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Various pocket watches, wristwatches, etc. to include a cased silver example, with 5cm Dia. Roman numeric dial with Arabic subsidiary second hand, a pair cased watch with graduated silver Albert watch chain with T bar end, a gold plated H Samuel Acmelever pocket watch, various other wristwatches, etc. (a quantity)
A quantity of Victorian and later jewellery, to include a silver gilt bar brooch, with floral design centre, and white stone set borders, unmarked, a sterling silver swallow brooch, a red stone set crucifix pendant, an imitation moonstone set crucifix, and a butterfly brooch set with white paste stones. (5)
* Malcolm (R., 19th century). Low tide, 1877, watercolour on paper, showing fishing boats on a beach, signed and dated lower right, 22 x 33cm (8.75 x 13ins), framed and glazed, together with a collection of watercolours including Duke (F.M., 19th century) . Dorset, watercolour on paper, showing a Dorset coastline, 16 x 29cm (6.25 x 11.5ins), gilt moulded frame, glazed, Morgan (E.E., 20th century). Old Waterloo Bridge, 1925, pastel on paper, signed and dated lower left, 32 x 49cm (12.5 x 19.25ins), framed and glazed, old manuscript label to verso (the artist was a Bronze & Silver Medallist at the Paris Salon), Nibbs, (Richard, Henry, 1816-1893). Harbour scene with boats and figures, E. Lait, On the Thames and other watercolours (Qty: 8)
* Mary I (Queen of England, 1516-1558). Grant of Arms to John Hombreston [Humberston of Hertfordshire?] signed by William Hervey, Norroy King of Arms, in the first year of Queen Mary's reign , 17 June 1554, grant of arms on vellum, hand-painted armorial bearings of 3 bars & 3 roundels in dark blue & tarnished silver paint and engrailed with border, crest depicting a Tudor fabrication of an unknown and curious fabulous beast with horse-like neck & head with two short curved horns, 31 lines of English text written in a fine chancery hand, with large gilt initial letter incorporating illuminated portrait of William Hervey wearing Herald's tabard and crown and holding staff of office (short closed tear to old fold beneath figure's feet), upper decorative border with Tudor rose within garter and crown above at centre and with two gilt fleurs-de-lis either side, with elaborate hand-painted floral border to upper and side margins incorporating stylized roses, cornflowers, violets, pansies, pinks and strawberry plants etc. (very small hole to one leaf of upper border), signature of William Hervey as Norroy King of Arms lower right, without seals & tags, margins cropped to edge of decorative borders and around signature at foot, old folds, some staining, dust-soiling and toning, laid down on mount board with some consequent creasing and cockling, approximately 28.5 x 57 cm, (31 x 57 cm including signature at foot), framed & glazed (Qty: 1)NOTESA scarce example of a grant of arms (or confirmation of arms) from the initial year of the five-year reign of Mary I (1516-1558), bearing the signature of William Harvey (or Hervey, 1510-1567) as Norroy King of Arms. William Harvey (or Hervey, 1510-1567) was born on June 1510 to Turner and Mary Harvey in Ashill, Somerset. He became a member of the College of Arms as Hampnes pursuivant-extraordinary and was appointed Bluemantle pursuivant-in-ordinary 18 June 1536. As Bluemantle he accompanied his patron, William Paget, on his embassy visit to France. He was subsequently created Somerset Herald on 28 September 1545 and under this title, he was recorded as being the only officer of arms to attend the funeral of Catherine Queen dowager of King Henry VIII in 1548. He was also sent on official business to the King of Denmark, to Emperor Charles V, and to the Duke of Saxony. On 4 February 1549/50, Edward VI created him Norroy King of Arms and in that position, he made seven official visits to Germany. Queen Mary despatched him to declare war on France at Rheims on her behalf on 7 June 1557, with the reward of £20. He was created Clarenceux King of Arms on 21 November 1557 following the death of Thomas Hawley, where the queen herself set a crown upon his head in a ceremony at St James'. In 1562 Harvey damaged his reputation as the result of a quarrel with his rival Gilbert Dethick, Garter King of Arms, at Turvey, Bedfordshire, while at the funeral of John, 1st Lord Mordaunt, and by June 1565 the Earl Marshal temporarily prohibited him from visiting his province. Dethick listed his complaints to the Earl Marshal alleging the granting of false or incorrect arms and impropriety over Harvey's executorship of the will of Thomas Hawley. The will was declared invalid, but Harvey still secured the prized bequest of Hawley's books. Harvey died at Thame, Oxfordshire on 27 February 1566/67 while on a visitation of Oxfordshire, and was buried there. Harvey was married to Etheldreda (surname perhaps Welles) Harvey and had at least two daughters, Anne & Meldred (see ODNB).
Ouseley (Sir William, translator). The Bakhtyar Nama: a Persian Romance. Translated from a Manuscript Text. Edited, with Introduction and Notes, by W. A. Clouston, Larkhall: William Burns, 1883, quire O starting, fore and bottom edges untrimmed, contemporary red cloth, black skiver spine labels, slightly rubbed, 8vo, one of 330 copies only, together with: Heron-Allen (Edward, translator), The Lament of Baba Tahir, being the Ruba'iyat of Baba Tahir, Hamadani ('Uryan), 1st edition, London: Bernard Quaritch, 1902, gelatin silver print photograph of Heron-Allen mounted to initial blank, inscribed by Heron-Allen on half-title 'To [?]Chris Stewart from the translator, the 2nd of May 1925' with line of verse in Ottoman Turkish, edges untrimmed, original boards, spine worn, 4to, Rodwell (Ernest Hunter, translator), Ibn Yamin. 100 Short Poems, the Persian Text with Paraphrase, 1st edition, London: Kegan Paul, Trench, Trubner & Co., Ltd., 1933, original cloth, dust jacket, 8vo, and 15 others, Persian literature and travel, and related (Qty: 19)
Potter ( Beatrix ). The Tale of Peter Rabbit, 1st trade edition, London: Frederick Warne and Co., [1902], early issue with 'wept' for 'shed' on p.51, 31 colour illustrations, early inscription to half-title, grey leaf-patterned pastedowns (without free endpapers), one leaf torn to lower blank margin and few leaves with skinning to paper surface, occasional finger soiling and marks, adhesive tape residue staining to half-title, verso of final leaf and pastedowns, sewing weak, original grey boards lettered in silver-grey white, rectangular pictorial panel to front cover (torn with loss to upper left corner), spine torn with loss, worn and covers detached, 1 6mo (Qty: 1)NOTESLinder p. 421; Quinby 2.
Luttrell Psalter. The Luttrell Psalter, Folio Society, 2006, facsimile edition, reproduced from British Library Additional MS 42130, all edges gilt, original blue morocco, upper cover blocked with design in red, gilt and silver, 4to, commentary volume in cloth-backed boards, both contained in original cloth solander box (Qty: 1)NOTESLimited edition 1449/1480, from a total edition of 1500.
Drake (Edward Cavendish) . A New Universal Collection of Authentic and Entertaining Voyages and Travels from the Earliest Accounts to the Present Time [2 copies], 1768, printed by J. Cooke, black & white plates & maps, period inscriptions to front endpapers, some toning, marks & light wear, contemporary full calf, boards & spines rubbed with loss, folio, sold as seen, together with: Snelling (Thomas) , A View of the Silver Coin and Coinage of England, from the Norman Conquest to the present time,, 1762, printed for T. Snelling, 7 black & white engraved plates, bound with A View of the Origins, Nature, and Use of Jettons or Counters. Especially those commonly known by the Name of Black Money and Abbey Pieces, 1769, 7 black & white engraved plates, and A View of the Silver Coin and Coinage of Scotland, from Alexander the First to the Union of the Two Kingdoms, 1774, 10 black & white engraved plates, front board & endpaper partially detached, some spotting & toning throughout, lacks rear endpapers, contemporary half calf, boards & spine rubbed with loss, large 4to, and Marks (J. [publisher]) , Scultpura Historico-Technica: Or, The History and Art of Engraving..., 3rd edition, 1766, 10 back & white engraved plates, previous owner mark to head of the title page, minor loss to the front endpaper, some light toning & offsetting, contemporary gilt decorated full calf, board & spine rubbed with minor loss to foot, 8vo, plus other 18th, 19th & 20th century illustrated literature, topography, history & miscellaneous reference, some leather bindings, many original cloth, some gilt decorated, some odd volumes, overall condition is fair/good, 8vo/folio, plus a carton of miscellaneous prints & engravings including 2 19th century scrap albums (Qty: 6 shelves & a carton)

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