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A Victorian Mahogany Roll-Top Pedestal Desk, galleried top over drum form front, opening to reveal fitted interior with leather inset and inkwell, raised on twin pedestals of three drawes, plinth bases to castors, 125cm by 151cm by 76cm

A plastic water butt, a metal drum 205 litre, plastic planters etc.

Seven boxed Britains 1/32 scale Authentic Farm diecast models to include 09593 Wright Rain Irrigation Drum, 42105 Massey Ferguson 1505 Tractor, 40512 Massey Ferguson 6270 Tractor With Loader, 40511 Massey Ferguson 6290 Tractor, 09447 Valtra Valmet 115 Forest Tractor, 9565 Tipping Trailer and 40520 12-Ton Marston Trailer, all diecast ex, boxes vg overall with a couple showing signs of storage wear and discolouration to one

Ten boxed Britains 1/32 scale farming diecast models to include 9570 Massey Ferguson Combine Harvester, 9545 Vaderstad EV620 Roller, 9555 Animal Trailer, 9547 Hose Drum Irrigator, 2 x 9501 Massey Ferguson MF 3680 Tractor (In different boxes), 9550 Fold Up Cultivator, 9560 Vacuum Tanker, 9519 JCB Loadall and 1743 Round Hay Bales, all diecast vg-ex, boxes vary in condition with signs of squashing to plastic windows and coming away from boxes and signs of storage and edge wear

An Antique style drum stick,  with metal ends, length 10ins

A large assortment of carved wooden souvenirs, mainly from the African continent. To include a large wooden fish dish, a wooden stool, a snake-skin drum, panel carvings etc. (Victor Brox collection)

Carved didgeridoo with images of Kangaroo, Snakes, etc. carved wood 4-string instrument lacking 2 strings, Tribal/Indigenous drum, slit drum and a rain maker. (Victor Brox collection)

A large collection of carved wooden items from across Africa, including turned plates and bowls, goblets, figures, a traditional drum etc. (Victor Brox collection)

Chinese wooden carved slit drum, (Victor Brox collection)

A contemporary Regency style drum table, of small proportions; 57.5cm high; an Edwardian style brass desk lamp; a pair of brass andirons; a Chinese style jewellery box; a Vienna wall clock, of small proportions, 63cm high; a 1936-1938 receipt book (7)

Clocks - various desk timepieces, perpetual flip, drum shaped, etc (14)

Cigarette cards, Military selection 37 cards, Wills Soldiers & Sailors (blue, 2 cards), ATC Military Uniforms A (7 cards), Player's overseas Drum horses (20 cards) BAT Britain's Defenders (7 cards) (fair/gd)

ROYAL MARINES: collectibles comprising 42 Commando Royal Marine metal figure on wooden plinth, 11 x 16 x 13cm, a plastic biscuit barrel in the form of a Royal Marine drum, and four associated Royal Marine wooden wall plaques (6).

A performance percussion snare drum, 17 x 36cm, a Stagg hand made 13" hi-hat medium CXH-13 cymbals and stand with foot pedal, and three sets of new sealed drum sticks.

A child's Music Alley drum kit, with seat.

19th century black slate drum head shape two train mantel clock with Roman ceramic dial and exposed dead beat escapement. Compete with key and pendulum. 34cm high approx. (B.P. 21% + VAT)

Mechanical music, a wooden hurdy gurdy type bellows organ playing tunes on a wooden drum with brass studs. (B.P. 21% + VAT)

Vinyl records, circa 16. See photos for a selection of albums. Primal Scream Sonic Flower Groove, U2 Live Under a Blood Red Sky, Adam and The Ants Prince Charming, Adam and The Ants Kings of the Wild Frontier, The Police Outlandos D'Amour, Elvis Costello and The Attractions Armed Forces, The Police Synchronicity, Do it Yourself Ian Dury and the Blockheads, Japan Tin Drum, Ian Dury and the Blockheads Reasons to be Cheerful, Men at Work Business As Usual, Paul Wellar, The Boomtown Rats The Fine Art of Surfacing, Ultravox Quartet, The Police Regatta De Blanc, Simple Minds in the City of Light. Condition varying, sold as found.

A Watchmakers Lathe, With Provenance, A watchmaker's Lathe, c.1900, unsigned, with triangular bar, interchangeable chucks and collets, tool post, stock, rest and other items, mounted on a later metal bed, Provenance: the lathe comes with a letter dated 1988 which reads: PROVENANCE of small lathe and accessoriesentrusted to Stephen Herbert for safecare and keeping.The lathe was originally mounted on the central bench in theprivate laboratory in 1'Institute Marey, in the south-west ofParis, in which Lucien Bull worked for many years.It was collected from there, together with small tools andmany accessories, on Saturday afternoon 5 September 1970 andtaken round to Lucien's flat at 14 rue du Général Delestraint.(Transport was provided by a kindly neighbour in her small car.)It was then packed, as carefully as possible, into three card-board cartons tied with string in order not to attract too muchattention on the journey to the U.K.On Sunday afternoon, Ray Beaumont-Craggs came to tea at Lucien'sflat and took away the cartons with him (he lived at Versaillesat that time).A week or two later Ray Beaumont-Craggs arrived at 172 Forest HillRoad with the cartons - complete and not interfered with, havingbeen smuggled through Customs very successfully!Subsequently, over the winter of 1970/1971 a length of rolled-steeljoist was obtained and made ready to receive the lathe; the choiceof a piece of steel of fairly heavy cross-section was intended tominimise any vibration when working on small components. The wholewas then mounted on a base-board, together with a motor, as it isThe motor is a new one (AC 50cycles 240 volts) as the oldtoday.one (220 volts D.C.) was left in Paris deliberately, no longerbeing suitable for operation in the UK.The above is an accurate accountextracted from old diaries byS.W.B. Comes with a page from the British Journal of Photography 1966 showing Lucien Bull nest to the lathe. Lucien Bull, Born in Dublin, Ireland, hailed from a diverse background, with a British father and a French mother named Gabrielle Joune. His formative years were spent in Dublin, where he attended school and resided with his parents. In 1894, Bull embarked on a journey to France initially to visit his aunts. However, captivated by the allure of the region, he decided to settle there permanently. It was in France that his path intersected with that of Étienne-Jules Marey, a renowned physiologist with a keen interest in capturing and studying human movement. In 1895, Bull found himself in the role of an assistant to Marey. At the time, Marey was engrossed in developing a groundbreaking contraption known as the cinematographic. This innovative device, resembling a rifle in shape, was engineered to capture images of moving objects onto a rotating plate. Often referred to as the "gun camera," this invention paved the way for subsequent advancements in cinematography. Bull, spurred by Marey's pioneering spirit, later conceived a swifter iteration of the camera, thus contributing to its evolution. The primary objective of this camera was to delve into the intricacies of motion. Functioning as a snapshot mechanism, the "gun camera" captured successive still frames of objects in motion. These snapshots, when scrutinized, enabled researchers to analyze movement patterns with unprecedented precision. Bull achieved a significant breakthrough in 1904, successfully filming the flight of a fly at an astounding speed of 1,200 frames per second. In addition to his contributions to the "gun camera," Bull also delved into the realm of cinematography by inventing the "spark drum camera." This innovative device emulated the continuous motion of 35-mm film. Operating on the principle of an electromagnetic shutter, the camera exposed two parallel films, which were then wound around drums housed within a meticulously crafted wooden frame. Through his inventive prowess and collaboration with Marey, Bull left an indelible mark on the field of cinematography, revolutionizing the study of motion and ushering in an era of unparalleled innovation.

VINTAGE 1960s SIGNATURE ERIC DELANEY SNARE DRUM

A Leopold Lambert automaton drummer boy, with bisque head, fixed blue striated glass eyes, brown feathered brows, closed mouth painted with slight gap and dark pink detail, original brown hair wig, carton and composition body with bisque arms, original yellow and white silk costume with gilt thread and buttons, matching hat, black slippers, brass drum and velvet covered cubed base with LB paper label ‘La Grosse Couixe?’ and LB key, when wound he beat the drum and raise the empty hand —19in. (48cm.) high (head probably with movement, but not connected, some moth loss to top of base and drum skin splitting)

Reproduction Drum Style Lamp Table

Rabih Hage (French, b.1966), a 'Berger' table lamp, the patinated metal frame with a suspended rectangular drum shade, 51cm wide16cm deep32cm highCondition ReportPAT Test 16.4.24 passed

A 'Fen' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a fenland pattern, surmounted by a drum shade, 29cm diameter46cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed

A 'Forest' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a forest pattern, surmounted by a drum shade, 29cm diameter46cm highCondition ReportPAT Test 16.4.24 passed

Rabih Hage (French, b.1966), a pair of 'Biblio' table lamps, each patinated metal frame surmounted by an elliptical drum shade, 60cm wide22cm deep 58cm high (2)Condition ReportPAT Test 16.4.24 passed. The shades with some minor scuffs and marks. The lamp bases themselves in good order. Appears to have seen very light usage. 

A 'Field' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a meadow pattern, surmounted by a drum shade, 29cm diameter46cm highProvenance: Cameron Peters Fine Lighting.

Regency style mahogany and leather drum table, of small proportions, the circular leather inset top over four frieze drawers, alternating with revolving drawers, raised on turned column and splayed tripod base terminating in brass castors, 19th century with alterations, 96cm diameter

1930s silver condiment set, comprising pair of salt/pepper pots of fluted form and a matching mustard, with blue glass liner (Birmingham 1935) William Neale & Son Ltd, together with a contemporary silver drum mustard, with blue glass liner (Birmingham 1989) J B Chatterley & Sons Ltd. All at approximately 6ozs. Fluted salt and pepper 7.5cm overall height. (4)

1970s stylish Grant MacDonald silver and malachite desk clock of drum form with cast rustic border, dagger-shaped hands with key stem (broken from movement) (HM Grant MacDonald London 1972) 10.5cm high. Sold with period promotional photograph when new and biographical detailsIt has battery movement . The case and dial are in good order

A German enamelled glass beaker (humpen), dated 1715, painted with two cavorting hares, one playing a drum, the other swigging from a large stein, the reverse with an inscription in white enamel within leaf swags above the date '1715', 17cm.

A Pearl Forum snare drum and a Rogers BigR tom, with one drum case

A modern white marble topped gilt metal mounted circular dining table on gilt metal drum base, diameter 140cm.

A Ugandan embuutu drum, hide bound hard wood, twin suspension loops, 39cm high, late 19th/early 20th century

A Post-Regency mahogany drum table or rent table, circular top with inset tooled and gilt leather writing surface, above four frieze drawers, divided by blind, turned column, reeded sabre legs, brass capped casters, 80cm high, 117cm, 19th century

A Post-Regency mahogany drum table, circular top with reeded edge and inset tooled and gilt leather writing surface, above three frieze drawers, divided by blind, turned column, sabre legs, brass capped casters, 77.5cm high, 107.5cm diameter, 19th century

A Regency mahogany pedestal drum table, of small and neat proportions, circular top with inset tooled and gilt leather writing surface above four frieze drawers, divided by four further blind, spreading square column, incurve square base, brass paw feet, 69.5cm high, 43.5cm diameter, c.1820

A 19th century brass drum clock, 12cm circular silvered dial inscribed with Roman numerals, twin winding holes, eight day movement striking on a bell, the backplate numbered 6461, the case with platform escapement viewing lenticle, 22cm high overall over handle, 23cm wide, 8cm deep

A late 19th century French alabaster mantel clock, the case applied with a putto on a swing, 41cm high, 29cm wide, 10.5cm deep; similar drum-form mantel clocks (4)

A late 19th century rosewood drum-form mantel clock, of small proportions, 16.5cm high, 15.5cm wide; an Edwardian mahogany and marquetry mantel clock, 28cm high; others (5)

An early 20th century brass pylon shaped mantel timepiece, 5.5cm silvered dial inscribed with Roman numerals, single winding hole, French drum movement, the case applied with copper cut-card work, 19cm high, c.1905

Clarice Cliff, a ‘Spring Crocus’ Drum shaped preserve pot and cover, circa 1930, facsimile signature Newport backstamp, 9cm.

Dutch silver and burr wood drum-shape box, marked Begeer floral decoration to the panelled lid, the side with trellising, diameter 17cm.Footnote:This piece was probably made by the Dutch silversmith Carel Joseph Antonie Begeer (1883-1956), who studied at the Hanau K’nigliche Preussische Zeichenakademie. Gifted with as much artistic talent as business acumen, Begeer was appointed artistic director at his father's firm the Koninklijke Utrechtsche Fabriek van Zilverwerken van C. J. Begeer.Condition report:The wood looks "dry" and has numerous small cracks. There are some fine surface scratches to the white metal, especially the base. The inside has some staining. The hinge is broken. Please see additional uploaded images.

THE TRIUMPH (Comic): Makers of Motor Cars & Index Marks, 1923, full set of 32;BARRAT & CO: Space Mysteries, 1966, full set of 25; PRIORITY TEA: I-Spy Cards, 1922, full set of 50; B. MORRIS & SONS: Motor Series (Joystic Cigarettes), 1922, part set: 20-25; LAMBERT & BUTLER: Motor Cars, 1922, full set of 25; LAMBERT & BUTLER: Motor Cars, 2nd series of 25, lacking No 47; LAMBERT & BUTLER: Motorcycles, 1923, part set: 29/50; PLAYERS: Motor Cars, 1937, full set of 50; PLAYERS: Motor Cars, 2nd series of 50, full set; PLAYERS: Cycling, 1939, full set of 50; PLAYERS: Colours & Badges of British Regiments, 1904, brown, full set of 50; PLAYERS: Regimental Colours & Cap Badges, 1907, full set of 50; PLAYERS: Colonial & Indian Army Badges, 1936, full set of 25; PLAYERS: Drum Banners & Cap Badges, 1924, full set of 50; PLAYERS: Regimental Standards & Cap Badges, 1924, full set of 50; PLAYERS: Badges & Flags of British Regiments, Set B 1903 green back, part set: 46/50.; PLAYERS: Badges & Flags of British Regiments, 1904 brown un-numbered, part set: 34/ 50; PLAYERS: RAF Badges, 1937, set but lacking Nos 1 & 47; PLAYERS: RAF Badges, 2nd series 1937 (?), part set: 46/50; PALM TOFFEE: Some Cap Badges of the Territorial Regiments, 1938, full set of 50; PHILLIPS CHOKE TEA: Army Badges Past & Present, 1964, full set of 25; WILLS: Ships Badges, 1925, full set of 50; MERRYSWEETS: World Racing Cars, 1959, part set: 12/48

Clarice Cliff Secrets pattern drum preserve with lid, 9cm.

BESPOKE OVERSIZED DRUM CHANDELIER - WORKING

A CB Drums drum kit

A VINTAGE OIL DRUM HAND PUMP with 2 1/4in and 1 7/8in drum threads, a fill tube 32in long (welded repair), total length 53in (136cm)

A BESWICK LIFE GUARD FROM THE CONNOISSEUR HORSES SERIES, model no. 2562, style 2, with sword, mounted on a titled wooden plinth, together with an ice bucket in the form of a Coldstream Guards' drum (2) (Condition Report: the figure is dusty, both swords appear to have been reglued, left ear is broken but present, ice bucket has signs of wear)

A VINTAGE OIL DRUM HAND PUMP with 2 1/4in and 1 7/8in drum threads, an extendable tube 36in long, total closed length 40in (102cm)

A group of four Ballantynes of Walkerburn cast-resin military figures, comprising Black Watch Drum Major c491, Highlander F6B, Black Watch Tenor Drummer C49g, and Piper

Early Victorian figured mahogany circular drum table with four opening drawers and four faux drawers, raised upon a faceted baluster column on a platform base with carved feet, 120 x 77cms. Estimate £180-350.

Boxed W Britain Limited Edition of 2500 The Black Watch The Pipes & Drum of the First Battalion Royal Highland Regiment with Certificate

Collection of assorted Drum Skins and Drums

A collection of silver, to include a drum shaped mustard, cream jug, napkin ring and sifting spoon, gross weight 7.9ozt

A George V silver mustard, of drum shape, having shell shaped thumbpiece and scroll handle, blue glass liner and associated spoon; together with a set of five silver teaspoons, weighable silver 4.3ozt

A circa 1900 alabaster and gilt metal mantel clock (re-gilded), the white enamel dial flanked by a standing couple in period dress, height 26cm, together with two other similar examples - one with drum head, the other alabaster only mantel clock (4)

A circa 1900 Wurttenberg drum topped mantel clock, having Arabic dial and brass 14-day cylinder movement, h.27cm

A late Victorian slate marble drum top mantel clock, having French brass cylinder movement, h.22.5cm; together with one other similar but larger example, having visible escapement (2)

GWASG GREGYNOG PRESS: WRENCHING TIMES 1991 limited edition (19/400) 'Poems from Drum-Taps by Walt Whitman - Wrenching Times', selected by M Wynn Thomas, bound in quarter leather, wood engravings by Gaylord Schanilec who resided at Gregynog January to June 1991, designed and printed by David Esslemont, bound by Alan Wood and Rhian TicehurstProvenance: private collection SwanseaComments: discoloured boards, otherwise fine