Wilhelmina BARNS-GRAHAM (1912-2004) Composition February, 1954 Oil on board,Signed and dated 1954Further signed, inscribed and dated to versoLabels to verso13 x 18 cm, 5 x 8 inWBG Catalogue Reference No. 12/54/0Exhibited W. Barns-Graham Retrospective 1940 – 1989, catalogue no 29Newlyn Art Gallery, City Art Gallery, Edinburgh, Perth Art Gallery, Crawford Centre, St Andrews, Maclaurin Gallery, Ayr; 1989/1990Catalogue NoteA similar, slightly larger version is in the Tate collection. A very large version of this work was Barns-Graham’s first venture into abstract painting, however she cut it up in order to have more material to paint on. This delightful work is in excellent condition. Additional photographs have now been uploaded.
We found 65027 price guide item(s) matching your search
There are 65027 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
65027 item(s)/page
Bryan WYNTER (1915-1975) Lightfall, 1960 Oil on canvas,Signed and dated to verso 1960152.5 x 76 cm, 60 x 30 inExhibitedGalerie Charles Lienhard, Zurich, Switzerland, 1962British Abstract Art of the 50s and 60s, Belgrave Gallery, London and illustrated in catalogue, 1992Fishwick and Friends, Falmouth Art Gallery, 2011The Bigger Picture, Penlee House Art Gallery, Penzance, 2015Collector's Note"Wynter had a fascination with the unconscious mind and its effect on his art and experience. In the 1960s he began producing colourful and shimmering works characterised by dabs of light-coloured paint, sometimes working under the effects of the drug mescaline." This exceptional work appears to be in very good original condition. Under UV light there are no obvious indications of overpainting. There are areas of minor cracking/shrinkage to the top layer of the paint, the most notable area is to the upper midsection measuring approximately 7 x 5cm (please see images). The entire surface of the painting is stable with no risk of flaking. There is a little superficial blooming this is predominantly evident on the deep brown pigment.
Lynn Russell Chadwick CBE RA (1914-2003) British, 'Walking Couple III', bronze, signed to the underside and numbered 'C61 9/9 PE', 42.2 cm high x 20 cm x 23 cm. Private collection, from the estate of the late Irving Goodman. Purchased by Mr Goodman in the late 1980s, the family believe from a Hampstead / North London gallery. No written sales history present at it this time.Lynn Russell Chadwick, CBE RA was an English sculptor and artist. Much of his work is semi-abstract sculpture in bronze or steel. His work is in the collections of MoMA in New York, the Tate in London and the Centre Georges Pompidou in Paris. No apparent damage or repair. Some surface blemishes and discolouration throughout. Wear visible to patination on extreme edges and corners (especially the feet). Structurally sound
In the manner of Henry Moore, a post-war English School, green and black patinated bronze abstract study of a female reaching with one arm raised, unsigned but inscribed "Haldin" to the wooden base, 24 cm high the actual figure, together with a patinated bronze figure of a stilt walker in the manner of Pal Kepenyes, on a wooden block, 16 cm height of the figure.
Michael Ayrton (1921-1975) British, a patinated bronze abstract "Mantic" figure, early 1960s, unsigned on a square base, 38 cm overall heightMichael Ayrton A private estate of a patron of the arts and collector The figure has two threaded holes on tabs beneath the square base, perhaps fixings for a marble or wooden sub base either not fitted or now lost.
MICHAEL ROSCHLAU (GERMAN b.1942) ABSTRACT IN YELLOW Lithograph, signed lower right, dated (19)66, 82 x 60cm Together with 20 similar by the same hand, 4 of which are signed and a family portrait signed lithograph, dated (19)81, numbered 2/12 (22) Provenance: Studio of Sheena Mcgregor and Michael Roschlau Condition Report:Available upon request
†MIKE HATJOULLIS (British, 20th century); gouache abstract, 'Line Scape', initialled 'MH' and dated 1987 lower right, 40 x 28cm, framed and glazed.Condition Report: †This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
MANCHESTER AND RELATED - INDIE/ ALT/ PUNK LPs/ 12". A timeless selection of 20 indie/ alt/ punk LPs/ 12". Artists/ titles include New Order inc Low-life (FACT 100), Power Corruption & Lies (FACT 75), Movement (FACT 50), Ceremony (x2) (FAC 33), Everythings Gone Green, Temptation. The Smiths inc The Smiths (ROUGH 61), Meat Is Murder. The Fall inc Grotesque, Totale's Turns. A Certain Ratio inc Blown Away, Do The Du, Sextet, To Each, Waterline. Various - Short Circuit: Live At The Electric Circus (black vinyl, no 7"), The Passage - For All And None. Various inc Unzipping The Abstract and Earcom 2. Condition is generally VG+ to Ex+.
Russell Maret: 'Roma Abstract. An Alphabet', New York, Russell Maret, 2017, limited edition, number 42 of 116 copies, numbered and signed by Russell Maret, [30]pp, letterforms in Roma Abstract printed on Chartham Translucent paper, folio (40 x 30cm), original stab-sewn printed black Plike wraps, frosted acrylic slipcase by Canal Plastics, original prospectus loosely inserted

-
65027 item(s)/page