Luna has been created to represent folk law surrounding hares and The Moon. Luna is painted all over with a celestial theme. A Prussian Blue base, with grasses and wildflowers around her haunches representing morning, moving through a gold starry night sky to the gently glowing golden full moon on her forehead. Her three crescent moons represent the power of 3: the past, the present and the future. Artist: Nicola WarnerNicola is an eclectic artist mindfully creating whimsical watercolours and mixed media pieces, with a love of gold. Nicola's abstract art is often highly textured and many pieces feature her signature gold/brass leaf in amongst the mixed media and collages to which she is drawn. Conversely, some of her smaller 'lighter' pieces feature vintage inspired watercolours and home-made botanical inks. Intuitive, and using a varied colour palette, her work appeals to a variety of tastes. Nicola is also a keen photographer and uses her digital skills to create wall art. Sponsor: Clarke & SimpsonClarke and Simpson are a multi-disciplined independent and progressive firm of chartered surveyors. We deal in all aspects of rural property and are one of the leading firms of auctioneers in the county of Suffolk. We routinely sell chattels, property and machinery at auction, both on location and from our Campsea Ashe base.https://www.clarkeandsimpson.co.uk/ Measures approx. 17 inches deep x 12 inches wide x 36 inches high
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Burnie is burning up. Anna has used her abstract style of painting and the colours of the sponsor, Exemplifire's branding to create a bright and playful piece of art. Each aspect of Burnie's combusting represents the elements of fire. There is the graphic design of the flame, subjective interpretations of smoke and white dots and spots to represent the ash. Artist: Anna PartingtonAnna is an artist and photographer who lives in Pulham Market. Her abstract artwork is based on intuitive mark-making, patterns and line-work and she has been working on a project about the connection between dyslexia, learning and doodling. She also loves landscape and botanical photography and produces limited edition prints that she sells online. Anna studied at Falmouth University where she did a foundation in art and design and then a degree in press and editorial photography Sponsor: ExempliFire LimitedExperts in fire prevention and safety we pride ourselves on our comprehensive and specialist fire risk assessments including ongoing advice and competitive pricing for resulting remedial works. We also offer installations of fire alarm systems, emergency lighting and CCTV, as well as ongoing maintenance and repairs. Additional services include domestic and commercial electrical works - all with exceptional customer service!https://www.exemplifire.co.uk/ Measures approx. 42 inches long x 19 inches wide x 18 inches high
This beautiful blue and green hare shows in abstract how the forests and rivers of Suffolk work together in synergy; recognising the complex relationship between forest and river, over time and space. Artist: Rachael ConstantineRachael took the leap into self-employment founding Cora Studios in 2019 having worked in the education sector. She is now a full-time freelance illustrator and graphic artist and is terrified and elated in equal measure! Supporting clients with a wide range of disciplines, including graphic art, digital marketing and communication, illustration, and website design, she is never ever bored! Rachael is an East Anglian through and through; born in Cambridge, raised in Suffolk, and now living on the Norfolk Broads. Rachael feels privileged to have had the opportunity to design her own Hare this year, after designing the logo and marketing literature since the trail began. Sponsor: Healthy at HomeEvery lunchtime we deliver tasty hot meals within North Suffolk and South Norfolk. All meals and desserts are lovingly made with fresh, local products and freshly cooked each morning. Along with our lunch delivery we offer a stew or soups and sandwich or teatime tray for later in the day. There are no ties, no contracts or delivery charges.https://healthyathome.online/ Measures approx. 17 inches deep x 12 inches wide x 36 inches high
λ Bruce Tippett (British 1933-2017) Untitled (Abstract Landscape), a pair Ink One signed and dated 'Tippett 1977' (lower right) the other signed, inscribed and dated 'The magic rock/ Tippett 1977' (lower right) One 35 x 119cm (13¾ x 46¾ in.); the other 36 x 114cm (14 1/4 x 44 7/8in.) (2) Condition Report: Under glass, unexamined out of glazed frame. Both appear to be in good original condition. Condition Report Disclaimer
λ Bruce Tippett (British 1933-2017) Abstract, 2008 Acrylic on canvas Signed and dated 'Tippett 2008' (lower left), signed and dated again 'Tippett 2008' (on the canvas overlap 80 x 80cm (31¼ x 31¼ in.) Condition Report: No significant condition issues, appears to be in good original condition. Condition Report Disclaimer
Giuseppe Capogrossi (Italian 1900-1972), 'Opale 3'. Original lithograph. 1971-72 , hand signed, edition number 79/80, excellent condition, 35cm x 50cm, framed and glazed. Giuseppe Capogrossi participated in many group exhibitions in the 1930's in Rome, Venice, Milan and Paris, and in 1934 was one of the artists exhibited at the Western Art Museum’s ‘Exhibition of Contemporary Italian Painting’ in San Francisco. In the years following the Second World War his work changed to be more abstract, and he was part of the 1948 Summer Olympics. He subsequently became one of the main exponents of Italian informal art.
An interesting collection of Modern brooches including silver Scandinavian brooches and a Lea Steincomprising a green enamelled Norwegian leaf brooch, an Aksel Holmsen silver white enamelled abstract brooch, an Aarre & Krogh silver leaf brooch and another, a large Swedish silver and marcasite set fancy 'sabre' brooch, a stylised Danish silver cat brooch, a Lea Stein acrylic fox brooch, an enamelled silver pixie brooch, a silver panther brooch, a large silver mounted enamel deer brooch and others (17) length of Lea Stein 9ctCondition: The former leaf brooch with replacement pin. The enamelled brooch by Homlsen with a little wear around the edges but no major damage to the enamel. The Lea Stein brooch is in tact but a chip to the reverse of the brooch The pixie with some damage to enamel around the boot area and pin replaced.
PETER STANAWAY (born 1943); acrylic on canvas, abstract still life, signed lower left , 29 x 21cm, framed. (D)Additional InformationImage is good, frame with minor wear, scuffs and knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KERRY DARLINGTON (born 1974); original abstract, 'Ahyis', signed, with certificate of authenticity dated 2014, 86 x 40cm, framed. (D)Additional InformationOverall in very good condition, just a couple of tiny knocks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KERRY DARLINGTON (born 1974); original abstract, vase of flowers, signed, further signed by the artist verso, with certificate of authenticity detailing artist's biographical details, 35 x 35cm, framed. (D)Additional InformationOverall good condition, just a couple of tiny knocks to frame. Size of the frame 56 x 56cmThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LANYON; oil on canvas, abstract study, bears signature lower right, 40 x 50cm, framed and glazed. (D)Provenance: private collection London.Additional InformationPresented in good condition with just a few scuffs to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ANDREW SMITH (Contemporary); lithograph, 'Big Red Percolator (Plane): Blue Point on Silver Grey Disc', abstract study, signed with monogram and dated '96 to image lower right, further titled and signed to mount, 100 x 77cm, framed and glazed. (D)Additional InformationImage good, general wear to the frame, some spots of paint to the glass, frame somewhat loose.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
TADEUSZ WAS (Polish, 1912-2015); mixed media, three figures, initialled and dated '96, 46 x 37cm, bearing an abstract mixed media to the reverse. (D)Additional InformationThe painting is framed with glass on each side so that the item can be displayed from both sides. The image is good. The frame with minor knocks and wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KERRY DARLINGTON (born 1974); original abstract, 'Tree of Harmony', signed, inscribed on Buckingham Fine Art label verso and with further certificate detailing artist's details, 67 x 76cm, framed. (D)Additional InformationOverall in good condition, just a couple of knocks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CONTEMPORARY BRITISH SCHOOL; a pair of screen prints, abstract studies, each indistinctly signed lower right and dated 97, the largest 85 x 61cm, both framed and glazed (2).Additional InformationBoth frames with some general wear and scuffs, the mounts are slightly undulated to the bottom but the prints are generally ok.
ALBERT BARLOW (born 1944); oil on panel abstract, signed and dated ‘08 verso, 19.5 x 28.5cm, together with a further oil on panel abstract by the same hand, 19.5 x 14.5cm, each framed (2). (D)Additional InformationImages are good, each of frames with minor knocks and marks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MICHAEL J WOOD (born 1959); pastel, 'Abstract (untitled)', signed lower left, further signed, titled and dated 2007 verso, 23.5. x 23.5cm, framed and glazed. (D)Footnote: Michael Wood was born in Manchester in 1959 and studied art and design at Stockport Art College before working as a designer illustrator in the advertising industry in Manchester; he later went on to exhibit at the TIB Gallery, Manchester Academy of Fine Arts, Royal Academy Summer Exhibitions, Southford Art Gallery, Salthouse Gallery St. Ives and further.Additional InformationImage appears good, light wear and nibbles to frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KERRY DARLINGTON (born 1974); original abstract, 'Masuan', signed, with certificate of authenticity dated 2013, further inscribed verso 'Enjoy your painting, Kerry Darlington', 86 x 40cm, framed. (D)Additional InformationOverall in very good condition, just a couple of small knocks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KERRY DARLINGTON (born 1974); original abstract, 'Katmai', signed, with certificate of authenticity dated 2013, further inscribed verso 'Kerry Darlington woz here 28/09/2013', 86 x 40cm, framed. (D)Additional InformationOverall in very good condition, just a couple of tiny knocks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MODERN BRITISH SCHOOL; oil on canvas, abstract study with a waving figure and two faces behind, 105.5 x 181cm, in modern gilt frame.Additional InformationThere is a small area to the lower part of the raised hand where the canvas has been pushed and stretched slightly. A small chip to the paint to the bright yellow section on the neck of the main figure. Canvas is slightly loose. Frame with minor rubbing.
Ruby and diamond bracelet, abstract, bark effect design, set with round brilliant cut diamonds and pear cut and marquise cut rubies, estimated total diamond weight 6.15 carats, in stamped 18 ct plat, length 18cm, with a concealed claspCondition Report: Gross weight approximately 97.88 gramsEstimated colour G-HEstimate clarity SI
Three trays of carved wooden items to include; carved root wood figures of fish, animals and birds, carved crocodile figure, soap dishes, small bowl, abstract figure of a seated man, horn or simulated horn viniagrette, carved wooden hands, banksia wood mushroom, barrel shaped vase with inset mother of pearl, painted canister with lid, carved lion, figure playing a saxophone, bamboo carved vase etc. (3)(B.P. 21% + VAT)
THE PRIVATE PROPERTY OF A NOBLE ITALIAN LADYA RARE RETRO SAPPHIRE AND DIAMOND 'TUBOGAS' BRACELET, BY BULGARI, CIRCA 1940The large coiled gold tubogas bracelet, with two spherical terminals highlighted with sapphire cabochons and brilliant-cut diamonds within collet-setting, mounted in 18K gold, indistinct maker's mark, size extendableAccompanied by a certificate of authenticity from Amanda Triossi, author & specialist on Bulgari, former curator of the Bulgari Heritage Collection and curator of all the first major Bulgari retrospective exhibitions from 2009 to 2013, stating that this bracelet was manufactured for and retailed by Bulgari and dates from the 1940s. Certificate dated 9th August 2021, in Rome.A similar tubogas brilliant-cut diamond bracelet by Bulgari illustrated page 98, 'Twentieth-Century Jewelry, Art Nouveau to Modern Design', by Lodovica Rizzoli EleuteriThe iconic flexible gold braid of the Tubogas shape debuted in the 1940s, and has since become a signature of the brand, seen in everything from Bulgari’s bracelets and watches to their rings. In creating the Tubogas, Bulgari took advantage of the great malleability of yellow gold to produce a work of art, revolutionising the concept of movement in jewellery. The Tubogas shape is formed by wrapping long bands of gold around a wood or copper core over several hours of highly skilled craftsmanship. The technique was developed in Italy in the late 1930s and ingeniously mimics industrial gas piping. The origin of its name derives from a clever take on the Italian tubo gas, literally translating as ‘gas tube’. As the bands are coiled, their rounded contours interlock to conceal their inner structure, creating a smooth and fluid finish. The result of such intricate craftsmanship is supple, springy and comfortable, with the sleek and sensual appearance of a serpent’s twist which allows the metal to expand or contract with the shape of the wearers wrist or finger. From the time of its first launch, the creation of the Tubgogas bracelet marked the Roman jewellery house as an innovator. Since then, the continued success of the Tubogas is testament to its flawless design and desirability.This particular piece is a variation of the original Serpenti Tubogas bracelet which emerged in the 1950s, during which time Bulgari began to experiment with more abstract Tubogas pieces. The yellow gold bands are characteristically juxtaposed with unusual colour combinations of contrasting precious gemstones, such as diamonds, sapphires, emeralds or coral.The Serpenti Tubogas and other forms of the Tubogas silhouette continue to be hugely popular today. Despite their many incarnations since the 1940s original bracelets and timepieces, the core craftsmanship of creating such a piece remains exactly the same. Made in the largest jewellery manufacturing facility in Europe at Bulgari’s Valenza workshop, Bulgari have since experimented with different materials to create unique chromatic effects, including yellow gold and white gold or yellow gold and steel alternating on the wrist. Irrespective of what development the Tubogas will move towards next, it remains a beacon of jewellery innovation, a feat of craftsmanship and an integral element of Bulgari’s design identity.Condition Report: Sapphires: of blue hue, medium tone, some show abrasions due to wear visible under a bright light source, some wear visible on some collet settings due to normal wearDiamonds: bright and well matched, some wear visible on some collet settings due to normal wearStamped 750 for 18K goldItalian maker's mark: rubbed due to wear, unable to distinguishTotal gross weight approx. 139.40g
A DIAMOND BROOCH, BY RAYMOND TEMPLIER, CIRCA 1958Composed of a stylised flowerhead, the polished gold petals with ropetwist detailing throughout, centring brilliant and single-cut diamond pistils to further similarly-cut diamond accents, mounted in 18K gold, diamonds approximately 2.50cts cts, maker's mark 'PRT' for Paul & Raymond Templier, French assay marks, length 5.8cmThe Parisian jewellery Raymond Templier (1891-1968) was one of a small group of innovative Art Deco designers known as ‘bijoutiers-artistes’. These were innovative, radical, artist jewellers in contrast to the ‘bijoutiers-joaillers’ in France in the first quarter of the 20th century, the latter of whom encompassed the more moderate and well established and famous jewellery houses. Templier came from a traditional jewellery family and grew up around the family business which his grandfather Charles had founded in 1849. However, after he joined the Templier firm in 1919, Raymond was determined to redefine Maison Templier in order to produce more innovative and for its time, radical designs. Bijoutiers-artistes such as Templier produced work in a minimal, geometric style that looked towards contemporary artistic movemts such as Cubism and were inspired by the imagery of industrial production and the machine age. Similarly, Art Deco’s love of geometric form which had initially flourished in the worlds of architectural design and the visual arts throughout the 1920s and 30s, similarly became absorbed into jewellery design and influenced the work of Templier. The geometric motifs of Templier’s jewellery thus reflect the dynamism of modern urban culture and the mechanised world, earning him the reputation of ‘architect of the jewel’.In 1929, Templier helped found the French Union of Modern Artists, a collective that also included Charlotte Perriand, Robert Mallet-Stevens, Eileen Grey and Sonia Delaunay. The aim of this association was to promote and uphold modern art, which Templier believed had to originate from contemporary life. He and his fellow jewellers produced monumental pieces including imposing bangles, sculptural rings and large pendants. He became one of the leading proponents in France of the Art Moderne movement and created some of the most iconic pieces of the period such as the diadem and earrings worn by the actress Brigitte Helm in the 1928 film L’Argent.Templier officially took over his father’s business in 1935, allowing him free reign on the business he had long strived to establish as a house which championed Modern and Art Deco design. Following the Second World War, Templier continued to make pieces, including the lot in this sale from the 1960s. In his later years, Templier made a return to the somewhat more traditional approach of his ancestors. Although he continued to be inspired by the Art Deco period of the 1920s and 30s, his later work transitioned from pieces that were almost entirely free of decorative ornamentation, to creations which of the more classical style, albeit still celebrating the Modernist style. As such, Templier exhibited his skill at acclimatising to his environment and catering for a new generation of clientele in the 1960s. The post-war period witnessed a shortage in platinum, so jewellers such as Templier made a return to gold. Although his style remained largely abstract in jewellery terms, Templier’s designs of this era are less figurative and were inspired by smoother lines drawn from nature. Today, Raymond Templier’s jewellery forms part of some of the world’s most famous museums including the V&A in London, The Met and the Musee des Arts Decoratifs in Paris. Raymond died in 1968 and is remembered for both his pioneering of the Modernist jewellery as well as his unique skill of combining in his later pieces a sense of traditionalism alongside a subtle twist of Art Deco.Condition Report: Eagle's head for French 18K gold located on pin and reverse of broochMaker's mark located on the reverse at about 6 o'clockPin on the reverse is a little stiffNormal signs of wear, overall in good conditionTotal gross weight approx.: 25.54g
Georg Jensen: a Danish silver and enamel brooch designed by Henning Koppel, No. 323, with post 1944 hallmark, import mark for London 1965, designer’s initials ‘HK’, numbered ‘323’, length 6.2cm. £150-£200 --- Henning Koppel (1918-1981) is regarded as one of the most highly original designers of the 20th century. Born in Denmark, he trained in drawing, studying at the Royal Danish Academy of Fine Arts and then at the Acaemie Rancon in Paris. Koppel passed the Second World War in Stockholm, but in 1945 he returned to Denmark to work for the Georg Jensen Silversmithy. During the late 1940s and 1950s he introduced bold abstract sculptural forms to the Jensen repertoire, focusing initially on jewellery and in later years moving towards hollowwares. He also designed porcelain, lamps and furniture for other Danish makers and won numerous awards.
A cultured pearl brooch, ring and earring suite, each of abstract cluster design, set with baroque pearls, the ring with old brilliant-cut diamond highlights, the earrings and brooch with circular-cut white stone highlights, brooch stamped ‘14K’, brooch length 7cm, ear clip length 24mm, ring size M. £1,500-£2,000
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