635938 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
635938 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
635938 Los(e)/Seite
ARR Adrian Rigby (b.1962) Hyacinth Macaws, Blue Splendour, signed lower right, gouache, 39.5 x 32.5 cmProvenance: Ex Collection of a Northern Art Gallery Condition:The painting is a gouache, currently unframed. The sheet is in very good condition, no obvious tears or issues- it has been housed in gallery conditions within a plastic wallet prior to its consignment for sale. The colours are well preserved and the paint surface stable.
An assorted group of art pottery late 19th and early 20th century, comprising Bretby: a Secessionist style vase, green glaze, shape number 1565, impressed marks, 34cm high (handle cracked); a cauldron-shaped jardiniere, raised on three feet, shape number 2296, 18cm diameter; two similar black Clanta vases, 2421; a vase decorated with birds, a circular dish or bowl, 14cm diameter; a yellow and green jardiniere with frilled upper rim, 23.5cm diameter and a further smaller jardiniere or planter decorated with a dragon, impressed marks, 13cm diameter; four Leeds art pottery vases, including a pair of bottle form with slender necks, the shaded green grounds painted with white flowers and foliage, impressed factory marks and '160 / 4146', 30cm high, two similarly decorated Burmantofts vases; and a group of principally stoneware, including a tall Royal Doulton relief-moulded jug with silver-mounted rim, hallmarked Chester 1904, 23.5cm high; three Lovatt's vases, 20.5cm high; a Doulton Lambeth Slater's Patent vase with crimped rim, 9.5cm high; a miniature Doulton Lambeth harvest jug, 7.5cm high; a Doulton-type mug, with maskhead terminal to the handle, 14cm high; a tobacco jar and cover, green glazed with brown ridges, 15cm high; two further smaller Lovatt's vessels, 6.5cm high; a Doulton Lambeth vase by Mary Denley and Josephine Durtnall, decorated with formal ribbons and swags against a textured ground, 14.5cm high; sold together with a Victorian muffineer, a florally decorated vase on three raised feet, marking indistinct but possibly Leeds Art pottery, and a German stoneware pitcher (mixed group, damages and repairs)Condition:Green Seccessionist vase - Crack around one handle, firing crack around the other. Glaze crazing all over. Drilled with a hole to be used as a lamp base.Burmantofts vase with numerous chips to rimPair - Crazing to the Leeds vases but no signs of damages or repairsSingle Leeds vase - ChippedBurmantofts double gourd - Rim broken and ground down/reducedDamages to some Bretby items
Chris Howells (1947-2013) Horse Fair, inspecting Shires, mares and foals in a rural village, signed lower right, oil on canvas, 50 x 76 cm, frame 67 x 92 cmProvenance: Ex Collection of a Northern Art GalleryChris Howells is an artist born in Bewdley, Warwickshire. He studied at Stourbridge Art College and has a deep love for the Warwickshire and Worcestershire countryside. He paints primarily wildlife and rural scenes
A Linthorpe art pottery teapot and cover, late 19th century, shape 1365, of bullet form with turquoise glaze, moulded with cabbage-type leaves, impressed marks to base, further impressed '628' to cover 15cm high - please note the teapot cover is matched and otherwise unassociatedCondition:Good condition with no damages or repairs.
A collection of British art pottery vases and planters, including a Bretby red dimpled planter, shape 2459F, impressed marks, 17cm high; a Devonmoor green vase, 25cm high; a Burmantofts green faience jardiniere, moulded in relief with chestnut leaves and conkers, shape 2125A, (repaired breaks to rim), 24cm high, an unmarked dimpled planter, probably Bretby (a.f), 15cm high; and two Salopian planters, incised or sgraffito decorated with flowers and foliage, 21.5cm high (6)
An assorted collection of Linthorpe and other art pottery, late 19th century, comprising Linthorpe miniature bottle vase, shape 841; a turquoise planter stand, shape 1315; a cream jug, shape 1367; a small relief-moulded green vase, shape number indistinct; a coffee cup and saucer; shape 639; further small vase, shape 844; a Wardle art pottery vase and two further similar vases, unmarked, tallest vase 11cm high; Linthorpe vases, shape 2077, with twin-angular handles and a frilled upper rim, brown ground decorated with foliage, impressed marks, 36.5cm high; and another, shape 2270, with a streaky green and blue glaze in the manner of Dresser, 35cm high; a pair of Palissy Pottery Co. Ltd, Derbyshire (1892-97) Art Nouveau green and red vases, circa 1895, impressed 'PALISSY', 18cm high; a pair of smaller, streaked glaze vase, markings indistinct, 10cm high and various others etc (damages, restorations)Condition:Damages and repairs throughout - see imagesLarger red jardiniere - scratches to bodySmall green bottle vase - restored chip to mouthBrown vase - rim chippedMoulded green vase - restored chip, crack to rim, chip to underside of footYellow and red vase - repair to rimJug - two crudely restored breaks to rim and handleDark red and green vase - repaired rim chipsCup and saucer - large restored chip to cupJardiniere stand - very dirty, numerous small repairs to rim Brown vase - large repaired break to rimStreaked vase - large repaired break to foot, restoration to most of rim Tallest vase - repaired break to approx 1/3 way down neckTaller pair of vases - 1 with repaired break and further chip to rim, the other with small topside rim chip and larger underside rim chipBrown and white vase - rim chipsGreen and brown vase - restored rim chip
An Art Deco Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones, circa 1920s, of baluster form with everted rim, decorated with the 'Imps on a Bridge', alternatively known as the 'Tree Serpent' pattern, printed gilt portland vase mark, painted pattern number Z6360, 29.5cm highProvenance: Private collection. Formerly in the Spak Collection, no. 144.Condition:Good condition with no cracks, chips, damages or repairs. The gilding remains in good condition with no signs of any rubbing. Rings true when tapped.
A large English or Scottish art pottery grotesque toad spoon warmer, circa 1885-90, red glaze, modelled with closed mouth and standing on three feet, unmarked but in the style of Burmantofts, Dunmore et al, 17cm high and 21.5cm overall (small repaired chip)Condition:Some crazing noted to the glaze, particularly to the underside. Small covered rim chip or loss of glaze to the interior rim, near a brow ridge. Minor losses of glaze to the edges of the feet.
ARR Peter Kotka (b.1951) The Well Worn Path, showing two shore horses with a wagon in a field, extensive rural landscape beyond, signed lower right, oil on panel, 20.5 x 35.5 cm, frame 31 x 46 cm, together with a further landscape titled 'Calling for a Friend' by the same hand (2)Provenance: Ex Collection of a Northern Art Gallery
Chris Howells (1947-2013) Shire Horses in halters being led into a yard, signed lower left, oil on canvas, 30 x 40 cm, frame 46 x 56 cm, together with a further oil titled 'Country Conversation' by the same hand (2)Provenance: Ex Collection of a Northern Art GalleryChris Howells is an artist born in Bewdley, Warwickshire. He studied at Stourbridge Art College and has a deep love for the Warwickshire and Worcestershire countryside. He paints primarily wildlife and rural scenes
ARR Adrian Rigby (b.1962) Peacock, 'White Majesty', signed lower right, gouache, 82 x 44 cm, frame 109 x 71 cmProvenance: Ex Collection of a Northern Art Gallery Condition:The painting is a gouache piece, framed under glazing. The sheet has slipped in the mount but overall appears to be in very good condition - no obvious tears or creases. The surface appears well preserved and stable, no obvious paint loss or deterioration. The colours are bright and crisp. Mount and frame in good condition, minro wear and tear. The picture has been stored in gallery conditions prior to consignment for sale.
Ron Haslam (20th Century) Still Life with fluted white bowl with cherries, plums and a peach, signed lower right, oil on canvas, 20.5 x 25 cm, frame 30 x 35 cm, together with a further still life with plums, grapes, hazelnuts and a turreen painted with roses by the same hand (2)Provenance: Ex Collection of a Northern Art Gallery
Chris Howells (1947-2013) Boy with Hoop, signed lower right, oil on canvas, 41 x 56 cm, together with a further oil titled 'Collecting Water' by the same hand (2)Provenance: Ex Collection of a Northern Art GalleryChris Howells is an artist born in Bewdley, Warwickshire. He studied at Stourbridge Art College and has a deep love for the Warwickshire and Worcestershire countryside. He paints primarily wildlife and rural scenes
An unusual Linthorpe art pottery 'mushroom' oil lamp reservoir attributed to Christopher Dresser, late 19th century, with a ribbed neck, decorated in a streaked green and brown glaze over brown terracotta body, shape 2110, impressed marks, 14cm highCondition:Firing crack to the underside of the base. No damages or repairs.
An Italian art pottery figure, La Freccia di Tarcisio Tosin, circa 1930-40, modelled as a characteristic young girl in a chequered skirt and braces standing beside a flower pot, holding a bouquet of flowers behind her back, painted factory marks, signed Tosin to one rear foot, 29cm highCondition:Damage to roses in flower pot (now detached from the pot). Smaller nibbles to the bouquet in her hands. Some crazing to the glaze in areas and small glaze faults to her hair.
A Linthorpe art pottery teapot and cover, late 19th century, shape 1651, decorated with floral sprigs and repeating designs, on a mustard ground, impressed factory marks and shape numbered, painted artist's monogram 'F.D. 204' in black, 13cm highCondition:Finial broken and re-glued. Wear to the tip of the spout. No other damages or repairs.
Christopher Howells (1947-2013) Man Riding a Shire Horse through a rural village, signed lower left, watercolour, 44.5 x 41 cm, together with a further painting showing a couple eaing a picnic in a hayfield, signed lower left, oil on canvas, 41 x 51 cm, frame 58 x 68 cm, and another oil on canvas titled 'The Watering Can', by the same hand (3)Chris Howells is an artist born in Bewdley, Warwickshire. He studied at Stourbridge Art College and has a deep love for the Warwickshire and Worcestershire countryside. He paints primarily wildlife and rural scenesProvenance: Ex Collection of a Northern Art Gallery
An Art Deco Wedgwood Fairyland lustre punch bowl designed by Daisy Makeig-Jones, circa 1920s, of pedestal form with orange flame ground, the exterior decorated in the orange flambe 'Poplar Trees' pattern, the interior with a central mermaid roundel and 'Woodland Bridge' pattern, gilt portland factory mark, painted pattern number Z5360, 28.5cm diameter, 15cm highProvenance: Private Collection.Condition:Good condition with no cracks, chips, damages, or repairs. The central roundel has a few small surface scratches and some minor gilt wear, alongside some very minor gilt wear to the rim commensurate with age. However, the remainder of the gilding to the bowl is in good, bright condition. Rings well when tapped.
Art Glass - a pair of Norwegian Knapstad pedestal vases, Happiness, signed to base, 25.5cm high; a pair of Mike Hunter, Scottish glass air twist over-sized wine glasses or vases, Millennium, 32.5cm high, signed to base; an 18th century style air twist drinking glass, 15.5cm high; another similar, etc (7)

-
635938 Los(e)/Seite