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Lot 399
A very large collection of bound editions of the 'Horological Journal', going back to the 19th century, some with leather bindings. Two volumes 'Britain old Clocks and Watches and their Makers', Baker, Henry, 'The Microscope Made Easy', Fifth edition, printed by Dodsley, London 1769, in full calf. Together with a further large collection of bound volumes of 'The Antiquarian Horology Magazine', mainly in hard cloth bindings, bus also including December 1976 - September 1978 in quarter calf with hard boards. Four crates. (4) (B.P. 21% + VAT) The leather bound book is 'Doctrines and Combinations etc.' the book in the polyethene bag is 'Pottery & precious Metals', by Henry Wheatley. In general, most are in good condition, a few are worn with age.
Lot 74
Ernst Leitz Wetzlar, A Binocular Microscope, serial number 385693, black frame with rack and pinion coarse/fine adjust focus, triple objectives and mechanical stage, over condenser and plano/concave mirror together with monocular conversion tube and accessories in a mahogany case, the case 37 x 25 x 32.5cm.
Lot 237
Collection of Zeiss Microscope Catalogues, including Moritz Vin Rohr ABBE'S APOCHROMATS in commemoration of the fiftieth of their announcement, July 9, 1886 Zeiss Microscope Catalogues for 1927, 1934 ( and modern reprint), Zeiss instruction manuals, R. Winkel Microscope Catalogue 1910, Watson Second hand Catalogues 1937 & 1931 and a few other pamphlets, (a lot)
Lot 128
Classic Microscopy, A Beck London Model, Microscope English, c.1950, engraved 'LONDON MODEL BECK LONDON 23193', the microscope on heavy 'Y' shaped base, focusing substage with condenser, rotating circular stage with engraved scale, mechanical slide holder, triple objective holder, quick release bodytube and binocular body, with separate monocular bodytube Note: regularly used and serviced by vendor, a very good example of this classic microscope
Lot 151
The standard size microscope slide with a coverslip covering a section of microfilm, with paper labels to the top and bottom with manuscript that reads 'Part of Pigeon post dispatch sent into Paris during seige by pigeon, Bals.' the images is signed at the bottom 'Rene Dagron & Co.'The Siege of Paris (1871) occurred between 19 September 1870 – 28 January 1871, during the Franco-Prussian War. Napoleon III’s armies were pushed back after the Battle of Sedan, resulting in the Emperor’s surrender. However, the French Third Republic that was formed after his abdication were not ready for peace with Prussia. In response, the Prussians lay siege to Paris for four and half months. In order to bring the siege to a close, the Prussians fired 12,000 shells into the city within three weeks. In the end, however, it was starvation and working class resentment that brought peace to the city. The Pigeon Post - During the siege, communication was maintained with the outside world through the use of hot-air balloons and carrier pigeons. The first successful balloon flight out of Paris was Neptune, piloted by Jules Duruof, followed two days later by Ville de Florence, piloted by Gabriel Mangin. This second balloon contained a basket of carrier pigeons, which enabled messages to start being relayed into the city and more balloons to be sent out. French photographers used innovative microphotography, pioneered by John Benjamin Dancer in 1839, to enable the transferral of large amounts of important information. This process was overseen by Blaise, who printed the messages on photographic paper, and the images were then viewed through microscopes and microscope projectors.
Lot 139
Collection of Early Zeiss Microscope Polarizing Equipment, including an early set in a small mahogany case including a eyepiece goniometer with eyepiece analyser, and substage polariser engraved 'CARL ZEISS JENA Polarisator Germany' another similar but in a leather-covered case, and a smaller set in a leather case (3)
Lot 100
18th Century Nuremberg Type Microscope, German, c.1800, unmarked, of typical form constructed of polished turned fruitwood, hinged mirror with turned tripod legs, simple sprung slide holder, pasteboard body with faux leather covering, with 2 pasteboard drawer tubes, eyepiece with turned wooden cover, height 33cm tall Footnote: Nuremberg microscopes represent a unique category of microscopes distinguished by their particular stylistic traits, originating from regions in southern Germany, specifically Bavaria and the "Black Forest" area of Baden-Württemberg. This region has a rich history of craftsmanship, particularly in woodworking, with centuries-old traditions of toy manufacturing. Nuremberg, in particular, gained renown in the 16th century as the "City of Makers of the Compass" due to its fine engineering traditions. Initially known for producing portable sundials, Nuremberg evolved into a hub for toy and optical instrument production in the 18th century, with a thriving toy district near Bavaria. It seems that alongside simple refractory telescopes, manufacturers also offered these modest microscopes. These microscopes were designed to be lightweight and affordable, crafted primarily from materials like light fruitwood and cardboard. Unlike the professional-grade brass instruments of the era, Nuremberg microscopes prioritized simplicity and accessibility over complex mechanics and optics. They catered to a different market segment, providing basic magnification capabilities without the hefty price tag associated with high-end instruments.
Lot 121
An Unusual Comparison Microscope By Zeiss, German, c.1930, engraved 'CARL ZEISS JENA Nr 305939' the microscope arranged on a 'U' shaped base with 2 identical microscope stages with Abbe type substage condensers, plano-concave mirrors, triple nose pieces with 2 sets of identical LOMO objectives, with beam splitting prism housing Note: possibly used by forensics for ballistics identification.
Lot 207
Collection of 13 Books Related to Wine & Beer Making, Including; Cooper, A the complete Distiller, 1757, fold out plate of distilling equipment, original tan leather boards, later replaced leather spine; Accum, Fredrick, A Treatise on the Art of Making Wine from Native Fruits, London 1820, with an advert at the back for Acuum's Treatise on Adulterations of Food and Culinary Poisons; Remarks on The Art of Making Wine, London 1821, recent leather binding, Knight, A, E, A Treatise on the culture of the Apple and Pear and on the Manufacture of Cider & Perry5th ed, London 1818, original boards recent spine; Roberts, W. H., The British Wine Maker and Domestic Brewer, 3rd ed 1836; The Wine and Spirit Merchant Aa Familiar Treatise on the Art of Making Wine, original boards later leather spine; Wright, Herbert, Edwards, A Handy Book for Brewers, 1892; Prescott, Albert B., Chemical Examination of Alcoholic Liquors, 1975; Matthews, Chas Geo & Lott, Francis Edw, The Microscope in the Brewery & Malthouse, 1889,Sykes, Walter J., & Ling, Arthur R., The Principles of Brewing, 1907, Lenormand, L. S., Essai sur L'art De La Distillation ptinted Paris 1811, with 6 plates to the rear, missing boards, spine, with photocopy of title page; Black, William, A Practical Treatise on Brewing Based on Chemical & Economical Principles, Published London 1854; Guide to the Soda Fountain, c.1930 (x13)
Lot 241
Hooke, Robert, Micrographia, or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses with Observations and Inquiries thereupon. By R. Hooke, Fellow of the Royal Society, London printed for James Allestry, Printer to the Royal Society and are to be sold at his shop at the rose and crown in Duck Lane. MDCLXVII (1667)Condition: no boards or spine present, text block complete, old damp throughout, minimal to no foxing, edges of pages lightly oxidised, all stitching failed, end papers still present.Plate Count:Plate I – missing Plate II – opposite page 2 Plate III – opposite page 6 Plate IV – Missing Plate V – opposite page 47 Plate VI – opposite page 61 Plate VII – opposite page 82 (loss to edge) Plate VIII – opposite page 88 Plate IX – opposite page 93 (water stain to top and bottom) Plate X – opposite page 107 (water stain) Plate XI – opposite page 112 (water Stain) Plate XII – opposite page 123 (water stain to top) Plate XIII -opposite page 131 (water stain and loose from stitching) Plate XIIII – opposite 141 (water stain) Plate XV – opposite page 142 (water stain to top) Plate XVI – opposite page 163 (water stain) Plate XVII – opposite page 152 (water stain) Plate XVIII – opposite page 153 (water stain) Plate XIX – opposite page 154 (water stain) Plate XX – opposite 156 Plate XXI – opposite page 162 (water stain, chip to edge) Plate XXII – opposite page 167 (water stain) Plate XXIII – opposite page 196 (water stain) Plate XXIV – opposite page 182 (the famous fly’s eyes, no water stains) Plate XXV – opposite page 181 (water stain, tear from corner 7cm)Plate XXVI - opposite page 183 (water stain) Plate XXVII - Opposit page 185 (water stain) Plate XXVIII – opposite page 193 (loose from stitching) Plate XXIX – opposite page 193 (water stain to top, loose from stitching) Plate XXX – opposite page 196 (loose from stitching) Plate XXXI – opposite page 198 Plate XXXII – opposite page 203 (water mark to top left corner) Plate XXXIII – opposite page 204 (loose from stitching) Plate XXXIV – opposite page 210 (the famous flea, tear to fold on bottom right leg, no loss, no water stains) Plate XXXV - missing Plate XXXVI – opposite page 214 Plate XXXVIII – opposite page 245 (tear from top to centre, no loss) Hooke’s Micrographia: or Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses. With Observations and Inquiries Thereupon. Is an important work by Robert Hooke, delving into his observations through an array of lenses. This historically significant book stands as the first to feature illustrations of insects and plants as observed through microscopes. It marked the first major publication of the Royal Society and swiftly emerged as the pioneering scientific best-seller of its time, sparking widespread fascination with the burgeoning field of microscopy.One of Micrographia's enduring legacies lies in its introduction of the term "cell" to the biological lexicon, inspired by Hooke's examination of plant cells, which bore a resemblance to the compartments of a honeycomb. Through meticulous prose and vivid illustrations, Hooke unveiled the intricacies of nature on a miniature scale, offering captivating depictions of insects and plants as seen through the lens of his microscope.The book's captivating copperplate engravings, notably its fold-out plates showcasing insects, conveyed the awe-inspiring power of the microscope. These plates, extending beyond the dimensions of the large folio, magnified the minute creatures to an astonishing scale, with the engraving of a louse unfolding to four times the size of the book itself. Yet Micrographia goes further than its microscopic prowess; it ventures into diverse realms of inquiry, touching upon topics ranging from distant celestial bodies to the wave theory of light and the organic origins of fossils.Hooke's meticulous observations extended beyond the natural world, encompassing human artifacts such as the jagged edge of a razor and the seemingly blunt tip of a needle under the microscope. Through such juxtapositions, he subtly contrasted the imperfections of human craftsmanship with the innate perfection of nature, echoing prevailing notions of divine creation.Published under the patronage of The Royal Society, Micrographia not only elevated Hooke's stature as a scientist but also bolstered the society's reputation as England's foremost scientific institution. Its enchanting illustrations and illuminating narratives captivated the public imagination, earning accolades from luminaries such as Samuel Pepys, who hailed it as "the most ingenious book" of his lifetime. In its pages, Micrographia unfurls a wondrous panorama of the microscopic realm, forever altering humanity's perception of the infinitesimal world that lies beyond the naked eye.The difference between the 1665 & 1667 editions.Micrographia was first published in 1665, its rapid popularity prompted reprints. This particular edition is a 1667 printing, printed by John Martyn, the Royal Society’s appointed printer. Micrographia, an early cornerstone of the Royal Society’s publications, played a pivotal role in bolstering the Society's reputation, extending its influence beyond the scientific comunity.Although the years 1665 and 1667 might suggest distinct editions, they actually denote different issues of the same edition. A close examination reveals that both were produced from identical typesetting, with the text remaining unchanged across both printings. However, differences arise in the title page and certain particulars of the engraved plates, especially plate 5 which is in reverse in the 1667 print.In the 1665 edition, the title page features red and black printing, a technique not replicated in the 1667 issue, where all letterpress appears in black. Both versions include an image of the Royal Society’s arms, printed from an engraved copper plate. This method was somewhat unconventional, as engraved plates required a separate rolling press for printing. This necessitated a meticulous alignment process to ensure proper registration between the image and the text.Moreover, employing dual-color printing, as seen in the 1665 edition, posed additional challenges, demanding multiple printings. This technique, while capable of producing visually striking results, often struggled to maintain precise registration between the two colours. Consequently, advancements in typography, particularly the development of new "titling" typefaces, gradually rendered the need for dual-color printing obsolete by the eighteenth century.The intricate process involved in combining copperplate imagery with letterpress printing led to its gradual abandonment by the late seventeenth century. Despite its initial allure, the expense and technical limitations associated with this method ultimately contributed to its decline in favor of more efficient printing techniques.
Lot 112
A Watson Petrological Edinburgh Microscope, English, c.1910, engraved to the back of the tripod stand 'WATSON & SONS Ltd, Depot 2 Easy Row Birmingham' and to the side of the foot 'GEOL. BIRM. UNIV. II' for Geology Birmingham University, also engraved 'G.D.B.U.II' to the objective, and polariser, the microscope on typical Edinburgh tripod stand, brass trunnions support the body with the plano-concave mirror in gimbal on a sliding collar, polariser with Nicol prism, engraved scale with pointer, with clip-on condenser lens on focusing substage collar, goniometer stage with engraved scale around circumference with vernier to rear, body tube with slide in/out polariser, slide in /out Bertrand lens on internal collar, eyepiece with cross hairs, height 41cm
Lot 115
A Mineralogy & Petrology Microscope Michel Levy Comparator, By Nachet French, c.1888, engraved to the prism holder 'Nachet A Paris' the microscope eyepiece with screw micrometer stagesample stage and mirror in the original leather covered case marked 'COMPATATEUR MICHEL-LEVY' Note: The comparator was used in conjunction with The Michel-Lévy interference color chart to identify mineral composition. The Michel-Lévy interference color chart made its debut in 1888 within the pages of a Paris-published book titled Les Minéraux des Roches. Authored by Auguste Michel-Lévy (1844–1911), Part I of the book delves into the methodologies employed by mineralogists and chemists in the microscopic examination of minerals and the use of the Michel Levy Comparator. In Part 2, Michel-Lévy, in collaboration with Alf. Lacroix, presents a tabulated account of the physical and optical characteristics of rock-forming minerals. Acknowledging the contributions of predecessors such as F.A. Fouqué, his mentor and friend ("mon maître et ami"), with whom he had worked on the production of Minéralogie Micrographique; Roches éruptives Françaises (1879), featuring an exquisite atlas of 55 chromo-lithographed plates. Michel-Lévy also pays tribute to others such as Des Cloizeaux's Manuel de Mineralogie (1862), Mallard's Traité de Cristallographie (1884), DeLapparent's Cours de Minéralogie (1884), and Rosenbusch's second edition of Mikroskopische Physiographie (1885). Additionally, he acknowledges the contributions of Klement and Renard's Reactions Microchimiques (1886) and their predecessors in the realm of microchemistry. However, it is within the pages of this 1888 publication that we witness, for the first time, Michel-Lévy's "Tableau Des Biréfringences" presented in color.
Lot 123
Greenough Binocular Dissecting Microscope By Zeiss. German, c.1900, engraved to the back of the stage, 'CARL ZEISS JENA' the microscope arranged on a square foot, with 2 adjustable mirrors, large circular glass stage, with binocular body tube mounted to the rear with 3 sets of binocular objectives, microscope height 37cm
Lot 152
Large Cabinet of Microscope Slides, large dark stained wooden cabinet with 14 drawers each with white plastic knob and label, each drawer capable of holding 3 rows of 12 standard slides giving a potential capacity of 504 slides, containing a large collection of microscope slides by makers including Watson 7 Sons, Norman, flatters and others covering a large range of subjects, cabinet 39cm wide
Lot 109
An Large & Extensively Equipped Ross No.1 Binocular microscope Outfit English, c.1880, engraved to the rear of the large ‘Y’ shaped foot ‘ROSS, London, 3448’, the microscope with large uprights terminating in trunnions with friction lock to support the main body, with large plano-concave mirror in a gimbal on an articulated arm on a sliding collar, with fully mechanical substage with engraved goniometer scale geared rotation, screw X-Y control on a rack to focus, with large circular mechanical stage with geared rotation engraved scale, mechanical X-Y control, large rectangular sectioned bar with large geared drive to rack for course focusing, bar limb with screw to attach to bar and screw fine focus, thread to accept the binocular body, English monocular tube and continental monocular body tubes, with the following accessories in a large mahogany case: 4” objective & can, 3” objective & can, 2” can, 1” objective & can, 1” can, ½” objective & can, ¼” objective & can, 1/5” objective & can, 1/5” can, 4/10” objective & can, 1/8” can, Double objective holder engraved ROSS, London, Various Leiberkuhns, Binocular eyepieces marked A, Binocular eyepieces marked B, Binocular eyepieces marked C Kellners Orthoscopic, Binocular eyepieces marked D Kellners Orthoscopic, Eyepiecs marked C, E & F, Eyepiece collar, Substage stage attachment, Ross Achromatic substage condenser, Substage polarizer, Achromatic substage condenser, Set of substage selenite filters, Substage Wenham parabolic condenser, Substage spot lens, Substage condenser, Ross compressor, various filters, Stage side reflector, stage forceps Stage condenser, Large table bullseye, All in the original fitted mahogany Case with brass handles and lock, case 52cm tall Note: sold with no reserve
Lot 124
A Vintage Inverted Microscope by Carl Zeiss, German, c.1940, engraved 'CARL ZEISS 4291208. on circular base with mirror inside base to reflect light up through objectives, with binocular head, 3 vintage Epiplan objectives, mechanical stage, height 30cm Note: this type of microscope was typically used in the laboratory for cell analysis
Lot 114
Martens Ball-Jointed Metallographic Preparation Microscope, German, c.1900, unsigned but attributed to R. Fuess (see scan), with Zeiss Objectives, the microscope on a cast iron base with hemispherical iron stage with screw height adjustment, microscope tube with 2 adjustable brass ball joints, body tube with rack and pinion focus Zeiss quick change objective holders, single Zeiss eyepiece, in a wooden case with accessories including Zeiss vertical illuminator, Zeiss objectives and Zeiss quick change objective mounts Note: according to literature in the RMS, 1907 "this instrument is intended to be used for observing the progress of the polishing and etching operations required to adapt specimens for metallography. As evident from the figure, the stand here takes the form of a doublr ball-jointed arm. By this means the specimen can be viewed at any angle..."
Lot 240
A Folio Catalogue of Engravings of the Microscopes of the Crisp Collection, An unusual catalogue of the Frank Crisp Collection of Microscopes, folio, half leather with green faux leather to boards, black leather spine with gilt lettering for ‘MICROSCOPES IN MR FRANK CRISPS COLLECTION’, with orange end papers, with a pocket of the same to accept a copy of ‘The Collection of Antique Microscopes, Tuesday , February 17th 1925, Stevens’s Auctions Rooms’, with 78 pages of engravings of all the main microscope from the Crisp Collection, with microscope collection shelving units, & display cabinets to the rear of the book, some of the engravings with hand written notes that correspond to the entries in the auction catalogue Frustratingly there are some aspects of the book missing, firstly a past owners signature has been crudely erased from the top corner of the inside page, secondly an old letter/page is missing from the front of the book, the outline can be seen against the pages oposit and there is some old tape suggesting it was put in after the publication by a previous owner, the hand written descriptions below the microscope engravings have been compared to the hand writing of Frank Crisp and there is no correlation. It’s certainly possible that Crisp had this book made for him, he was no stranger to publishing books having had a private run of 1000 copies of his book ‘Medieval Gardens’ gardens published by John Lane, The Bodley Head Limited, in 1924. However, the auction catalogue was of course produced after his death so how could it be fitted to the inside of the boards, unless the end papers were a later addition or replacement. In conclusion this is perhapse the only known copy of the complete collection of microscopes from the Crisp collection before it was broken up at Stevens’s Auction in 1925, the book would have been an expensive venture only possible at the time as a private publication by Frank Crisp as he would have been the only one with access to the collection in such detail. There would not have been the time or inclination for this to have been produced after his death. the science museum in London has a copy of the notes and drawings made by Thomas Henry Court, object number: 1934-133, but not a copy of this book Provenance: previous owners name in pen to the auction catalogue and inside cover of the book of B. Bracegirdle Sir Frank Crisp, 1st Baronet, distinguished himself not only in the legal arena but also as a active meber in the field of microscopy. Born on October 25, 1843, in London, Crisp's early years were marked by personal tragedy, losing his mother at a tender age. Raised by his grandfather, John Filby Childs, Crisp exhibited a remarkable intellect and an insatiable curiosity about the natural world. His journey into the world of law commenced at the age of 16 when he began his apprenticeship with a solicitor firm while simultaneously pursuing studies at the University of London. His academic prowess earned him a BA in 1864 and LLB in 1865, laying the foundation for his legal career. In 1867, Crisp married Catherine Howes, embarking on a partnership that would see them deeply involved in both legal and scientific pursuits. Crisp's passion for microscopy led him to become an enthusiastic member of the Royal Microscopical Society, where he not only participated actively but also served in various capacities, including as an officer. His generosity towards the society manifested through donations of furniture, books, and instruments, illustrating his commitment to advancing scientific knowledge. Despite his burgeoning legal career, Crisp's fascination with the microscopic world remained undiminished. He delved into the intricacies of microscopy, contributing significantly to the understanding of this field. Crisp's legal expertise garnered him prestigious clients, including foreign railroad companies and the Imperial Japanese Navy. His involvement in drafting the contract for the cutting of the renowned Cullinan diamond underscored his prowess in navigating complex legal agreements. In recognition of his invaluable services to the Liberal Party, Crisp was knighted in 1907 and subsequently elevated to the baronetcy in 1913. These honors reflected not only his legal acumen but also his unwavering commitment to public service. Beyond his legal and scientific pursuits, Crisp was a passionate horticulturist. He acquired Friar Park in Henley-on-Thames in 1889 and transformed it into a botanical marvel, featuring an impressive alpine garden inspired by his love for natural beauty.
Lot 110
A Polarizing Microscope By Hartnack, French, c.1880, engraved to the sides of the limb 'E Hartnack Palace Dauphine, Paris', the microscope on a heavy lead filled 'Y' shaped base with tall uprights to the rear supporting the underside of the stage on small trunnions, with plano-concave mirror, substage collar on a dovetail mount, square sectioned stage split to rotate around optical axis, limbck' with screw fine focus and push/pull course focus, in a French polished mahogany case with the following accessories: An objective with correction collar engraved to can 'No.9, a immersion E Hartnack' An objective with correction collar engraved to can 'No.12, a immersion E Hartnack' 4 eyepieces. An eyepiece lucida with drawing prism at 90degrees. An eyepiece Goniometer analyser with engraved scale. A substage polariser with Nicol prism. a substage condenser & wheel of stops. A mechanical selenite disk stage with selenites Case width 32cm.
Lot 127
An Extensively Well Equipped Beck Optomax Research Binocular Microscope, English, dated 1964 ( on the instruction manual) engraved 'BECK LONDON OPTOMAX Serial No. 31496' , the microscope finished in black enamel and nickel, fitted with the large Rotating stage, binocular head, with large and well fitted set of accessories, including a cased phase contrast set, eyepieces, objectives, and substage condensers, with the original instructions
Lot 153
Large Cabinet of fine Victorian Microscope Slides English, late victorian, unsigned but in the style of 'Smith & Beck (note handle design), with 25 drawers each capable of holding 30 standard slides, the slides represent a diverse collection covering many subjects including geology, Foraminifera, marine zoology butterfly wings, entomology, microphotographs, with slides from preparers including Smith & Beck, W Watson & Sons, C.M Topping, J. T. Norman, Clark & Page, Firth, and many othersFootnote: This lot contains ivory and has been registered in accordance with the Ivory Act (Section 10), Ref.CTGY8KHE Flints Auctions CANNOT ship this item out if the UK.
Lot 101
A Jones 'Improved' Compound Microscope, English, c.1800, engraved to the top of the body tube 'W & S Jones, 30 Holborn London' the microscope on a polished mahogany base, large brass boss with square section, plano concave mirror in a gimbal on a sliding collar, cruciform stage with rack and pinion focusing, limb to the top with screwthread to accept the body tube and the objective lenses, drawer contains 2 Leiberkuhn objectives, a wheel of objectives, a Leiberkuhn & holder, a Bonnani type stage, condenser, frogplate, wet cell, cone diaphragm, all in the original pyramid-shaped mahogany case, case height 38cm.
Lot 145
A Zeiss Abbe's Apertometer, German, c.1910, the glass Apertometer engraved ,Abbe's Apertometer CARL ZEISS JENA' and to the maroon leather covered case 'APERTOMETER NACH ABBE CARL ZEISS JENA', blue velvet lined case with cased Apertometer system objective, adjustable covers and glass Apertometer, case 11cm. Note: An apertometer is used to measure Numerical Apertiure often abbreviated as NA or n.a. indicating the resolving capability of an objective lens. NA, in essence, quantifies a microscope objective's capacity to collect light and distinguish intricate specimen features at a set object distance. Presently, employing a Bertrand lens or a Phase telescope proves to be more efficient and straightforward compared to mounting an objective onto a drawtube
Lot 108
An Exceptionally Fine Powell & Lealand "No. 1" Compound Monocular/Binocular Microscope English, dated 1898, signed in script to the top of the bar-limb ‘POWELL & LEALAND, 170 Euston Road, London’, of standard No.1 construction standing on a massive lacquered tripod base with rectangular feet each with cork pads, trunnions to the top supporting the body, with large plano-concave mirror to the base as typically supported on one side at the end of an articulated arm sliding on a collar, above which is the fully mechanical stage with X & Y control via screw and rotation controlled through a crown and gear, with focusing via rack and pinion to the rear, with platinum circular scale and vernier, rotation controlled via a crown and gear mechanism that can be disengaged for quick movement, with large Turrel-type mechanical stage with X-Y control, main course focus to rear of body, bar-limb incorporating fine focus lever mechanism, nose piece with prism blanking plate, limb with threaded boss to accept binocular or monocular tubes, the microscope comes with the following accessories in a mahogany case: Pair of Binocular eyepieces
Lot 141
A Collection of Carl Zeiss Spectroscopes, Including a microspectroscope for use with a microscope in a mahogany case finished in black lacquer and nickel plate, with original instruction booklet, an unusual spectroscope possibly for use as a microscope substage spectroscope for monochromatic light, signed 'CARL ZEISS JENA' and a cased polariscope for liquids signed 'CARL ZEISS JENA'
Lot 103
A Compound Microscope By Andrew Pritchard, English, c.1830, engraved to the foot, 'A Pritchard 18 Picket St London, with a retail label to the inside of the door for 'Pallant Optician, 51 Strand London', the microscope on a tripod foot, with adjustable column supporting the main body of the microscope on a compass type joint, with concave mirror at the base in a gimbal on a sliding collar, clamp to main body, interchangeable stage rack and pinion focus to triangular bar with limb to accept the compound bodytube, with fine focus to the side, in the original mahogany case with 5 drawers, 2 for specimens and 3 for accessories, accessories include, A polished wooden wrist support, Bottle holder, Medium power eyepiece, High power eyepiece, 2 objectives in cans, A low power objective with a Leiberkuhn in a can engraved 'A1 Andrew Pritchard 263 Strand, London', A Turrel type mechanical stage engraved 'Pritchard London', A fine diamond engraved micrometer brass slide engraved 1/100 A Pritchard 18 Picket Str Strand' A live box, Note: Andrew Pritchard is recorded as working at 18 Picket Street, Strand between 1832 and 1834
Lot 138
A Collection of Zeiss Microscope Accessories, including a large mechanical stage in a red leather case marked 'KREUTISCH 44 C. ZEISS JENA', a micrometer eyepiece in a leather case marked 'C. Zeiss Jena', a set of 2 of 3 objectives on quick change mounts in a leather case marked 'C. Zeiss Jena', a large eyepiece in a leather case marked 'C. Zeiss Jena', a large projection eyepiece with internal diaphragm in a leather case marked 'C. Zeiss Jena', a small eyepiece micrometer in a leather case marked 'C. Zeiss Jena', a condenser in a case marked 'C. Zeiss Jena',
Lot 206
Pasteur, Louis, Etudes Sur Le Vin, and Studies on Fermentation the Diseases of Beer, Etudes sur le vin. Paris: L'Imprimerie Imperiale, 1866, Pasteur Louis, 8vo. with 32 colored plates of microbes viewed through the microscope. 19th-century morocco marbled boards. wear to edges of spine and edges, foxing to title page and light foxing throughout and Studies on Fermentation the Diseases of Beer, Their Causes and the Means of Preventing Them, by L. Pasteur, London Macmillan & Co 1879,
Lot 132
A Rare Jamin Lebedeff Transmitted Light Interference Equipment, German, c.1960, parts engraved Carl Zeiss, the set with 3 Achromat Pol Int objectives with centerable slide changers, and the corresponding condenser, 2 centering wrenches for the slide changers, a diaphragm insert, auxiliary microscope, & an interference filter all in a fitted wooden case with original instructions Note: the x40 objective is delaminated so a spare is provided, however the serial number does not match the condenserNote: Images of diatoms taken by Spike Walker using this set
Lot 111
A Fuess Petrological Microscope, German, c.1910, engraved to the rear of the foot ‘R. FUESS, STEGLITZ-BERLIN 1365’, microscope standing on a lacquered ‘Y’ shaped base, lead filled for stability, tall upright supports the body on small trunnions, plano-concave mirror in gimbal on sliding collar, focusing substage collar with substage analyser, with Nicol prism, condenser lens, and iris, nickel plated circular stage engraved around circumference with 2 vernier scales , with swing in/out condenser, centering marks and slide clips, screw fine focus with engraved scale and vernier scale, course focus acting on diagonal rackwork, body with quick change objective holder, centering nosepiece, slide in/out analyser, slide in/out Bertrand lens on focusing collar, goniometer eyepiece with engraved scale and internal Nicol prism, complete with a micrometer eyepiece, marked ‘M’ another eyepiece marked 3, a box of accessories including 3 objectives marked 0, 4 & 7 and a few associated plates, all in the original wooden case, Note: for a similar instruments see ‘The Petrographic Microscope: Evolution of a Mineralogical Research Instrument, by Dan Kile’ p.25 fig. 22 for a very similar instrument.
Lot 242
Baker, Henry, Employment for the Microscope, Baker, Henry, Emplyment for the Microscope In two parts. I. An examination of salts and saline substances, their amazing configurations and crystals, as formed under the eye of the observer: with plain directions how to prepare such substances, and preserve them in constant readiness for inspection; whereby the curious may always be furnished with numberless objects higherto little known. Also occasional considerations on gems, poisons, the vegetation of metals, the resusciation of plants, the formation of amber, corals, and many other subjects. II. An account of various animalcules never before described, and of many other microscopical discoveries: with observations and remarks. Likewise a description of the microscope used in these experiments, and of a new micrometer serving to shew the size of magnified objects. Together with instructions for printing off any medal or coin. Illustrated with seventeen copper plates. London : Printed for R. and J. Dodsley, in Pall Mall., 1764, full leather, modern bookplate, original spine with replacement typed label
Lot 120
A Telford Premium Presentation Microscope, Carl Zeiss, German, c.1895, the microscope engraved to the bodytube 'Carl Zeiss Jena No26856' and to the rear of the foot 'AGENT C. BAKER 244 HIGH HOLBORN, LONDON' the microscope on 'Y' shaped base with focusing Abbe condenser, simple stage, bodytube with single drawer tube, with Zeiss objectives, Eyepieces all in the original French polished case with brass presentation plaque engraved TELFORD PREMIUM, AWARDED TO, CHARLES FREWEN JENKIN B.A., Assoc. M. Inst. C.E., BY, The Institution of Civil Engineers, SESSION 1895-6. Note: Professor Charles Frewen Jenkin, C.B.E., F.R.S., was born in Claygate, Surrey, on September 24, 1865, and passed away in St. Albans, Hertfordshire, on August 23, 1940. His academic journey began at the Edinburgh Academy and University before continuing at Cambridge University. Following an apprenticeship at the London & North Western Railway in Crewe, he ascended to the role of assistant to the works manager. He then transitioned to various positions, including mechanical assistant superintendent at R.G.P.F. in Waltham Abbey, resident engineer at Nettlefold's Steelworks in Newport, Monmouthshire, and assistant works manager at Siemens Brothers, where he eventually became works manager and head of the railway department in Stafford, serving for a decade. In 1908, he embarked on a new chapter as he assumed the inaugural chair of Engineering Science at Oxford University. Professor Jenkin's adept management skills were instrumental in navigating the challenges of the early years, leading to the approval of the school buildings' construction, which concluded in 1910. His tenure at Oxford ended in 1929 when he chose to dedicate his efforts to vibrational fatigue research. During the First World War, Professor Jenkin played a pivotal role as the head of the branch overseeing aircraft materials, attaining the rank of Lieutenant-Colonel. His endeavor to preserve extensive experimental data resulted in the publication of the comprehensive "Report on the Materials of Construction in Aircraft and Aircraft Engines" by H.M. Stationery Office in 1920. Another notable work authored by him was "Earth Pressure Tables," published by H.M. Stationery Office in 1934. In recognition of his contributions, he was appointed a Commander of the Order of the British Empire (C.B.E.) in 1919. Professor Jenkin's affiliation with The Institution spanned several decades. He was honored as a Miller Scholar during his student years. Elected as an Associate Member in February 1891, he later became a full Member in January 1912. Throughout his association, he presented numerous papers, earning accolades including the Telford Gold Medal, a Telford Premium, and a Watt Medal. Provenance: Originally part of the Maurice Gillet collection of microscopy, inventory ref. G3050,
Lot 119
A Large Zeiss Jug Handle Microscope, German, c.1900, engraved to the body tube 'CARL ZEISS JENA Nr. 43277' and engraved on the foot in script 'Katherine M. L. Gamge' then covered by another plaque (unscrewed) engraved 'Eric Impey, Cambridge' microscope with plano-concave mirror, Abbe condenser on rack focusing, rotating mechanical stage, single drawer tube, separate simple stage, 5 Zeiss objectives, 5 eyepieces in a Zeiss leather outer case
Lot 117
A Zeiss IIa Compound Microscope, German, c.1890, engraved 'Carl Zeiss Jena No. 37534', microscope on 'Y' shaped base with plano-concave mirror, with Abbe substage illuminating apparatus, rotating stage, triple nosepiece, with 4 Zeiss objectives, 5 eyepieces all in fitted French polished mahogany case with leather outer case
Lot 126
Classic Microscopy, Zeiss Trinocular GFL Microscope, German, c.1950, the base engraved 'CARL ZEISS 4289881' on circular base, phase condenser engraved 'CARL ZEISS', mechanical stage with X-Y control with verniers, swept limb, zeiss binocular head engraved 'U.B. ANAT' for University Bristol Anatomy, in a large case with some accessories
Lot 107
A Very Fine Quekett-Type Dissecting Microscope, English, c.1860, unsigned buy built to the Quekett dissecting microscope design, the microscope folding flat in the case with accessories in the underside of the mahogany stage, the assembled microscope in 2 fold-out sets of brass legs, with planoconcave mirror in a gimble to the underside of the stage with black glass stage, rack and pinion focus to the column with a small limb at the top, to accepts compound body tube, or simple objectives, with 2 compound objectives in brass cans, and other all contained in a Moroccan leather covered case with flap and catch, case 18cm x 18cm
Lot 116
Carl Zeiss Dissecting Microscope, German, c.1850, engraved to the stage '3372 C. Zeiss. Jena.' the microscope screws into the brass boss on the top of the case, with a small concave mirror to the base, screw focus to the small limb at the back, stage with a single clip, with a Zeiss compound objective according to Brücke engraved 'Carl Zeiss Jena', objective collar, 2 simple objectives by 'Carles Chevalier' in the original fruit wood case, with key
Lot 118
A Paul Mayer Dissecting Microscope By Zeiss, German, engraved to the stage, 'Carl Zeiss Jena, 29212' the microscope on a black lacquered brass 'Y' shaped base with all nickel plated fittings with blued steel screws, with 2 french polished folding hand rests, the French polished mahogany case with stage fittings, objective holders, 2 objectives both engraved 'Verbess plan lupe Carl Zeiss Jena, and a Brucke dissecting lens an a leather case, case height 23cm Paul Mayer (1848-1923) was a prominent figure in the field of microscopy. Following his education as a pharmacist, he earned his doctoral degree in 1874 under the guidance of Ernst Haeckel at the University of Jena. Subsequently, Mayer embarked on a career at the Naples Zoological Station, serving as an assistant from 1878 until his retirement in 1913. During his tenure at the research facility in Italy, Mayer made significant contributions to the field of microscopy, when in 1885 he introduced this dissecting stand which was built by Carl Zeiss Jena.
Lot 105
A Large Cary Gould-Type Microscope, English, 2nd Quarter 19th Century, engraved to the circular foot 'Cary London', the microscope on a large heavy lead filled brass base with tall upright column terminating in a compass type joint, screw clamp holding the main column with plano-concave mirror in a gimbal on a sliding collar, square stage with 'U' shaped clip, aquatic limb with rack and pinion adjustment, with screw-in conical compound body tube, drawer contains 5 simple objectives, an objective with a Leiberkuhn, a very early achromatic objective and collar in a brass case, and other items, the main case also contains a small get of early microscope slides and a table condenser,case height 30.5cm
Lot 113
Classic Microscopy - Swift Petrological Microscope, English, c.1950, the bodytube engraved 'SWIFT & SON LONDON 20235, the microscope on solid 'Y' shaped base, with plano-concave mirror, swing in/out polariser on screw focus substage collar, rotating stage engraved around the edge, body tube with slide in/out analyser centering nosepice, objectives, eyepieces , wedges all in original case
Lot 102
English, c.1825, unsinged but attributed to Tully, London, the microscope stands in a large folding tripod base supported in the center on an architectural type column terminating in a compass type joint, with a square sectioned column with rack work along the front edge, with large mirror, substage condenser, Turrel type stage with X-Y control, limb at the top with large bodytube with single drawer tube, eyepiece, with stabilising telescopic rods to the rear, with a single early form of achromatic objective, and a single simple objective,The Attribution: this microscope has very similar aspects to the microscope built by Tully from drawings supplied by Mr. J. J. Lister. similarities between the 2 instruments are:1 - the same method of connecting the struts to the rear of the foot, 2 - The method of mounting the focus and control knobs with a central circular screw,3 - The same design to the top and bottom of the support pillar, 4 - The same mounting method at the back of the bodytube to the struts, 5 - The substage on this microscope in incomplete but has a pair of condenser lenses in combination as did Listers.Height when vertical 56cm (22"), when inclined 53cm (21")
Lot 106
A Powell & Lealand No.3 Microscope, 1865 English, dated to the rear of the limb 1865, engraved to the top of the limb 'POWELL & LEALAND 170 Euston Road, London', of typical form, the cast tripod base with pad feet, main body supported on trunnions, large plano-concave mirror in single armed gimbal, focusing substage with Powell & Lealand pattern achromatic condenser, mechanical stage, rack and pinion focusing (faulty), singe 1/4" objective engraved 'Powell & Lealand', with correction collar, single eyepiece, Note missing fine focus screw to rear of limb
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