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Los 317

* The Boy Friend, dir. Ken Russell, 1971, with Twiggy, folded UK quad with Art Deco design, 28.5 x 39 in (72.5 x 99 cm), very fine condition, framed and glazed (1)

Los 133

Haddon, Arthur Trevor (1964-1941) - Oil on canvas - The Grand Canal, Venice looking toward the Santa Maria della Salute, signed, 73cm x 126cm. This picture was entered for sale but withdrawn prior to our March Fine Art Sale due to a technicality in the administration of the estate

Los 248

Ernst Wahliss Royal Vienna Art Nouveau bisque porcelain figure depicting a female nude emerging from an opened shell, 18cm high

Los 250

Pair of Continental porcelain Art Deco design figures depicting dancing ladies, 31cm high

Los 510

Fortuna upright coin operated disc playing musical box, the walnut case having an arch shaped pediment with spindles below, Art Nouveau stylised foliate fret-work and standing on turned feet. The musical movement having duplex combs and playing 16" discs. Together with twenty discs, 106cm high

Los 522

Victorian oak stationery rack, having a brass front panel with Art Nouveau design embossed foliate decoration, 31cm wide

Los 625

Pair of Art Deco shallow bowls, by A.E. Jones, each having ivory handles and standing on a circular foot, Birmingham 1935, 16cm wide

Los 658

George VI Art Deco design square powder compact having engine turned decoration, London 1946, 8.75cm square

Los 31

JOBLING: AN ART DECO OPALESCENT HANGING LIGHT FITTING with a central bowl marked Jobling "Opalique", decorated with three birds and a central floral motif, surmounted with a broad frosted glass shade, 17" wide. See Illustration

Los 34

A LOETZ STYLE ART NOUVEAU INKWELL, the square brass lid with engraved foliate decoration, on an opalescent and mottled glass body, 4½" wide

Los 36

SABINO: A SET OF THREE HANGING ART DECO CEILING LIGHTS, each of circular form with all over moulded decoration of stylised foliage and geometric patterns, each marked "Sabino 4651, Paris Depose", 18" wide (3). See Illustration

Los 46

LA CHENAL: A FRENCH ART POTTERY VASE with all over crackled turquoise glaze, signed to the base, 3" high. See Illustration

Los 59

AN ART POTTERY VASE decorated with a late Victorian maiden feeding swans on a lake, mark to the base "Moor Bros," 10½" high

Los 69

A SWEDISH ART POTTERY VASE with narrow neck and bellied body with painted floral decoration, with painted marks to the base, 12" high and a Finnish Arabia cup and saucer (2)

Los 73

A PAIR OF GREEN GLAZED BURMANTOFT FAIENCE CANDLESTICKS of column form, with impressed marks to the base, 8" high, together with a Barum ware bird vase and a similar art pottery vase (4)

Los 78

CHRISTOPHER DRESSER: AN ART POTTERY VASE with impressed geometric decoration and mottled green/brown glaze, with impressed signature to the base, no. 152, 6½" high

Los 100

AN ART DECO POTTERY MODEL OF A LAMB, 10" high, and another smaller (2)

Los 109

AN ART DECO VASE decorated with bright coloured flowers against a cream ground, 8½" high and two similar vases (3)

Los 125

A SADLER ART DECO TEAPOT in the form of a racing car, with all over green glaze, 8½" wide

Los 382

WMF: AN ART NOUVEAU FLOWER VASE of tapering form with undulating handles, the vase decorated with maidens with flowing hair, with stamped marks to the base, 5¾" high

Los 392

A COLLECTION OF CHROME ART DECO STYLE DOOR FURNITURE including handles, key plates and other similar fittings (a lot)

Los 395

GUBELIN: AN ART DECO MANTEL CLOCK, the rectangular dial decorated in ivory, mother-of-pearl and abalone shell with a scene of a unicorn and two figures in a landscape, mounted within a scrolling gilt metal and glass surround, on a gilt metal base, marked "Gubelin. Swiss" to the dial, 11¼" high. See Illustration

Los 411

LORENZL: AN ART DECO BRONZE AND IVORY FIGURE OF A DANCING GIRL, signed to the base "Lorenzl", on green onyx base, 9¼" high

Los 412

A 1930`S FRENCH ART DECO PAINTED SPELTER AND MARBLE SCULPTURE in the form of a woman flanked by seated gilt longhaired dogs, on a marble base, 24" wide

Los 413

LORENZL: AN ART DECO STATUE of a woman in a short green dress, with impressed mark to the base, on an onyx plinth, 8½" high

Los 440

SVEN BERLIN: "The Dark Monarch", Published London 1962, inscribed "Alma, love Sven. Sept 14.`62" and "Sven Berlin this is now his copy Easter 1993. Still a living foul in the history of the cognoscenti of art have tried to bend: It always will be moi aussi". See Illustration

Los 498

LOUIS MAJORELLE: A TWO TIER ART NOUVEAU OCCASIONAL TABLE, the circular top with a moulded border inlaid with naturalistic foliage and marquetry signature, on three sinuous downswept legs, with conforming undershelf, 31½" high. See Illustration

Los 499

AN ART NOUVEAU MAHOGANY AND MARQUETRY TWO SEATER SOFA, the raised rectangular back with a central oval upholstered panel with inlaid panels of stylised foliage against a satinwood ground, with upholstered arms and seat, on square tapering legs, with an applied label "Jas. Shoolbred & Co, Tottenham Court Road, London", 41" wide. See Illustration

Los 524

AN ART DECO LEATHERETTE AND CHROMED TUBULAR STEEL ARMCHAIR, the shaped back and seat with carved arm rests and circular veneered panels, 34" high. See Illustration

Los 532

CHARLES AND RAY EAMES: A DCM PLYWOOD GROUP CHAIR with black stained back and seat on a chrome frame, with Vitra labels to the base. The DCM or Dining Chair Metal was first shown at the Museum of Modern Art in 1946. Like the cantilever chair, this design attempts to make the seat and back float in the air, supported by the least structure possible. The beauty of this design lies in the subtle curvature of the back and seat, and the angle of the back to the seat. See Illustration

Los 555a

An Art Deco STYLE Console table and wall mirror, the large rectangular back supporting a serpentine fronted shelf, 106" high x 63" wide. See Illustration

Los 558

HEAL`S OF TOTTENHAM COURT ROAD: AN ART DECO MAHOGANY SIDEBOARD, with a rectangular top with moulded border above three short drawers and panel cupboards, each with shaped knob handles, on chamfered uprights, 60" wide

Los 564

HEAL`S OF TOTTENHAM COURT ROAD: AN OAK AND LEATHER ART DECO DESK CHAIR, the upholstered back and seat within a rounded oak frame, with inset Heal`s label

Los 569

AN ART DECO WALNUT VENEERED DINING ROOM SUITE, the dining table with a rectangular top with canted corners with quarter matched walnut veneers and broad crossbanding, on twin trestle ends, with four matching dining chairs, with cloud-shaped backs (5)

Los 575

A PAIR OF ART DECO WALNUT VENEERED SALON CHAIRS, each with geometric shaped backs with upholstered back panel with seats, within tapering walnut veneered frames (2). See Illustration

Los 576

A GREEN PAINTED CHROME AND GLASS ART DECO COFFEE TABLE, the circular top with plate glass surface on three tubular legs and a green painted circular base, 21" wide

Los 577

AN ART DECO SATINWOOD AND ROSEWOOD VENEERED DINING ROOM SUITE in the manner of Hille, comprising: a dining table, six chairs, sideboard and trolley. The rectangular dining table with rounded ends with broad rosewood crossbanding, mounted on two rectangular legs with conforming satinwood and rosewood veneers, the table 82" x 38". The chairs with dished and arched backs with all over satinwood veneer, on tapering legs, the sideboard with a shaped front with a central reeded panel flanked by twin shaped doors with Bakelite handles, enclosing a fitted interior with short drawers and shelves, on a plinth base, 47" wide. The trolley with three rectangular tiers on rounded supports and castors, 34½" wide. See Illustration

Los 578

AN ART DECO BURR WALNUT VENEERED NEST OF THREE CIRCULAR TOPPED TABLES, the tables with graduated circular plate glass mounted tops on shaped supports and geometric base, 23" high, 39" wide. See Illustration

Los 579

AN ART DECO WALNUT VENEERED COFFEE/BOOK TABLE, the circular top with quarter-cut burr veneers over open shelves, on a plinth base, 26½" wide

Los 580

AN ITALIAN ART DECO DISPLAY CABINET, the upper section with a rectangular glazed cabinet with bevel edged panels, within a burr wood and rosewood frame, resting on four turned ball fittings, the base with curved sides fitted with two cupboard doors with burr wood and rosewood fittings on carved and ebonised ball feet, 66" high x 47" wide. See Illustration

Los 581

AN ART DECO WALNUT "RADIO" CABINET of shaped circular form with twin glazed doors with "sunburst" glazing bars, on a shaped base, with stamped Utility marks to the reverse, 51" high x 47" wide

Los 585

AN ART DECO "ROCKET LIGHT" HANGING LIGHT FITTING, the central chromed support mounted with three rocket set bulbs divided by orange and frosted glass shades, together with five spare bulbs, 23" high. See Illustration

Los 586

AN ART DECO CHROME AND FROSTED GLASS HANGING LIGHT FITTING, the reeded frame fitted with five triangular opalescent and painted glass shades with geometric and foliate decoration, 12" wide

Los 587

A FRENCH ART DECO MIRRORED GLASS AND PATINATED METAL CHANDELIER, decorated with six leaping gazelles with mirrored divisions, suspended on a bulbous hexagonal column, 45" high. See Illustration £2000-4000

Los 589

AN ART DECO "SATURN" HANGING LIGHT FITTING, with a central milky glass globe, surrounded by a clear and frosted glass ring, on chrome mounts, 19" wide

Los 601

PHILIP WEBB FOR MORRIS & CO: AN OAK CENTRE TABLE, with a rectangular top above a stepped moulded border on turned splayed legs with cross stretchers and a moulded stretcher with four turned uprights on plinth bases with castors, 29" high x 71" wide. Philip Webb (1831-1915) was chief furniture designer for Morris, Marshall, Faulkner and Co, and Morris and Co. A life long friend and colleague of William Morris`s the two met as young men in the Oxford office of George Street`s architectural practice. It was on the strength of Morris commissioning Webb to design a home for himself and his new wife that Webb set up his own practice. The house was the Arts and Crafts masterpiece the Red House, and Webb became a highly successful architect and Morris went on to establish the leading art furnishers of the time. This table relates to a design first produced during the early years of the business when furniture on this scale will have been made to fulfil a specific commission or architectural interior. This table shows Webb`s interest in medieval furniture, his furniture designs demonstrate a solidity and architectural presence with features drawn from his knowledge of early furniture from around the world. An example of the design can be seen in the long drawing room at Kelmscott House where Morris lived from 1878. See William Morris, His Life, Work and Friends by Philip Henderson. A further larger variant example, 96 3/4in long, was sold at auction in London in May 2000. An example of this table is illustrated on p159 of `William Morris` the catalogue edited by L.Parry to accompany the Victoria and Albert museums 1996 exhibition `Willliam Morris 1834-1896`. In this publication it is described as being designed by Philip Webb. However this table is also recorded as a `Joiners Table` by George Jack who may have reintroduced the design at some point after Webb`s retirement in 1890, if this is the case it might best be seen as a collaboration between the two designers. See Illustration

Los 602

SIDNEY BARNSLEY: A STAINED OAK KNEELING RAIL, with a rectangular top supported on four hexagonal uprights with through tennoned crossrails, above an open rail of five panels with chamfered edges, on sledge type feet with shaped toe, 34½" high, 60" wide. This rail is believed to be a prototype for the kneeling rails that were use in St Andrews Chapel in Westminster Cathedral. The Roman Catholic cathedral at Westminster was consecrated in 1910, and with numerous carvings by Eric Gill, mosaics by George Jack and work by many other leading designers of the time, the cathedral is one of the most spectacular buildings of the period. The chapel of St Andrew was designed by the leading Arts and Crafts architect Robert Weir Schultz who had been put forward for the commission by the Marquess of Bute. The Bute family had a well recorded love of the progressive arts, and it is not surprising that they were involved with the building of the new Cathedral. The choir stalls and clergy seats in the chapel were designed by Ernest Gimson and Weir Schultz, and like the kneeling rails, they were made in ebony inlaid in bone. A prototype for one of the clergy seats from the chapel is now in the collection at Cheltenham Museum and Art Gallery, having previously been in the collection of Weir Schultz (CAGM 1941.225.121). It is likely that this prototype was produced both to assess the design and as an aid to costing. The current lot may well be the prototype for the kneeling rails in the chapel. The examples in use are made of ebony and bone, and this might well explain why the cheaper alternative of stained oak was used for the working model. A drawing of this item by Sidney Barnsley is in the Cheltenham Museum collection, 1972.186:1. the design dated to c1923. See Illustration

Los 620

ERNEST W GIMSON: A MACASSAR EBONY LIBRARY TABLE, the rectangular top with an edge with two lines of chequered banding of satinwood and walnut, above four short drawer with silvered ring handles, on four pairs of two square tapering legs with conforming stretchers, all with through tennon joints, 30" high x 72" wide. The original design for this table, is in the collection of Cheltenham Museum and Art Gallery (1941.222 377). The drawing is titled `A library table in Macassar Ebony`, and is signed Ernest W.Gimson, Daneway House April 13. 1904. See Illustration

Los 621

ERNEST W GIMSON: A MACASSAR EBONY STATIONERY BOX inlaid with mother of pearl and abalone shell, the rising lid set with three central "blister" pearls, in a surround of chequered inlay, the front decorated with flowers amongst animals, the sides and back similarly decorated, on a spreading base, 7" high x 12" wide. A number of designs for this and the associated stationery box exist in the Cheltenham Museum and Art Gallery collection. A drawing signed by Ernest Gimson and dated August 23rd 1904 is illustrated in `Originality and Initiative, The Arts and Crafts archives at Cheltanham` by Greenstead and Wilson, fig 92. See Illustration

Los 63

Jean Baptiste Claude Robie - `Bouquet of Flowers` (Still Life Study of Roses and Other Flowers beside an Overturned Basket of Raspberries and a Sparrow, within a Landscape), late 19th Century oil on panel, signed recto, titled to American Art Association Anderson Galleries Inc label verso, approx 74.5cm x 97cm, within a pine frame.

Los 326

An Art Nouveau silver mounted photograph frame of rectangular form with shaped outline, embossed with flowering stems, leaves and scrolling tendrils, Birmingham 1906, height approx 24cm.

Los 349

A pair of Art Deco style plated twin branch candelabra by Garrard & Co Ltd.

Los 375

A set of six Art Deco silver coffee spoons, Sheffield 1933, cased, a silver mounted circular photograph frame, a silver cake knife and fork with ivory handles, Sheffield 1894, by Walker & Hall, and two silver butter knives.

Los 1122

A collection of Japanese `Toshikane Art Porcelain` buttons, comprising three sets of `Seven Fortune Gods` buttons and a set of six `Masks for Noll Play`, buttons, boxed.

Los 1439

A pair of Continental pottery Art Deco style bookends, mid 20th Century, each modelled as a reclining female nude wearing a yellow drape raised on a black base (small chip to one foot).

Los 1494

A Clarice Cliff Autumn Crocus pattern small pepper, together with a small group of other Art Deco style pottery including a Rhodanthe pattern Clarice Cliff sauceboat (some faults).

Los 1550

A Royal Doulton Art Deco style part wash set, printed with polychrome pine cones beneath green banding, comprising a jug and basin and a soap dish, strainer and cover, green printed marks to bases, pattern No. `D5071`.

Los 1569

A Clarice Cliff Bizarre `Circus` plate, designed by Laura Knight for the 1934 Art & Industry Exhibition, the centre decorated with three acrobats, impressed and printed factory marks to base, diameter approx 23cm.

Los 1571

A Kosta Art glass vase, the `U` shaped clear cased body internally decorated with a blue trellis design against a green ground, incised `Kosta 01585` to base, height approx 21cm, boxed, together with an Art Glass grey, cranberry and clear cased vase of teardrop form, height approx 24cm.

Los 1621

A Czechoslovakian Art Deco part coffee service, comprising four cups and saucers, a coffee pot and cover, a cream jug and sugar bowl.

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