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95802 Los(e)/Seite
Los 102
'September Apple Picking' print from the Farmers Year after Clare Leighton (British 1901-1989) pub. 1936, 25cm x 31cm and 'Gulliver casting a Damper upon the royal Fireworks at Lilliput, engraving after James Sayers 25cm x 18cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
Los 541
Jacques Rignaud (French) 1681-1754, 'Vue de L'Hostel de Ville de Marseille et D'une Partie du Port - Dessina sur le lieu pendant la Peste arrivee en 1720, Engraving circa 1720, 23cm x 47.5cm and another by Jacques Rigaud, 'A view of the Town House or Guildhall of Paris', hand coloured engraving, Published April 1749, 24.5cm x 48.5cm
Los 224
A Late 18th Century Flintlock Pocket Pistol, with 7cm round turn-off steel barrel, box lock bearing traces of engraving, slide safety, with walnut slab butt; a 19th Century Percussion Pocket Pistol, the 6.5 cm octagonal steel barrel with Birmingham proof marks, foliate engraved box lock and chequered walnut bag butt; a 19th Century British Pinfire Six Shot Revolver, the cylinder with Birmingham proof marks, lacks hammer (3 - af). 1 - Action is weak, but works, holding at full and half cock. Deep pitting to metalwork and bruising to butt. 2 - Action works, holds at full and half cock. Grey patching to metalwork. Bruise to left side of butt. 3 - Action does not work. Hammer missing. Blackened finish is half cleaned off.
Los 57
AFTER IBBETSON "Giraffe or Camelopard" coloured engraving by Tookey, published by W Darton...1796 together with another "Zebra" taken from Pennant's "History of Quadrupeds", a coloured lithograph, "Columba Rosea" two botanical studies of "Apple" and "Plum", an Annie Tempest print, two framed and glazed photographic prints of vintage cricket teams and a watercolour study of Geoffrey James, caricature smoking a cigar by D GREEN, signed and date 1978
Los 62
19th CENTURY ENGLISH SCHOOL "Fairlawn, August 1835" a landscape study, watercolour, unsigned, inscribed lower right, 16 cm x 25 cm together with a topographical study "Fairlawn in the county of Kent, the seat of The Rt Honble Lord Barnard", a hand coloured engraving of Fairlawn AFTER J P NEALE and a later larger copy of the same image and a watercolour study of a large country house with cattle in foreground unsigned
Los 226
A Late 18th Century Flintlock Pocket Pistol, the 5cm round turn-off steel barrel with London proof marks, the right side of the box lock engraved HOLBORN LONDON, the left side with erased engraving, the walnut slab butt set with a silver escutcheon engraved with a crest, 16cm; a German Small Rimfire Starting Pistol, with steel bird head grip (2) . 1 - Action works, but does not hold at full cock. Metalwork pitted. 2 - Action works. Metalwork with black patching.
Los 64
An early 19c English travelling clock by Thomas Moss of Ludgate St. London. It has a watch type movement with lever escapement and plain balance and a 2.5in diam. brass dial with separate seconds ring and engine turned dial centre. It is contained in a rectangular brass carrying case with fixed carrying handle and floral engraving to the front, sides and top and circular brass feet. Clock 6in tall overall.
Los 80
Plenderleith, Donald. The Mad Hatter's Tea Party, wood-engraving, titled and signed in pencil, small wormhole to centre of image, 200mm x 295mm, glazed Donald Plenderleith (1921-1995) was a painter, print-maker and teacher. He was born in Peebles and studied at Ealing School of Art. He exhibited at the Royal Academy and the Royal Society of Painter-Etchers and Engravers.
Los 28
Judaica.- Emblemata.- Meisner (Daniel) Iusta Simplicitate, engraving, 147 x 103mm., some foxing to margins, a little spotting within image, [Landwehr, German, 426], [Frankfurt], [1623-1631]. ⁂ Depicting integrity and simplicity, where a Jewish moneylender is juxtaposed against the simplistic idyllic rural background. He holds scales in his hand, on which are a fox and a pigeon. The work comes from Meisner's Thesaurus Philo-Politicus.
Los 15
Late Victorian/Edwardian mahogany-cased twin fusee bracket or table clock, Brockbank & Atkins, London, No. 12322, the 15.5cm arched brass dial having a silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with signature cartouche, beneath silvered subsidiary Strike/Silent ring within foliate scroll engraving, the chain-driven movement, signed and numbered to the back plate, striking on a coiled gong, in a George III-style bell-top case with leaf-capped carry handle, urn finials, stop-fluted canted corners, arch-glazed door with brass spandrels, and conforming arched sound frets to the sides on brass ogee bracket feet, 47cm high inclusive of handle Condition: Disclaimer - Please see item 20 of our Conditions of Sale relating to clocks, watches and mechanical items
Los 2
Bristol Interest - Mid 18th Century oak-cased 30 hour brass-dial longcase clock, Edward Bilbie Chew Stoke, circa 1760, the 11-inch square dial having Roman hours, Arabic minutes and fleur-de-lys half hour divisions framing a matted centre with rectangular cartouche signed Ed. Bilbie, Chewstoke over calendar square within foliate engraving, all within mask spandrels, the posted movement outside countwheel-striking on original bell, and chain-driven movement, the case with stepped ogee top and brass ball and spire finials over sunken columns with brass capitals, the chequer-inlaid and crossbanded long trunk door on plain base and bracket feet, 224cm high Literature - See Moore, Rice and Hucker, 'Bilbie and the Chew Valley Clockmakers' or Moore, 'The Clockmakers of Somerset 1650-1900 for more information on this maker Condition: Disclaimer - Please see item 20 of our Conditions of Sale relating to clocks, watches and mechanical items, Dial - minor staining between VI and VII and between X and XI. Movement appears sound but with small amount of packing beneath one side of the seat board and with old alterations to the upstands. Case in good order, sold with weight and pendulum plus key
Los 208
Victorian British pattern 1821 Light Cavalry officers sword with indistinct maker----- Row London, with three bar steel basket hilt, wire bound shark skin grip and straight single edged blade with floral engraving VR cypher and Warwick Yeomanry in cartouche, in its part leather covered metal scabbard, 34" blade Condition: Light rust spots and tarnishing along blade, minor fading to grip, rusting to hilt, significant losses to hide scabbard - **General condition consistent with age
Los 45
Edward VII 18ct gold open faced pocket watch, Anonymous, the white enamel dial with black Roman numerals, hands and subsidiary seconds dial, the four piece hinged case housing a movement numbered 433035, Birmingham 1910, 4.8cm diameter, 91g gross inclusive of movement, monogrammed Condition: Movement does not currently function, hands have corroded and the debris on the dial has been mostly removed since the image was taken, chip to edge of dial between 4 & 5, seconds hand is reduced, crystal is plastic and somewhat discoloured, engraving to case back - **General condition consistent with age
Los 47
George V 18ct gold half hunter fob watch, the white Roman dial inscribed Harry Emanuel, Hanover Sq're London, the movement engraved as above and numbered 2606, the case with blue Roman numerals to front door and engraved quatrefoil verso, London 1920, sponsor A.S., 38mm diameter, 57g gross approx Condition: Movement currently functions, the front of case outside the numerals has faint engraving of three crests and two scrolls above a motto - **General condition consistent with age
Los 101
*Palmer (Samuel, 1805-1881). The Bellman, 1879, etching on antique laid paper, a fine 'Trio' impression, published in an edition of 60 impressions by the Cotswold Gallery in 1926, the Fine Art Society lettering of the 6th state removed, with the engraved triangle added to corner of lower left margin, and initialled in pencil by Frank Short, Martin Hardie and F. L. Griggs, additionally initialled by Griggs to lower right corner, image size 167 x 236 mm (6.5 x 9.25 ins), plate size 190 x 251 mm (7.5 x 10 ins), sheet size 289 x 386 mm (11.4 x 15.25 ins), hinge-mounted Lister 11 vii/vii. Alexander 11 vii/vii. In 1924 F. L. Griggs contacted Samuel Palmer's son, A. H. Palmer, who supplied him with eight of his father's uncancelled plates for printing. In consultation with Frank Short, Professor of Engraving at the Royal College of Art and Martin Hardie, Keeper of Prints & Drawings at the Victoria & Albert Museum, he oversaw the printing of editions of 50 to 75 impressions from five of the plates. Each impression had an engraved triangle together with the Trio's (as A.H. Palmer called them) pencil initials in the lower margin. These were published by the Cotswold Gallery, London, to coincide with Hardie's groundbreaking exhibition Drawings, Etchings and Woodcuts by Samuel Palmer and Other Disciples of Blake at the V & A in 1926. (1)
Los 103
*Calvert (Edward, 1799-1883). The Chamber Idyll, 1831, wood engraving, printed in black ink on pale cream wove paper, the third (final) state, from the edition of 350 impressions published in Samuel Calvert's A Memoir of Edward Calvert by His Third Son, 1893, image size 43 x 77 mm (1.75 x 3.1 ins), sheet size 89 x 97 mm (3.5 x 3.8 ins), hinge-mounted Lister, Edward Calvert (1962), 15b, ii/ii. Regarded as Calvert's masterpiece, Samuel Palmer described the work as 'doubly condensed poetry'. (1)
Los 104
*Calvert (Edward, 1799-1883). The Cyder Feast, 1828, wood engraving, printed in black ink on pale cream wove paper, the third (final) state, from the edition of 350 impressions published in Samuel Calvert's A Memoir of Edward Calvert by His Third Son, 1893, image size 77 x 128 mm (3 x 5 ins), sheet size S 262 x 345 mm (10.3 x 13.6 ins), hinge-mounted Lister, Edward Calvert (1962), 7c, iii/iii. (1)
Los 105
*Calvert (Edward, 1799-1883). The Ploughman, 1827, wood engraving, printed in black ink on pale cream/grey wove paper, the third (final) state, from the edition of 350 impressions published in Samuel Calvert's A Memoir of Edward Calvert by His Third Son, 1893, image size 82 x 127 mm (3.25 x 5 ins), sheet size S 260 x 367 mm (10.25 x 14.5 ins), hinge-mounted Lister, Edward Calvert (1962), 6b, iii/iii. Highly self-critical as an artist, Calvert printed very few proofs during his lifetime, the blocks remaining in his studio until first published by his son in the edition of 1893. (1)
Los 127
*O'Connor (John Scorror, 1913-2004). Cockle Boats, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Merivale Editions, signed, titled and numbered 57/500, sheet size 29.3 x 21 cm (11.5 x 8.3 ins), together with four other Merivale Editions prints: Michael Foreman, An Egyptian Landscape, David Gentleman, May from the Shepherd's Calendar, Lawrence Mynott, The Sunderland Jug, & George Tute, Three Vignettes from Under the Hawthorn, each printed in an edition of 500, signed and numbered in pencil, loosely contained in original publisher's printed wrappers, plus a wood engraving by Richard Shirley Smith printed at the Rocket Press, and published by Merival Editions as a keepsake of a talk given by Peter Sampson at the Oxford Guild of Printers, 30 September 1989 (6)
Los 128
*O'Connor (John Scorror, 1913-2004). Boy Bathing, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Merivale Editions, in an edition of 500, signed, titled and numbered 154/500, in pencil, sheet size 29.2 x 20.8 cm (11.5 x 8.2 ins), together with eight other wood engravings, lithographs, or screenprints by John O'Connor, Angela Barrett (2), Brian Hanscomb (2), and Kathi Whiting (2), all published by Merivale Editions in editions of 500, each loosely contained in original publisher's printed wrappers (9)
Los 133
*Ravilious (Eric, 1903-1942). Three Vignettes from Thrice Welcome, wood-engraving on velin d'Arches paper, from the edition of 500 printed by Ian Mortimer from the original block at I.M. Imprimit, published by Merivale Editions, numbered in pencil 439/500, sheet size 29.3 x 20.7 cm (11.5 x 8.2 ins), loose in original printed wrapper Originally published in a publicity booklet issued by Southern Railway in 1935. (1)
Los 134
*Ravilious (Eric, 1903-1942). Children in a Park, wood-engraving on hand-made Japanese vellum paper, from the edition of 100 printed by Ian Mortimer from the original block at I.M. Imprimit, published by Merivale Editions, numbered in pencil 69/100, sheet size 29.3 x 20.7 cm (11.5 x 8.2 ins), loose in original printed wrapper First printed in an edition of 20 and exhibited at the Seventh Annual Exhibition of the Society of Wood Engravers in 1926. (1)
Los 135
*Ravilious (Eric, 1903-1942). Boy Bird's Nesting, wood-engraving on Zerkall wove paper, from the edition of 500 printed by Ian Mortimer from the original block at I.M. Imprimit, published by Merivale Editions, numbered in pencil 90/500, sheet size 29.3 x 20.7 cm (11.5 x 8.2 ins), loose in original printed wrapper First printed in an edition of 15 and exhibited at the Eighth Annual Exhibition of the Society of Wood Engravers in 1927. (1)
Los 143
*Benenson (Leslie Charlotte, 1941- ). Charolais Bull, 1964, wood engraving on pale cream wove paper, an artist's proof, signed, dated, titled and marked Artist's Proof in pencil, image size 23 x 18.7 cm (9.1 x 7.4 ins), with margins, mounted, together with a collection of over 100 wood engraved bookplates (or ex libris) by the same artist, including numerous duplicates (with 21 different designs), unsigned, largest sheet size 16 x 14 cm (6.25 x 4.5 ins) (119)
Los 150
*Brett (Simon, 1943-). The Ugly Beast, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Merivale Editions, circa 1985, signed, titled and numbered 62/500, sheet size 21 x 29.3 cm (11.5 x 8.3 ins), together with four other wood engravings by John Lawrence, Edwina Ellis, Michael Renton and Richard Shirley Smith, all published by Merivale Editions in editions of 500, signed, titled and numbered in pencil, each loosely contained in publisher's printed wrappers (5)
Los 2
*Durer (Albrecht, 1471-1528). Willibald Pirckheimer, 1524, copper engraving, a very good Meder b impression, trimmed slightly unevenly near the borderline, fractionally within in places, repaired horizontal tear to upper right edge (2.5-3 cm or 1 inch), sheet size 181 x 114 mm (7.2 x 4.5 ins), framed and glazed Provenance: Joseph Camcziny, by 1821. Christie's London Old Master Prints from the Chatsworth Collection, December 5 1985. Collection of John Perkin Esq., thence by descent. Dodgson 101. Bartsch 106. Meder 103. Hollstein 103. S.M.S. 99. (1)
Los 323
*Okimono. An exceptionally fine Japanese carved ivory okimono, Meiji Period (1868-1912), carved as an elderly man smoking a pipe whilst wearing a characterful mask on his head and a drum to his side, he holds rope with a monkey clambering up it and a toad trying to catch the monkey's foot, the base with two character mark in red and additional floral engraving, 30cm high, the overall condition is very good with some minor cracking to base, commensurate with age (1)
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95802 Los(e)/Seite