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Lot 2263
A South Sea Mabé Pearl and Diamond Ring, the central South Sea mabé pearl within an abstract border of marquise cut and round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 3.60 carat approximately, finger size LNB: the pearl has not been laboratory tested.Condition report: The ring is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The pearl measures 15.27mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 13.7 grams. CR made 23.09.21.
Lot 2294
A Grey Baroque Cultured Pearl and Rutilated Quartz Necklace and Ring, by Jutta & Tom Munsteiner, of abstract design, the single row of thirty-seven graduated grey baroque cultured pearls interspaced with five graduated crescent-shaped discs of rutilated quartz, length 51.5cm; and a ring of similar design, a single grey cultured pearl within a crescent-shaped disc of rutilated quartz, in a white rubbed over setting, finger size N1/2Condition report: There is damage to two of the rutilated quartz sections in the necklace near the drill holes otherwise the pieces are in good condition. The necklace fastens with a polished ball clasp. The ring is stamped 'Pt950' and in our opinion would test as platinum. The cultured pearls in the necklace measure 10.6mm - 8.1mm approximately. The cultured pearl in the ring measures 13.3mm approximately. Gross weight 124.6 grams. CR made 01.09.21.
Lot 2297
A Diamond Double Band Ring, by Ursula Scholz, of abstract design, the matte yellow band with a raised brilliant cut diamond in a rubbed over setting, to a matte white three-quarter band, estimated diamond weight 0.35 carat approximately, finger size PCondition report: The ring is in good condition. It is stamped '750' and 'Pt950' and in our opinion would test as gold and platinum. It is also stamped 'URS' for Ursula Scholz. The approximate qualities of the diamond are; colour J/K, clarity I2/I3. Gross weight 13.1 grams. CR made 29.09.21.
Lot 50
Bó YÚN 薄云 (1948)Abstract Landscape Oil on canvas Signed Inscriptions to verso 72 x 160cmBó YÚN 薄云 b. 1948, Professor at the Art Academy of Tsinghua University, BeijingBo Yun graduated from the affiliated School of the Central Academy of Fine Arts in 1967 and from the Central Academy of Fine Arts, Beijing in 1980. In 1979, Bo Yun joined a group of 23 young artists known as the 'Stars', who made history by hanging their politically incorrect paintings on the railings outside the China Art Gallery, where they were not allowed to exhibit. This act of defiance set the stage for an era of liberation for future artists. Widely exhibited internationally in group and solo exhibitions at Central Academy of Fine Arts, Beijing, Paris, Osaka, Kobe, China Arts Gallery Beijing, Hong Kong, Taipei, the Mexican Embassy in Beijing, Michigan, Dusseldorf, Seattle, Chicago etc.Condition report: This oil is in excellent condition but for some areas of paint shrinkage, we believe the work to be stableProvenance: These works by Bó Yún 薄云 b.1948 belong to a private collector, they were purchased through an art dealer in London and have spent the past few years hung in their private Hong Kong residence.
Lot 49
Bó YÚN 薄云 (1948)Abstract Landscape Oil on canvas Signed Inscriptions to verso 100 x 180cmBó Yún 薄云 b.1948Professor at the Art Academy of Tsinghua University, Beijing.Bo Yun graduated from the affiliated School of the Central Academy of Fine Arts in 1967 and from the Central Academy of Fine Arts, Beijing in 1980. In 1979, Bo Yun joined a group of 23 young artists known as the 'Stars', who made history by hanging their politically incorrect paintings on the railings outside the China Art Gallery, where they were not allowed to exhibit. This act of defiance set the stage for an era of liberation for future artists. Widely exhibited internationally in group and solo exhibitions at Central Academy of Fine Arts, Beijing, Paris, Osaka, Kobe, China Arts Gallery Beijing, Hong Kong, Taipei, the Mexican Embassy in Beijing, Michigan, Dusseldorf, Seattle, Chicago etc.Condition report: This picture is in near perfect condition but for a 4mm chip to the paint. (see image)The paint has shrinkage and cracking which we believe to be a technique of the artist.Provenance: These works by Bó Yún 薄云 b.1948 belong to a private collector, they were purchased through an art dealer in London and have spent the past few years hung in their private Hong Kong residence.
Lot 54
Esther Carp (Polish, 1897-1970)'Composition No3'signed 'Ester Carp' (lower right); further signed, titled and inscribed with artist's address 'Ester Carp Composition No3/12 rue Perceval Paris' (on stretcher verso) oil on canvas 55.3 x 40cm (21 3/4 x 15 3/4in).Footnotes:Born near Warsaw, Esther Carp was raised into a family of musicians. She studied painting in Vienna and moved to Paris in 1925. There, she discovered Nissim Camondo's Collection and found inspiration in the works of Alfred Sisley and Paul Cézanne. In 1931, at the age of 33, Carp had her first solo exhibition. This was organised by the merchant and patron of Amadéo Modigliani, Léopold Zborowski and held in his gallery at 26 rue de Seine in Paris. She also exhibited at the Salon des Artistes Indépendants, Salon des Tuileries and Salon d'Automne, as well at the Union des Femmes Françaises and the Salon de Mai in 1949.In 1961, the famous art critic Waldemar George wrote: 'Esther Carp's work cannot easily be placed in any existing category of the School of Paris. Born in Poland, she lived in France and assimilated certain techniques of Italian Futurism as well as elements of composition derived from French Cubism in her almost abstract works, she achieves a completely different goal by breaking down colours into spots analogous to those of pointillism, thus suggesting movement or even stereoscopy.'1. She described herself as 'musicaliste'.1 Waldemar George, The School of Paris in 'Jewish art: an illustrated history', McGraw-Hill, New York, 1961, p. 692.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 268
Emvin Cremona (Maltese, 1919-1987)Untitled abstract signed and dated 'Cremona 72' (lower left) oil on canvas 79.3 x 79.3cm (31 1/4 x 31 1/4in).Footnotes:ProvenanceWith The Zaydler Gallery, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 206
Gopal S. Adivrekar - Abstract, 20th century oil with encaustic and mixed media on canvas, signed and dated '72, 92cm x 76cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 240
Sandra Whitmore - Abstract, early 21st century mixed media, signed with initials, 27cm x 27.5cm, within a white frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 372A
MAGLISKE? “Children playing, with trees and rainbow”, abstract study, print on silvered paper, limited edition No'd. 29/75, indistinctly signed lower right, together with ROGER GRÉF “Abstract study with bubble effect”, mixed media, signed lower right, CHINESE SCHOOL “20th Century silk work study of pea fowl and other birds amongst prunus blossom with script”, G ANNWALL “Six women in ball dresses”, colour print, limited edition No'd 56/300, inscribed in Swedish and No'd lower right, together with another Swedish colour print, AFTER RENÉ GRUAU “Ladies in red”, colour prints, two circa 2003 and a set of three framed and glazed 20th Century black and white prints of Continental monarchs after the 17th/16th Century originals
Lot 280
20th century British School, landscape with figures to foreground. Oil on canvas. Framed. Image size 51 x 76cm, together with Bryan Wakefield (20th century British), 'Breadfield'. Oil on canvas. Signed lower right. Annotated verso. Framed. Image size 53 x 82cm, Gomer Lewis (British, 1921-1994), 'The Net'. Oil on board. Annotated verso. Image size 92 x 91cm, G. Terence (20th century British), pair of abstract oil on board compositions. Annotated verso. Image sizes 71 x 56 and 61 x 76cm, Gomer Lewis (British, 1921-1994), 'Miss T.' (1967). Oil on board. Annotated verso. Image size 117 x 61cm. (6)
Lot 2584
A 9ct yellow gold diamond set abstract openwork heart pendant, suspended from an open curblink chain with a bolt ring clasp, pendant set with twelve Princess cut diamonds, dimensions each approx 2 x 1.7 x 1.3mm, total weight estimated as 0.36 carats, pendant dimensions 27 x 20mm, chain length 480mm, width 2mm, gross weight 9.8g, hallmarked 9ct, Birmingham, no date, sponsor WEB
Lot 1029
A collection of 20th century ceramics including a Poole Pottery vase of oval form with painted detail and impressed mark to base 542, 18.5 cm tall approximately, further Poole Pottery wares including an orange ground open bowl with abstract detail, a jug and bowl and a further floral bowl, together with a Royal Winton pink ground lustred jug with painted floral detail, a Noritake bowl with plated rim, a Carn pottery vase of asymmetrical form, 17.5 cm tall etc, together with an early 19th century pewter tankard, etc (collection)
Lot 238
Terance James Bond 20th century school, study of a drake tufted duck, watercolour and gouache on paper, signed and dated 73, with label verso from Ipswich gallery, 29.5 x 43.5 cm approximately, together with a further watercolour by the same hand of a long tailed titmouse also signed and dated 73 also with Ipswich gallery label verso, 32 x 21.5 cm approximately, an abstract study - Anenome II with label verso Amanda Barton, and two signed colour prints of winter scenes, all framed (5)
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65024 item(s)/page