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Dr Robert John Thornton (1768-1873), publisher 'Roses';'Carnations'two coloured aquatint and mezzotint engravings with hand-colouring from the Temple of Flora, 'Carnations' dated 1 January 181230 x 21cm, each in a parcel-gilt ebonised frame (2)Condition ReportFrame size 49 x 38cm. Some light fading to colours. The paper is aged and foxed in some areas. Some small holes/creases to the Roses. Frame fittings secure and ready to hang. Glazing entact. Some light wear to frames commensurate with age and use. Overall the prints are in fair condition and ready to hang.

Samuel Cousins (British. 1801-1887) 'Miss Bowles' (1875) - After Sir Joshua Reynolds,Mezzotint engraving,39cm x 30cm;With a further Mezzotint engraving after Sir Joshua Reynolds, titled 'The Age Of Innocence (1874), 39cm x 30cm; and a signed etching by Kenneth Holmes (1902-1994) depicting a View of the Thames showing cranes in Butler's Wharf with Tower Bridge in the background, 23cm x 37.5cm (3)

G. C. Williamson: "Catalogue of the Collectionof Miniatures. The Property of J. Pierpont Morgan". Originaltitel4 Bd.; Privatdruck Chiswick Press, London, 1906-1908. Nr. 31 von 40 Exemplaren. Gedruckt auf japanischem Pergament. Zahlreiche, wohl in Mezzotinto-Technik ausgeführte und nummerierte Tafeln, u. a. von Hallett Hyatt mit teilw. handkolorierten und goldgehöhten Faksimiles von britischen Miniaturporträts u. a. von Samuel Collins, Priscilla Wright, P Jean. Samuel Shelley, Ozias Humphry, Richard Cosway, Nathaniel Plimer, W. Grimaldi, Thomas Lawrence etc.; Vorsätze mit grünem Seidenmoirée. Dunkelgrüner, teilw. braun verblasster Ledereinband mit goldgeprägten Eck- und Rückenverzierungen. Goldschnitt. Altersbedingten Gebrauchsspuren, Bindung des Deckels innen gerissen. Teilw. innen Verfärbungen sowie mit Bleistift bez.; Nicht kollationiert. 38 cm x 28,5 cm. Vgl. Royal Collection Trust, Inv.-Nr. RCIN 1049889.Four volumes of the rare catalogue of the miniature collection owned by J. Pierpont Morgan. Special edition with partly hand-coloured facsimiles probably in mezzotint technique among others by Hallett Hyatt. Limited and numbered. Signs of use. Not collated.

Edward Stodart (1841-1914) Seven mezzotint engravings, each signed, 14.5 x 20cm, some damage to the gilt frames / AN53

John Jones after Sir Joshua Reynolds, 'Charles James Fox', 18th Century mezzotint engraving, image size 18" x 14" (46 x 35.5cm), a/f.

After Rembrandt, a 19th Century mezzotint of King Belshazzar Beholding the Handwriting on the Wall', 18" x 23" (46 x 58.5cm), in a carved frame, faults.

Tomoe Yokoi, Still life with bowl, fruit and musical instrument, colour mezzotint, signed in pencil and numbered 15/100, plate size 7" x 10.75" (17.5 x 27.5cm).

Three framed topographical etchings, indistinctly signed; together with a colour mezzotint; one other; and a reproduction print (6)

Possibly by Francesco Bartolozzi (Italian 1727-1815): After the Hunt, 19th century oval mezzotint, in ornate gilt frame with ribbon decoration

AFTER RICHARD WESTALL (1765-1836), "TELEMACHUS AND MENTOR DISCOVERED BY CALYPSO", AND "TELEMACHUS RELATING HIS ADVENTURES TO CALYPSO", A PAIR OF HAND COLOURED MEZZOTINT ENGRAVINGS, PUBLISHED BY CLAY AND SCRIVEN, 71 x 55cm, TOGETHER WITH A FURTHER MEZZOTINT ENGRAVING OF "THE WOODMAN" AFTER BARKER OF BATH, 37 x 55cm. (3)

A PAIR OF MEZZOTINT ENGRAVINGS AFTER GEORGE STUBBS, COMPRISING "GAME KEEPERS" (AFTER THE PAINTING "LORD TORRINGTON'S STEWARD AND GAMEKEEPER WITH THEIR DOGS AT SOUTHILL BEDFORDSHIRE"), AND ANOTHER "LABOURERS", PUBLISHED BY BENJAMIN BEALE EVANS, LONDON, 66 x 39cm (TRIMMED). (2)

Sayer (Robert, publisher) The Neglected Fair: a parody on the Neglected Tar, hand-coloured mezzotint, sheet 360 x 266mm., central horizontal fold, couple of repaired tears, some staining, lightly browned, Printed for Robert Sayer, 1 August, 1791; and 4 others, 2 published by Sawyer (including Autumn, 1786) (5)

BROWNE, Alexander. Ars Pictoria: Or an Academy Treating of Drawing, Painting, Limning, Etching. London: J. Redmayne, 1669. Folio (311 x 196mm.) Title, engraved portrait frontispiece, 28 engraved plates mostly after Arnold de Jode, extra-illustrated with 17 engraved plates mounted verso original plates. (Lacking 2 original plates, frontispiece with marginal loss, leaves before A1 detached and twenty plates to rear loose, some with loss to margins.) Disbound. Note: Alexander Browne was a versatile figure in the London art world of the late 17th century. He was a printmaker, an auctioneer, a dealer, an artist and art tutor, and he also played a role in the commercial development of the mezzotint in London. [Wing 5097.] – And a further two volumes (including George Brown’s ‘Arithmetica Infinita, or The Accurate Accountant’s Best Companion’, 1717-1718, oblong 32mo) (3).

BRENTON, Edward Pelham. The Naval History of Great Britain, from the Year MDCCLXXXIII to MDCCCXXII. London: C. Rice, 1823-1825. 5 vols., 8vo (217 x 129mm.) 10 mezzotint portraits including frontispieces, 9 lithographic maps or plans, most folding, 9 lithographed views, 1 leaf of manuscript facsimile, 2 folding letterpress tables, 1 large folding engraved plate of the British fleet at Trafalgar in vol. 3, list of subscribers, errata leaves and ‘Directions to Binder’ leaves to rear. (Toning, occasional scattered spotting and some to plates, titles browned and vol. 1 title with heavy offsetting.) Near contemporary blue morocco, gilt borders, later red morocco labels to spines (some rubbing to extremities). Provenance: John Riggs Miller (bookplates to front pastedowns) (5).

A framed and glazed mezzotint of Disraeli, approx 42cm x 49cm. Shipping category D.

Minnie Cormack (1862-1920)Nancy and Delia, after George Morlanda pairmezzotint57cm x 46cmwith another mezzotint portrait of a lady by a different hand (3) All framed and glazed. Some condition issues to all prints, including foxing, soiling and general wear.

John Raphael Smith (1752-1812)Portrait of Rev Richard Robinsonafter Joshua Reynoldsmezzotint45cm x 35cmwith a second mezzotint depicting Lord Viscount Milton (2) Framed and glazed. Extensive wear and foxing to both artworks, as well as loss to the frames.

Thomas Hamilton Crawford (19th Century)Two Girls in a Landscapesigned in pencil lower rightmezzotint in colours38cm x 29cmwith two further mezzotint female portraits and a print depicting Pitchford Hall (4) All framed and glazed. General wear, foxing and spotting to all prints.

After Elisabeth Sonrel (French, 1874-1953), signed coloured mezzotint ? print. 'Jeaune Femme aux Hortensias', an Art Nouveau scene of a young girl amongst blue Hydrangeas, signed in pencil under lower left, copyrighted in New York 1907, 40cm x 45.5cm

Charles Brome after George Romney (1734-1803), verre eglomise hand coloured mezzotint. 'Emma Hart. Lady Hamilton as Ariadne', titled below, 32cm x 27cm, framed and glazed

Young (John) A Catalogue of the Celebrated Collection of Pictures of the late John Julius Angerstein, Esq., large paper copy, text in English and French, 42 etched plates on india paper and mounted, foxing to mounts, engraved portrait of the Earl of Liverpool tipped in at beginning, bookplate of Richard Meux Benson, contemporary half green roan, uncut, spine rubbed and faded, 1823; A Catalogue of the Pictures at Leigh Court, near Bristol; the seat of Philip John Miles, Esq., contemporary half roan, uncut, 1822; A Catalogue of Pictures by British Artists, in the possession of Sir John Fleming Leicester...at Tabley House, Cheshire, some offsetting, modern half morocco, 1825; A Catalogue of the Collection of Pictures of the...Marquess of Stafford, at Cleveland House, London, 2 vol., mezzotint portrait, engraved plates on india paper and mounted, foxing, original roan-backed cloth, gilt, vol.1 rebacked preserving decorative gilt spine, 1825, first editions, half-titles, engraved plates, most rubbed, folio & 4to (5) *** Good collection of 4 of the 5 catalogues produced by Young (lacking only the Pictures at Grosvenor House).  John Julius Angerstein (1735-93) was a London businessman, collector and patron of the arts. When he died his collection of thirty-eight pictures was bought for the nation (for approximately £60,000) and formed the basis of the National Gallery, founded in 1824 and first situated in Angerstein's house at 100 Pall Mall. It included Rubens' Rape of the Sabine Women, Claude's Embarkation of the Queen of Sheba, Rembrandt's Woman taken in Adultery, and Sebastiano del Piombo's Raising of Lazarus which Angerstein had bought from the celebrated Orléans Collection in 1798 for 3500 guineas and which became item No.1 in the National Gallery Catalogue. Angerstein's house soon became too small and the present gallery designed by William Wilkins was built between 1832 and 1838. Philip Miles was a railway magnate who bought Leigh Court near Bristol and filled it with a fine collection of Old Master paintings. It included the famous "Altieri Claudes", originally purchased by William Beckford in 1799 for the then astounding price of £6825 for the pair. The collection was dispersed at Christie's in 1884. 

Miscellaneous prints.- Sandby (Paul) The Temple at Sunium, after William Pars, etching and aquatint, on watermarked laid paper, sheet 290 x 470 mm (11 1/2 x 18 1/2 in), trimmed within the platemark, handling creases, small nicks and losses, surface dirt, unframed, [1777]; and 8 others, including 'Sturm' by Anna Costenoble, Earlom's sepia mezzotint after Claude Lorrain, no. 200, an aquatint 'Miletus', a poster by Carl Otto Czeschka for 'Plakat für die Tausendjahrfeier der Stadt Mödling', two lithograph portraits of Gros and Chaudet, a copy after Christoffel Jegher's 'Hercules Slaying Envy', and large French equestrian portrait, various sizes between 240 x 340 mm (9 1/2 x 13 1/2 in) and 680 x 540 mm (26 3/4 x 21 1/4 in), all unframed, mainly 19th and 20th century (9) 

Albert Pollitt (British. 1856-1926) The Llugwy, North Wales,Signed and dated 1920, watercolour, 32 x 45cm; With a pencil drawing of 'Eridge Castle, Sussex', late 19th century, signed with initials 'NJB', 20 x 30cm; and a mezzotint by John Martin from Paradise Lost, 22 x 29.5cm (visible) (3)

A collection of portrait and figurative prints To include a mezzotint after Bellini, hand-signed; three 18th century portrait prints after Lely, Kerseboom etc; and others including 'The Lecture' after Hogarth, largest frame 65.5cm x 52.5cm (7)

David Lucas after John Constable Hadleigh Castle near the Nore, mezzotint, 1832, impression size 18 x 25cm; together with three further works to include a Samuel William Reynolds etching, a George Cuitt etching of Byland Abbey and a further aviation print, largest frame 48cm x 38cm (4)

AN ITALIAN REVERSE GLASS PAINTING OF GHISMONDAAFTER CORREGGIO (1489-1534),18TH CENTURYdepicted weeping, leaning on a ledge behind the heart of Guiscardo, resting on a tazza, in a gilt and ebonised moulded frame24.5 x 18.2cmProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Catalogue NoteThis painting is probably based on a mezzotint by James McArdell (1729-1765) after the original oil painting by Correggio.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

ADOLF VAN DER LAAN (DUTCH 1684-1755) AFTER JOHANNES GLAUBER (DUTCH 1646-C.1726) Arcadian river landscape with a sphinx; Arcadian river landscape with figures worshipping a statue A pair, both etching with hand-colouring 22.6 x 35.4cm, 23 x 35.6cm (image)Together with Gotfried Eichler (1715-1770) Joseph's brothers kneel before him. Jacob learns that Joseph is alive, A pair, both mezzotint in blue, 24.5 x 35.7cm, 24.7 x 35.8cm (plate) (4) ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

After Romney 19th century mezzotint engraving of a young woman in lace bonnet. 36x29cm approx., together with stipple engraving of His Royal Highness George Augustus Frederick, Prince of Wales. 47x38cm approx. Framed. (2) (B.P. 21% + VAT)

A late George III reverse painted mezzotint under glass print 'The Contented Shepherd' after David Teniers and printed by T.Burford, 36 x 25 cm in contemporary ebonised frame.

A PAIR OF OVAL REVERSE GLASS PORTRAITSAFTER SIR GODFREY KNELLER, EARLY 18TH CENTURYthe mezzotint portrait prints of Queen Anne and Prince George of Denmark, Duke of Cumberland, in giltwood frames, with paper trade labels for 'W. Boswell, Norwich' (2)28.5 x 23cm

Dorothea Wight (British, 1944-2013), ‘Palm Tree’ coloured mezzotint on paper. Signed, titled and numbered below print in pencil, edition 51/75. Framed and glazed. Plate measures 34cm x 27cm, paper measures 62cm x 51cm, frame measures 67cm x 54cm.

A George III reverse glass mezzotint, entitled ‘St. John’, James Bateman, circa 1816, 36cm x 25cm, framed.

A George III reverse glass mezzotint, entitled ‘Admiral Lord Nelson the Hero ot the Nile, of the Battle of Copenhagen, falling into the Arms of Victory in the ever memorable Engagement with the combined Fleets of France and Spain off Trafalgar, on the 21 Oct'r 1805’, Pub'd Jan'y 20. 1806, by W. B. Walker, Fox & Knot Co't, Snow Hill, London, 26cm x 36cm, framed.

A George III reverse glass mezzotint, entitled ‘Prince Leopold & the Princess Charlotte enjoying the Happiness of Love & Retirement in Claremont park', Painted by W. B. Walker, 4 Fox & Knot Court, Cow Lane, London, 26cm x 36cm, framed.

A George III reverse glass mezzotint, entitled ‘General, Field Marshall Kutusoff, Prince Smolensco, Commander in Chief of the Russian Army’, painted by W. B. Walker, 26cm x 36cm, framed.

A George III reverse glass mezzotint, entitled ‘Sculpture’, Printed for & Sold by H. Overton at the White Horse without Newgate, London, 26cm x 36cm, framed, together with two other reverse glass mezzotints, including ‘Astronomy’, 26cm x 36cm, all framed (3)

After James MacArdell (1729-1765), Mr Quin in the Character of Sir John Falstaff, mezzotint, 'Sold at the Golden Head in Covent Garden', sheet size 36cm x 26cm, cut close, framed, together with an architectural print, depicting the facade of a neo-classical building, 46cm x 73cm, framed (2)

A George III reverse glass mezzotint, entitled ‘The Affectionate Departure’, Published as the Act directs, by P.& P. Gally, 9 Turnmill treet, Clerkenwell, June 29th 1816, 26cm x 36cm, framed.

Property of the Late Countess Haig: Samuel William Reynolds (British 1773-1835), Georgiana Elizabeth Duchess of Newcastle, engraving, published 1825 by William Welton, titled bellow, mezzotint, framed (64cmx37cm) together with After Sir Thomas Lawrence (British 1769-1830) engraved by Charles Turner A.R.A (British 19thc), Henry Pelham, Duke of Newcastle & K.G. Lord Lieutenant of the Country of Nottingham, published 1830, titled bellow, mezzotint, framed. (68cmx37cm) (2)

After Sir Henry Raeburn (British 1756-1823): Portrait of a Lady, coloured mezzotint blind stamped and indistinctly signed in pencil 34cm x 26cm

AMALGAMATED SOCIETY OF ENGINEERS, MACHINISTS, MILLWRIGHTS, SMITHS & PATTERN MAKERS CERTIFICATE, MID-19TH CENTURY mezzotint engraved certificate presented to John [indistinct] ...member of Glasgow 4th Branch, on the 2nd day of October 1865..., signed by both president and secretary, and mounted with wax seal, framed and under glassoverall size 74.5cm high x 59.4cm wide

William PETHER (1731-1821) The Alchemist, after Joseph Wright of Derby Mezzotint, 58x45.5cm

Georgian mezzotint on glass 'Angling', published 1800 by P Dawe, 44 Wells St,  26 x 35cm

Georgian mezzotint on glass 'May' printed for Robert Sayer and Carrington Bowles, No 60 St Paul Churchyard, 36 x 26cm 

Georgian mezzotint on glass 'South East View of Copenhagen House', printed for Robert Sayer 1789,  25 x 35cm

Georgian mezzotint on glass 'Sir Francis Burdetts Triumphal Car', published 1807 by Hinton, 25 x 35cm 

Regency mezzotint on glass 'Funeral Procession of her most lamented Majesty, Queen Caroline, entering the City at Temple Bar Aug 14th 1821. Being the general wish of the people', published by Pand P Gally

Georgian mezzotint on glass 'A view of the Thames, from Millbank, Chelsea and Battersea', printed for Robert Sayer 1789, 25.5 x 35.5cm

Georgian mezzotint on glass 'Sweet Nan of Hampton Green', published July 1803 by Valentine, Bernarda and Cermenati 

Georgian mezzotint on glass 'Baron Lord Clive, Baron of Playsey, Major, Major General in the East Indies, etc', printed for John  Bowles, Robert Sayer and Carrington Bowles, 35 x 24cm

* Smith (John, 1652-1743). Johannes Smith, after Kneller, 1696, uncoloured mezzotint after Godfrey Kneller, small margins, laid on later paper, 345 x 260 mm, framed and glazedQTY: (1)NOTE:A self-portrait of the eminent mezzotint engraver, John Smith. He shows himself holding his mezzotint portrait of his principal patron, the artist Sir Godfrey Kneller.

Rennie (John). The Theory, Formation, and Construction of British and Foreign Harbours, 2 volumes, 1st edition, London: John Weale, 1854, mezzotint portrait frontispiece of the author by J. Andrews (offset to title), 122 engraved charts and plans, some spotting, 2 small circular institutional ink stamps at head of first text leaf to volume 1, all edges gilt, contemporary half morocco gilt over cloth, rubbed and soiled, large folioQTY: (2)

Pennant (Thomas). Some Account of London, 3rd edition, bound in 3 volumes, London: printed for Robert Faulder, 1793, portrait frontispiece of King Charles I, title with engraved vignette, folding map, 13 engraved plates, EXTRA-ILLUSTRATED with at least 420 mainly 18th century (but including some 17th and 19th century) engraved maps, plans, mezzotint portraits, topographical views, etc., many folding, some trimmed and mounted, blank interleaves, occasional offsetting, light spotting and water stains, a few small tears, bookplate of Mark Girouard, contemporary diced calf gilt, covers detached, volumes 2 & 3 lacking spines, rubbed with some edge wear, 4to, 24 x 19 cmQTY: (3)NOTE:A handsomely grangerized copy of Pennant's Account of London. The additional maps include Wallis's Plan of the Cities of London and Westminster, 1797, A Contracted Sketch of the Plan of London (reticulated key plate only), 1746, by John Pine and John Tinney, 16 engraved ward plans from Stowe's Survey of London, engraved plates and mezzotints including examples by or after F. Bartolozzi, B. Cole, J. Closterman, Sutton Nichols, W. H. Toms, Carington and John Bowles, H. Fletcher, an eighteenth-century copy of Ralph Agas's Elizabethan plan of London and Westminster, portraits by Kneller & Houbraken, J. Boydell, Robert Sayer, Richard Blome et al.

THOMAS LANDSEER AFTER SIR EDWARD LANDSEER THE DEER PASS, 1854 Mezzotint Published London, Henry Graves and Company 44.5 x 95cm (17½ x 37¼ in.) Bird-eye maple frame Condition Report: Unexamined out of glazed frame. Light undulation to the sheet. Two spots at the top of the plate and overall browning.Condition Report Disclaimer

After Henry Raeburn (British, 1756 - 1823) - ' Boy with Rabbit ' - A believed early 20th century coloured mezzotint engraving on paper of boy with white rabbit. Unsigned. Framed & glazed with label to back ' The Fine Arts Publishing Company '. Measures approx. 17cm x 13cm framed. 

A Staffordshire pottery group of golfers, with related colour mezzotint, after Lemuel Francis Abbott (1760-1803), ‘To the society of coffers at Blackheath’

Joseph Bishop Pratt (1854-1910) mezzotint, Lady Hamilton, signed in pencil, Print Sellers Association blindstamped, 52 x 40cm

A mezzotint of a cherub with butterfly after Cosway 'Love' 19 x 23cm and a Bartolozzi angel print

19th century colour mezzotint of Miss Rosamund Croker, after Sir William Lawrence and signed in pencil by T Hamilton Crawford, 51x41.5cm

A late 18th century colour mezzotint portrait of a lady, in a gilt gesso oval frame with ribbon cresting (af), 54.5x44.5cm, frame 66x52cm