy’s’ raise their fists in a gesture pitched somewhere between a neo-Nazi salute and the celebratory stance of a football fan or roused member of a street mob. He sports the typical uniform of baseball cap and too-tight t-shirt, a nod of ridicule on Howson’s part, but with sinister “wrist gauntlets that furl out into a threatening combination of football scarf and leather strap”. The figure’s face is contorted into a mask of “swinish hate”, as Heller puts it.Condition of the picture is good overall, with no visible or known issues.

A George V silver salver, with a shaped edge and raised on four scroll feet, 31cm diameter, 918 grams, Sheffield 1932, Harrison Brothers & Howson (George Howson). (M)

Collection of silver comprising: A pair of cased silver sauce boats, bearing marks for Viner's Ltd (Emile Viner), Sheffield, 1963, 6.5cm high, the two sauce boats weigh 229g approx overall, a set of six cased silver teaspoons, bearing marks for Harrison Brothers & Howson (George Howson), Sheffield, 1899, 10.5cm overall, 71g approx overall and an 18th Century silver toddy ladle with fluted oval bowl, the bowl with engraved initials to the underside and turned wooden handle, bearing marks for David Hennell I, London, possibly 1742, 31cm overall At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

A part-suite of silver-plated Old English thread pattern cutlery in an oak-cased canteen - Harrison Brothers & Howson, 'Alpha Plate' comprising twelve table forks, dessert forks and dessert spoons, eleven table spoons, six teaspoons, three salt spoons, a pair of sauce ladles and a soup ladle, plus a matched pair of knife rests and bone-handled knives, comprising eleven table knives, six dessert knives and a three-piece carving set, some elements missing.

PETER HOWSON OBE (BRITISH B.1958) MIRACLE Pastel, signed lower left, title and signature affixed verso, 61 x 46cm (24 x 18") Condition Report:Presents in good condition. Not examined out of frame.

A Ruskin Pottery Bottle Vase, circa 1930's, signed by Howson Taylor, 15cm high, wIth other 20th century ceramics (one tray)

dating: Mid 19th Century provenance: England, Rectangular, dark-green, Moroccan leather case with gold outlining containing a beautiful roast set. Knife with blade marked 'Harrison Bros & Howson - Cutlers to His Majesty'; fork with stop and a sharpening tool. Deer horn handles with beautiful 'Rocailles' silver mounts. The silver parts with marks and stamps. dimensions 46 x 14 cm.

AFTER PETER HOWSON, THE GALLOWGATE GIRLS, printmounted, framed and under glass80cm x 64cm overall

Elizabeth II silver wine funnel of typical form with a cast holding plate in the form of grapes and vine leaves, having a roped rim and a spout with a curved end, hallmarked London 2005, makers mark for Harrison Bros & Howson Ltd, 13cm overall, 132gms

A group of silver items. Various dates and makers. The group comprising: a George V sauce boat, Chester, 1930, Stokes & Ireland, with scalloped rim and flying C-scroll handle, on three pad feet, 11cm high (inc. handle); a small Edwardian twin-handled sauce tureen, Sheffield, 1904, Harrison Brothers & Howson, with scrolling handle, on an oval stepped base, 19cm wide; an Edwardian inkstand, Sheffield, 1903, Atkin Brothers, of oval oblong form, pierced to the sides and with reeded banding along the rim, on four pad feet, supporting a silver mounted glass inkwell, 20.5cm long; and a 19th century French liquor cup, 950 standard, Louis-Jacques Berger (1798 - 1807), of cylindrical tapering form, with reeded banding along the rim, 3.7cm high, total weighable silver approx. 17.3ozt (4) Condition Report: Various French standard marks stamped to the underside of the liquor cup, as well as some indistinct marks to its side.  

A group of silver items. Various dates and makers. The group comprising: two small Victorian vases, Birmingham, 1891, Deakin & Francis, of baluster form, the lower bodies repousse decorated with scrolling floral and foliate motifs, both with engraved initials to cartouches, 7.5cm high, in fitted case; two Art Deco pepper shakers, Sheffield, 1935, Mappin & Webb, with tapering bodies raised on a spreading circular foot, 8.5cm high; two George III salt spoons, 1812, Thomas Richards, with initial engraved to handles, 10.5cm long; a mustard pot, London, 1936, Edward Barnard & Sons, of circular form, with scrolling handle, liner deficient, 9.5cm wide (inc. handle); a four division toast rack, Birmingham, 1931, Deakin & Francis, 8.5cm wide; a pair of sugar nips, Sheffield, 1940, Harrison Brothers & Howson (George Howson), 11.7cm long; an Edwardian tea strainer, Sheffield, 1905, Atkin Brothers, 17.2cm long; an Egyptian pin dish, 1935-1936, of circular form, with decorative banding along the rim, 9.5cm dia.; and three napkin rings, total weight approx. 18.5ozt (a lot)