We found 3941 price guide item(s) matching your search

AUSTRALIAN ABORIGINAL ART; a large canvas decorated with altered rectangles, 204 x 120cm, unsigned, unframed.

An old Australian aboriginal Woomera - 74cms, together with carved wooden boat hull

Black aboriginal style painted CD tower

Jonah Djumburri (1971-) Kunwinjku Australian aboriginal figural painting. Framed and glazed. Label with provenance to verso. Measures 40 x 31.5cm.

‡ PAUL PETER PIECH two colour lithograph - Martin Luther King quote, 'The Choice is No Longer', signed and dated 1988 in pencil, 76 x 51cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed

Antique/ vintage Australian Aboriginal carved emu egg depicting hunter and emu's.

Carved 70 wall panel depicting Don Quixote, plus Aboriginal throwing Boomerang Both appear in reasonable used condition

Two clip framed posters for the 1993 Aboriginal Nations event - one unglazed

Athletics Cathy Freeman 12x8 inch signature piece includes signed white card and four colour photos attached to A4 sheet. Catherine Astrid Salome Freeman (born 16 February 1973) is an Aboriginal Australian former sprinter, who specialised in the 400 metres event. Her personal best of 48.63 seconds currently ranks her as the ninth-fastest woman of all time, set while finishing second to Marie-José Pérec's number-four time at the 1996 Olympics. She became the Olympic champion for the women's 400 metres at the 2000 Summer Olympics, at which she lit the Olympic Flame. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Aboriginal school after Elioy and Alovna, figures, prints, 23cm x 29cm, framed and glazed. (2)

Group of six Polynesian or Aboriginal woomera or atlatl wooden spears.Provenance, by repute: The collection of Jack London's home, Wolf House, collected by him while visiting the Pacific Islands; Waring Jones, Wayzata, Minnesota; Private Minnesota Collection.Length ranges from 64 in to 115 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Three Australian Aboriginal carved Boab tree nuts; an ornamental mantel clock in the form of an egg

Aboriginal wooden boomerang with etched decoration, 66cm

A collection of assorted Pacific tribal artifacts. Including North West coast carved panel, Aboriginal boomerangs, Maori carved box and a Samoan Kava bowl, diameter 20cm Condition Report: Boomerangs - free from worm or drill holes Carved panel - no worm holes, has a picture hook screwed in the back Maori box - hinge is damaged, split on one side Bowl - free from worm and drill holes

CHARLENE CARRINGTON (ABORIGINAL) BUNGLE BUNGLES & ECHIDNA GORGE ‡ SignedMixed media on canvas, unframed 40cm x 50cm

Antique Tribal Art Australian Aboriginal carved boomerang, with incised decoration, 59cm long.

Reggie Moolarvie (Aboriginal school)Gum trees, Western Australia, watercolour, 35 x 53.5cm

After Esther McLatchy. 20thC School, Aboriginal print, signed in biro to margin, dated '98, each print 10.5cm x 13.5cm, framed and glazed.

An early 20th century Australian Aboriginal hardwood boomerang - width 57cm.

‡ PAUL PETER PIECH (1920-1996) two colour lithograph - Aboriginal poem, 'Australian Crucifixion', signed and dated 1988, 76 x 51cmsComments: unframed

Postcards, Social History & Ethnic, inc. Aboriginal King, Malaga Fish Seller, Swimming Pool Redcar, Ferrari’s Birds Llandudno, Worcester Hop Pickers (2), Caspian Sea Jewish Boy, Volga Water Melon Sellers, Scarborough Crab Potters, Threshing at Tebworth, Seaholmes Caravans Mablethorpe, Gipsy Children & Camp in New Forest, Cabinet photos (2) (gd/vg) (21)

ORIGINAL ABORIGINAL PAINTING BY DAVINDER HART, TOGETHER WITH THE ARTIST'SBIOGRAPHY, 15” X 21”

A Collection of Aboriginal Souvenir Boomerangs

Australian Aboriginal School, ink & dotwork on linen, 'Nawalah Dreaming', title to lower left and school to bottom right, framed and under glass, 55cm x 72cm overall

An Aboriginal bark painting.

An Aboriginal didgeridoo.

A selection of antique Aboriginal weapons and artifacts

Tribal Art: Australian aboriginal woomera in red ochre and having gum handle, 3ft long

Tribal Art: Large antique aboriginal chip carved fighting boomerang, stained with red ochre. Approx. 83cm long (damage to edge of one end)

THREE AUSTRALIAN ABORIGINAL BOOMERANGS, 19TH CENTURY of characteritic form, two with well executed ripple carving and the third smooth, and all with good age patina, 67.0 cm the longest (3)

A Russian AKM Type 1 Knife Bayonet, with brown plastic grip, steel scabbard with wire cutter tip, rubber locket, attached to a green webbing belt with steel keep stamped with a triangle over H.H.D.; a Zulu Knobkerry, of lignum vitae, with globular head and cylindrical haft, 72cm; an Australian Aboriginal Boomerang, the slightly convex side incised with bands of elliptical panels and chevrons, 69cm (3)Knobkerry with splits to the head and small chips to the butt. Boomerang with small edge chips.

An Aboriginal bark painting, Arnhem Land, Australia, depicting two lizards, eucalyptus bark and pigment60 x 29cm

A 19th century South Eastern Australia Aboriginal shield with carved decoration and carved handle to the reverse, remains of an old collection label to the front by repute stating, ’New South Wales or Victoria’, 81cm long, 11cm at widest point

An Australian Aboriginal shark tooth weapon or scarification tool, Northern Queensland Gulf of Carpentaria, with inlaid sharks teeth and resin gum to the handle, ochre painted with clay dotted detail, old collection label attached, 24.5cm long, 4cm at widest point (several teeth missing) together with an Aboriginal spatula with carved decoration to the handle, 25cm long x 1.5cm wide at widest point (2)

Four aboriginal polished and ground-edge stone axes, two greenstone examples, one fragment and a pale stone axe with collection number. With old note of provenance noting the axes discovery in 1906. (4)

John Skinner Prout, R.I. (British, 1806-1876) 'Sydney Illustrated', Part I and Part IIlithographwith descriptive letter press by J. Rae. M, J.S. Prout & Co, Illustration Lithographic Establishment, O'Connell Street, Sydney, 1842Part I containing lithographic plates of Sydney Cove, Woolloomooloo Bay, Miller's Point, Port Jackson, Part II with ‘Note to subscribers’, a lithographed slip, tipped-in, Sydney Cove, The Lower Fall of Willoughby, Sydney from Mrs Darling's Point, with additional loose related printsplates 18.5 x 28cm, overall folio 43 x 28.5cm***CONDITION REPORT***Original wrappers heavily foxed, wrappers and pages foxed with creasing and folding to the edges and corners, part I with ten numbered pages, part II numbered up to page 22.Additional prints:- aquatint, Austrialian Aboriginal Native spearing a kangaroo, 18.5 x 25cm, title is in pencil- St Peter's Chuch and Parsonage, Cooks River N.S.W. printed and published by W. Baker, King Street, Sydney, with pencil note inscribed relating to the Collier Family vault being in the cemetery, sheet overall 25.5 x 40.5cm- lithograph by Prout of the Cathedral Church of St Mary, Sydney NSW, sheet overall 43 x 30cm, very tatty around the edges- etching by JC, of the Post Office, George Street, Sydney, sheet overall 29 x 52.5cm, title is inscribed in pencil, torn and creased around the edges- hand coloured engraving, 'Caffres, Aboriginies of Caffraria' by J, Chapman, published by Wilkes 1800, sheet 27 x 20.5cm, paper discolouredPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Morton, Marlene (um 1993, Australien) Ohne Titel (Punktformation). Acryl/Lwd., verso Zertifikat der Aboriginal Gallery of Dreamings, Melbourne. 25x 20 cm. PP., R.

An Australian Aboriginal Boomerang, with stone chiselled decoration, 52.5cm; a Blackthorn Shillelagh, the butt pierced for a leather wriststrap, 60cm; an Iron Cannon Ball, with circumference of 40cm (3)

Two aboriginal boomerangs, one with sgraffito decoration

An Aboriginal bark painting (39cm long) together with a Bill Onus Australian boomerang

A vintage 20th century circa 1970s aboriginal mixed media picture. The picture depicting a dessert mountainous landscape with tree bark and dried plant art with silhouette figures. Signed to bottom right, R Mathams 1971. Framed and glazed. 34cm x 50cm

WILLARD (EMMA)A Series of Maps to Willard's History of the United States, or Republic of America. Designed for Schools and Private Education, 12 engraved maps (5 double-page, all but 2 hand-coloured), publisher's cloth-backed boards printed with title, spine worn, sides damp stained [Phillips 10649; Sabin 104046 (1828 ed.)], 4to, New York, White, Gallagher & White, [1831]Footnotes:The first historical atlas of the United States, produced by pioneering female educator and mapmaker Emma Willard (1787–1870). The first map is titled 'Locations and Wanderings of the Aboriginal Tribes', followed by others showing maps of the North America coast in 1578, 1620, 1692, 1763 through to 1826.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

A collection to include an African terracotta figure, 32cm high; a Seychelles polished coco de mar carved in the form of an ornamental basket, 29cm wide; an Australian Aboriginal wooden snake, 39.5cm long; an antique Turkish metal circular dish, 27cm diameter and two similar, together with further itemsAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

Aboriginal School, Australian, an abstract composition, oil on canvas, 36" x 48" (92 x 122cm).

Harkness, Henry A Description of a Singular Aboriginal Race inhabiting the Summit of the Neilgherry Hills or Blue Mountains of Coimbatoor, in the Southern Peninsula of India. London: Smith, Elder, and Co., 1832. First edition, 8vo (24.7 x 15cm), contemporary half calf, rebacked, vi [2] 175 pp., 4 lithographic plates including frontispiece, wear to corners, plates spotted, occasional spotting and a few marks to text [not in Abbey];Marshall, William E. A Phrenologist amongst the Todas, or the Study of a Primitive Tribe in South India. History, Character, Customs, Religion, Infanticide, Polyandry, Language. London: Longmans, Green, and Co., 1873. First edition, 8vo, original green cloth lettered in gilt and ruled in black (apparently one of several variant bindings), rebacked with original spine laid down, xx 271 pp., 18 autotype plates of which 14 from photographs, autotype map, illustrations in text, tips bumped and worn, first signature near detached;King, W. Ross. The Aboriginal Tribes of the Nilgiri Hills. London: Longmans, Green, and Co., 1870. First edition, 8vo, original cloth, 2 tinted lithographic frontispieces ('Toda Woman' and 'Toda Man'), one further plate, gutta percha perished and text-block detached from binding, ink-stamps and pencil markings of the Clinton Hall Association, New York to pastedowns and title-page, scraps of paper adhering to front pastedown and free endpaper causing small hole in latter

THREE ITEMS - CHESS BOARD, MARBLE BOARD AND ABORIGINAL BOOMERANG

A Vintage Souvenir Boomerang, Aboriginal Club and an African Mask

AUSTRALIAN ABORIGINAL ART; a large canvas decorated in shades of purple and white, unsigned, 210 x 146cm, unframed.

LILY KELLY NAPANGARDI (AUSTRALIAN ABORIGINAL, born 1948); large canvas decorated with a series of dots, inscribed verso 'Lily Kelly', 175 x 124cm, unframed

AUSTRALIAN ABORIGINAL ART; a large canvas decorated with various rectangles, 151 x 151cm, unsigned, unframed.

KATHLEEN PETYARRE (AUSTRALIAN ABORIGINAL); oil on canvas, abstract study, signed verso, 116 x 130, unframed.

AUSTRALIAN ABORIGINAL ART; large canvas painted with concentric circles, unsigned, 196 x 120cm, unframed.

ABBIE LOY KEMARRE (AUSTRALIAN ABORIGINAL, born 1972); large canvas decorated in red, 147 x 100cm, signed verso.

GABRIELLA POSSUM NUNGURRAYI (born 1967); aboriginal art, 'Seven Sisters Dreaming', titled, inscribed and dated 2008 verso, 146 x 120cm, unframed.

AUSTRALIAN ABORIGINAL ART; large canvas painted with stylised flowers, 124 x 182, unframed.

ABBIE LOY KEMARRE (AUSTRALIAN ABORIGINAL, born 1972); canvas decorated with white geometric lines on a black ground, 119 x 189cm, signed verso, unframed.

AUSTRALIAN ABORIGINAL ART; large canvas decorated with concentric circles and dots on a blue ground, 124 x 127cm, unframed.

ABBIE LOY KEMARRE (AUSTRALIAN ABORIGINAL, born 1972); canvas decorated with concentric rectangles, 150 x 90cm, signed verso, unframed.

KATHLEEN PETYARRE (AUSTRALIAN ABORIGINAL 1940-2018); large canvas decorated with a speckled design and five horizontal lines, signed verso, 148 x 90cm, unframed.

GABRIELLA POSUM DUNGURRAYI (AUSTRALIAN ABORIGINAL, born 1967); canvas, 'Seven Sisters Dreaming', inscribed and dated 2009 verso, 60 x 90cm, unframed.