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Lot 56
JOSÉ PEDRO CROFT - NASC. 1957, Untitled, fluorescent acrylic paint and dry pastel on paper, signed and dated 2001. Notes: it was part of the retrospective exhibition "José Pedro Croft 1979-2002 : retrospectiva = retrospective", held at the Centro Cultural de Belém, and is reproduced in the respective catalogue, p. 145., Dim. - 176 x 140 cm
Lot 215
Five early 20th Century views of Constantinople Crayon pastel on paper Four indistinctly-signed and titled to the verso, including dates of 1923 and 1924, a signature and the job role of former Turkish Consul-General in France. One bearing embossed stamp to the top right corner. Framed by the renowned early publisher of Ottoman postcards, Max Fruchtermann, at Yüksekkaldirim in Istanbul. Largest 16cm x 23cm Postage for this lot is available to the UK for £32.50
Lot 281
Margaret WARDMAN (XX-XXI) St Ives Pastel with graphite Signed and dated '89 25cm x 38cm, 37.5cm x 50.5cm framed Shipping is available from £32.50 to a UK Mainland address. Margaret Wardman (née Shuttleworth) Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester. Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries. Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens. Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 279
A Group Of Four Pictures Including a 19th century oil on canvas depicting a figure walking alongside a cottage, unsigned and unframed, 30.5cm x 40.5cm; a modern over glazed print after a copy in the National Gallery of a pastel probably by Jean-Baptiste Perroneau depicting a lady with a kitten, 24cm x 18.5cm; a modern painting depicting narcissi, signed 'B.Cairon', 24cm x 19cm; and a hand-coloured map of Portsoken Ward, City of London, 1754, 32cm x 19.5cm (4)
Lot 619
mixed media signed Raph Robert (for Raphael Willaert), an academic study drawing and a Belgian pastel signed J. Van de Veegaete || Lot (3) : - mixed media getekend Raph Robert (pseudoniem Raphael Willaert) : "Zicht van een steegje" - - academische studie : "Grieks beeld" - - pastel getekend Julien Van de Veegaete : "Hondje" -
Lot 905
20th Cent. mixed media with tempera and pastel) on paper (on board) - with AS" monogram attributed to Arnold Schönberg and with the mention of the name "Mathilde" Schönberg was the inventor of the "Zwölfton Musik" or "Dodécaphonism", but also painted portraits in this - bizarre - style || SCHÖNBERG ARNOLD (1874 - 1951) werk in gemengde techniek (met tempera en pastel) op papier (op karton) : "Portret van Mathilde" - 64,7 x 50 gemonogrammeerd "AS" / toegeschreven aan met vermelding (rechtsonder) "Mathilde" Schönberg was de uitvinder van de "Zwölfton Musik" of "Dodécafonisme", maar schilderde ook portretten in deze - bizarre - stijl
Lot 1071
A pet portrait of a dog, oil on canvas, 30 x 23 cm, and a study of a horse, Bluejacket, watercolour, 14 cm diameter, Annette Rariper, Rhona the labrador, pastel, signed, inscribed and 1982, 48 x 36 cm, and three sports results cards, Eton v Harrow, Eton v Winchester, and Oxford v Cambridge, framed as one (4)Framed results cards have a cracked glass.
Lot 1090
Group of East Anglian pictures to include: Penny Berry Paterson (1941-2021) colour linocut - Sudbury Quay, signed and numbered 4/30, 39cm x 45cm, another watercolour and pencil drawing of Thorncroft Farm Great Henny, inscribed verso, 37cm x 49cm, Ronald Crampton (1905-1985) watercolour - Clavering, 35cm x 54cm, two Michael Carlo (b.1945) signed limited edition prints - 'The Field (5) Ready for Ploughing' dated 1977, 14/50, 20cm x 28cm and 'Winter Fields' dated 1986, 71/100, 32cm x 46cm and a Lynette Singers pastel, Roman Valley, Abberton, 28cm x 42cm, each in glazed frame (6)
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45854 item(s)/page