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Preisdatenbank abonnierenAN ELIZABETH II SILVER GRAVY BOAT, polished form with wavy rim and scrolling handle, raised on three cabriolet legs with shell detail, hallmarked 'Cooper Brothers & Sons Ltd' Sheffield 1979, signed to the base Cooper Brothers, approximate gross weight 7.31 ozt, 227.6 grams (condition report: overall condition good)
A 'GEORG JENSEN' SILVER HANDLED BUTTER KNIFE, the polished handle with lilly of the valley detail, stamped 'Sterling Denmark' with 'Georg Jensen' mark used between 1933-1944, stainless steel blade signed 'Frank Cobb Sheffield England', length 16.7cm (condition report: general light wear)
A SET OF FOUR GEORGE III SILVER SALTS WITH TWO SPOONS, each of an oval pierced form with engraved crests inscribed 'Revirescam', raised on four talon feet, each hallmarked 'D&R Hennell' London 1771, each with a blue glass insert, together with two Kings Pattern mustard spoons with matching monograms and gilt bowls, hallmarked 'James McKay' Edinburgh 1835, approximate gross weight of silver 261.0 grams, 8.39 ozt (condition report: would benefit from a gentle clean and polish, moderate tarnishing, general light wear overall)
A BOX OF ASSORTED ITEMS, to include a yellow metal open work pendant displaying a swallow bird set with split pearls, fitted with a tapered bail, stamped 9ct, approximate gross weight 1.8 grams, a white metal Scottish hardstone brooch, a silver paste set Crescent brooch, hallmarked Birmingham, a silver fruit knife with carved mother of pearl handle, hallmarked 'James Fenton', Birmingham, a gold plated wishbone brooch, a yellow metal Citrine brooch, a tortoiseshell AF brooch with yellow metal detail, an AF pink enamel glass scent bottle with a white metal hinged cover, a gold plated swivel fob AF, costume rings, belt buckle, a silver cigar piercer, hallmarked Birmingham, chain mail purse, a boxed fan etc
FIVE VINTAGE LUCAS CAR LAMPS comprising a Silver King headlamp impressed with the number 50, some wear to the metal, a Captain No. 320 headlamp with manufacturer's marks to the top (visible signs of rust), a Warna headlamp (signs of wear), Aceta Major No. 314 carbide headlamp, and a small black Lucas bicycle lamps (5) (Condition Report: all have signs of wear)
A SELECTION OF SILVER AND WHITE METAL JEWELLERY ETC., to include a Maltese silver spoon with twisted stem and pierced Maltese cross to terminal, together with a marcasite watch, an enamel 'Birmingham School of Nursing' brooch, bracelets, rings etc., many with marks to indicate silver, approximate total weight 147 grams
AN 'OLA GORIE' WHITE METAL BROOCH, in the form of a Viking long boat, makers mark 'O.L.A', stamped 'Silver', fitted with a brooch pin and safety clasp, approximate gross weight 9.4 grams (condition report: moderate tarnishing, would benefit from a gentle clean and polish)
FIFTEEN ITEMS OF SILVER AND WHITE METAL GEM SET JEWELLERY, to include a pair of cultured pearl stud earrings, a pair of jade stud earrings, a diamond cluster ring and earrings, a green quartz pendant and earrings, an emerald necklace, etc., all with marks to indicate silver, most with Gemporia certificates and pouches (weight not included due to many packaged pieces)
A CASED PAIR OF LATE 20TH CENTURY SILVER PEPPERETTES, polished tall form with pierced removeable covers, on round bases, each hallmarked 'W I Broadway & Co' Birmingham 1986, approximate height 10cm, approximate gross weight 66 grams, 2.12 ozt, within a fitted case (condition report: overall condition good, general light wear)
A DRAWING, PRINTS AND PICTURE FRAMES, comprising a black chalk drawing of a canal scene at Chester, signed and dated E. Pearce 1869 - unframed with some condition issues, a signed limited edition print 'American Thread Mill' by A. N. Wyeth, a signed limited edition print 'Steel and Silver' by Peter Fellows, three Eliot Porter poster prints of American landscapes, together with three picture frames
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include a Thomas Sabo pendant, a square shell pendant, a silver souvenir teaspoon, a Christening bangle, two further bangles, a single Suarti earring, a cat watch pendant, a St. Christopher pendant, necklace chains etc., most with marks to indicate silver, approximate total weight 198.6 grams
A COLLECTION OF TOBY JUGS AND CHARACTER JUGS, twelve pieces to include Royal Doulton character jugs: Trapper D6609, two x Long John Silver D6335, Catherine of Aragon D6657 (second quality, small chips on foot rim) and The Lawyer D6504 (second quality), other character and toby jugs by manufacturers to include Burlington Ware, Wood & Sons, etc (12) (Condition Report: generally good condition, Royal Doulton pieces as stated, other pieces may have sd, some crazing and wear)
AN 'ALASTAIR NORMAN GRANT' 1970s SCOTTISH ENAMEL SILVER BROOCH, the abstract design brooch with enamel detail, hallmarked sterling silver Edinburgh 1973 – 1974, sponsor’s mark NG, approximate diameter of brooch 56mm, approximate gross weight 22.07 grams (condition report: overall condition very good, light surface wear visible, together with some tarnish and some visible dark surface marks to located areas of the enamel)
A SILVER VANITY MIRROR, PURSE AND PILL BOX, polished mirror with Aztec pattern boarder, hallmarked 'Daniel Manufacturing Company' Birmingham, a silver rectangular purse with foliate pattern and vacant cartouche, push piece clasp with chain handle and finger ring, hallmarked 'Joseph Gloster' Birmingham 1908, brown leather interior, together with a small embossed heart shape pill box, hallmarked 'Henry Matthews' Birmingham 1906, approximate gross weight of purse and pill box 109.9 grams (condition report: general light wear)
A SELECTION OF SILVER AND WHITE METAL PENDANT NECKLACES, to include an oval locket, a Maltese cross pendant, a St Christopher pendant, an oval amethyst pendant, an onyx pendant, suspended from different chains, many with marks to indicate silver, approximate total weight 186.6 grams
AN EDWARDIAN SILVER SNUFF BOX, of an oval form, engraved monogram to the hinged cover, hammer effect base, catch clasp, hallmarked 'Samuel Jacob' London 1901, approximate length 87.7mm x width 62.0m, approximate gross weight 57 grams, 1.83 ozt (condition report: dink to the cover, does not sit completely flush, slight tarnishing would benefit from a gentle clean and polish)
West Brom 1970 League Cup Final Runners Up Tankard: Issued to John Kaye for playing in the defeat to Manchester City at Wembley. Heavy silver tankard has Football League badge and Football League Cup 1969-70 Runners Up engraved. EPNS to base. Good shape but a few scratches.
West Brom 1966 League Cup Final Winners Tankard: Issued to John Kaye for playing in the home and away win over West Ham which was the last before they were played at Wembley. Heavy silver tankard has Football League badge and Football League Cup 1965-66 Winners engraved. EPNS to base. Good condition.
Birmingham City Auto Windscreens Sponsorship Gift From Club: Silver coloured on wooden base quality rose bowl with mesh cover to top. Engraved with Birmingham City badge to commemorate the second year of sponsorship with Auto Windscreens who were presented with this by Birmingham City.
West Brom 1967 League Cup Final Runners Up Tankard: Issued to John Kaye for playing in the defeat to QPR in the first final at Wembley. Heavy silver tankard has Football League badge and Football League Cup 1966-67 Runners Up engraved. EPNS to base. Good shape but a few scratches.
Sterling silver emerald pendant, set with seven pear shape emeralds. This pendant comes with a free chain. Item Specifications: Clarity: . Metal: Silver. Condition: Boxed - Unworn - from Manufacturer. Certificate By: AGI Certificate Number: 984148 Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=984148 SC:4399014E
12.0mm round ming pearl drop silver earrings. Approx. height of earring including the pearl is 25mm. Item Specifications: Clarity: . Metal: Pearl. Condition: Boxed - Unworn - from Manufacturer. Certificate By: AGI Certificate Number: 999288 Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=999288 SC:P299006
A collection of assorted display plates including Five boxed Belleek Parian China limited edition Christmas display plates, an Aynsley 'Bird of Paradise' plate, a Royal Crown Derby 'Mikado' plate, a Spode 'Italian' plate, five Mason's Christmas plates, a silver plated tankard and goblet, a set of candle snuffers, and a small selection of coronation ware etc.
1972, playbill, The Royal Court Theatre, black and white, directed by Frank Dunlop designed by Nadine Bayliss; 49 x 31cm (framed), together with a poster for Time Present, Duke of York's Theatre, illustration by Don Bachardy, starring Jill Bennett; and a black and a silver gelatin print of the actor John Standing in the role of The Chap at the Royal Court Theatre in A Sense of Detachment, 52 x 34cm (3)see note to lot 37 Qty: 3
⊕ silver gelatin print, signed on the mount Daniel Farson lower right, 54.5 x 46.5cm; 58 x 51cm (framed)Daniel Farson was an art critic, writer and photojournalist, working for Harpers Bazaar and Picture Post. He was notable for his work chronicling Soho and London street life in the 1950s.Qty: 1fold mark top left top quarter and water spotting
a silver champagne goblet inscribed DÉJÀVU / Comedy Theatre / Love and Admirationn / Bill / 10th June 1992, 265g, together with a Laurence Olivier / Observer Outstanding Achievement Award for Déjàvu, 1993; 50 x 32cm (framed) (2)According to Peter Whitebrook, Bill is likely to have been the theatre producer Bill Kenwright who produced the play first in Leatherhead and then at the Comedy Theatre in London, 10th June being the first night of the play on its transfer to London. see note to lot 61Qty: 2
1957, from John Osborne's play The Entertainer, matte silver gelatin print, framed, 30 x 27xm; 41.5 x 39cm (framed); together with a film advertisement of Laurence Olivier in the same role; and two further The Entertainer promotional items (4)Osborne began writing The Entertainer in the autumn of 1956. It was his paean to music hall entertainment, '...a theatre for the working class, local and intimate, combative on behalf of its audiences, chiding them sometimes but never patronising them' (Whitebrook, p. 128). The play was inspired by Osborne's treasured experiences of attending music halls with his father in the 1930s, and the all too apparent demise of the genre and the destruction of the music hall buildings themselves after the War when going to the flicks became increasingly popular. The Entertainer was first performed at the Royal Court Theatre on 10th April 1957. The lead character, Archie Rice, a failing music hall actor, was played by Laurence Olivier. Olivier was the most sought after actor of his generation, and to secure him in the lead role of a new play, only Osborne's second, and hard on the heels of the controversy surrounding Look Back in Anger, was a huge coup for the English Stage Company under the management of George Devine. According to Heilpern, Olivier had had misgivings about Look Back in Anger as it offended his sense of patriotism and theatre, and he only attended a performance because of the American playwright Arthur Miller's interest. But when Devine took Miller and Olivier backstage afterwards to meet Osborne, Olivier asked the fledgling playwright 'Do you suppose you could write something for me?' (Heilpern, p. 213). The Entertainer was the result. Qty: 4
two silver gelatin prints of John Osborne seated with Jonathan Stedall and John Betjeman in the latter's study; 32 x 24cm (framed as one); together with a matte silver gelatin print of John Osborne reclining in a chair, circa 1970s; 14 x 10cm; 17 x 20cm (framed) (2)The photograph of Betjeman and Osborne together was taken at Radnor Walk, John Betjeman's home, for a seven part BBC documentary titled Time with Betjeman. Sedall (1938-2022) was a documentary film-maker who worked extensively for the BBC and produced this series using clips from films and recordings taken at Radnor Walk with friends, one friend at a time. Osborne and Betjeman had known each other since 1959 and greatly admired each other's work, united in their shared 'anti-modernism'. In a letter to Osborne in 1964 about his newly produced play Inadmissable Evidence, Betjeman wrote that it was '...the best thing you - yes, even you - have written'.Qty: 2
advertising portraits of the four playwrights to promote the Royal Court Theatre 1971 season; with three further silver gelatin prints of John Osborne in a dressing gown and reclining on a bed, and other silver gelatin portraits (Qty)The group photograph was taken in 1971 to promote that year's season at the Royal Court Theatre, Sloane Square, and shows four dramatists whose plays would be performed. From left to right: David (now Sir David) Hare, John Osborne (foreground and bearded), E.A. Whitehead and David Storey. Most of Osborne's plays, of course, had up to that date been premiered at the Court, including West of Suez, his play for that season, starring Ralph Richardson. Hare, who was and still is a great admirer of Osborne, acknowledged him as 'the gatekeeper'.Qty: Qty
⊕ circa 1965, two silver gelatin prints of John Osborne at 15 Woodfall Street with text, 40 x 54cm (framed as one); together with three further Mark Gerson promotional portraits of John Osborne, unframed (4)Mark Gerson is renowned for his portraits of major literary figures. As well as Osborne his sitters have included Ted Hughes, Roald Dahl and Tom Stoppard among many others.Qty: 4
engraved with a coat of arms of a hand holding a sword impaling a crown, in later gold ring mount; together with three gelatin silver prints of Laurence Oliver, John Osborne and Melvin Bragg for The South Bank Show's documentary, Laurence Olivier - a Life (1982) (4)John Osborne can be seen wearing the ring in the photograph. Osborne himself had been interviewed by Melvin Bragg for the South Bank Show a year earlier in 1981, following the publication of the first volume of his autobiography A Better Class of Person. Qty: 4
⊕ two black and white bromoil silver gelatin prints of John Osborne seated by a sunlit window, signed Cecil Beaton in pencil, 28 x 54cm (framed as one); together with another of the playwright in profile with the photographers stamp on the reverse, unframed (2)From a series of photographs taken in July 1956, just after the opening of Look Back in Anger at 8 Pelham Place, Kensington Cecil Beaton's own residence. According to John Osborne's biographer Peter Whitebrook, Beaton commented that Osborne had 'the face of an elegant camel' (Whitebrook, p. 109).Qty: 2
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