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Preisdatenbank abonnierenA 19th century Crown Derby garniture of 3 classical urn shaped vases with twin handles and pedestal bases, decorated in the Imari manner, handwritten marks to base, central vase height 30 cm, side vases 23 cm Restoration to one handle each of 2 smaller urns otherwise seem in good condition with no other obvious damage, repair or restoration.
A pair of modern Meissen vases of flared cylindrical form decorated with polychrome flowers against a blue and gilt ground, height 13cm; a similar vase decorated in green and gilt, height 16cm All 3 pieces in good condition with no obvious damage, repair or restoration. The marks bear no cancellations.
AN INSCRIBED ‘LADY AND BOYS’ QIANJIANG STYLE FAMILLE ROSE PORCELAIN VASE, FENGWEIZUN China, Late Qing to Republic / Minguo period, Circa 1880-1920 Resting on a ring foot, with an elongated egg shaped body, a trumpet neck and two moulded lion handles to the shoulder. Adorned in famille rose enamels with a lady and boys as well as two bats. Also inscribed with calligraphies, possibly signing it with an artist’s name. H: 42,5 cmCondition Report: Condition report: Chips to the rim and the inner neck.
A BLUE AND WHITE ‘MAGPIE AND PRUNUS’ PORCELAIN PILGRIM FLASK OR MOON FLASK, BIANHUChina, Yongle style, 20th centuryThe gourd of round shape with a flat base and two half circled handles linking the shoulder to the tubular neck. Finely painted in blue shades with a Ming style ‘heap and pile’ effect. The decoration depicts magpies amidst plum tree blossomed branches as well as. A further geometrical pattern or band of foliage scrolls underlines the foot.H: 25 cmNotes:1. The form of this gourd is an adaptation of a much earlier foreign vessel inspired from leather bags or pilgrim bottles. This shape first appeared in Chinese ceramic production during the Han and Tang periods;2. One can say ‘There is a happy magpie on the tip of the plum branch’, lit. “Xi Shang Mei Shao” (喜上梅稍) which soundd exactly like ‘Xi Shang Mei Shao’ (喜上眉稍) lit. ‘Happiness up to one's eyebrows’;3. This flask dating to the 20th century would have been made after renowned related models dating to the Yongle period, such as that preserved in the Sir David Percival Foundation and now exhibited at the British Museum, London, The United Kingdom, and that preserved at the Shanghai Museum of Fine Arts, China.4. The above-mentioned vases have been published and illustrated in the series of books ‘Porcelain of the National Palace Museum’, Cafa Company Limited, Hong Kong, 1961-1969, ‘Blue and White Ware of the Ming Dynasty Book 1’, p. 58, pl. 9 and p. 60, pl. 10.ESTIMATE UPON REQUEST Condition Report: Condition report: A long firing crack to the base going to one side, identical to one of the original gourd after which this vase would have been made.
AN UNUSUAL FAMILLE VERTE ‘MAGPIE, SPARROW, KINGFISHER AND SWALLOW’ PORCELAIN MARRIAGE VASE INSCRIBED WITH AN APOCRYPHAL QIANLONG MARK China, Late Qing Dynasty, 19th century Resting on a ring foot, with a globular body and a globular neck. Adorned with various birds with flowers within eight reserved medallions, four for the body and four for the neck, against a geometrical pattern ground. The base inscribed in black with a six-character kaishu apocryphal Qianlong mark. H: 24,7 cmCondition Report: Condition report: - the neck restored in with 'agrafes' / clips; - the mark is likely a later addition; - the ringfoot with a short firing crack.
A KANGXI STYLE BLUE AND WHITE PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, Qing Dynasty, 19th centuryThe outer continuously adorned in cobalt blue with a heavenly palace scene with numerous characters, next to it a horse ridder and banana trees. A cobalt blue double ring to the below.H: 29 cmSold together with a Kangxi style blue and white dish adorned with the Sanxing gods triad, the base inscribed with an apocryphal mark of Emperor Xuande.D: 27,7 cm
A FAMILLE ROSE 'HUNDRED BATS' AND'HONGFU QITIAN 洪福齊天'GLOBULAR TRUMPET-NECKED VASE, TIANQIUPINGGuangxu six-character mark and of the periodBrightly enamelled with a profusion of iron-red bats in flight amidst multicoloured lingzhi clouds, between a band of ruyi heads at the rim and upright lappets around the foot, divided at the shoulder by a band of lotus sprays alternating with gilt shou characters on the shoulder above a gilt relief border.H: 40 cmNotes:1. Represented in conjunction with the character shou 壽, meaning longevity, and blossoming lotuses, symbolising fertility, bats are homophone with the word for happiness 福. Combined with coloured clouds, symbolic of luck, red bats were also regarded as representing the upper limits of heaven, generating the pun 'Vast happiness piled up to the sky', hongfu qitian 洪福齊天.2. Compare with an identical vase sold at BONHAM'S London, 2017/05/11, lot 218, for €19,071. Also compare with another identical vase sold in the same rooms, 2012/05/17, lot 359 for €13.936.3. For a similar vase, please also refer to the collection of the Nanjing Museum, China, as illustrated in China's Jingdezhen Porcelain Through The Ages, Qing Dynasty, Hong Kong, 1998, p.357.清光绪 粉彩百蝠纹天球瓶矾红“大清光绪年制”六字楷书款彩绘大量红蝙蝠在五彩灵芝云间飞舞，瓶身顶部有如意头带，肩部以荷花带隔开并有鎏金饰带，足部有金寿字交替。高：40 厘米备注：蝙蝠与寓意长寿的“寿”和象征如意的荷花连用，与“福”字谐音。与象征幸运的彩云相结合，红蝙蝠也被视为代表“福气”，故产生了双关语“福气满天”或“洪福齐天”。与在邦瀚斯伦敦（BONHAM'S London）售出的相同花瓶进行比较，2017/05/11，拍品编号 218，成交价19,071 欧元。另一个类似花瓶于2012/05/17，拍品编号 359，成交价为 13.936 欧元。另类似花瓶可见中国南京博物院藏品，中国《景德镇历代瓷器》，清代，香港，1998年，第357页。
A MIRROR PAIR OF NANKIN ‘SHOU LAO’ BALUSTER VASESChina, Circa 1880-1920Each vase with moulded lion handles and adorned in cobalt blue with Shou Lao and boys. Both identically mounted in Europe to form a pair of lamps.H (total, with the mounts): 63 cm - H (each vase, approximately): 23,5 cmCondition Report: Condition report:- the vases may have been cut to their necks to be set as lamps;- we can’t guarantee the bases’ condition as we can’t remove the mounts.
A CARMIN DECORATED ‘PLUM BLOSSOM’ PHOENIX TAIL PORCELAIN VASEChina, 20th centuryDelicately painted with plum blossoms. The base bears an iron red four-character apocryphal mark of Emperor Hongxian. H: 40,5 cmCondition Report: Condition report: A crack starting from the rim and going to the inner of the neck.
A GROUP OF THREE (3) CHINESE PORCELAIN VASESChina, Modern, Guangxu styleIt is comprised of:- a yellow ground meiping vase with an incised decor of dragon, the base inscribed in cobalt blue with an apocryphal six-character mark of Emperor Guangxu;- a pair of garlick neck green bottle vases, the bases inscribed in cobalt blue with an apocryphal six-character mark of Emperor Guangxu.H (the biggest, a green vase): 17,2 cm
A GROUP OF TWO (2) CHINESE VASES ChinaIt is comprised of:- a qianjiang cai 'wulun tun' (lit. 'Five Relationships') porcelain yenyen vase, China, circa 1900s-1920s;- a Chinese Revolution ‘harvester’ porcelain vase, mounted as a lamp, last third of 20th century.H (the biggest, the yenyen vase): 35,4 cmCondition Report: Condition report: A chip.
A VERY LARGE FAMILLE ROSE PALETTE ‘FU LU SHOU’ PORCELAIN PHOENIX TAIL VASE, FENGWEIZUNChina, Republic / Minguo periodThe elongated egg shaped body is finely painted with the Sanxing gods in a landscape planted with pine trees and together with playing boys. The neck is adorned with three boys playing with lotus and peaches. The base is inscribed in iron red with an apocryphal four-character mark of Emperor Qianlong within a double square.H: 59,5 cmCondition Report: Condition report: A restored chip to the rim.
A GROUP OF SEVEN (7) PORCELAINSChina and VietnamIt is comprised of:- a Chinese export type famille rose porcelain ‘flute player’ plate, China;- a Chinese export famille rose porcelain lidded baluster vase, China, 18th century;- a suite of five bleu de Hué / blue and white cups, all with a mark to the base.H (the biggest, the lidded vase): 29 cm
A FAMILLE VERTE 'EIGHT DAOIST IMMORTALS' PORCELAIN BEAKER VASE, YENYENChina, Kangxi style, 19th centuryRichly adorned ijn the famille verte palette with the eight daoist immortals together with attendants. A red Artemisa leaf to the base.H: 45 cmCondition Report: Condition report:- The below is drilled;- UV / black light checked.
A LARGE FAMILLE ROSE PALETTE ‘EIGHT HORSES OF WANG MU’ PORCELAIN LANTERN VASE, THE DESIGN AFTER GIUSEPPE CASTIGLIONE (1688-1766) ALSO KNOWN AS LANG SHINING 郎世宁 China, 20th century The front part finely painted with eight horses in various positions amidst a landscape and below a pine tree, the back part inscribed with a poetry completed by three apocryphal red seals of Lang Shining. The below all covered in turquoise enamel but for the central square within which is an apocryphal cobalt blue six character seal / zhuanshu mark of the Emperor Qianlong. H: 33 cm Notes: 1. The story of The Eight Horses of King Mu of the Zhou Dynasty originates from a historical romance, The “Mu Tianzi Zhuan”(lit. “An Account of Emperor Mu”), which describes the journeys of the fifth emperor of the Zhou dynasty (1023-983 BC) during which he met Xi Wangmu, i.e. the Queen Mother of the West. 2. The depiction of the horses is inspired from The “Tu Cheng Bai Jun” (lit. “The One Hundred Horses Scroll”, preserved in the National Palace Museum in Taipei, Taiwan.粉彩“穆王八骏图”大花瓶中国，20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked.
A LARGE FOLIATE RIM FAMILLE ROSE PALETTE ‘EIGHT TREASURES OF BUDDHISM’ PORCELAIN OFFERING CUP China, Qing Dynasty, Daoguang mark and possibly of the period Both the bowl and its spread foot of foliate shape, the outer part of the bowl finely adorned in vivid enamels with “The Eight Treasures of Buddhism”, the inner part with a floral spray. The below inscribed in iron red with a six-character seal / zhuanshu mark of the Emperor Daoguang within a double square. H: 8,6 cm - L 21,5 cm – w: 16 cm Note: The "Eight Treasures" (babao 八宝), also known as the "Eight Precious Things" and the "Eight Auspicious Treasures", may consist of eight ordinary symbols, the eight precious organs of the Buddha's body, the eight auspicious signs, or the various emblems of the eight Taoist Immortals. The most commonly seen members of the Eight Treasures include the coin, ruyi sceptre, coral, chime stone, lozenge, rhinoceros horn, silver ingot and the flaming pearl. In Buddhism, the Eight Treasures (Eight Auspicious Symbols) include the lotus (purity/enlightenment), Wheel of the Dharma (knowledge), treasure vase (wealth), conch shell (Buddha's thoughts), victory banner (Buddha's teachings conquer all), endless knot (harmony), parasol (protection) and fish pair (happiness in marriage).大粉彩“八宝”叶缘瓷供杯中国，清代，道光款识及可能时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- two losses of enamels to the rim;- faded enamels to some parts;- a stain to the foot maybe but does not look like a minor restoration;- faded gilt to rim;- UV / black light checked.
A TRANSITIONAL STYLE FAMILLE ROSE AND COBALT BLUE ‘CHRYSANTHEMUM’ TRUMPET VASE, YENYEN China, 20th century Adorned in famille rose enamels and cobalt blue with blossoming branches of chrysanthemum and lotus as well as with a magpie. The base is inscribed in cobalt blue with an apocryphal six-character Guangxu mark in kaishu. H: 41,5 cm
A RUBY-RED OVERLAY SNOWFLAKE GLASS PEKING/BEIJING BOTTLE VASEChina, Qing DynastyWith an overlay decor carved with rocks, chrysanthemums and butterflies.H: 27.3cmNotes:Compare with a related bottle vase as to the shape, the size and the colours, though adorned with a different subject i.e. "warriors", housed in the Collection of The Corning Museum of Glass under the accession number 57.6.10, New York, U.S.A.Also compare with a related bottle vase offered at their Spring Auction by The Ravenel, Hong Kong, in 2014.红宝石雪花玻璃北京花瓶中国，清朝Condition Report: - Three chips to foot, two tiny, one larger- Tiny chips to inner part of the mouth
A HOURGLASS SHAPE SATSUMA EARTHENWARE ‘WISTERIA’ LOZENGE VASE BY THE STUDIO OF KINKOZAN Japan, Meiji period Richly and finely adorned in gilt and polychrome enamels with flowers, including wisteria. The base inscribed with the mark ‘錦光山’ for the studio of Kinkozan. Offered at auction together with a matching wooden stand. H (stand excl.): 18,4 cmCondition Report: Condition report:- faded gilt to several parts;- three chips to the foot;- one restoration to the foot.
A BRONZE ARCHAISTIC VESSEL, FANGHUChina, Possibly late 17th centuryAdorned in low-relief with taotie masks. Offered at auction together with a matching wooden stand.H (stand excl.): 26 cmWeight (the sole vase): 1265,4 grams Condition Report: Condition report: - scratches;- faded patina;- crusty patina to several parts.
A collection of Royal Worcester blush ivory porcelain, early 20th century, to include a twin handled vase, model 1459, 30cm wide, a bamboo form dish, model 1254, 22.5cm wide, a pair of footed vases, model 1620, 22.5cm high, a basketweave vase, model G 857, 8.5cm high, a similar leaf form vase, model G 638, 7cm wide, together with a Locke & Co blush cream jug, 10.5cm wide, and a Locke & Co footed vase, pained with a bid amongst foliage, 14cm high (8)Condition report: Bamboo dish chipped to the corner.
A collection of rabbit related items, to include Royal Crown Derby paperweights, larger missing stopper, a Limoges bonbonniere, 8.2cm wide, a Lladro figure of a rabbit, two Staffordshire figures, 9cm long, a Selkirk glass example dated 1989, a Cmielow stylised model in original box, 11.5cm high, a Hutschenreuther porcelain model of a hare holding a flower, 11.5cm high, a boxed Halcyon Days box and cover, an Ann Bonar potter vase, 16.5cm high, and three Sylvac pottery examples (14)Condition report: Lladro figure chipped to leaf. Ear cracked and glued to the small green Sylvac model. Staffordshire figures crazed and damaged to encrusted. Chip to the bottom edge of the Halcyon Days box. Otherwise, general surface wear.
A collection of glass ware, to include a Whitefriars vase, in the Scandinavain style with a polished rim, designed by Geoffrey Baxter, 25.5cm high, two Hadeland etched vases, a large Skruf glass vase, designed by Bengt Edenfalk, 25.5cm high, two Welz style splatter vases, a Simon Moore glass bowl, with a folded rim, a Whitefriars glass jug, together with six Portmeirion coffee cans and saucers (qty.)Condition report: One coffee can with a repaired chip to the foot, the remainder with loss and wear to the decoration. Some chipping to the rims of the splatter vases. General wear surface marks.
A collection of 19th century Chinese porcelain, comprising: a pair of famille rose vases, blue and white cup/saucer and plate, two mugs, ten various famille rose plates, and a saucer dish (qty.)Condition report: Pair famille rose vases - 3cm chip with restoration to one rim, several chips to rim of other vaseTwo mugs - one has replaced handle, the other has chip to rimBlue and white - bowl had frit chips to rim, cup has crack to handle Famille rose plates - one cracked into pieces and extensively restored, most have chips to rimsSaucer dish - wear to gilded rim
A Royal Worcester Aesthetic vase, late 19th century, modelled by James Hadley the bamboo form body with a pierced and moulded scene of a geisha giving succour to a hermit below a prunus tree, impressed marks, 37.5cm high, together with a pair of Continental pottery wall plaques, 19th/20th century, depicting figures reading in windows, 30cm high (3)Condition report: 1. Vase - no obvious major faults.2. Plaques - one with 'cross braces' at the top broken and re-stuck. Discolouration is assumed to be intended decoration.
A collection of scent bottles and jars, to include a silver overlaid glass scent bottle of Art Nouveau inspiration, 9.5cm high, a silver topped red glass stem vase and an angular green glass scent bottle (qty.)Condition report: Minor denting to overlay on Art Nouveau scent bottle, blemishes to silver rim on stem vase, other items with minor blemishes and wear commensurate with age
A Nicola Slaney for Moorcroft pottery vase, decorated in the Diamond Jubilee pattern, dated 2011, no. 262, 12cm high, together with an Italian San Marino studio pottery vase, 46cm high, and two boxed sets of Royal Worcester cups and saucers in celebration of HRH 80th Birthday, dated 2006.Condition report: Moorcroft and Worcester in original boxes and in very good condition, German vase also in good condition, with no obvious flaws
A collection of 20th century studio and art glass, to include a tangerine vase, 19.5cm high, two decanters with oversized stoppers, an Italian ruby vase by Opalina Fiorentina, 41cm high, three further vases, one of bulbous form and the others oval, a large Polish wine hock of red ground, 50cm high, a small quantity of modern cut glass, a Murano glass fish, a carnival ashtray and a cut-glass orange bowl, together with a Scheurich ceramic vase marked 629-40, 41cm high.Condition report: Largely good, little chip out of the base of the fish. Overall good condition, but some surface scratches and a few small chips to the rims.
A moulded glass plafonnier, of stepped form, 35.5cm diameter, together with another similar example, decorated with swags and a floral centre, 35cm diameter, and a cut glass plafonnier, with printie cut decoration and gilt metal mount, 44cm diameter, and a relief moulded with vase and swag decoration, 46cm diameter (4)Condition report: Chips to the edges and extremities. Wear to mounts.
An Indian silver spill vase, the circular spreading base leading to a tapered body with repoussé flowers, animals and pierced rim, 15.5cm high, together with another similar example with a filled base and flared rim,14.5cm high, total 4.7ozt (2)Condition report: There are scratches, marks and residue polish marks throughout. The flared rim is dented. The pierced rim is misshapen.
A Royal Worcester ‘Fruit Study’ porcelain vase and cover, 20th century, shape 2701, painted with peaches, blackberries and grapes, signed ‘M Morris’, printed marks, 21cm highCondition report: Chip to the top of the vase which has been glued. Lid finial glue repaird. Some scratches to the gilded foot. Wear to the gilding.
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