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14357 Los(e)/Seite
Los 30
SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904 - 1989)."Christ of Saint John of the Cross".Bronze sculpture, example A-266/350. Base in veined black marble.Signed on the right leg. Numbered on the foot of the cross.Enclosed authenticity card of Exmundart.Measurements: 43,5 x 20,5 x 12,5 cm (figure); 7 x 16 x 16 cm (base).This bronze sculpture represents the "Christ of Saint John of the Cross", a transposition of the canvas by Salvador Dalí kept in the Kelvingrove Museum, Glasgow, UK. Painted in 1951, it is one of the Surrealist master's most emblematic paintings. For the position of the Christ, the painter was inspired by a painting by Saint John of the Cross, kept in the Monastery of the Incarnation in Avila. The piece was cast from a model directly modelled in wax by Dalí, demonstrating his mastery in the field of sculpture.A painter and sculptor, Salvador Dalí was one of the leading exponents of the Surrealist movement. He made his individual debut in 1925 at the Dalmau Galleries in Barcelona. In 1926, after being expelled from the San Fernando School of Fine Arts for indiscipline, he went to Paris. There he met the young Picasso and, four years later, joined the Surrealist movement. Dalí's production during this period was based on Freud's theories, acclaimed by Breton: representation of dreamlike images and everyday objects in unsuspected and surprising compositional forms. Some of the characteristics of his work at this time became distinctive of all his later work. He also absorbed the influences of diverse artistic styles, from classical academicism to the most groundbreaking avant-garde. His work greatly influenced the direction of Surrealism in the years that followed, and he was acclaimed as the originator of the paranoiac-critical method, the essential combination of the real and the imaginary. Following his first solo exhibition in New York in 1934, his international reputation was definitively consolidated. Most of his production is housed in the Dalí Theatre-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) and the Dalí Universe in London.
Los 65
ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009).Untitled, 1967.Mixed media and collage on wood.Signed and dated in the lower right corner.Measurements: 52 x 52 cm .Painter, teacher, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on atmospheres, themes, objects or graphics from everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and Tate Gallery in London, among many others.
Los 67
MANUEL TERÁN (Chile, 1974)."Tribute to Kusama and Velázquez".Oil on masonite.Signed in the lower right corner. Signed, dated and titled on the back.Size: 108,5 x 108,5 cm; 131 x 130 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
![Japanese-style erotica 'The Pillow Book. Nob + Non' [spine-title] 14 original sketches probably by a late-20th century Britis](https://cdn.globalauctionplatform.com/5f895d06-bae6-4344-8d09-af8900a8ea60/b45a994a-b9e7-4c52-99a4-af9d00944010/468x382.jpg)
Los 202
Japanese-style erotica 'The Pillow Book. Nob + Non' [spine-title] 14 original sketches probably by a late-20th century British hand, pen-and-ink, wash and watercolour, approximate dimensions 40 x 30cm, pencilled captions in English on versos, each tipped to mount comprising two craft-paper leaves stitched together along edges, the mounts glued into stiffened cloth backstrip and laid into white silk portfolio with embroidered titles and erotic decoration to spine and front cover. Together with 3 further art portfolios:Golikova, G. V. DMT 42, Stuttgart: Edition Domberger, 1969. First edition, one of 130 'unsigned' copies from the edition of 210, but this copy signed by Golikova and illuminator Gerald Laing in pencil on the limitation leaf, folio, original white card wrappers, black dust jacket, title-page with additional silkscreen colour, 23 colour silkscreen prints, colophon leaf, pink cloth portfolio and matching slipcase, portfolio and slipcase damp-stained, integral plastic support in portfolio detached;Picasso, Pablo. Picasso 347. New York: Random House/Maecenas Press, 1970. First edition, 2 volumes, oblong folio, original quarter cloth, in original box (somewhat distressed);Jamieson, Wendell. New York by New York. New York: Assouline, 2018. First edition, 4to, original orange cloth, slipcase, retaining protective cardboard packing case
Los 203
Bakst, Léon Hand-illustrated typescript copies of two works 'The Designs of Léon Bakst for The Sleeping Princess. A Ballet in Five Acts after Perrault. Music by Tchaikovsky. Preface by André Levinson. London: Benn Brothers Limited, 1923' [i.e. Edinburgh, 1942-c.1946];'Bakst: The Story of the Artist's Life. By Andre Levinson. London: The Bayard Press, 1923' [i.e. Edinburgh, 1941-c.1946]. Both large 4to (approx. 38 x 30cm), contemporary cloth bindings, 130 and 152 pp., typescript on card (rectos and versos), each hand-illustrated throughout with watercolours (and a few pencil drawings) fully replicating the original illustrations in the published works, The Designs accordingly with title-vignette, 2 medallion portraits, portrait of Bakst (after Picasso, in pencil), decorative headpiece and calligraphic titles, and 55 costume and set designs after Bakst, these nearly all mounted and frequently heightened in metallic paint, Bakst: The Story with portrait of Bakst (after Modigliani), and some 100 costume and set designs after Bakst (both mounted and direct), each additionally illustrated with numerous contemporary photographic cuttings depicting Nijinsky, Pavlova, the 1946 Royal Opera House production of The Sleeping Princess (with Margot Fonteyn), etc., tissue-guards throughout, The Designs with occasional spotting to mounts, Bakst: The Story binding somewhat shakenNote: Note: A note on the verso of the title-page of each work states that it is a copy made from that in the National Library of Scotland; that in The Designs is initialled 'W. G. B'.
Los 65
PABLO PICASSO, Paloma, original lithograph 1950, edition 2000, printed by Mourlot, vintage French frame, 24cm x 17.5cm, This original lithograph of Picasso's daughter Paloma was executed by Picasso drawing directly onto the lithographic plate with his finger(s) to produce the image. Picasso's fingerprints can be seen in the ink on the lithograph.
Los 331
Twenty-three works about Paul Klee, Picasso, Henry Moore and other artists. 'Paul Klee,' by Will Grohmann, reprint, original decorative cloth, spotting to verson of unclipped dj, card sleeve, Lund Humphries, London, 1969; 'The Art of Henry Moore,' by Will Grohmann, original cloth, unclipped dj, spotting throughout, Readers Union, London, 1966; 'A Life of Picasso,' by John Richardson, three volumes, staingto unclipped djs, some spotting, Jonathan Cape, Lodon, 1991-2007; With eighteen other works on artists. (23)
Los 1226
Pablo Picasso, Spanish 1881-1973- Sala Gaspar poster, 1970; Sala Gaspar poster, 1961; Sala Gaspar poster, 1960; (i) offset lithograph in black on wove, image: 69.5 x 49.5 cm, (framed), (ii) lithograph in colours on wove, sheet: 70.2 x 49.9 cm, (framed), (iii) lithograph in black on wove, sheet: 70.2 x 50 cm, (unframed) (ARR) (3)Please refer to department for condition report
Los 5
* DONALD MORRISON BUYERS RSW (SCOTTISH 1903 - 2003), THE GARDEN oil on board image size 89cm x 74cm, overall size 95cm x 79cm Framed. Provenance: The Rendezvous Gallery, Aberdeen. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating, he was employed as an art therapist with tuberculosis patients in the Aberdeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen, he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.
Los 23
Original vintage travel poster by London Transport for Museums and Art Galleries leaflets, featuring an illustration of a dinosaur and a colourful bird sitting on an ancient tool, the text in black over red background reads - A stone-age Picasso from Hitchin Had a bison to 'sit' in his kitchin He thought dinosaurs Better kept out of daurs What a pity he didn't know about the life-size models in the Natural History Museum. Don't make the same mistake, write for a Museums and Art Galleries leaflet to the Public Relations Officer. Fair condition, tears, creasing, paper losses, staining. Country of issue: UK, designer: Edwin Tatum, size (cm): 102x64, year of printing: 1956.
Los 68
A mixed group of Clarice Cliff, comprising a blue handled bon-bon dish, shape 471, 21 by 13 by 12cm high, an 'Umbrellas' drum shape preserve pot, without lid, 7.5cm high, and pin tray, together with a 'Picasso Flower' preserve pot, without lid, shape 230, and pin tray, each marked to the base. (5)
Los 1022
§ Pablo Picasso (Spanish, 1881-1973), 'Grosse prostituée sur les genoux d'un barbu', from 'La Célestine de Fernando de Rojas' (Paris, 1971, Edition Crommelynck), depicting a painter and model, etching, ed. 191/350, unsigned, 12 x 9cm. Provenance: Galerie Michael. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
Los 73
After Pablo Picasso, Femme au Beret, limited edition lithograph, signed Collection Marina Picasso and numbered 148/500 in pencil, two blind stamps, ink stamp verso, unframed, 55.5 x 37 cm, with Certificate of Authenticity and folio folderPaper generally discoloured, some indentations to the paper from top border running into the image, no tears.
Los 77
After Pablo Picasso, Norte Dame, limited edition lithograph, signed Collection Marina Picasso and numbered 256/500 in pencil, two blind stamps, ink stamp verso, unframed, 60 x 50 cm, with Certificate of AuthenticitySlight crease top left corner. Discolouration evident to the printed area on the reverse. Otherwise, in good condition. Please note - this lot is loose and does not have a folder.
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14357 Los(e)/Seite