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Follower of Mark Tobey (1890-1976), Abstract composition, mixed media, bears signature lower right, 19 x 35cm

AR Mike Elliott (contemporary), Abstract composition, mixed media on board, 19 x 22cm. Provenance: Robert Christian Gallery, 49 Red Lion St, Boston, Lincs

An archive of material from the studio of John Trudgill (British, 20th Century), including sketches of various East Anglian landmarks and townscapes, in addition to life studies and abstract designs, various mediums, unframed, some signed. Approx 50+ worksBy direct descent from the artist's family

REBECCA PRICE (Contemporary British) 'Autumn - Abstract', oil on canvas, signed and titled verso.

BUI MAI HIEN (Vietnamese, b.1957) 'Abstract', paint on lacquered panel, signed, card verso, 44.5cm x 60cm, framed.

CONTEMPORARY SCHOOL, 84cm x 84cm, untitled abstract print, framed and glazed.

SARAH PEACOCK 'Abstract Figural Study', oil and lacquer on canvas, signed verso, 64cm x 71cm, framed.

CONTEMPORARY SCHOOL, untitled abstract, on canvas, framed, 140x100.

ELLSWORTH KELLY 'Abstract Forms', a pair of lithographs, printed by Maeght, 56cms x 38cms each, framed and glazed. (2)

Signed Abstract original oil painting by American Artist Lewis Scott (1911-1980) composition in original frame.30cm Wx 40cm H

Designer silver abstract brooch

Paula Bolton silver abstract brooch

After Fernand Leger, oil on board, Abstract figures, bears signature, 29 x 39cm

Racing Calendar by James Weatherby 1774, containing an account of the plates, matches and sweepstakes run in Great Britain and Ireland in 1774 together with an abstract of all the matches, sweepstakes to be run at Newmarket from the Craven Meeting 1775 to the year 1779 and several matches made for York, Bath and many other places. Ink inscription inside of John Osborne, Brecongill, Middleham famous jockey and trainer, who ran in 38 Derbies, winning in 1869, and 36 St Legers. Leather binding, worn top and bottom of spine and corners. Please see photographs for more details.

Composite stone garden trough, a composite stone bird bath, an abstract marble sculpture and assorted plant pots (10 items)

Jaime Oates (Spain Mexico, 1912 - 2005) Abstract painting. Signed lower right. Oil on Masonite. Sight Size: 24 x 16 in. Overall Framed Size: 32 x 24 in.

Thornton Utz (1914 - 1999). Signed and dated ('84) lower left. Mixed Media on Masonite. Bio verso. Thornton Utz was active/lived in Florida, Tennessee. Thornton Utz is known for abstract, illustrator, figure, animal. Was a member of American Artists Professional League Society of Illustrators. Also an illustrator for Saturday Evening Post. Sight Size: 14.25 x 29.25 in. Overall Framed Size: 20.5 x 35.5 in.

Hermann Hendrich (Germany, 1854 - 1931) Signed lower left. Oil on Board abstract painting. Sight Size: 24.5 x 16 in. Overall Framed Size: 28 x 20 in.

Syd Solomon (Florida, 1917 - 2004) "Wake" 1976 Oil on Canvas. Signed upper right, along with being inscribed verso on canvas. Syd Solomon was an American abstract artist. He spent most of his time in his homes in both East Hampton, NY and Sarasota, Florida which influenced many of his paintings. His works have been featured at The Guggenheim, The Whitney, Corcoran Gallery of Art, The Wadsworth Athenaeum and several others.Solomon was born in Uniontown, Pennsylvania to a Jewish family. And this is where he also got his start painting, in high school. Later he went on to study at the Art Institute of Chicago from 1935 to 1938.[2] In 1940 he enlisted in the Engineer Aviation Regiment, First Camouflage Battalion of the military. During this time Solomon helped design camouflage for the California coast near the San Francisco area. Later he was assigned to the Royal Engineer Camouflage Corps in London where he designed camouflage to be used against the Germans in World War II. He even went on to earn the Bronze star for his contributions during the Battle of the Bulge. During his time in London he mostly performed aerial reconnaissance which inspired his ideas of abstract art. After leaving the military he went on to attend classes at the French art school L’Ecole des Beaux-Arts in 1945.Sight Size: 42 x 40 in. Overall Framed Size: 43 x 41 in.

A framed abstract oil and an unframed canvas

A paint on wood of an abstract art piece painted with red, black and lime pigments, with artist's name and year on the bottom right. H:11in(28cm) W:15in(38cm)

A paint on wood of an abstract scene. L:19 3/4in(50.2cm) W:16in(40.6cm)

A blue and white Korean moon jar, with abstract floral patterns. H: 9 1/4in(23.5cm) W:10 1/2in(25.4cm) M: 5 3/4in(14.6cm)

Charles Williams NEAC (b.1965)"Abstract Painting no.3"Signed verso, inscribed and dated (19)98 verso, oil on canvas, 33.5cm by 43.5cmProvenance: Lynne Strover Gallery, Cambridge, 30/6/1998, no.4

Rolf Retz-Schmidt (Stavanger 1928 - Hamburg 2006). Raummedium. 1958. Öl/Hartfaser, 122 x 92 cm, r. u. monogr. und dat. R. S. 58, verso betitelt, Nr. 301, erneut sign. sowie dat. Jahreswende 1957/58. - Norwegisch-deutscher Maler. R.-S. siedelte bereits in seiner Jugend nach Deutschland über und studierte 1949-52 am Hamburger Baukreis, u.a. bei A. Fiedler. Von den abstrakten Tendenzen seines Lehrers ausgehend entwickelte R.-S. ab 1955 eine eigenständige Form des Tachismus, die sich durch ein besonderes Gespür für das Kolorit auszeichnet. Mus.: Hamburg (Kunsthalle). Lit.: Vollmer, Der Neue Rump. Retz-Schmidt, Rolf (Stavanger 1928 - Hamburg 2006). Raummedium. 1958. Oil/fibre board, 122 x 92 cm, lo. ri. monogr. and dat. R. S. 58. - Norwegian-German painter. R.-S. moved to Germany in his youth and studied at the Hamburg Baukreis from 1949-52, among others with A. Fiedler. Starting from the abstract tendencies of his teacher, R.-S. developed an independent form of tachisme from 1955 onwards, which is characterised by a special feeling for colour. Mus.: Hamburg (Kunsthalle). Lit.: Vollmer, Der Neue Rump.

Kurt Rudolf Sonderborg (Sonderborg 1923 - Hamburg 2008). Flugzeug. Tusche/Papier, 68,5 x 98 cm, unter Glas gerahmt, ungeöffnet. - Maler und Graphiker, einer der bedeutenden deutschen Vertreter des Informel. S. studierte an der Landeskunstschule Hamburg u.a. bei W. Grimm und M. May, gleichzeitig unternahm er autodidaktische Studien in abstrakter Malerei. Er bereiste Italien und wurde anschließend Mitglied der Gruppe 'Zen 49'. 1955 erhielt er den Lichtwarkpreis der Stadt Hamburg, gefolgt von zahlreichen weiteren Auszeichnungen. S. war Professor in Stuttgart und Minneapolis. Seine Werke wurden auf der Documenta II und III gezeigt, 1987 ehrte ihn eine große Retrospektive in der Stuttgarter Staatsgalerie. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken u.a. Lit.: Vollmer, Der Neue Rump u.a. Sonderborg, Kurt Rudolf (Sonderborg 1923 - Hamburg 2008). Plane. Ink/paper, 68,5 x 98 cm, framed under glass, uninspected out of frame. - Painter adn graphic artist of Danish origin, one of the important exponents of Informel in Germany. S. studied at the Hamburg Landeskunstschule under W. Grimm and M. May while making autodidact studies in abstract painting. After study trips to Italy he became member of the artist group Zen 49. In 1955 he won the Lichtwark prize, followed by numerous other awards. He was professor in Stuttgart and Minneapolis. His works were exhibited at the Documenta II and III, he was honoured with a great retrospective in the Stuttgart Staatsgalerie in 1987. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken a. others. Lit.: Vollmer, Der Neue Rump a. others.

Max Olderock (Hamburg 1895 - Hamburg 1972). Auf nachtblauem Grund. 1960. Öl/Hartfaser, 98,5 x 57,5 cm, r. u. sign. Olderock, verso betitelt, dat. 1960 sowie erneut sign. - Maler, Bühnenbildner, Weber und Werbegraphiker. O. studierte an der Hamburger Kunstgewerbeschule bei A. Kling und M. Brinckmann. Er war Mitglied der Hamburgischen Künstlerschaft und im Deutschen Werkbund. In den 1920er und frühen 1930er Jahren schuf er Arbeiten in den avantgardistischen Strömungen von Expressionismus, Kubismus, Konstruktivismus und Art Déco. Nach dem Krieg konzentrierte er sich weitgehend auf abstrakte Bilder, in die bisweilen gegenständliche Motive einflossen. Mus.: Bern (Kunstmus.), Mönchengladbach u.a. Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989. Olderock, Max (Hamburg 1895 - Hamburg 1972). On Nightblue Ground. 1960. Oil/fibre board, 98,5 x 57,5 cm, lo. ri. sign. Olderock, on the reverse titled, dat. 1960 as well as sign. again. - Painter, stage designer, weaver and commercial artist. O. studied at the Hamburg school of applied arts under A. Kling and M. Brinckmann. He was member of 'Deutscher Werkbund'. He began with expressionist, cubistic, constructivist and Art Déco works, after World War II he turned to abstract paintings. Mus.: Bern (Kunstmuseum), Mönchengladbach a. others Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989.

Kurt Rudolf Sonderborg (Sonderborg 1923 - Hamburg 2008). Ausbruch. Acryl/Lw., 155 x 113 cm, u. Mitte sign. Sonderborg. - Maler und Graphiker, einer der bedeutenden deutschen Vertreter des Informel. S. studierte an der Landeskunstschule Hamburg u.a. bei W. Grimm und M. May, gleichzeitig unternahm er autodidaktische Studien in abstrakter Malerei. Er bereiste Italien und wurde anschließend Mitglied der Gruppe 'Zen 49'. 1955 erhielt er den Lichtwarkpreis der Stadt Hamburg, gefolgt von zahlreichen weiteren Auszeichnungen. S. war Professor in Stuttgart und Minneapolis. Seine Werke wurden auf der Documenta II und III gezeigt, 1987 ehrte ihn eine große Retrospektive in der Stuttgarter Staatsgalerie. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken u.a. Lit.: Vollmer, Der Neue Rump u.a. Sonderborg, Kurt Rudolf (Sonderborg 1923 - Hamburg 2008). Eruption. Acrylic/canvas, 155 x 113 cm, lo. middle sign. Sonderborg. - Painter adn graphic artist of Danish origin, one of the important exponents of Informel in Germany. S. studied at the Hamburg Landeskunstschule under W. Grimm and M. May while making autodidact studies in abstract painting. After study trips to Italy he became member of the artist group Zen 49. In 1955 he won the Lichtwark prize, followed by numerous other awards. He was professor in Stuttgart and Minneapolis. His works were exhibited at the Documenta II and III, he was honoured with a great retrospective in the Stuttgart Staatsgalerie in 1987. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken a. others. Lit.: Vollmer, Der Neue Rump a. others.

Kurt Rudolf Sonderborg (Sonderborg 1923 - Hamburg 2008). Schwarz mit Rot. Öl/Lw., 157 x 108 cm, l. u. sign. Sonderborg. - Maler und Graphiker, einer der bedeutenden deutschen Vertreter des Informel. S. studierte an der Landeskunstschule Hamburg u.a. bei W. Grimm und M. May, gleichzeitig unternahm er autodidaktische Studien in abstrakter Malerei. Er bereiste Italien und wurde anschließend Mitglied der Gruppe 'Zen 49'. 1955 erhielt er den Lichtwarkpreis der Stadt Hamburg, gefolgt von zahlreichen weiteren Auszeichnungen. S. war Professor in Stuttgart und Minneapolis. Seine Werke wurden auf der Documenta II und III gezeigt, 1987 ehrte ihn eine große Retrospektive in der Stuttgarter Staatsgalerie. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken u.a. Lit.: Vollmer, Der Neue Rump u.a. Sonderborg, Kurt Rudolf (Sonderborg 1923 - Hamburg 2008). Black with Red. Oil/canvas, 157 x 108 cm, lo. le. sign. Sonderborg. - Painter adn graphic artist of Danish origin, one of the important exponents of Informel in Germany. S. studied at the Hamburg Landeskunstschule under W. Grimm and M. May while making autodidact studies in abstract painting. After study trips to Italy he became member of the artist group Zen 49. In 1955 he won the Lichtwark prize, followed by numerous other awards. He was professor in Stuttgart and Minneapolis. His works were exhibited at the Documenta II and III, he was honoured with a great retrospective in the Stuttgart Staatsgalerie in 1987. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken a. others. Lit.: Vollmer, Der Neue Rump a. others.

Max Olderock (Hamburg 1895 - Hamburg 1972). Gestalten der Nacht. 1957. Tempera, 69 x 48,5 cm, r. u. sign. und dat. Olderock 57, unter Glas gerahmt, ungeöffnet. - Maler, Bühnenbildner, Weber und Werbegraphiker. O. studierte an der Hamburger Kunstgewerbeschule bei A. Kling und M. Brinckmann. Er war Mitglied der Hamburgischen Künstlerschaft und im Deutschen Werkbund. In den 1920er und frühen 1930er Jahren schuf er Arbeiten in den avantgardistischen Strömungen von Expressionismus, Kubismus, Konstruktivismus und Art Déco. Nach dem Krieg konzentrierte er sich weitgehend auf abstrakte Bilder, in die bisweilen gegenständliche Motive einflossen. Mus.: Bern (Kunstmus.), Mönchengladbach u.a. Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989. Olderock, Max (Hamburg 1895 - Hamburg 1972). Creatures of the Night. 1957. Tempera, 69 x 48,5 cm, lo. ri. sign. and dat. Olderock 57, matted and framed under glass, uninspected out of frame. - Painter, stage designer, weaver and commercial artist. O. studied at the Hamburg school of applied arts under A. Kling and M. Brinckmann. He was member of 'Deutscher Werkbund'. He began with expressionist, cubistic, constructivist and Art Déco works, after World War II he turned to abstract paintings. Mus.: Bern (Kunstmuseum), Mönchengladbach a. others Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989.

Kurt Rudolf Sonderborg (Sonderborg 1923 - Hamburg 2008). 11.III.87. 1987. Tusche/Bütten, 108 x 74,5 cm, r. u. sign. und dat. Sonderborg 11.III.87, unter Glas gerahmt, ungeöffnet. - Maler und Graphiker, einer der bedeutenden deutschen Vertreter des Informel. S. studierte an der Landeskunstschule Hamburg u.a. bei W. Grimm und M. May, gleichzeitig unternahm er autodidaktische Studien in abstrakter Malerei. Er bereiste Italien und wurde anschließend Mitglied der Gruppe 'Zen 49'. 1955 erhielt er den Lichtwarkpreis der Stadt Hamburg, gefolgt von zahlreichen weiteren Auszeichnungen. S. war Professor in Stuttgart und Minneapolis. Seine Werke wurden auf der Documenta II und III gezeigt, 1987 ehrte ihn eine große Retrospektive in der Stuttgarter Staatsgalerie. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken u.a. Lit.: Vollmer, Der Neue Rump u.a. Sonderborg, Kurt Rudolf (Sonderborg 1923 - Hamburg 2008). 11.III.87. 1987. Ink/wove paper, 108 x 74,5 cm, lo. ri. sign. and dat. Sonderborg 11.III.87, framed under glass, uninspected out of frame. - Painter adn graphic artist of Danish origin, one of the important exponents of Informel in Germany. S. studied at the Hamburg Landeskunstschule under W. Grimm and M. May while making autodidact studies in abstract painting. After study trips to Italy he became member of the artist group Zen 49. In 1955 he won the Lichtwark prize, followed by numerous other awards. He was professor in Stuttgart and Minneapolis. His works were exhibited at the Documenta II and III, he was honoured with a great retrospective in the Stuttgart Staatsgalerie in 1987. Mus.: Hamburg (Kunsthalle), Düsseldorf, Bonn, Emden, Stuttgart, Saarbrücken a. others. Lit.: Vollmer, Der Neue Rump a. others.

Max Olderock (Hamburg 1895 - Hamburg 1972). Engel. 1956. Tempera, 69 x 49 cm, r. u. sign. und dat. Olderock 56, unter Passepartout und Glas gerahmt, ungeöffnet. - Maler, Bühnenbildner, Weber und Werbegraphiker. O. studierte an der Hamburger Kunstgewerbeschule bei A. Kling und M. Brinckmann. Er war Mitglied der Hamburgischen Künstlerschaft und im Deutschen Werkbund. In den 1920er und frühen 1930er Jahren schuf er Arbeiten in den avantgardistischen Strömungen von Expressionismus, Kubismus, Konstruktivismus und Art Déco. Nach dem Krieg konzentrierte er sich weitgehend auf abstrakte Bilder, in die bisweilen gegenständliche Motive einflossen. Mus.: Bern (Kunstmus.), Mönchengladbach u.a. Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989. Olderock, Max (Hamburg 1895 - Hamburg 1972). Angel. 1956. Tempera, 69 x 49 cm, lo. ri. sign. and dat. Olderock 56, matted and framed under glass, uninspected out of frame. - Painter, stage designer, weaver and commercial artist. O. studied at the Hamburg school of applied arts under A. Kling and M. Brinckmann. He was member of 'Deutscher Werkbund'. He began with expressionist, cubistic, constructivist and Art Déco works, after World War II he turned to abstract paintings. Mus.: Bern (Kunstmuseum), Mönchengladbach a. others Lit.: Vollmer, Der Neue Rump, Wagner: M. O. - Ein Hamburger Expressionist, 1989.

Schreibtischset, WMF, um 1900, Legierung XO, Kiefernzweigdekor, Leuchter, Schale, Löschwalze, dazu eine kl. Briefmarkendose mit abstr. geom. DekorDesk set, WMF, around 1900, alloy XO, pine branch decor, candlestick, bowl, blotting roller, with a small Stamp box with abstract geometrical decor

Loïc TUHAL (1968) Abstract. Oli on canvas, signed. Abstract. Olie op doek, getekend. 90 x 120 cm

Bram VAN VELDE (1895-1981) Abstract composition. Lithograph, signed and numbered 25/100. Abstracte compositie. Lithografie, getekend en genummerd 25/100. 38.5 x 29.5 cm

René Guiette ( 1893 – 1976 ) Lithogarphy 'Abstract' Signed and numbered 57/100. Lithografie ‘Abstract‘ Getekend en genummerd 57/100 58 x 38 cm

Bram VAN VELDE (1895-1981) Abstract composition. Lithograph, signed and numbered 64/100. Abstracte compositie. Lithografie, getekend en genummerd 64/100. 27.5 x 19.5 cm

Guy VANDENBRANDEN (1926-2014) Abstract composition. Oil on canvas, signed and dated 5-86. Abstracte compositie. Olie op doek, getekend en gedateerd 5-86. 90 x 90 cm

A framed painting of an abstract nude sculpture 'Flint Figure' by Davd Imms 1984 in watercolour and gouache. 62.5 x 44.5cm. Frame 88 x 69cm.Condition ReportVery good condition.

Paul Jackson studio pottery jug in a multi coloured abstract design. Signed to base c2000. 16cm h.Condition ReportGood condition, slight glaze crazing.

Anthony Baynes Oil on canvas abstract still life - Approx IS: 60cm x 50cm

Anthony Baynes Oil on canvas abstract scene - Approx IS: 59cm x 49cm

Anthony Baynes Oil on canvas abstract scene with figure - Approx IS: 55cm x 45cm

Anthony Baynes oil on canvas abstract still life - Approx IS: 31cm x 26cm

Quantity (7) of HANDBOOKS, BROCHURES & BOOKLETS comprising c1920 AEC Model 5 handbook (hardback), 1950s Brush & Park Royal brochures, 1946 Leyland 50 years booklet, 1935 London Transport Tramways Statutory Rules & Orders booklet, 1910 Public Carriages Abstract of Laws book and 1947 'LT Carried On' booklet. Generally in good to very good condition. [7]

Gino Hollander (1924-2015) AmericanSailing boatsSigned and dated. (19)63, oil on canvas, 83cm by 163cmBorn in New Jersey in 1924, Gino Hollander was a painter who began his artistic life in New York in 1960 during the height of the abstract expressionist movement, following a successful career as a filmmaker. Part of the illustrious group of abstract expressionist artists working in New York at this time, Hollander was one of the first artists to explore the potential of the versatile and vivid new acrylic paints. After setting up his first studio and gallery on Bleeker Street in Greenwich Village, Hollander moved his family to Spain, where he found his voice as an artist separated from the rest of the art world.Drawing on a life filled with adventure, Hollander used his paintings to express the human condition and his own inner world. In his words "painting provides me with a constant mirror of my being".Hollander would eventually move back to the United States, having established a string of galleries around the world. His work is held in numerous public and private collections.

Glyn Colledge (1922-2000) at Denby Pottery: A Cheviot Ware Elliptical Bowl, mid 1950s, CH511, abstract sgraffito drawn with stylised leaves and patterns, on a matt black ground, printed factory mark and signed by Glyn, 16.5cm wide, 9.5cm high (the original price 39/6); A Tray, on a matt khaki ground, printed factory mark and signed by Glyn, 29cm wide; and A Platter, CH512, on a matt khaki ground, printed factory mark and signed by Glyn, 21cm wide (the original price 34/6) (3)Condition report: The platter has popped air bubbles. Otherwise all three are in good order. Stoneware.

Resin and pottery figures of women, some in abstract form, a model of a Chinese man, a Teddy bear figure and a model of rabbits **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

KÜNSTLER 20. Jh., "Abstrakte Komposition", Farblithographie/Papier, unten mittig mit Bleistift num. 25/25, undeutlich signiert und datiert (19)67, HxB: Platte ca. 34x47 cm, Blatt ca. 73x57 cm, Außenmaße Rahmen ca. 82x64,5 cm. Gebräunt, Knicke, Einrisse und Flecken an den Blatträndern. Mit verglastem Rahmen.| ARTIST 20th century, "Abstract Composition", color lithograph / paper, bottom center with pencil num. 25/25, indistinctly signed and dated (19) 67, HxW: plate approx. 34 x 47 cm, sheet approx. 73 x 57 cm, external dimensions of frame approx. 82 x 64.5 cm. Browned, creases, tears and spots on the sheet margins. With a glazed frame.

SPROTTE, SIEGWART (1913-2004), "Abstrakte Küstenlandschaft", u.li. signiert und datiert 'S. Sprotte 73', Aquarell/Japanpaier, HxB: Blatt ca. 21x15 cm, Außenmaße Rahmen ca. 52x42 cm. Leicht gebräunt, minim. Knickspuren an den Ecken. Mit Passepartout hinter Glas gerahmt (Alters- und Beriebspuren).| SPROTTE, SIEGWART (1913-2004), "Abstract Coastal Landscape", below left signed and dated 'S. Sprotte 73 ', watercolor / Japanese paper, HxW: sheet approx. 21x15 cm, outer dimensions frame approx. 52x42 cm. Slightly browned, minimal. crease marks on the corners. Framed behind glass with a passepartout (Signs og age and rubbing).

 Terry Frost (1915-2003) Print entitled June, red & black, (abstract boat shapes), published by The Tate Gallery with permission from the estate of Sir Terry Frost.   Frame size approx 21 ¾ x 17 inches (Glazed) 

Eddie Bianchi (act. 1975-1995) A portfolio/folder of modernist abstract etchings, linocut, block prints some initialled or name stamped, proofs etc, All mounted but unframed 5 x in total. Plus a collection of 6 x female nude works in pastels and charcoal all signed Jean Roberts.

A large abstract print (107cm x 74cm) COLLECT ONLY

A large abstract print of trees (frame 74cm x 75cm) COLLECT ONLY

A large abstract print (107cm x 74cm) COLLECT ONLY

A large abstract print of trees (frame 74cm x 75cm) COLLECT ONLY

Ausgefallenes Designer Collier, 925er Silber, abstrakte Formgebung mit plastischen Kugeln, D. ca. 12 cm, sign. 'Relo', ca. 56 g, FederringschließeUnusual design necklace , silver 925, abstract form with vividly spheres, diam. approx. 12 cm, signed with 'Relo', approx. 56 g, bolt ring clasp

Paar Platin Ohrstecker mit Brillanten, Pt 950/000, Ohrstecker mit beweglicher abstrakt gestalteter Abhängung, teilw. aus GG 750/000, 2 Brillanten zus. ca. 0.04 ct Weiß/si, total ca. 4.9 g, L. ca. 19 mmPair of platinum earrings with brilliants , Pt 950/000, earrings with movable abstract suspension, partly made of YG 750/000, 2 brilliants total approx. 0.04 ct Wesselton/si,total approx. 4.9 g, l. approx 1.9 cm

Konvolut 14 kt Gold Schmuck mit Lapislazuli, GG 585/000, best. aus: 1 Paar Ohrstecker mit Lapislazulihalbperle, insg. D. ca. 12 mm, und 1 Ring mit abstraktem Ringkopf, zentral Lapislazulikugel, D. ca. 6 mm, RW 57, total ca12.2 gLot 14 kt gold jewelry with lapis lazuli , YG 585/000, comprised of: 1 Pair of earrings with lapis lazuli half-pearl, total diam. approx. 12 mm, and 1 ring with abstract shapedring head, central lapis lazuli sphere, diam. approx. 6 mm, ringsize 57, total ca 12.2 g

English School (20th century): Abstract and Folklore, linocut indistinctly signed and titled 25cm x 20cm