Kielmannsegg, Wilhelm Graf. Der Querschnitt durch 1921. 8 Bl., 250 S., 1 Bl. Mit einem Original-Holzschnitt von Frans Masereel. 19,5 x 13 cm. OHalbleinen (etwas berieben, bestoßen und mit kleinem Feuchtfleck auf VDeckel) mit goldgeprägtem RTitel und illustrierten Deckeln. Berlin, Düsseldorf und Frankfurt, Marginalien der Galerie Flechtheim, 1922. Diesch 3059. Schlawe II, 58. Söhn, HDO 532-533. Holstein, Blickfang S. 484. - Erste Ausgabe. Überblick über das Kunstschaffen und die Neuerscheinungen des Jahres 1921. - Etwas stockfleckig. Mit Widmung von Alfred Flechtheim an Ernst Levy.
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Kubin, Alfred. Der Lebensbaum. Strichätzung auf Vélinpapier. Darstellungsgröße ca. 37 x 30 cm. Unter Glas mit Passepartout in schlichter Holzrahmenleiste gerahmt. Um 1910-1911.Raabe, Kubin, Leben Werk Wirkung, Hamburg, 1957, S. 42. - Die Zeichnung entstand zwischen 1910 und 1911 und wurde im "Simplicissimus" vom 3. Dezember 1918 abgedruckt (heute im Lenbachhaus, München). Unten links mit Bleistift bezeichnet ("Lebensbaum") unter der Darstellung rechts von Kubin signiert. - Wohlerhalten, kaum Knicke, etwas gebräunt, nicht ausgerahmt, Versand nur ohne Rahmen.
Licht und Schatten. Wochenschrift für Schwarzweisskunst und Dichtung. Hrsg. von H. v. Gumppenberg. Jahrgang III, Hefte 1-52. Mit zahlreichen, teils ganzseitigen Illustrationen. 34 x 26,5 cm. OLeinen (leicht berieben) mit DTitel in OLeinenschuber (etwas berieben, bestoßen und fleckig). Berlin und München 1912-1913.Diesch 2834. Laakmann-Tgahrt 254. Schlawe II, 35. - Der komplette dritte Jahrgang. Insgesamt sind sechs Jahrgänge der Zeitschrift erschienen. Mit Illustrationen von Max Beckmann, Lovis Corinth, Lyonel Feininger, August Gaul, Käthe Kollwitz, Alfred Kubin, Max Liebermann, Franz Skarbina, Max Slevogt, Franz von Struck und anderen. Ferner mit literarischen Beiträgen von beispielsweise Dauthendey, A. Eliasberg, F. Evers, L. Fulda, H. Hesse, Chr. Morgenstern, H. Salus, P. Scheerbart und St. Zweig. - Wohlerhaltenes Exemplar.
Orlik, Emil. Neue fünfundneunzig Köpfe. 4 Bl. Mit 95 Porträttafeln und signierter Orig.-Raierung von Emil Orlik. 25,5 x 19,5 cm. OHalbpergament mit goldgeprägtem Rücken- und Vorderdeckeltitel sowie KGoldschnitt in Pappschuber. Berlin, Cassirer, (1926). Eines von 50 nummerierten Exemplaren der Vorzugsausgabe mit der signierten Orig.-Radierung. Zweites Buch des zuerst 1920 entstandenen Porträt-Werks 95 Köpfe. Zeigt u. a.: Josephine Baker, Wilhelm von Bode, Bruno und Paul Cassirer, Chagall, Otto Dix, Alfred Döblin, Albert Einstein, Karl Flesch, Leo Frobenius, Yvette Guilbert, Käthe Kollwitz, Fritz Kreisler, Thomas Mann, Joachim Ringelnatz, Franz Schreker, Max Slevogt, Claire Waldoff, Alexander Zemlinsky und Heinrich Zille. - Tadelloses Exemplar.
Scheerbart, Paul. Lesabéndio. Ein Asteroïden-Roman. 2. Auflage. 282 S., 1 Bl. Mit 14 Illustrationen von Alfred Kubin auf Tafeln. 23 x 16 cm. OBroschur (fleckig und mit kl. Randeinrissen). München und Leipzig, Georg Müller, 1913.Vgl. Lubasch-Meyer 11. Raabe, Kubin 57. Raabe 260, 25. Horodisch 113. Gebräunt; wohlerhaltenes, unbeschnittenes Exemplar. - Beiliegend eine Nummer der Zeitschrift "Die schöne Literatur" (Nr. 19, 15. August 1923) mit einem längeren Beitrag über Scheerbart von Will Scheller.
Artmann, H. C. Fünf Wiener Lieder, komponiert von Kurt Schwertsik, nach Gedichten von H. C. Artmann, mit Illustrationen von Karl Korab. 1 Bl. Titel mit Druckvermerk, 10 Bl. Mit 4 signierten Originalradierungen, einer Extrasuite dieser Graphiken und einem Siebdruck. 39 x 29 cm. Lose Bogen bzw. lose Bl. in OLeinenmappe. Wien, Galerie Ariadne, 1970.Nicht bei Spindler. - Eines von 100 nummerierten Exemplaren mit der gesonderten Suite der signierten Graphiken von K. Korab (Gesamtauflage: 300 Ex.), seiner ersten Radierfolge. Die Kompositionen sind im Faksimile der Handschrift wiedergegeben. Das Titelblatt mit einer Liste der Subskribenten, darunter Alfred Brendel. - Tadelloses Exemplar.
Neufeld, Wilhelm. - Die Litanei vom geheimen Lenker. Aus den Upanishaden. (Übertragen von Alfred Hillebrandt). 46 Bl. Mit 11 Original-Holzschnitten von 35 x 25 cm. Lose Bogen in OKart.-Mappe (etwas lädiert). Chieming a. S., Methusalem-Presse, 1986.16. Druck der Methusalem-Presse. Spindler 142, 16. - Eines von 20 nummerierten Exemplaren (Gesamtauflage). Druckvermerk von W. Neufeld signiert und mit eigenhändiger Widmung von ihm. - Tadellos.
Raimund, Ferdinand. Sämtliche Werke. Historisch-kritische Säkularausgabe. Herausgegeben von Fritz Brukner und Eduard Castle. 6 Teile in 7 Bänden. 16,5 x 10, 5 bzw. 16,5 x 22 cm. OLeinen (etwas fleckig und berieben, schwach bestoßen). Wien, Anton Schroll, 1924-1934.Goedeke XI/2, 335, 12. - Eine der drei ambitionierten Werkausgaben, die Anton Schroll nach dem Krieg für die verehrten Dramatiker des Wiener Volkstheaters Raimund, Nestroy und Anzengruber veranstaltete. Raimund hatte sich 1836 aus Angst vor den Folgen eines Hundebisses das Leben genommen. Exemplar mit dem häufig fehlenden Band VI, der im Format Quer-Quarto gedruckt wurde und die von Alfred Orel herausgegebenen Märchendramen in den ursprünglichen Vertonungen sowie die farbigen Wiedergaben von Bildern aus Bäuerles Theaterzeitung enthält. - Wohlerhalten.
Fried, Alfred H. Das Tagebuch eines zum Tode Verurtheilten. 153 S., 8 Bl. 21 x 13,5 cm. OBroschur (Vorderumschlag fast lose; kleiner Randeinrisse). Berlin, C. Duncker, 1898.Einzige Ausgabe dieser beeindruckenden Schrift gegen die Todesstrafe. Mit einer Einleitung über die Todesstrafe von Ludwig Büchner. Der österreichische Pazifist und Schriftsteller Fried (1864-1921) erhielt 1911 den Friedensnobelpreis. - Teils unaufgeschnitten.
Four framed 19-20th century prints and paintings, to include: V. S. Barnes - Hills and Trees, watercolour on paper, signed and dated Sept. 1937 lower right; Street Scene, watercolour on paper, inscribed 'Miss Stanton, 1879' verso; Army on Horseback, possibly Ottoman soldiers, watercolour on paper, unsigned; together with Frederick Marriott - large print of street scene, signed in pencil below, published 1923 by Alfred Bell & Co., London, frame size: 73 x 67 cm, all framed and glazed (4)
JOHN ALFRED HAGGIS (1897-1968) 'LOOKING TOWARDS CHIGWELL ROW, ESSEX', an English landscape with trees, signed and dated '46 bottom right, signed and dated verso, oil on board, approximate size 25cm x 35cm, Condition Report: frame marked in places (artist resale rights apply) (Provenance: The Arnold Fellows Collection)
JOHN ALFRED HAGGIS (1897-1968) 'STUDY FOR STAINSFORTH IN RIBBLESDALE', a Yorkshire landscape, signed and dated 1950 with inscription 'to Arnold Fellows' bottom left, mixed media on paper, approximate size 25cm x 35cm, Condition Report: dirty marks to the mount and underside of the glass (artist resale rights apply) (provenance - The Arnold Fellows collection)
TWO BOXES OF SCIENCE FICTION BOOKS, containing seventy-one titles, mostly in hardback format, authors include Brian Aldiss, Poul Anderson, Isaac Asimov, James Blish, Peter F. Hamilton, James Herbert, Alfred Hitchcock (Stories for late at night, a compilation, 1st British edition) Stanley Johnson, Frederik Pohl, John Rankine, Jack Vance and many others with several 1st editions (list of titles available on request) (2 BOXES)
*Local Interest - Alfred Wainwright MBE (1907-1991), pen and ink, 'Haystacks', from the Dubs Quarry path and depicting figures walking, signed to the lower right, framed, mounted, and under glass, 18.5cm x 23.5cm, & 30cm x 34cm overallNote - Innominate Tarn, on Haystacks, is the location where Wainwright's ashes are scattered. This fell was also a favourite of the writer.
Partikel, Alfred (1888 Goldap/Ostpreußen - 1945 Ahrenshoop) "Reiterszene", Radierung, sign. u.r., 9,5x13 cm, im Passepartout hinter Glas und Rahmen (Er war Mitglied der Freien Secession und im Deutschen Künstlerbund. Seine Werke finden in der Berlinischen Galerie, im Kulturhistorischen Museum Rostock und im Kunstmuseum Ahrenshoop. 1949 zeigte die Kunsthalle Bremen eine Gedächtnisausstellung für Alfred Partikel.[9] Eine weitere Ausstellung fand 1988 zu seinem 100. Geburtstag im Kunstforum Ostdeutsche Galerie in Regensburg statt.)
Partikel, Alfred (1888 Goldap/Ostpreußen - 1945 Ahrenshoop) "Weibliche Akte unter Bäumen", Radierung, sign. u.r., 10x9 cm, im Passepartout hinter Glas und Rahmen (Er war Mitglied der Freien Secession und im Deutschen Künstlerbund. Seine Werke finden in der Berlinischen Galerie, im Kulturhistorischen Museum Rostock und im Kunstmuseum Ahrenshoop. 1949 zeigte die Kunsthalle Bremen eine Gedächtnisausstellung für Alfred Partikel. Eine weitere Ausstellung fand 1988 zu seinem 100. Geburtstag im Kunstforum Ostdeutsche Galerie in Regensburg statt.)
A silver baluster shaped tea kettle on stand in George II style. With a turned-wood and S and C-scroll swing handle, a domed and moulded hinged lid with cut-card decoration and a wood finial, facetted spout, on a stand with scrolling legs and bun feet, and with a lamp, mark of Lionel Alfred Crichton, London 1935, 37cm high overall with handle up (14 1/2 inches), 2216g gross (approx. 71 1/4 ozs gross)
BATMAN: THE DARK KNIGHT RETURNS #1, 2, 3, 4 (4 in Lot) - (1986 - DC) - ALL First Printings - Classic Batman story - First appearance of Carrie Kelly who becomes the first female Robin + "Death" of Joker + Batman vs Superman + "Death" of Alfred - Frank Miller story and cover + Miller and Klaus Janson interior art + Lynn Varley colours - Flat/Unfolded
King (Jessie M.).- Little Book of Sundial Mottoes (A), reprint, 4 colour plates by Alfred Rawlings, original pictorial wrappers by Jessie M. King, lightly toned, a few light spots or marks, very short tears to spine ends, 1919 § Rossetti (Dante Gabriel) The Blessed Damozel, title and 3 colour plates by Paul Woodroffe, original limp calf with embossed design by Jessie M. King, yapp edges, a little rubbed, [1913] § Browning (Robert) Rabbi Ben Ezra, title and 3 colour plates by W. Russell Flint, original limp red calf with embossed design by Jessie M. King, yapp edges, a little toned, some chipping to head, t.e.g., [1918], some light spotting, T.N. Foulis; and others, many published by T.N. Foulis, many with illustrations or wrappers designed by Jessie M. King, 8vo & small 4to (c.60)⁂ The latter two bound in the deluxe leather alternative to the pictorial wrappers.
Sullivan (Edmund J.).- Tennyson (Alfred, Lord) Maud. A Monodrama, one of 520 copies signed by the artist, 8 colour plates and black and white illustrations by Edmund J. Sullivan, light offsetting, endpapers browned, original cloth-backed boards, corners lightly bumped, dust-jacket, light browning to spine and extremities, surface soiling, generally light, some chips to joints and edges, uncut, 1922 § Hutton (Edward) The Pageant of Venice, pictorial half-title and illustrations printed in orange, 20 colour plates, all by Frank Brangwyn, endpapers browned, original cloth, spine a touch sunned, dust-jacket, browned, a few small marks, lightly rubbed at extremities and with a few small nicks, 1922; and others illustrated or relating to illustration, v.s. (11)
A COTSWOLD SCHOOL WALL SCONCE BY ERNEST GIMSON (1864-1919) AND ALFRED BUCKNELL CIRCA 1910 Cut and polished steel, with pierced floral back above tray with two candle holders, numbered 810 to underside 32cm high, 19cm wide Together with a pair of copper and brass tapersticks Late 19th century, in the manner of W.A.S Benson 12.5cm high Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Sconce- looks to be untouched for quite some time. Surface dirty and with some rust/stain spots. Slightly buckled backplate. Engrained dirt. Tapersticks- rubbed metalwork and handles- top floral petal surrounds slightly buckled. some spot rust stains to basesPlease see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
λ SIR ALFRED MUNNINGS (BRITISH 1878-1959) THE HAUNTED MERE Watercolour and ink with scratching out Signed and titled (lower left) 38 x 42.5cm (14¾ x 16½ in.)Provenance: Christie's, South Kensington, 17 October 1980, lot 79, where purchased by Robert KimeExhibited: Norwich, Norwich Castle Museum, August-September 1928, no. 276
A Victorian rose gold full hunter crown wind fob pocket watch. The 30mm white enamel dial with black Arabic numerals, the lever movement signed R. STEWART ARGYLE & BUCHANAN St. GLASGOW, No. 51289, the cuvette engraved 20th Sept. 1882, the case stamped with maker AF 51289, possibly for Alfred Fridlander, the outer case front and back engraved with monogram, case 38mm, 47.8g.
John Leech (British, 1817-1864), 'Mr Jorrocks - Come hup! I say - You ugly Beast!', 'The Noble Science', 'A Frolik Home after a Black Day', 'Ruggles - Hold Hard Master George....' and 'Where there's a Will, There's a Way...', a set of five colour lithographs from The Noble Science - John Leech in the Hunting Field, 42 by 63cm, framed, with the accompanying book by Thomas Bodkin, introduction by Sir Alfred Munnings, Collins, London 1948 (6)
Sir Roger Moore's 'Hollywood Walk of Fame' presentation plaque2007Commemorating the placement of Sir Roger's star on Hollywood Boulevard, the reproduction star on felt backing above engraved plaque reading 'Hollywood Walk Of Fame, Presented to Sir Roger Moore on the occasion of the placement of your star in the Hollywood Walk Of Fame, October 11, 2007', presented by the Hollywood Chamber of Commerce and the Chairman of the Walk of Fame, framed, 26cm x 41cm (10 1/4in x 16 1/4in)Footnotes:Along the world-famous Hollywood Walk of Fame in Los Angeles, Sir Roger's star can be found at 7007 Hollywood Boulevard. This prestigious accolade, and the present commemorative presentation plaque, were bestowed upon Sir Roger in October 2007, coinciding with his 80th birthday. By this time Moore was well into his seventh decade of acting, having begun his career in uncredited extra roles in the mid-1940s. Sir Roger's nearby 'neighbours' on the Walk of Fame include such creatives and entertainers as Alfred Hitchcock, Houdini, Lloyd Bacon, and Gene Nelson.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Australia, South Australia, ADELAIDE, Crocker & Hamilton, Penny, undated (G 50; A 82); John Howell, Pennies (2), undated (G 133a, 134; A 274, 275); John Martin, Penny, undated (G 175; A 349); Martin & Sach, Pennies (2), undated (G 176, 176b; A 350, 352); Alfred Taylor, Penny, undated (G 272; A 567) [7]. Varied state £100-£150
† ALFRED DE BREANSKI JUNIOR (1877-1957); oil on canvas, titled verso 'Taw. Marsh. Dartmoor', signed lower left, 60 x 90cm, framed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
ALFRED DE BREANSKI SENIOR (1852-1928); a 19th century oil on canvas, cattle grazing by a lakeside, with mountains beyond, signed and dated 1878 lower right, annotated verso 'No.2 Llyn-Y-Ddinas, Beddgelert, North Wales', 49 x 74cm, framed (re-lined).Provenance: - Purchased by the vendor's father from Bonhams Knightsbridge on 28th June 1999, lot no.112.
§ § Forrest Hewit (British, 1870-1956) 'The Calico Printers Ball, 1887'oil on canvassigned with exhibition label verso121 x 161cm***CONDITION REPORT***Forrest Hewit was a Director of the Calico Printer’s Association which is depicted in the painting , an event held in the newly built Manchester Town Hall, designed by Alfred Waterhouse and completed in 1877. The subject was apparently taken from a daguerreotype of the period and whilst obviously being of particular interest to Forrest Hewit as he was President of the Association, by the 1930’s it would have been a pretty anachronous scene for him to paint.Oil on original canvas in honest untouched condition, might benefit from a clean but no real faults noted, signed lower left, remnant of an exhibition label in the lower left corner, housed in a white overpainted frame, artist label applied to back of the canvas with the title and date inscribed in ink, remnant of an RBA label on the back of the frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Two large Chinese flambé glazed bottle vases, 18th century, each covered in a purple streaked crimson red crackle-glaze, with mushroom coloured glaze to the rim and interior of the neck, black ink inscription to the unglazed base, 35.8cm and 34cm high, occasional tiny glaze flakescf. a similarly shaped flambé vase in the Victoria & Albert Museum, London, accession no. C.405-1910, dated to the Qianlong period.***CONDITION REPORT***Provenance - UK private collection, 1920s or earlier, thence by family descent.This collection of late Ming and Qing dynasty porcelain and bronze vessels has been owned by a single Cotswold family for a number of generations dating back to the 1920s or earlier.The collection was formerly on display at the family home in Chipping Campden, Gloucestershire, UK before the house was sold in the 1980s. Some interior photos taken c.1982 show a number of the pieces on display in the family house and an inventory undertaken in 1948 by the local Campden auctioneer and valuer Alfred Bower lists many of the items. Extracts of the 1948 inventory are included where they correspond to the relevant lots in the sale.The slightly larger of the two vases has some tiny splinter glaze losses around the shoulder and the edge of the foot. The slightly smaller vase has a few small splinter loss to the glaze, and a few small splinter losses on the inside of the unglazed foot, otherwise both in good condition with no restoration or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.

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43981 item(s)/page