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Lot 136
‡ JOHN PIPER 1962 expansive screenprinted Sanderson fabric in two sections - entitled, 'Stones of Bath', 5.18 x 1.22 metres and 2.44 x 1.22 metresAuctioneer's Note: one of 5 John Piper designs commissioned by and as part of the Arthur Sanderson and Company centenary celebrations in 1960, and manufactured from 1962. Using 19 colours, far more than conventional screenprints on paper, the semi-abstract design was based on the architectural features of the City of Bath. Whilst we have auctioned sections previously, we do not believe such a large expanse has been offered at any auction before. As seen in the V&A collection.Provenance: private collection, consigned via our Cardiff office
Lot 245
Edwardian School (early 20th Century) Portrait of a Lady with trellis behind rectangular panel, watercolour, 6 x 7.5cm, gilt metal framed Further details: paint thin on the crown of her head, some discolouration and paint flecks along the lower border running from left corner to mid section within an approx 2cm high banding, the flowers to reverse thinly painted in an abstract manner, the sheet has warped in the centre section Non transferable standard ivory exemption declaration number:UD4GS72Q
Lot 297
Assorted Modern Ladies Clothing comprising a Dolce and Gabbana silk mix sleeveless dress with faux wrap style bodice and fabric tie to the left hip, (size 44),LK Bennett silk sleeveless dress with multi pleated skirt, matching silk belt, collar, button fastening to the bodice (size 10),a Samantha Sung blue floral cotton shift dress with lycra (size 10),Stella Mcartney silk sleeveless drop waist dress with a drape to one shoulder, printed with a seated dog (size 42),Nicole Fahri sleeveless silk dress with a drawstring waist in an abstract print of red, cream and black,(5)Samantha Sung dress - zip stiff when pulled over the waist part.D&G dress - couple of marks to the hem.Nicole Farhi - light marks inside the neckline.Slight wear to all.
Lot 506
Abstract oil on board (1950/60s) 61cm 71cm, indistinct monogram lower right. Present owner's family had connections to the New Vision and Drian galleries in London which represented many abstract artists from the 1950s onwards - many of them Polish.Flocking/furring to surface. Please inspect the photographs or view in person.
Lot 501
Julian Stanczak (1928-2017) 'Female Figure'. Early 1950s oil on board, unsigned. 53 x 68cm. Provenance: this painting was gifted to the present owner's family by Julian Stanczak in the 1950s.We collected the Stanczak works from a private house and there is an interesting provenance attached to the collection. The owners mother, Irena, had the same journey out of Poland as Stanczak via the Middle East and Africa to England in the 1940s or 50s. They remained friends and in contact with each other their whole lives. All the books and exhibition catalogues etc are dedicated to Irena and signed by Julian (in Polish).Also the book 'From Snow to Sunshine' (also lot 504) is Irena's biography account of the journey to London and then settling in East Sussex, which is where we are located. We don't think the book mentions Julian. The son says that the family home in London was in Bayswater, "A big place with lots of bohemian people coming and going, artists and writers". The home was very close to the Drian art gallery in Porchester Place, opened in 1957 by Halima Nalecz (lot 505, another Polish artist who made the journey to London.Drian was a focal point for abstract art in the 50s and 60s. Lots 506 and 507 are probably from there. The family had connections to it for many years. Stanczak left England for America in 1950. Our 2 early paintings were sent back to the family after he left, although they have no record of when their mother had them.
Lot 504
Julian Stanczak (1928-2017) Various gallery cards and catalogues many are signed. One signed copy of the 1990 book 'Decades of Light' (First Edition).We collected the Stanczak works from a private house and there is an interesting provenance attached to the collection. The owners mother, Irena, had the same journey out of Poland as Stanczak via the Middle East and Africa to England in the 1940s or 50s. They remained friends and in contact with each other their whole lives. All the books and exhibition catalogues etc are dedicated to Irena and signed by Julian (in Polish).Also the book 'From Snow to Sunshine' (also lot 504) is Irena's biography account of the journey to London and then settling in East Sussex, which is where we are located. We don't think the book mentions Julian. The son says that the family home in London was in Bayswater, "A big place with lots of bohemian people coming and going, artists and writers". The home was very close to the Drian art gallery in Porchester Place, opened in 1957 by Halima Nalecz (lot 505, another Polish artist who made the journey to London.Drian was a focal point for abstract art in the 50s and 60s. Lots 506 and 507 are probably from there. The family had connections to it for many years. Stanczak left England for America in 1950. Our 2 early paintings were sent back to the family after he left, although they have no record of when their mother had them.
Lot 502
Julian Stanczak (1928-2017) 'Niania', mixed media on canvas, signed 'J. Stanczak 56', 40.5 x 51cm. Provenance: this painting was gifted to the present owner's family in 1950s.We collected the Stanczak works from a private house and there is an interesting provenance attached to the collection. The owners mother, Irena, had the same journey out of Poland as Stanczak via the Middle East and Africa to England in the 1940s or 50s. They remained friends and in contact with each other their whole lives. All the books and exhibition catalogues etc are dedicated to Irena and signed by Julian (in Polish).Also the book 'From Snow to Sunshine' (also lot 504) is Irena's biography account of the journey to London and then settling in East Sussex, which is where we are located. We don't think the book mentions Julian. The son says that the family home in London was in Bayswater, "A big place with lots of bohemian people coming and going, artists and writers". The home was very close to the Drian art gallery in Porchester Place, opened in 1957 by Halima Nalecz (lot 505, another Polish artist who made the journey to London.Drian was a focal point for abstract art in the 50s and 60s. Lots 506 and 507 are probably from there. The family had connections to it for many years. Stanczak left England for America in 1950. Our 2 early paintings were sent back to the family after he left, although they have no record of when their mother had them.
Lot 507
Abstract oil on canvas (1950/60s) 91cm 127cm. Present owner's family had connections to the New Vision and Drian galleries in London which represented many abstract artists from the 1950s onwards - many of them Polish.Some compressions / dents to canvas. Flocking/furring to surface. Please inspect the photographs or view in person.
Lot 15
Geoffrey Baxter (British, 1922-1995) for Whitefriars, three Tricorn vases, two with kingfisher blue colourway and one ruby red colourway, 23cm high, together with four Whitefriars paperweights, one of millefiore design in a blue box, together with a ruby controlled bubble paperweight, and two weights with abstract designs, pattern no. 9850 and 9851 (7)Condition Report: The yellow weight does have some grazes to surface and a point bruise.The clear weight is uneven, so might have been re-ground.The vases seem fine.
Lot 305
Carol McNicoll (b.1943) British, an earthenware coffee jug of abstract form, with square handle, decorated in pastel shades, incised marks to the base, 23 cm high x 18.5 cm wide, together with a square-shaped dish, similarly decorated, painted signature to base, 19.5 cm x 17 cm. Qty: 2 From the personal collection of Vivian Stanshall (1943-1995), English singer/songwriter, and founder member of the Bonzo Dog Doo-Dah Band. This lot, along with many others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall Both lots are in generally good condition commensurate with age, there is crazing present to jug and minor wear to decoration present throughout, please view images
Lot 328
Carol McNicoll (b.1943) British, a large earthenware jug of abstract form, with a stepped handle and tall spout, painted in blues and pinks on a green ground, painted signature to base, 33.5 cm high x 27 cm wide. From the personal collection of Vivian Stanshall (1943-1995), English singer/songwriter, and founder member of the Bonzo Dog Doo-Dah Band. This lot, along with many others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall Generally good condition commensurate with age, crazing and cracks to the bottom of the jug, please see photos
Lot 309
Carol McNicoll (b.1943) British, a tall earthenware slab-built vase, of abstract form with painted decoration on a pale green ground, painted signature to base, 33 cm high. From the personal collection of Vivian Stanshall (1943-1995), English singer/songwriter, and founder member of the Bonzo Dog Doo-Dah Band. This lot, along with many others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall Evidence of restoration to the bottom of vase and a crack to upper lip of vase, please see photos
Lot 496
Laure Prouvost (French, b. 1978). Painted ceramic teapot titled "Grandma's Teapot - Too Much Gin (Not So Keen)," 2018. Painted with abstract splashes of black, red, white, and blue.Height: 9 in x width: 9 3/4 in x depth: 8 1/4 in.Condition:The underside has signs of light wear, consistent with age and use. There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light.
Lot 516
Dale Chihuly (American, b. 1941). Set of four "Persian Forms" handblown glass. With a spiderweb design in turquoise blue along one side and a variation from orange to black along the other. Rimmed in bright red. Including one large open bowl, two cones, and one shell-like form. They are able to be nested together in a variety of unique ways.Provenance: Savage Art Resources, Portland, OR; Distinguished Corporate Collection; Private Minnesota CollectionLot Essay:Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.(Large bowl) height: 13 1/2 in x width: 17 in x depth: 21 in. (Small cone) height: 4 1/2 in x diameter: 4 in. (Large cone) height: 16 in x diameter: 3 1/2 in. (Abstract form) length: 12 in x width: 4 in x depth: 2 1/4 in.Condition:Throughout all of the pieces there are no major cracks, losses, or restorations. There are some accretions and dust collected throughout. Along the large bowls there is a minute chip near the edge of the interior of the bowl, approximately 1/4 inch. There are no other notable scratches or chips.
Lot 511
Neil Hadlock (American, b. 1944). Bronze Abstract Expresssionist sculpture titled "Tambour," 1986Signed, dated, and numbered 5/7 along the base. The sculpture is affixed to a marble base.Height: 14 x width: 15 1/2 in x depth: 5 1/2 in.Condition:The sculpture is in good condition overall with no major losses, dents, or restoration under UV light. There are several areas that lost paint throughout, most noticeably along the edges. Wear throughout. There is an area to the base that is discolored light. As the sculpture rotates, there is light wear to where the sculpture and the base meet. There is a loss to the underside of the black stand, which does not affect the overall piece.
Lot 480
AFTER JIM MUNNION "Wild carrot", limited edition woodcut print, signed and No'd. 7/40 lower edge, 37.5 cm x 17 cm, together with AFTER JIM MUNNION "Convulvolous", limited edition woodcut print No'd. 4/50, 37 cm x 16.5 cm, AFTER JIM MUNNION "Pigs in orchard", limited edition woodcut print No'd. 20/50, signed, titled and numbered lower edge, 17 cm x 37 cm and DAVE FLETCHER "Abstract study", oil on card, inscribed on verso "Original oil on card by Dave Fletcher", 14 cm x 31 cm (4)
Lot 513
AFTER EMMA DAVIS "Western Shy?" colour print artist's proof signed and titled lower edge, 54.5 cm x 61 cm together with ROSY BAILEY "Still life abstract study" vase of flowers and bowl of fruit on shelf, unsigned, bears label verso, 43 cm x 61 cm together with three further ROSY BAILEY floral paintings and a further painting of poppies (6)
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