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§ Tom Phillips CBE RA (1937-) Schism & Skin Game signed 'Tom Phillips' (lower right); numbered 73/75 (lower left) serigraph59.5 x 39.5cm;together with Gryon: Monster of Fraud, Canto XVII from Dante's Infernosigned 'Tom Phillips' (lower right); numbered 29/75serigraph60 x 42cm (2)Diagonal crack to the glazed frame

Andy Warhol(1928 Pittsburgh - 1987 New York) nach"Marilyn Monroe". OriginaltitelFarboffset/Karton, 1993. Nach der gleichnamigen, nur in einer Auflage von 250 Exemplaren (plus 26 Artist's proofs) erschienenen Farbserigraphie Warhols von 1967. Copyright The Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 97 cm x 97 cm.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1967). Published by te Neues Publishing Company, New York and Achenbach Art Edition, Düsseldorf.

Andy Warhol(1928 Pittsburgh - 1987 New York) nach"Ingrid Bergmann with Hat". OriginaltitelFarboffset/Karton, 1993. Nach der gleichnamigen, nur in einer Gesamtauflage von 335 Exemplaren erschienenen Farbserigraphie Warhols von 1983. Copyright The Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 97 cm x 97 cm.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983). Published by te Neues Publishing Company, New York, and Achenbach Art Edition, Düsseldorf.

Andy Warhol(1928 Pittsburgh - 1987 New York) nach"Marilyn Monroe". OriginaltitelFarboffset/Karton, 1993. Nach der gleichnamigen, nur in einer Auflage von 250 Exemplaren (plus 26 Artist's proofs) erschienenen Farbserigraphie Warhols von 1967. Copyright The Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York. Blatt 97 cm x 97 cm.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1967). Published by te Neues Publishing Company, New York.

Andy Warhol(1928 Pittsburgh - 1987 New York) nach"Goethe". OriginaltitelFarboffset/Karton, 1993. Nach der gleichnamigen, nur in einer Gesamtauflage von 100 Exemplaren erschienenen Farbserigraphie Warhols von 1982. Copyright The Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, und te Neues Verlag, Kempen. Blatt 97 cm x 97 cm.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1982). Published by te Neues Publishing Company, New York, and te Neues Verlag, Kempen.

Jörg Immendorff(1945 Bleckede - 2007 Düsseldorf)"Das ist mein Stein". OriginaltitelFarbserigraphie/Papier, 1996. Sign., dat. u. nummeriert 188/1000. Erste Künstler-Grafik für das Straßenmagazin "fiftyfifty" zur Unterstützung von Obdachlosen in Düsseldorf. Darstellung einer Uhr mit dem Affen als Alter Ego Immendorffs, der mit Steinen das Haus für Obdachlose baut und es anmalt. Gewellt. Blatt ca. 60 cm x 40 cm.Serigraph (screenprint) in colours on paper, 1996. Hand-signed, dated and numbered 188/1000. Wavy.

Andy Warhol(1928 Pittsburgh - 1987 New York) nach"Goethe". OriginaltitelFarboffset/Karton, 1993. Nach der gleichnamigen, nur in einer Gesamtauflage von 100 Exemplaren erschienenen Farbserigraphie Warhols von 1982. Copyright The Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 97 cm x 97 cm.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1982). Published by te Neues Publishing Company, New York, and Achenbach Art Edition, Düsseldorf.

Fanch Ledan (b.1949), Interior with three masterpieces, serigraph on canvas, numbered on reverse, 40 x 51cm. FramedCondition Report: Good clean condition ready to hang

Fanch Ledan (b.1949), Duplex with 6 Matisses, serigraph, 63 x 77cm. FramedCondition Report: Good clean condition ready to hang.

John Lennon (British 1940-1980), Nude Yoko Ono, serigraph, 36 x 48cm.Condition Report: Under glass, generally good appearance.

*AFTER BANKSY (b. 1974) 'Comrade Mona Lisa' 2018, serigraph screenprint on satin paper, 50cm x 71cm (unframed), with original Banksy stamped tube and exhibition bag'Comrade Mona Lisa' is a limited run screenprint only available from Banksy's Russian Exhibition in Moscow Summer 2018

James Rizzi (American, 1950 - 2011), 'Going with the Flow', signed 'Rizzi' in pencil (lower right), numbered 872/999, serigraph, 27 x 21 cm, framed and glazed 42 x 47.5 cm

Daniel Spoerri (1930-) Eaten by Marcel Duchamp, 15.3.1964signed and dated 'Daniel Spoerri /17.3.90' (to canvas edge)serigraph printed on canvas, unframed57.5 x 66cmThe present work was published by the Beaubourg Gallery to commemorate Spoerri's dinner with the artist on March 17, 1990. The image is taken from the original work produced in New York in 1964, and later formed part of the collection of French-American artist, Arman.The colour pigment of the serigraph has faded significantly, with some general abrasian marking on the canvas. The canvas is stapled to the stretcher. There are no visible signs of holes or tears to the canvas. There is a white mark above the orange napkin. Abrasian wear is visible around the border and edges.

§ Pol Bury (1922-2005) Cinetization VI (Tour de Pise)numbered 125/200serigraph97.5 x 67cm

Anne Laddon, 'La Comida Mexicana', serigraph on paper, numbered 103/146, signed and dated 79, 54x74.5cm

Brian Halsey (American, B. 1942) "Quatern" - 1st State Color Serigraph. Pencil signed, titled, and numbered (29/40) lower margin. Image Diameter: 6 7/8 x 6 7/8 in. Sheet Size: 10 x 9 in. Unframed.

Victor Vasarely (Hungarian-French, 1908-1997) "Banya" - 1964 Serigraph laid on Board. This serigraph is after his original gouache on hard board work of the same name. The original is in the Tate Collection. Lower left corner of glass broken. Image Size: 18.5 x 18.5 in. Overall Framed Size: 24 x 24 in. Framed behind glass.

Eyvind Earle (1916-2000) - Serigraph in colours - Mountain and pine cone branch, signed and numbered 164/180, 10.75ins x 7.5ins, unframed

Eryand Earle (1916-2000) - Serigraph - Landscape in blues and greens, No.110/200, signed, 23ins x 30ins, framed and glazed

Original color serigraph by French artist Pierre Montell that depicts the fashionable village of St-Tropez on the Mediterranean Sea. Montell included the local colors of old typical buildings and emphasized the blue of the water and the sunny sky. Signature in pencil on lower right: Pierre Montell. Numbered on lower left: 4/250. Housed in a navy blue frame with a white mat. Sight size: 25"l x 18"H. Frame size: 30.10"L x 24"H x 1.10"W. Artist: Pierre Montell (French 20th century)Issued: c. 1970Edition Number: 4 of 250 Country of Origin: FranceCondition: Age related wear.

Unchain my Heart is an outstanding Limited Edition sericel inspired by the 1954 Looney Tunes The Cat's Bah featuring Pepe the Pew and Penelope Pussycat. Based on an original drawing by Darrell Van Citters, Laurie Dindis created a master inking transferred via silkscreen on Exlar paper. The original is archived at the Warner Bros. & Hanna-Barbera Animation Art in Burbank, California. Sticker on verso for CJ's Animation Art Gallery, Miracle Mile, Coral Gables, Fl. Edition number: 1135/1250. Housed in a black frame with a white and purple mat. Raised stamp on lower right of serigraph cell: WB. Animation Art Sericel, 1998. Sight size: 14.50"L x 11"H. Frame size: 21.75"L x 17.25"H x 1"W. Certificate of Authenticity included. Artist: Darrell Van Citters (American b. 1956)Issued: 1998Edition Number: 1135 of 1250 Country of Origin: United StatesCondition: Age related wear.

Patricia Govezensky (Israel, b. 1961) - Friends by the Bayside - 2003 - A contemporary limited edition hand pulled silkscreen serigraph. Edition 128 / 375. Signed & numbered in pencil. Mounted, framed & glazed. Measures approx. 25cm x 20cm (10" x 8"). Patricia Govezensky was born, raised and educated in Israel, where she also studied art. She graduated with distinction in her art studies at the Avni Institute and the Art Academy at Ramat Hasharon. These two institutes are the most venerable and well known art academies in Israel. After studying for six years she went to Paris for two years, there establishing herself a studio where she devoted herself to painting.

Felix Mas - Serigraph on linen, limited edition partially clad nude 'Golden Robe' 57/100, signed, 38 x 63.5cm

Howard Hodgkin (British, 1932-2017) - A vintage 21st century serigraph poster ' Great Performers at The Lincoln Centre '. Edition of 500. Titled ' The Sky's the Limit ' . 2003. Unframed. Measures approx. 76cm x 83cm (30" x 33").

Herman Brood (1946-2001): 'S.G. Ram' (5 Gram), serigraph in colours, ed. 18/125Work: 72,5 x 50 cm Frame: 113,7 x 83 cm

Roger Raveel (1921-2013): 'A Theoule', serigraph, ed. t/zWork: 76 x 55,5 cm Frame: 100,7 x 80,5 cm

Enrico Baj (1924-2003): 'Particolare di Guernica', serigraph, ed. 75/250, (1973)Work: 86 x 60,5 cm Paper: 94 x 68 cm Frame: 109,7 x 85 cm

Edward Landon (American, 1911-1984). Serigraph titled "Cross Purpose" depicting two abstract shapes against a pale blue background, 1980. Pencil signed along the lower right; titled along the lower left; inscribed "ed. 20" along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 12 1/2 in x width: 9 1/2 in. Framed; height: 20 1/4 in x width: 16 1/2 in x depth: 1 in.Condition:The sheet is slightly toned. Due to the natural texture of the paper, there are light creases and texture throughout. There are no visible major creases, tears, losses , or restorations. The sheet is framed under an acidic mat. Framed under plexiglass. Light wear to frame.

Orlando Agudelo-Botero (Columbian, b. 1946). Enhanced serigraph on paper titled "Luz" depicting a face in bold colors of abstracted form. Signed along the lower right; titled along the upper center; numbered H.C. 3/8 along the lower left. With a certificate of authenticity from Juarez Fine Art.Sight; height: 44 1/2 in x width: 30 1/2 in. Framed; height: 61 in x width: 46 1/2 in x depth: 2 in.Condition:There are no visible tears, creases, losses, or restorations. The colors are bold and deep. The work is floated in frame. Framed under plexiglass; not inspected out of frame. Some wear to the plexiglass including some light scratches. Light wear to the frame.

Itzchak Tarkay (Israeli, 1935-2012). Serigraph on paper titled "Old Jaffa Port" depicting three women gathered at a table with ships gathered in a port in the background. Pencil signed along the lower right; editioned artist proof along the lower left.Sight; height: 39 in x width: 37 1/4 in. Framed; height: 49 1/2 in x width: 47 3/4 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Tiefeng Jiang (Chinese, b. 1938). Serigraph on canvas titled "White Tigers" depicting two white Bengel tigers striding through flowers and foliage, 1996. Pencil signed along the lower right; numbered 170/300 along the lower left. With a certificate of authenticity. Published by Fingerhut Group Publishers.Sight; height: 35 1/2 in x width: 35 1/2 in. Framed; height: 45 in x width: 45 in x depth: 1 1/2 in.Condition:The print is in good condition with no tears, losses, or restorations visible. The colors are bold and bright and surface is stable. Clean verso. Light wear to the frame.

Yaacov Agam (Israeli, b. 1928). Hologram "Agamograph" op-art serigraph. Signed along the lower right; numbered A.P. 5/25 along the lower left. The holography allows the viewer to experience a different image from multiple angles.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 10 1/2 in x width: 16 in. Framed; height: 14 in x width: 19 1/4 in x depth: 1 1/4 in.Condition:There are no major losses, creases, or tears. There are a network of scuffs across the center of the acrylic component. No signs of restoration under UV light. Not examined out of frame. Wear to frame.

Will Wright (20th/21st c). Serigraph print on paper titled "Why" depicting a Y-shape in green against a blue background, 1976. Pencil signed and dated along the lower right; numbered 5/7 along the lower center; titled along the lower left.Sight; height: 23 1/4 in x width: 18 1/4 in. Framed; height: 25 in x width: 20 in x depth: 1 in.Condition:The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The sheet is toned. There is an undulation to the sheet throughout. Extreme edges and verso not inspected. Framed under glass; light wear to the frame. Not inspected out of frame.

Peter Max, American (1937-, Infinity Watchers, 1970, Serigraph. Edition 6/300, signed and dated. Framed. (Some marks to the pale blue ground.) L.62 W.54cm.

FUCHS, ERNST (1930-2015) "Die Nymphe Grammophon, Perseus und die Nymphe und Lolita" 1979 Drei Farbserigraphien aus die Mappe "Highlights 1", München, The Editors, 1979, 3 sign. Farbserigraphien auf Bütten, lose in bedruckter Kunststoff-Kassette, eines von 450 nummer. Exemplaren, jede Serigraphie von Fuchs signiert, Graphiken in 50 Farben auf Bütten, Blattgröße ca. 84 x 59,5 cm. Leichte Alters-und Gebrauchsspuren. | FUCHS, ERNST (1930-2015) "Die Nymphe Grammophon, Perseus und die Nymphe und Lolita" 1979Three colour silkscreens from the portfolio "Highlights 1", Munich, The Editors, 1979, 3 sign. Colour serigraphs on laid paper, loose in printed plastic box, one of 450 num. Each serigraph signed by Fuchs, prints in 50 colours on laid paper, sheet size approx. 84 x 59.5 cm. Slight signs of age and wear.

SONDERBORG, K.R.H. (1923-2008), "Ohne Titel", 1991, Serigraphie, signiert und datiert u. r.: Sonderborg 91, Ed. 38/60. HxB: 99/70 cm. (HxB Rahmen: 104/73 cm). Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| SONDERBORG, K.R.H. (1923-2008), "Untitled", 1991, Serigraph, signed and dated lower right: Sonderborg 91, Ed. 38/60. HxW: 99/70 cm (HxW frame: 104/73 cm). Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

FUCHS, ERNST(1930-2015), "Mordechai", 1962, Farbserigraphie, Ed. 77/200, sig.. HxB: 52 x 38,5 cm (HxB Rahmen: 88/71 cm).Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| FUCHS, ERNST(1930-2015), "Mordechai", 1962, Colour serigraph, ed. 77/200, signed. HxW: 52 x 38.5 cm (HxW frame: 88/71 cm). Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery in Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

KUGLER, KLAUS (geb. 1942), "Türmelandschaft", 2009, Serigrafie, unten mittig signiert und datiert. HxB Blatt: ca. 39x53 cm (HxB Rahmen: ca. 58x72,5 cm). Altersspuren. Hinter Glas gerahmt (Alters- und Beriebspuren, Ecken und Kanten bestoßen). VERSO: Dankeskarte des Künstlers an Prof. Dr. Bathelt, auf Rahmenrückseite bez..Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| KUGLER, KLAUS (born 1942), "Türmelandschaft", 2009, serigraph, signed and dated lower centre. HxW sheet: approx. 39x53 cm (HxW frame: approx. 58x72.5 cm). Traces of age. Framed behind glass (traces of age and rubbing, corners and edges bumped). VERSO thank-you card from the artist to Prof. Dr Bathelt, inscribed on the reverse of the frame. Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery in Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

Y CHARLES FAZZINO (American, b.1955) *ARR'The Lights of London', silkscreen serigraph, 3D collage, signed and titled lower edge, with certificate, Liss Gallery receipt dated 5/10/01 for $1988.38 x 60cm.

Saul Williams (b.1954) "Bleeding Loon", a bold, Native American style depiction of a wounded loon bleeding into a long boat full of figures with two stylized profile studies shouting above, serigraph, limited edition 53/58, signed and dated 1977, in card mount and metallic frame under glass, 99 cm x 75 cm overall [Williams is a First Nations Indigenous artist and has exhibited at The Pennsylvania Academy of the Fine Arts.]

Serigraph Titled Taos Dusk. Signed top right Numbered 71/250. Sight size 30" x 22.5"

Serigraph titled Sinking Ship Signed bottom right numbered 12/200 Sight size 26.5" x 26"

Serigraph titled Fragments of A Dream Signed bottom right numbered 198/200 Sight size 34.5" x 26"

Large color serigraph on wove paper by Pop artist Peter Max from his 1996 series Disney: Mickey and Minnie Mouse. It depicts a full body Mickey Mouse in front of a warm yellow-orange sphere set on a deep red background. Max used a combination of luminous white, blue, green and red colors and added white wax crayon marks on the lower part of his composition. Signature in white crayon on lower right: Max. Numbered on lower left: 244/500. Housed in a wide white frame with a white linen mat. Sight size: 29"L x 38"H. Frame size: 42"L x 51"H x 1.50"W. Artist: Peter Max (German-American b. 1937)Issued: 1996Edition Number: 244 of 500 Country of Origin: Germany-United StatesCondition: Age related wear.

Serigraph titled Greenhouse Signed bottom right numbered 144/200 Sight size 34" x 26"

Serigraph titled Cafe St. Honore. Signed bottom right numbered 14/200. Sight size 23" x 26.75"

Serigraph titled Actors Signed bottom right numbered 131/200 Sight size 38" x 26"

Large color serigraph on wove paper by Pop artist Peter Max from his 1996 series Disney: Mickey and Minnie Mouse. It depicts a full body Minnie Mouse in front of a warm yellow-orange sphere set on a deep blue background. Max used a combination of luminous pink, red, green and dark blue colors and added white wax crayon marks on Minnie's shoes and on the lower part of his composition. Signature in white crayon on lower right: Max. Numbered on lower left: 244/500. Housed in a wide white frame with a white linen mat and a pink border. Sight size: 29"L x 38"H. Frame size: 42"L x 51"H x 1.50"W. Artist: Peter Max (German-American b. 1937)Issued: 1996Edition Number: 244 of 500 Country of Origin: Germany-United StatesCondition: Age related wear.

Tom Wesselmann (American, 1931-2004). Serigraph titled "Seascape (Tit)" depicting a nude breast in front of an ocean. From Graphic (Graphik) USA, Edition Plus, Baden-Baden, 1967-68. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Distributed by Trois Anges, Inc., New York. Numbered 99/100, pencil signed, and dated.Provenance: Private Minnesota Collection.Lot Essay:Born in Cincinnati, Ohio, Wesselmann initially studied psychology at Hiram College before turning his focus to art and enrolling at the Art Academy of Cincinnati. He later moved to New York City, where he immersed himself in the vibrant art scene of the 1950s and 1960s.Wesselmann gained widespread recognition for his bold and colorful compositions that appropriated imagery from popular culture, often featuring everyday objects and figures from advertising, magazines, and consumer goods. His iconic series of "Great American Nude" paintings, begun in the early 1960s, redefined the portrayal of the female form in art, blending elements of eroticism with a graphic and stylized aesthetic. Throughout his career, Wesselmann experimented with various mediums, including painting, collage, and assemblage, pushing the boundaries of traditional artistic techniques.Beyond his depictions of the female body and consumer culture, Wesselmann's work also delved into themes of desire, consumption, and the commodification of imagery in contemporary society. His compositions were characterized by their flatness, vibrant colors, and clean lines, which emphasized the visual impact of his subjects. Wesselmann's influence on Pop Art and contemporary art as a whole is significant, as his provocative and visually striking works challenged conventions and sparked critical discourse about the intersection of art and popular culture.Height: 29 1/2 in x width: 23 1/2 in.

Robert Indiana (American, 1928-2018). Serigraph titled "German Love" depicting the artist's iconic "Love" symbol in the national colors of Germany. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Provenance: Private Minnesota Collection.Lot Essay:Robert Indiana stands as a seminal figure of the Pop Art movement, celebrated for his iconic renderings of words and symbols that captured the essence of Americana. Born Robert Clark in New Castle, Indiana, he adopted the name of his home state, reflecting his deep attachment to his roots. Indiana's most famous work, "LOVE," featuring bold letters with the "O" tilted at a jaunty angle, quickly became emblematic of the era, appearing on stamps, sculptures, and reproductions worldwide. His art transcended mere representation, delving into themes of patriotism, consumer culture, and the American Dream, resonating with audiences through its timeless imagery and vibrant colors.Throughout his career, Indiana's art evolved to encompass various mediums, including painting, sculpture, and printmaking. Beyond his artistic contributions, Indiana was a staunch advocate for social justice, using his art as a platform for political commentary and LGBTQ+ advocacy. His enduring legacy lies not only in his iconic imagery but also in his belief in the power of art to effect change and inspire dialogue, reminding us of the enduring power of love, hope, and the human spirit in the face of adversity.Height: 29 1/2 in x width: 23 1/2 in.

Britto, Romero (1963 Recife - lebt in Brasilien)"Celebration" (Festlichkeit). Siebdruck (?) oder Pochoir-Druck auf Leinwand, 2003. Signiert oben rechts. Gerahmt in Schattenfugenleiste. 90,5 x 77,5 cm. Zarte Kratzspuren, vereinzelt kleine Anschmutzungen. Gutlauniger Neo-Pop des brasilianischen Künstlers, der zur Fussball-WM 2014 sogar FIFA-Botschafter für das ausrichtende Heimatland war. "Celebration". Serigraph or pochoir print on canvas, 2003. Signed top right. Framed. Some few scratches and spots. Funny neo-po-art.

Modigliani, Amedeo. 1884 Livorno - 1920 Saint-Étienne, nach.Akt. Serigraphie, laviert, Edition "The art world collection" 1999, num. E. 31/ 50. Zertifikat Rahmenrückwand. 63 x 43 cm (PA), hinter Glas hochwertig mit Pp. gerahmt. Ra. 82,5 x 62,5 cm. Nude, serigraph after Amedeo Modigliani, edition "The art world collection", 1999, numbered copy 31 of 50. Framed with glass, 82,5 x 62,5 cm (frame)

Madonna - Rebel Heart - a pair of CDs and Miniature Souvenir Serigraph Set - all generally Very Good Plus to Excellent.

STAR WARS: ORIGINAL TRILOGY (1977-1983) - William Plumb Collection: Framed Hand-Painted Melanie Taylor Kent Serigraph and Sketches - A framed serigraph hand-painted and signed by Melanie Taylor Kent with Kent's sketches from various Star Wars-related compositions. Selected as the artist for Star Wars 15th anniversary, Kent produced serigraphs featuring key characters.This framed, hand-painted serigraph comes from the personal collection of William Plumb. The bottom features Kent's signature and hand-written annotations in graphite for "Star Wars" and "Original Animation Cels for Star Wars Composition." Included is a folder of 12 sketches and concept art on paper and vellum, with hand-rendered titles on the back in graphite such as "The Great Escape" and "Merlin and Star Wars." This lot exhibits vellum fragility, discoloration, light scratching, and lifting of the serigraph layers. Dimensions: (largest) 46" x 36" x 4" (117 cm x 91.5 cm x 10.25 cm)Sold without copyright; see notice in the Buyer's Guide.For the last four decades, William Plumb has been at the forefront of Star Wars and science fiction original art collecting. He was a pioneer in searching for artwork for his collection and began contacting artists to inquire about their works in the mid 1980s. Over time he developed personal relationships with many renowned artists including Ralph McQuarrie, Drew Struzan, Lawrence Noble, and Dave Dorman. In 1986, Plumb organized the "Space Fantasy & Reality Art Expo" at the Maturango Museum in Ridgecrest, California, to benefit the handicapped. The event was supported by contributions from Plumb's artist friends and even Lucasfilm - all of whom loaned materials to Plumb for the display.It was through these personal relationships that Plumb acquired many of the finest pieces in his collection. Throughout the years, Plumb organized or appeared at countless other events and shows, where he proudly displayed his collection and discussed his passion for Star Wars original art with both artists and fans. In 1996, Plumb hosted a panel at San Diego Comic Con on collecting Star Wars artwork specifically. In 2001, he and a small group of fellow collectors commissioned Lawrence Noble to produce the now-famous "Bronze Yoda." Plumb's bronze Yoda statue was perennially displayed at The California State Fair for fans to see and enjoy.Propstore is pleased and honored to offer these fantastic lots from Plumb's collection, including Noble's matching number Artist Proofs of the bronze Yoda and Darth Vader statues, sketches and paintings from McQuarrie, Struzan, Noble, Dorman, Kazu Sano, Tim Hildebrandt, John Gampert, Ken Barr, Vincent Di Fate, and many more.Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

Anatole Krasnyansky 'Music in Lavender' framed limited edition serigraph on woven paper signed in ink and numbered 306/350 - approx. 74.5cm x 66cm 

▲ John Lennon (1940-1980) and Yoko Ono (Japanese, b.1933) 'Sleepless Night'serigraph in colours, signed by Yoko Ono and numbered '27/300' in pencil l.l., with seal mark and John Lennon blind stamp l.r.image 46 x 60cmCondition ReportFramed: 79 x 89cmSpots of foxing throughout. The work has slipped slightly in the frame. Not viewed out of glazed frame.

Walt Disney 'Mickey Mouse and the Sensational Six', set of four limited edition silk screen serigraph cels max 31cm x 40cm (4)

Französische Street Art, 3 x Graphik: RNST, "I want to breathe free", Farbserigraphie sign. & KOBALT, "Bugs Bunny" sowie "Tim & Struppi", zwei signierte Giclée-artprints von 2019, mit ZertifikatenRNST,*1972, französischer Street Art-Künstler, hier: "I want to breathe free", Siebdruck in 5 Farben, 50 x 70 cm, num. 13/100, sign. // KOBALT, "1973 Paris, Künstler der Pariser Street Art, hier: Bugs Bunny - "What else Doc ?! (Red)", 70 x 50 cm, sign. u. num. 27/50 sowie Tim und Struppi - "Tintins Fashion Week", 70 x 50 cm, sign. u. num. 25/100, beide Blätter mit Zertifikaten RNST ist ein französischer Straßenkünstler und Serigraph. Während er seine ersten Experimente auf Leinwand seit den 1990er Jahren begann, ging er mit seinem Freund Cynik auf die Straße, um eine engagierte Kunst auszudrücken. Anschließend übt er alle Arten von Techniken: Graffiti, Poster, Collagen und Schablonen. Sein vom Rock beeinflusster künstlerischer Stil ist eine Mischung aus Provokation und Romantik.KOBALT begann seine Karriere in der Werbung, bevor er sich der Fotografie zuwandte, einem Beruf, den er seit fünfzehn Jahren ausübt. Begeistert von der Street-Art-Szene, die in den Straßen von Paris entstand und sich dort ständig weiterentwickelt, schafft Kobalt ab 2017 seine ersten Werke. In seinen Arbeiten betont Kobalt vor allem die Auswüchse der Konsumgesellschaft, indem er Marken und Symbole gerne zur Vermittlung einer kritischen Botschaft einsetzt.

Gerhard Hoehme,German 1920-1989,Untitled, 1957; serigraph on wove,signed and numbered 20/50 in pencil, image: 66.5 x 47.5 cm,(framed)(ARR)

LARGE SERIGRAPH ON CANVAS - FLORAL - 156 X 125 CMS