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Preisdatenbank abonnierenA collection of items to include: a gilt metal Masoni pendant, with enamelled cross and rose above an eagle; a silver Masonic medal London 1901 George Kenning, for St Andrews Lodge, a silver medallion fob along with other metal versions, white metal and marcasite brooch, silver ring and other metal rings, Art Deco watch a/f missing glass wear and tear, etc (1 bag)
A collection of costume jewellery to include a large white metal, possibly silver and carnelian/quartz ring, size X, along with silver brooches, gilt metal cameo brooch, paste set jewellery and plastic, glass and faux pearl bead necklaces, together with an Art Deco ladies Majex watch (1 bag)
A Victorian gilt metal and etched glass vase, the twin-handled waisted vase, etched with foliage, the tripod stand applied with ram's heads, swagged chains, tripod base with acanthus feet, approx 37cm high ;a pair of Victorian / Edwardian Orivit twin-handled vases, cut class inserts, tapering cylindrical form, approx 27cm high, stamped Orivit 2874' (3)
A gents Tissot Seastar gold plated wristwatch, gold tone dial with applied baton markers, date aperture at 3, case approx 33mm, quartz movement, to a gold plated expander strap Condition report: some wear and tear, scratches to glass, replacement crown movement untested
A gents 9ct gold Omega wristwatch, round champagne dial, with applied baton markers, date aperture at 3, case approx 32mm, automatic movement, leather strap, the case reverse engraved with presentation inscription, total gross weight approx 35.7gms Condition report: good working at time of report, original crown, fine scratches to glass, dial good, strap with detached non branded buckle
A Garrards 9ct gold gents wristwatch, champagne dial with applied gold tone Arabic numerals, subsidiary dial at 6, to leather strap (detached), presentation inscription to reverse, total gross weight approx 28.9gms Condition report: subsidiary moving, dial good, fine scratches to glass, some marks to case, possibly overwound
A matched four piece George V silver mounted and cut glass toilet set comprising two large bottles and two large scent bottles, each with engine turned striated pattern covers with central vacant cartouche, hallmarked by William Neale Ltd, Birmingham, 1922 & 23, each bottles engraved with flowers above oval topped strapwork style panels (4) (condition report: one hinge loose and detached from fitting, one bottle with chip to rim) c
An Edwardian engraved silver circular salt, by J Gloster Ltd, Birmingham, 1910, 0.89 ozt together with a collection of silver plate, EP, EPNS, white metal to include: set of six cased butter knives, cut glass caster with plated domed cover; Victorian oval chased cake basket; Georgian style oval cruet stand; ceramic thimbles; Japanese cloisonne style bowl, vases, oil lamp etc (1 box)
A pair of William IV silver bottle labels, oblong with reeded borders on suspension chains, one engraved RUM, the other HOLLANDS, hallmarked by George Unite, Birmingham, 1834 (one chain broken) together with a Victorian detachable hip flask silver cup / base, engraved with a crest, gilt, hallmarked by Thomas Johnson I., London, 1872, the silver 2.48 ozt (77.1 grams) and a silver plated mounted glass hip flask by James Dixon & Sons (4)
A group of silver to include: George V cut glass and silver mounted elongated scent bottle, facet cut stopper, the silver hallmarked Birmingham, 1923; another smaller scent bottle, the silver hallmarked Birmingham, 1925 together with an Asian white metal probably 800 standard silver heart shaped bon bon dish, reticulated and engraved foliate and floral decoration to border, with loop handle, (3)
A Victorian silver cylindrical scent bottle and cover, profusely engraved decoration, hallmarked B H Joseph & Co., Chester, 1884 together a collection of three various cut glass scent bottles with silver covers, various dates and makers and a moulded glass scent bottle (5)
A group of silver to include: A Georgian style circular butter dish, geometric openwork body with gadroon rim on three ball and claw feet, engraved with a crest, hallmarked by Thomas Ellis Seagars, London, 1862 with blue glass liner (damages to silver - repair of feet, blue glass liner broken)A George V silver mounted combination pin cushion and ring box, plain circular body on three paw feet, hallmarked by James Woods, Birmingham, 1913 (damages - AF)A George V silver mounted brush, hallmarked London, 1917 (3)
A late Victorian silver belt buckle, B&S, Sheffield 1899, approx 1.22ozt; a silver, bone and mother of pearl child's rattle/teether, with two bells, Birmingham 1921; a Victorian silver and hardstone Scottish Dirk brooch, 6cm, 5.2gms; a silver graduated curb-link watch chain, 23cm, 14.6gms; a Victorian white metal pendant locket (back missing), cast in high relief with foliate scrolls, assessed as silver, approx 39.6gms gross; a carved bone cross; aa white metal mounted hardstone snuff bottle; a French style cushioned ring box; an Asian white metal hinged bangle, six panels cast in high relief with figures and animals, assessed as low grade silver, approx 26.4ozt; a 1920's white metal evening bag; a silver-collard cut glass scent bottle
A Victorian silver mounted three piece glass large scondiment set comprising: pair of salts and a mustard pot and cover, each frosted glass body with raised Greek Key border decoration, silver rims, the mustard pot's cover with monogram, all hallmarked by Thomas Henry & Frederick Francis, London, 1860 together with two plated condiment spoons (5)
A Victorian silver combination vesta / sovereign case, Chester 1895, approx 6.5cm, approx 1.08ozt; silver mounted cut glass dressing table jars and scent bottles; silver hafted shoe horn, button hook and glove stretchers; a silver circular easel photograph frame, approx 11.5cm, Sheffield 1987; a George III silver condiment spoon, Newcastle 1790, and a silver and enamel Canada spoon, approx 0.50ozt gross
A collection of silver to include: Art Deco engine turned shaped oval powder case, mirror interior, hallmarked Birmingham, 1944 2.58 ozt (80.3 grams) together with a silver mounted buffer, hallmarked and a cut glass table bell with silver plated handle and an Edwardian silver plated teddy bear rattle with teether (4)
A Victorian novelty silver mounted plain glass scent bottle, the body entwined with a silver snake, the head with ruby coloured glass facet cut eyes (one missing) terminating at the clasp, the plain hinged cover with ruby coloured cabochon stone thumbpiece, the top engraved with initials above a band: FOR EVER AND FOR EVER., the body with glass stopper, the silver hallmarked Birmingham, 1896, maker's mark rubbed (dents to the cover)
A pair of early 20th Century Asian silver possibly Japanese circular salts, the bodies with openwork bamboo leaf and cane decoration, on three ball feet, stamped to base with seal mark and STERLING (2) with blue glass liners, silver weight 1.05 ozt (32.8 grams)
A later 20th Century Swedish glass vase, of cylinder form with dimple textured decoration all in a deep green, retains original JC (Jones & Co.) import label, height 25cm, together with another Swedish vase of lobed form, internally decorated in white and cased in clear, retains the same import paper label, height 20cm. (2)
A post war crystal glass Chribska bowl by Josef Hospodka, the narrow foot to the lobed sided bowl below the crimped rim in a graduated red to blue cased in clear crystal, together with a lobed vase in ruby and clear and a five petal dish in graduated red to blue, tallest 18cm. (3)
A 1970s Liskeard Knobbly range vase cased in clear crystal over an aubergine interior, impressed mark, height 13cm, together with two Bohemian glass vases, of ovoid form with flared rim and ribbed decoration, in graduated ruby to purple cased in clear, retains original paper labels, height 12cm. (3)
A Tamara Aladin for Riihimaki footed glass vase of angular low shouldered form, internally decorated in deep green and cased in clear crystal, acid mark, retains original label, height 16cm, together with a Jacob Bang glass decanter of shouldered cylinder form all in sap green, height 19cm. (2)
A Stuart and Sons glass vase of ovoid form with collar neck and up turned cup rim, decorated with applied green trails raised to scalloped foot, together with a similar example of wrythen form with applied green trailing and another wavy vase in deep green, tallest height 20cm. (3)
A later 20th century Sanyu glass dish from the Fantasy range, of lobed triform, decorated with patches of red, blue and amber all cased in clear, width 17cm, together with an Italian glass vase of ovoid form with wavy rim and green and blue decoration over clear ground and two other sommerso style glass vases, tallest height 22cm. (4)
A Martin Yates studio glass vase of footed ovoid form with flat rim, with mottled pink and white decoration over a pale pink ground, signed, height 15cm, together with a small Isle of Wight glass vase of ovoid form with mottle decoration and an Isle of Wight taper candle stick of block form internally decorated with swirls of brown and blue cased in clear. (3)
A 1960s Humppila ariel glass vase designed by Mikko Helander, of wrythen ovoid form, clear crystal cased over a layer of pale opal with controlled air bubbles, engraved signature, height 13cm, together with a contemporary fused glass dish of organic form in blue and clear by Jorgenson & Morch. (2)
A John Derbyshire pressed glass figure of a young Victoria circa 1874 in a ceremonial grown holding a laurel leaf garland and a scroll above a circular pleated base, with Victoria title in relief, all in uranium yellow, height 23cm, together with two pressed glass paperweights in the form of a recumbent lion, one uranium yellow the other flint and another flint pressed glass paperweight in the form of Mr. Punch, pressed marks, S/D. (4)
A collection of Bimini glass buttons, possibly Lucie Rie, to include five mottled red with pressed diamond decoration, a pair of black metallic buttons with impressed silver marks, a clear and gold example and a mottled red button with gold fingerprint decoration, all with brass backs and impressed marks, largest size 4cm. (9)
A later 20th Century George Elliot glass, of trumpet form with plain stem raised to a conical foot, decorated with red pulls over the pearlised ground, engraved signature, height 17cm, together with a Plowden & Thompson Dial Glass vase, of cylinder form decorated in the Ysart style with mottled black and purple spots and swirls over a mottled green ground, height 20cm. (2)
A late 19th Century Kralik glass vase, of low shouldered form with tall collar neck and everted rim, decorated in the Helios pattern with mottled orange gradient over a yellow ground cased in a iridescent finish, height 26cm, together with a Loetz vase of shouldered form with Carneol style decoration, and another Czech vase, of baluster form with red marble internal decoration cased in clear. (3)
A collection of late 19th Century glass, comprising a Thomas Webb & Sons Ivory glass vase of lobed globular form with short collar neck decorated with stylised veining, marked to base, height 11cm, a Stourbridge opal glass bowl with applied twin handles and clear and red leaf with pink trimmed crimped rim, and a decanter with tapering neck in opaline with gilded Greek key decoration with stars, height 14.5cm, S/D. (3)
A later 20th Century studio glass vase by Deborah Fladgate, the ovoid form body with black core cased in clear and frosted with opal trails and spots, height 8.5cm, with a Sanders and Wallace scent bottle with black core with opal pulled trails and cased in clear with clear stopper, engraved signature and dated 1986, and an Okra scent bottle titled Sea Fern internally decorated with stylised flowers, engraved signature and dated 87 and numbered 104, lacking stopper. (3)
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