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Local Interest* After Clive Barnard, a bronze effect cast resin sculpture of Alfred Wainwright, unmarked, 21cm sold along with a similar study of a seated elderly woman working,

Herzogtum Sachsen-Coburg und Gotha/Silber - 2 Mark 1895/A, Alfred, vz, Tönung, Kratzer.| Duchy of Saxe-Coburg and Gotha/Silver - 2 Mark 1895/A, Alfred, EF, toning, scratches.

Alfred Eisenstaedt was a pioneering photojournalist best known for his candid and iconic photographs that captured significant moments in history and everyday life. Born in Germany in 1898, Eisenstaedt began his career in photography in the 1920s, working for various newspapers and magazines.Eisenstaedt's work was characterized by his ability to capture fleeting moments with spontaneity and empathy. He was a master of composition and lighting, often using natural light to create evocative and visually stunning images. Eisenstaedt's photographs ranged from intimate portraits of celebrities and world leaders to scenes of everyday life on the streets of cities around the world.One of Eisenstaedt's most famous photographs is "V-J Day in Times Square," taken on August 14, 1945, which depicts a sailor kissing a nurse in Times Square to celebrate the end of World War II. The image has become an enduring symbol of joy and relief and is one of the most iconic photographs of the 20th century.Throughout his career, Eisenstaedt traveled extensively and covered a wide range of subjects, including politics, culture, and society. His work was published in magazines such as LIFE, where he was a staff photographer for over four decades.Eisenstaedt's contributions to the field of photojournalism were widely recognized, and he received numerous awards and honors for his work, including the Presidential Medal of Freedom. His photographs continue to be celebrated for their timeless beauty, emotional depth, and powerful storytelling, cementing his legacy as one of the greatest photographers of the 20th century.Measures 24 x 24.

Minor White (1908–1976) was an American photographer and one of the most influential figures in 20th-century photography. He was known for his contemplative and spiritual approach to photography, as well as his pioneering work in photographic education and criticism.Born in Minneapolis, Minnesota, White initially studied botany and poetry before turning to photography in the 1930s. He was deeply influenced by the work of photographers such as Alfred Stieglitz and Ansel Adams, as well as by the teachings of the American transcendentalist writers Ralph Waldo Emerson and Henry David Thoreau.White's photography is characterized by its focus on abstract forms, light, and texture, as well as its emphasis on symbolism and metaphor. He often used multiple exposures, cropping, and other techniques to create images that transcended literal representation and invited viewers to engage with the deeper meanings and emotions behind the photograph.One of White's most famous series is "Equivalents," a collection of abstract photographs of clouds that he began in the late 1940s. These images, characterized by their ethereal beauty and emotional resonance, are often interpreted as visual metaphors for White's inner thoughts and feelings.In addition to his work as a photographer, White was also a dedicated teacher and mentor. He taught photography at institutions such as the California School of Fine Arts (now the San Francisco Art Institute) and the Rochester Institute of Technology, where he had a profound influence on generations of photographers.White was also a prolific writer and critic, known for his insightful essays on photography and his role as the editor of the influential photography magazine "Aperture." He believed that photography had the power to reveal the hidden truths of the world and that the photographer's inner vision was as important as technical skill in creating meaningful photographs.Minor White's work continues to be celebrated for its spiritual depth, technical innovation, and poetic sensibility. He is regarded as one of the great masters of 20th-century photography, and his legacy as an artist, educator, and visionary continues to inspire photographers around the world.Measures 37.5 x 27.9.

Thomas Dworzak is a German photojournalist and documentary photographer known for his work covering conflict zones and capturing the complexities of human experiences. Born in Cologne, Germany, in 1972, Dworzak has worked extensively in regions marked by conflict, providing visual narratives that go beyond the immediate events to explore broader social and cultural contexts.Here are some key points about Thomas Dworzak:1. **Magnum Photos:** Thomas Dworzak joined Magnum Photos, a prestigious international photographic cooperative, in 2000 as a nominee member and became a full member in 2004. Magnum was founded by renowned photographers like Robert Capa and Henri Cartier-Bresson.2. **Chechnya and the Caucasus:** Dworzak has covered conflicts and socio-political issues in the Caucasus region, particularly focusing on Chechnya. His work provides a deep and nuanced understanding of the complexities of the conflict and its impact on individuals and communities.3. **Iran:** Dworzak has documented various aspects of Iranian society, offering a visual exploration of the country's cultural richness, political landscape, and the lives of its people.4. **Russia and Former Soviet Union:** Dworzak's work extends to other parts of the former Soviet Union, where he has documented the social and political changes in the post-Soviet era. His projects often highlight the diverse cultures and the effects of historical transformations.5. **Grozny: Nine Cities:** Dworzak's photobook "Grozny: Nine Cities" delves into the aftermath of the Chechen conflict, portraying the reconstruction efforts and the resilience of the people in Grozny, the capital of Chechnya.6. **Awards and Recognition:** Thomas Dworzak has received recognition for his contributions to photography, including awards such as the Alfred Fried Photography Award.7. **Multifaceted Approach:** Dworzak's photography is characterized by a multifaceted approach, combining traditional documentary techniques with an exploration of the broader socio-political and historical context.8. **Projects and Exhibitions:** Dworzak's work has been featured in various solo and group exhibitions globally, contributing to the broader conversation on documentary photography and conflict zones.9. **Educational Initiatives:** In addition to his photographic work, Dworzak has been involved in educational initiatives, including conducting workshops and sharing his experiences with aspiring photographers.Thomas Dworzak's photography reflects a commitment to capturing the human stories within the larger narratives of conflict and social change. Through his work, he provides viewers with a deeper understanding of the complexities of the regions he covers and the resilience of the people living in challenging circumstances.Verso is blank.

THE BIRDS (1963) UK Quad film poster, Alfred Hitchcock's ornithological suspense thriller starring Rod Taylor and Tippi Hedren in her film debut, a rare movie poster and an example in excellent condition, folded.

A group of autograph cards signed by actors who have appeared in Marvel movies comprising of PAUL BETTANY (Vision), TERRENCE HOWARD (Rhody), ERIC BANA (Hulk), CHARLIE COX (Daredevil), TOBY JONES (Arnim Zola), ALFRED MOLINA (Dr. Octopus), RAY WINSTONE (Dreykov), STELLAN SKARSGARD (Eric Selvig), LEIV SCHREIBER (Sabretooth), SAM ROCKWELL (Justin Hammer), JUDE LAW (Yon Rogg), BENICIO TEL TORO (The Collector), JAMES MARSDEN (Cyclops), JASON FLEMYNG (Sandman), some dedicated, (14) All autographs were obtained by the vendor in person and have been independently verified, this lot comes with an Excalibur certificate of authenticity.

ANATOMY OF A MURDER (1959) - A set of 8 lobby cards and Campaign Book for Alfred Hitchcocks classic thriller movie starring James Stewart (9)

Alfred Blundell - Culford School etching, 22x34cm, together with Dorothy Sweet, Norman Gateway, Bury St Edmunds, etching with aquatint, 30x23cm (2)

Alfred Joseph CHARRON (1863-1955) "Genie des sciences" Bronze with shaded brown patina, on a griotte red marble base and column, capital and base in chased and gilded bronze, circa 1900. Signed on the base, founder's stamp Leon Virlet. - Weight: 22.33 kg - Shipping unavailable - Region: France - Sizes: H 740MM X L 370MM - At first glance: good condition

ALFRED WORTHINGTON (1834-1927) oil on board - entitled verso 'Glaspwll, Llyfnant Valley' on Windmill Gallery label, Aberystwyth, 50 x 64cmsProvenance: to accompany a handwritten George V stamped pictorial postcard of the same location, private collection CeredigionComments: framed and glazed, ready to hang

Alfred Edward Chalon(1780 Genf - 1860 Kensington/London) Doppelbildnis der Prinzessin Charlotte Augusta von Wales und ihrer Mutter Prinzessin Caroline von Braunschweig-Wolfenbüttel als Prinzessin von WalesFein ausgeführte Interieurszene mit Musikstunde in einem Salon. Stehend die junge, schöne Prinzessin Charlotte (1796 - 1817) in weißem Empirekleid beim Harfenspiel, die 1816 Prinz Leopold von Sachsen-Coburg (1831 - 1865 König der Belgier) heiratete; neben ihr sitzend ihre Mutter Caroline (1768 - 1821), durch ihre Ehe mit Georg IV. 1820/21 Königin von Großbritannien, Irland und Hannover. Chalon, der seit 1797 an der Royal Academy in London studierte und seit 1816 Akademie-Mitglied (RA) war, schuf Aquarell-Bildnisse der gehobenen Gesellschaft und wurde 1837 Hofmaler der junge Königin Victoria, die sich von Chalon im vollen Krönungsornat porträtieren ließ. Feder, Tusche, Aquarell u. Bleistift/Papier. R. u. sign.; Verso montierter alter Klebezettel mit Bez. oder Widmung "à Madame Renier de Renens à Lausanne". 42,1 cm x 37 cm. Rahmen.Ink, pen, watercolour and pencil on paper. Signed. Mounted old label with inscription or dedication on the reverse.

Ernst Nepo (eigentlich Ernst Nepomucky)(1895 Dauba - 1971 Innsbruck)Landschaft mit FeldernFlächig komponiertes Werk Nepos, der 1913/14 an der Wiener Kunstgewerbeschule bei Alfred Roller, Adolf Böhm und Oskar Strnad studierte. Nach dem I. Weltkrieg ging er nach Innsbruck, wo er sich schnell in das Kunstleben der Stadt integrierte und mit Rudolf Lehnert, Herbert Gurschner und Alphons Schnegg den "Mühlauer Kreis" bildete. 1925 gründete er mit Wilhelm Nicolaus Prachensky, Leo Sebastian Humer und anderen die Künstlergruppe "Die Waage", 1927 wurde er in die Wiener Secession aufgenommen. Anfangs von Egon Schiele und dem Expressionismus beeinflusst, wandte sich Nepo ab Mitte der 1920er Jahre zunehmend der Neuen Sachlichkeit zu. Gouache/Papier. R. u. sign. u. dat. 1934. Ca. 33 cm x 42,5 cm (Passepartoutausschnitt). Rahmen.Gouache on paper. Signed and dated 1934.

Alfred Helberger(1871 Eberstadt - 1946 in Berlin)GetreideernteFauvistisches, 1932 entstandenes Werk Helberges aus dessen reifen Oeuvre. Für den Künstler, der in renommierten Galerien (wie Gurlitt, Cassirer und Möller) ausgestellt und die Großen Berliner Kunstausstellungen beschickt hatte, bedeutete das "Dritte Reich" seit 1933 eine tiefe Zäsur. Als moderner Maler fielen seine Arbeiten unter das Verdikt "entartete Kunst", er erhielt Berufsverbot und war zudem wegen der jüdischen Abstammung seiner Ehefrau Repressalien ausgesetzt. Öl/Lwd.; R. u. sign. u. dat. (19)32". 85,5 cm x 105 cm. Rahmen.Oil on canvas. Signed and dated (19)32.

Agnes Schmiedel-Schulin(1925 Stuttgart - 2005 Planegg)Junges Liebespaar vor einer PforteBronze, patiniert, 1984. Monogr. und dat.; Atelier-Etikett mit Ortsangabe Martinsried (Planegg). Zeitgenössische Kleinplastik der Bildhauerin, die an den Kunsthochschulen in Stuttgart (bei Hermann Brachert und Rudolf Daudert), Hamburg (bei Alfred Mahlau) und in München (bei Anton Hiller) studierte. Ein thematischer Schwerpunkt war die Darstellung der menschlichen Beziehungen zu- und gegeneinander. H. 12,3 cm.Patinated bronze, 1984. Monogrammed and dated, artist's studio label.

Karl Ortelt(1907 Mühlhausen/Thüringen - 1972 Jena)Bei der ErnteAusschnitthaft komponierte, mit kräftigen Umrisslinien konturierte Darstellung des ländlichen, arbeitsreichen Lebens. Ortelt, der zu den Künstlern der sog. "Verschollenen Generation" zählt, studierte 1934-1940 bei Alfred Hierl in Weimar, wo er sich nach dem Krieg als freischaffender Künstler niederließ. Farbkreide/Papier. L. u. sign.; Passepartoutausschnitt 67 cm x 48 cm. Rahmen.Provenienz: Galerie Hebecker, Weimar.Chalk in colours on paper. Signed.

Fritz Martinz(1924 Bruck an der Mur - 2002 Wien)"Weibl. Akt Kunstlicht". OriginaltitelExpressive Darstellung eines stehenden, weiblichen Aktes in lasziver Pose mit über den Kopf erhobenen Armen, dessen provokante Körperhaftigkeit durch die Überlebensgröße überwältigt. Martinz studierte 1947-1950 an der Wiener Akademie bei Albert Paris Gütersloh, 1949 wurde er Mitglied der Wiener Secession, 1953 nahm er an der Biennale in Venedig teil. Zusammen mit Alfred Hrdlicka zählte Martinz zu jener Gruppe österreichischer Künstler der Nachkriegszeit, die ungeschönt und in kompromisslos realistischer Weise das Fleischliche des menschlichen Körpers, insbesondere in weiblichen Akten, darstellten. Im Katalog "Figur" zu einer Ausstellung in der Zentralsparkasse in Wien 1969 schrieb Karl Diemer damals: "Er modelliert mit der Farbe schwere pralle Leiber (...) Es ist, als habe sich Martinz aufgetragen, all die vernachlässigte, verunglimpfte, in die Ecke gestellte Körperlichkeit der Moderne in seinen Bildern anzuhäufen (...) All unser Eingeschlossenes, Unbefreites, Ungelöstes der physischen Existenz." Öl/Lwd.; R,. u,. sign,. u,. dat. VIII-IX 1962, verso betitelt "Weibl. Akt Kunstlicht" sowie nochmals dat.; 250 cm x 82 cm. Rahmen.Oil on canvas. Signed and dated 1964. Titled on the reverse.

Kubin, Alfred - - Albrecht Schaeffer. Lene Stelling. Mit drei blattgr. u. sign. Original-Lithographien und einer roten Initiale von Kubin. (Berlin, Otto von Holten, 1923). 42 S., 1 Bl. 4°. Ganzmaroquin mit goldgepr. RTitel und DVignette (etwas berieben und leicht kratzspurig). Marks A 74. Raabe 227. Rodenberg 246. - Eines von 50 römisch nummerierten Exemplaren der Vorzugsausgabe auf van-Gelder-Bütten (GA 300). Vom Autor im Druckvermerk signiert. Druck bei von Holten im Auftrag von Gotthard Laske. - Vorsätze stockfleckig. Vereinzelt unscheinbar braunfleckig. Insgesamt schönes Exemplar. - Beiliegend: Alfred Kubin. Bibliographisches Verzeichnis seines graphischen Werkes. Verlagsanzeige des Georg Müller Verlags, München. 2 Bll. mit 18 vermerkten Titeln. With three full page and signed original lithographs and a red initial by Kubin. Full morocco with gold-stamped spine title and cover vignette (somewhat rubbed and lightly scratched). - One of 50 Roman numbered copies of the special edition on van Gelder laid paper (total ed. 300). Signed by the author in the imprint. Printed by von Holten on behalf of Gotthard Laske. - Endpapers foxed. Isolated inconspicuous brown spotting. Overall a nice copy. - Enclosed: Alfred Kubin. (Bibliographical list of his graphic works.) Publisher's advertisement of Georg Müller Verlag, Munich. 2 pages with 18 titles noted.

Expressionismus - - Herwarth Walden (Hrsg.). Sammlung von 18 Ausgaben der Zeitschrift "Der Sturm". 1913-1920. Mit zahlr. Orig.- Linol- u. Holzschnitten von Kurt Schwitters, Josef Capek, Emil Filla, Arthur Segal, Jacoba van Heemskerck u.a. sowie einigen mont. farb. Abb. Fol. Eingelegt in private HLdr. Mappe im Stile der Zt. mit goldgepr. RTitel. Enthält: 4 Jg.: Nr. 180/181, Nr. 182/183, Nr. 184/185, Nr. 186/187, Nr. 188/189 - 5. Jg.: Nr. 15/16, Nr. 19/20, Nr. 23/24 - 6. Jg.: Nr. 1/2, Nr. 7/8, Nr. 11/12, Nr. 13/14, Nr. 15/16 - 8. Jg.: Zwölftes Heft (fehlt S. 185-188) - 9. Jg.: Erstes Heft (fehlt S. 5-6, 11-14, 17-30) - 10. Jg.: Viertes Heft - 11. Jg.: Erstes Heft, Zweites Heft - Mit zahlr. literarischen Beiträgen, u.a. von Herwarth Walden, Hans Arp u. Alfred Döblin. - Bis Jahrgang 9 je auf Maschinenbütten gedruckt. - Papierbedingt gebräunt (tls. etw. stärker), tls. mit Randläsuren sowie Defekten, 2 Hefte unvollständig, insgesamt jedoch sehr gut erhalten. Expressionism - Collection of 18 issues of the magazine "Der Sturm". 1913-1920. With numerous original linocuts and woodcuts by Kurt Schwitters, Josef Capek, Emil Filla, Arthur Segal, Jacoba van Heemskerck and others as well as some mounted col. ill. Loosely inserted in private half leather portfolio in the style of the period. - Contains: as listed above. - With numerous literary contributions by Herwarth Walden, Hans Arp and Alfred Döblin, and others. - Printed on laid paper up to year 9. Browned due to paper (partly somewhat stronger), some with marginal tears and defects, 2 issues incomplete, but overall in very well preserved condition.

Klassische Kunst - - Ursula Benser. (1915 Düsseldorf - 2001 Domburg, Niederlande). Flüchtlingsgruppe. 1944. Kohlezeichnung auf Velin. Verso mit Sichtfenster, dort signiert, datiert und betitelt. 585 x 47 cm (Sichtmaß). Unter Passepartout montiert und unter Glas gerahmt (ungeöffnet). - Partiell mit Knickspuren und Quetschfalten. Vereinzelt kleine Rand- und Einrisse. Augenscheinlich in gutem Zustand. Kraftvoll ausgearbeitete Kohlezeichnung. Die deutsche Malerin Ursula Benser blickt bereits in ihrer Familienhistorie auf bekannte kunsthistorische Figuren wie Alfred Rethel, Großvater mütterlicherseits, und Karl Ferdinand Sohn, Großvater väterlicherseits. Benser selbst wurde von ihrem Vater zur Kunst herangeführt, es folgte das Studium an der Düsseldorfer Kunstakademie ab 1931, dass sie 1935 abschloss zu einem Zeitpunkt, als bereits der nationalsozialistische Geist Einzug in die Akademie gehalten hatte. Dies hatte zur Folge, dass Benser mit ihren Abschlussarbeiten bereits nicht mehr an der Jahresausstellung teilnehmen durfte, ihre Stilistik und ihre Verkörperung als Malerin standen nicht in Einklang mit dem NS-Verständnis. Die wenigen Jahre bis zum Krieg verbachte Benser im Kreis ihrer Familie, den Krieg dann getrennt von ihrem Mann auf Schloss Bollschweil mit ihren drei Kindern. Ebenfalls auf dem Schloss war die Dichterin Marie Luise Kaschnitz, mit der sie sich anfreundete. Die Zeit der Besatzung überbrückte sie mit Portraits, die sie für französische Offiziere anfertigte. Nach dem Krieg begleitete Benser ihren Mann auf zahlreiche Vortragsreisen in außereuropäische Länder. Sie erhielt viel Aufmerksamkeit für ihre Gemälde im Ausland, doch lehnte sie eine künstlerische Karriere zugunsten ihrer Familie stets ab - u.a. aus Angst, an ihren bekannten Großvätern gemessen zu werden. So lebte Benser zurückgezogen, jedoch stets künstlerisch tätig und schuf bevorzugt Pastelle, Gouachen und Aquarelle auf Papier. Motivisch setzte sie sich vorrangig mit der Darstellung von Frauen in verschiedenen Lebenslagen auseinander. Unsere Arbeit zeigt drei Frauen zusammen gruppiert, gezeichnet vom Krieg und seinem Gräuel. Unmittelbar vermittelt Benser die Szene, sodass sich ihre eigenen Kriegserfahrungen ausdruckstark vermitteln. Charcoal drawing on wove paper. On the verso with window, signed, dated and titled there. Mounted under mat and framed under glass (unopened). - Partially with creases and creases. Isolated small marginal tears and tears. Apparently in good condition. Powerfully elaborated charcoal drawing. - In her family history, the German painter already looks back on well-known art historical figures such as Alfred Rethel, her maternal grandfather, and Karl Ferdinand Sohn, her paternal grandfather. Benser herself was introduced to art by her father, followed by her studies at the Düsseldorf Art Academy from 1931 which she completed in 1935 at a time when the National Socialist spirit had already found its way into the academy. As a result, Benser was no longer allowed to take part in the annual exhibition with her graduation works as her style and her embodiment as a painter were not in line with the Nazi understanding. She spent the few years leading up to the war with her family and then the war separated from her husband at Bollschweil Castle with her three children. The poet Marie Luise Kaschnitz, with whom Benser became friends, was also at the castle. During the occupation she made portraits of French officers. After the war, Benser accompanied her husband on numerous lecture tours to non-European countries. She received a lot of attention for her paintings abroad, though she always rejected an artistic career in favour of her family - also out of fear of being measured against her famous grandfathers. Benser lived a secluded life but was always active as an artist preferring to create pastels, gouaches and watercolours on paper. She focused on the depiction of women in various situations in life. Our work shows a group of three women marked by the horrors of war. Benser depicts the scene in an immediate manner so that her own experiences of war are conveyed expressively.

Mecklenburg-Vorpommern - - Familie Pütter. Umfangreiche Sammlung von Briefen, Urkunden, Manuskripten, Typoskripten, Stammtafeln, OPhotographien, Photopostkarten, einem Gemälde u.a. aus dem Nachlass des Stralsunder Geheimen Oberjustizrats August Pütter (*6. Jan. 1836 - 5. Jun. 1915) und dessen Familie mit zahlr. Materialien zu deren Familienforschung. Enthält u.a.: Umfassende, fadengeheftete Personalakten (Ernst) August (Ferdinand) Pütters (um 1847-1909, tls. in Abschriften) mit u.a.: Schulzeugnisse, Zeugnis der Universität Leipzig u. der Univ. Berlin mit eh. U. von Adolph Friedrich Rudorff 1858, Prüfungszulassung 1858, Bewertung jurist. Probearbeit, Schreiben des Kgl. Kppellationsgerichts Greifswald (von Seeckt, Kühne), von Major von Schoenholz, Graf zur Lippe, Premierleutnant von Massow, General-Auditeur der Armee Eduard Fleck, Major und Bezirkskommandeur von Zepelin (Mobilmachung 1870 u.a.), Justiz-Minister Adolph Leonhardt u. Hermann von Schelling, Freiherr von Entreß-Fürsteneck, von Kollegen, Tante Rosalie, Frau Mathilde u.a., Quittungen, Patent als Second-Lieutenant im 2ten Landwehr-Regiment 1859, zum Gerichts-Assessor 1863 mit eh.U. des Justizministers Graf zur Lippe, Bestallung zu Kreisrichter 1866 mit eh.U. von zur Lippe, Patent als Premier-Lieutenant im Pommerschen Landwehr-Regiment No 2 1871, als Kreisgerichts-Rath 1876 u. zum Landrichter 1879 je mit eh.U. von Wilhelm I. (2), Bestallung zum Oberlandesgerichtsrath 1884 mit eh.U. von Wilhelm I., Urkunde zum Rothen Adler-Orden vierter Klasse 1891, Bestallung zum Landgerichtspräsidenten 1892, zum Senatspräsidenten 1897 u. Patent als Geheimer Oberjustizrath 1902 mit eh.U. von Wilhelm II. (3), Rother Adler-Orden dritter Klasse 1896, Kgl. Kronen-Orden zweiter Klasse 1904 u. 1909, Rother Adler-Orden zweiter Klasse 1907 sowie Entlassungsurkunde 1909 mit eh.U. von Wilhelm II. (4), Urkunde zur Kriegs-Denkmünze von Stahl in Anerkennung der Dienste während des Feldzuges 1870-1871, Traurede, Sitzordnung, Menükarte u.a. von der Hochzeit 1869 mit Mathilde Münchmeyer. - Seinen Kindern gewidmete Aufzeichnungen mit "über unsere Familie bekannten Tatsachen". Stralsund, 1909. 140 hs. S. in Kopie. Gebunden. Mit 2 beiliegenden fadengehefteten Nachträgen. 8 Exemplare, tls. mit eh. Widmung u. persönl. Exemplaren der Kinder (1 mit Besitzvermerk von Sohn Ernst). Inliegend: Stammbäume, Zeitungsartikel, hs. u. typogr. genealog. Notizen, 2 Briefe (1888/1894) von Tochter Marianne Pütter, hs. Taufurkunde (1869) für Hermman Martin Gottlieb Robert Pütter u. seiner Ehefrau Louise Friederike Carolina geb. Blank von J. Pütter Pastor zu St. Jacobi, Brief von Edmund von der Becke-Klüchtzner an "Präsident" (der Berliner Charité) Ernst Pütter (1864-1942), Brief eines Vetters, Sonderdruck "Pütters Dreidrüsentheorie der Harnbereitung" von E. Harmsen (1930), lithogr. u. gest. Ansichten von Stralsund. - Abschrift der Aufzeichnugen über die Familie Pütter des Oberst v. d. Becke. Ms. 151 hs. pag. gebundene S. - 16 kart. Umschläge mit hs. Zetteln u. zahlr. Typoskripten sowie 7 eh. Notizbüchern mit umfangreicheren Texten u. Gedichten des unter dem Pseudonym Carl oder Karl Wilhelmi schriftstellerisch tätig gewesenen Rechtsanwalts Ferdinand Pütter (*1886) (dav. eines seiner Mutter Thekla gewidmet mit deren Besitzeintrag). Um 1913 bis 1940er Jahre. - Bilder zur Ahnentafel der Familie Ferdinand Pütter Stralsund. Hs. Stammbaum (ca. 88,7 x 33,5 cm) mit 37 mont. Portraitphotographien. - Unterlagen (1855, tls. sporfleckig) den Verkauf und die Finanzen des Ritterguts Wüstenhagen betreffend, tls. mit Siegel u. eh. Unterschriften von Henning zu Wolffshagen (Käufer), Catharina u. Caroline Vogelsang, Rosalie Cotogino geb. von Hillebrandt, Ludwig, Dr. A., S. u. Chr. Crotogino, Auguste Schmidt geb. Crotogino, Alfred Brunst, Witwe Fürstenow, Franz Böttcher. - Manuskripte von August Pütter (als Landgerichts-Präsident, Senatspräsident a.d., Oberjustizrat): Hs. Stammtafeln versch. Fürstenhäuser, Die Ausbildung von Juristen in Preußen, Pütters Vortrag über alte Stralsunder Bauten und den Stralsunder Frieden von 1370 (dabei ders.: Der Stralsunder Friede vom 24. Mai 1370. 1870. RBrosch.), Zur Geschichte der Stadt Marienwerder (dabei: Marienwerder im Jahre 1336 und 1393, Sonderdruck), Auszüge aus dem Stralsunder Stadtarchiv als Vorarbeiten für Verträge (meist geordnet nach Straßennamen). - Schriftwechsel zur Familienforschung mit Archiven u. Verwandten, Briefe von Dietrich Pütter, Vetter Ernst Pütter (an Ernst P. u. Ella), Siegfried Pütter, Landgerichtspräsidenten Ehrhardt (Neisse), Marie P., Prof. Dr. Hermann Beitzke, Thekla u. Ferd. P., 12 Briefe (1888/89) aus Breslau sign. Moeller (u. 1 Else Moeller). - Ca. 52 Photopostkarten u. Photos (versch. Formate, tls. gerahmt, Albumin- u. Silbergelatineabzüge) mit tls. alten Portraits von Familienmitgliedern (Ferdinand Pütter, Pastor Ferdinand Pütter (*1802)), Familienaufnahmen (Enkelin Thekla, Robert Pütter (1862-1929), Jürgen u. Klaus Pütter), Apotheker Joachim Martin Weinholz, Klassenphotos, Ansichten, Postkarten aus Bad Harzburg, Hermann-Lietz-Schule Ilsenburg, Postkarte (1938) an Rechtsanwalt Ferdinand Pütter in Stralsund, von Karsten P. an seine Familie (1937), kl. Aquarell sign. Asmussen, Todesanzeigen (Generalmajor Franz Pütter (1917), Aug. Pütter (1915), Robert P. (1929), Stralsundische Zeitung 1910, Familienchronik, Geburtsurkunden, Unterlagen zur Pütterschen Stiftung, zur Aufstellung der Möbel u. Bücher Dr. Ferd. Pütter, gedr. Reden von G.J.M. Pütter, Henniges: Beiträge zur Geschichte von Hennen (Iserlohn 1885, OBrosch.) etc. - Vorwiegend gut erhalten. - Gemälde mit Portrait Pütters. Öl auf Lwd. In Holz gerahmt (ca. 75,5 x 67 cm). Mit kl. Schnitt (ca. 2 cm) in der Lwd. innerhalb der Darstellung. Verso hs. mit Pinsel sign. u. bezeichnet "Hans Kownatzki Friedenau bei Berlin 1905 Pinx. Herrn Präsident Pütter". Extensive collection of letters, documents, manuscripts, typescripts, genealogical charts, surgical photographs, photo postcards, a painting by Hans Kownatzki, etc. from the estate of the Stralsund Privy Chief Justice August Pütter (*6 Jan. 1836 - 5 Jun. 1915) and his family with numerous materials on their family research.

Helmuth Graf von Moltke. Eigenhändiger Brief mit Unterschrift des Feldmarschalls (1800-1891) an Alfred von Seefeld. Berlin, 13. Dez. 1890. 1 S. (ca. 20,5 x 13 cm) an Alfred von Seefeld in Hannover. Mit gelaufenem Briefumschlag. "Sehr geehrter Herr ich danke verbindlichst für die freundliche Gabe Ihrer interessanten Reise nach den schönen, warmen Süden. Es ist schon viel werth, wenn man sich, wie bei Ihren lebendigen Schilderungen, wenigstens in Gedanken dahin versetzen kann." - Leichter Tintenabklatsch, insg. wohlerhalten. Autograph letter signed by the field marshal (1800-1891) to Alfred von Seefeld. - Slight ink offset, well preserved.

Kubin, Alfred - - Edgar Allen Poe. Das Schwatzende Herz und andere Novellen (und) Der Goldkäfer und andere Novellen. 2 Bde.(Jeweils) mit 14 Bildbeigaben von A. Kubin. München, G. Müller, 1909-10. Gr.-8°. Or.-HPgbde. mit Kopfgoldschnitt (leicht bestoßen). Jweils 1 von 1000 nummerierten Exemplaren. - Das Schwatzende Herz mit kl. Einriß im unteren Mittelfalz, Der Goldkäfer Vorsätze braunfleckig. - Dabei: Hoffmann, E.T.A., Nachtstücke. Mit 48 Zeichn. von A. Kubin. Ebenda 1913. Orig.-HLdr. (etw. berieben, R. verblasst).

Kubin, Alfred - - Robert R. Schmidt. Episoden des Untergangs. Mit 1 signierten OLithographie als Frontispiz, Initiale und 26 Federzeichnungen sowie Einbandillustration von Alfred Kubin. Heidelberg, Merlin, 1926. 137 S., 1 Bl. 4°. OPgt. mit goldgepr. Deckelvignette, RTitel und Kopfgoldschnitt (minimal aufgebogen). Kubin-Bücher 1. - Eins von 30 (GA der VA 50) nummerierten Exemplaren der Vorzugsausgabe B auf Judall-Bütten in Ganzpergament. - Marks A 92. - Raabe 302. - Horodisch A 119. - Erste Ausgabe, selten. Im Druckvermerk vom Autor signiert. - Beiliegt der illustrierte Schutzumschlag der Normalausgabe.

Sammlung von drei Publikationen zur Berliner Bohême und Unterwelt des frühen 20. Jahrhunderts. Enthält: Alfred Richard Meyer. Des Herrn Munkepunke Cocktail- und Bowlenbuch. Berlin, Rowohlt, 1929. 11.-16. Auflage. Ill. OKt. in ill. OPp.-Schuber, je mit Einbandillustration von Jeanne Mammen. - Weka. Prostitution und Verbrechen. Reportagen aus den Tiefen der Berliner Unterwelt. Mit photographischen Abb. Leipzig, Eva-Verlag, 1930. HLwd. d. Zt. mit Buntpapierbezug, Original-Umschlag als mod. Nachdruck vorhanden. Innen etwas fleckig. - Julius Bab. Die Berliner Bohême. Großstadt-Dokumente. Band 2. Berlin u. Leipzig, Hermann Seemann, 1904. OBroschur in etwas späterer HLwd. Umschlag und Titelbl. lose, etwas gebräunt. Mit Exlibris von Dr. Albert Moll.

Photographie - - August Sander. Antlitz der Zeit. Sechzig Aufnahmen deutscher Menschen des 20. Jahrhunderts. Mit 60 photogr. Tafeln. München, Transmare u. Kurt Wolff, 1929. 17 S., 60 Tafeln. 4°. OLwd. mit Deckelvignette in OUmschlag (leicht angestaubt, Umschlag etw. fleckig u. mit Defekten). Parr-Badger I, 124 - Koetzle 391 - Browne-Partnow 533 - Erste Ausgabe. - Mit Einleitung von Alfred Döblin. - "Antlitz der Zeit was an interim report on the way to the ultimate multi-volume that Sander proposed, a mere 60 pictures out of hundreds. But many of his classic images are included in this seminal photobook, and the essential qualitites of Sander's can be seen..." (Parr-Badger). - Das Werk wurde nach der Machtergreifung verboten, beschlagnahmt und die Negative vereinnahmt bzw. zerstört. - Selten, hier mit dem häufig fehlenden Original-Umschlag. - Nur die Vorsätze etw. u. sehr gleichmäßig gebräunt, insgesamt sehr gut erhaltenes u. sauberes Exemplar. Photography - With 60 photogr. plates. Orig. cloth with cover vignette in orig. wrapper (slightly dusted, wrapper stained a. with defects). - First edition. - With introduction by Alfred Döblin. - The work was banned after the Nazi seizure of power, confiscated and the negatives confiscated or destroyed. - Rare, here with the often missing original wrapper. - Only the endpapers somewhat and very evenly browned, altogether a very well-preserved and clean copy.

Apollo 15 astronauts Dave Scott, moonwalker and Alfred Worder CMP signed 2002, 30th ann Cover. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A gold ring,Possibly Byzantinewith circular bezel engraved with a recumbent unidentified creature, 1.7cm diam   Provenance: Property of a Gentleman  Footnotes: With note that states "This ring was given to my grandfather G.T. Rosenberg (1858-1929) by his nephew Baron Alfred de Gunzburg (1855-1936) who sponsored the excavation of an ancient Greek settlement in the Crimea. The ring is from there."

Carry On actor Bernard Cribbins signed 10 x8 inch colour movie scene photo. During the 1960s, Cribbins became known in the UK for his successful novelty records The Hole in the Ground and Right Said Fred and for his appearances in comedy films including Two-Way Stretch (1960) and the Carry On series. His other screen roles include the astronaut Vincent Mountjoy in The Mouse on the Moon (1963), Albert Perks in The Railway Children (1970), the barman Felix Forsythe in Alfred Hitchcock's Frenzy (1972) and the pretentious hotel guest Mr Hutchinson in the Fawlty Towers episode The Hotel Inspectors (1975). On television, he was a regular and prolific reader for the BBC series Jackanory from 1966 to 1991, he narrated the children's programme The Wombles (1973-1975) and he played the title role in the CBeebies series Old Jack's Boat (2013-2015). In the 1966 film Daleks' Invasion Earth 2150 A.D., Cribbins portrayed Tom Campbell, a companion to Dr. Who. 41 years later, he began appearing in the revival series of Doctor Who as Wilfred Mott, the grandfather of regular companion Donna Noble and a temporary companion to the Tenth Doctor. He made his final appearance posthumously in the 60th anniversary special Wild Blue Yonder (2023). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Kim Novak signed colour 10 x 8-inch photo to Sam. American retired film and television actress and painter. Her contributions to cinema have been honoured with two Golden Globe Awards, an Honorary Golden Bear, and a star on the Hollywood Walk of Fame. Novak began her career in 1954 after signing a contract with Columbia Pictures, and quickly became one of Hollywood's top box office stars, appearing in Picnic (1955), The Man with the Golden Arm (1955), and Pal Joey (1957). She gained prominence for her performance in Alfred Hitchcock's thriller Vertigo (1958), which is recognized as one of the greatest films ever made. Other notable films include Bell, Book and Candle (1958), Strangers When We Meet (1960), and Of Human Bondage (1964). Although still relatively young, Novak withdrew from acting by 1966 and has only sporadically worked in films since. She appeared in The Mirror Crack'd (1980) and had a regular role on the primetime series Falcon Crest (1986-1987). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

ALFRED WILLIAM RICH N.E.A.C. (1856-1921), FLYING BUTTRESSES AT LINCOLN CATHEDRAL, SIGNED, WATERCOLOUR, 31 x 41cm UNFRAMED.

FOUR BRASS CUPBOARD CATCHES, BOX OF SUNDRIES AND FOURTEEN BRASS AND METAL COAT HOOKS INCLUDING ALFRED & BROWN & CO, PLUS FOLDING AND LOCKING COAT HOOK

Alfred W Hallett ARCA (British 1914-1986): Impressionist Landscapes, two oils on board signed with initials, dated 1958 verso max 29cm x 44cm (2)

Alfred Henry Vickers (British 1834-1919): Rural Village Scenes, pair oils on canvas signed 28cm x 44cm (2)

Alfred Banner (British fl.1882-1911): 'Friends' - Feeding the Ducks, oil on canvas signed, titled and dated 1913 verso 24cm x 19cm

Alfred Vickers, oil on canvas, view towards a windmill, signed, 20cm x 40cm, framedGood condition, no canvas damage or restoration, frame has some gesso chips on the corners and glazed

Alfred William Rich (1856 - 1921), after the storm, watercolour, signed, 26cm x 38cm, framedFoxing and paper discolouration

Alfred East (1849 - 1913), autumn landscape, oil on canvas, signed, 60cm x 90cm, framedGood original condition, no canvas damage or overpainting, generally slightly dirty, paint all stable, frame slightly chipped

Poole (Monica) The Wood Engravings of John Farleigh, Henley-on-Thames, 1985 § Fowler (Alfred, editor) The Woodcut Annual for 1925, one of 600 copies, small stain to upper edge of title, uncut, Kansas City, 1925 § Salaman (Malcolm C.) The New Woodcut, 1930 § Ede (Charles) The Art of the Book, 1951 § Sheringham (G.), James Laver, E.Gordon Craig & others. Design in the Theatre, 1927, plates and illustrations, a few colour, occasional spotting, original cloth or boards, the first two with dust-jackets, most a little rubbed, the last three all The Studio Ltd.; and 4 other Studio publications on illustration and theatre, folio & 4to (9)

Mobile Box - Southampton. 1844-46 Entire letter and entire from Le Havre to London, with boxed "M.B" and matching Southampton backstamps in black or blue, charged 1/3 or 2/-, the 1846 entire endorsed by the Le Havre forwarding agent Alfred Rigot, the first with file folds, otherwise both fine, the M.B handstamp very scarce in black. (2).

ROSENBERG, JOHN D. (ED.), 'THE POEMS OF ALFRED LORD TENNYSON'with wood engravings by Reynolds Stone, printed for members of the Limited Editions Club, Cambridge, 1974, maroon vinyl half binding, with slip case

A folio of watercolour paintings and pencil sketches, landscapes, mostly 19th century - Harriet Worsley, ‘Inverness’, Harvey Castle, Ireland, Hale Hall, Lancashire, pencil sketches, from a sketchbook rendered by the artist in 1821, each approx. 9cm x 13cm; H. Alperton; Percy Harland Fisher; Alfred Hayward, Portrait of a lady; etc, (17).

London by Gustave Dore, 1872, leather-bound, and Idylls of the King, by Alfred Tennyson, illustrated by Gustave Dore, 1868, cloth-bound (2)

Alfred Wainwright, five Pictorial Guides to the Lakeland Fells comprising "The Central Fells"; "The Eastern Fells"; "The Northern Fells"; "The Southern Fells"; "The Western Fells" and "The Central Fells"

A 1950s Beswick twin neck freeform vase by Alfred Hallam and Colin Melbourne, makers marks and pattern number 1357 impressed to base, height 21 cm

A late 19th / early 20th Century Alfred Meakin Garland pattern tea set

Major Alfred Kingsley Lawrence RA(1893-1975)Four portraits of Great War Soldiers from the Tyneside Pioneers (18th Northumbrian Regiment), including "The Subultan",each pencil signed to the margins,etchings,largest 23.5 x 21cms (plate), smallest 10 x 7.5cms (plate). (4)

Charles Frodsham, London - A fine George V 18ct gold half hunter pocket watch, circa 1910, outer cover with blue enamel Roman numerals and inner chemin de fer chapter ring around the circular glazed aperture, signed white dial, additionally marked '09380', with black Roman numerals, blued hands and subsidiary seconds register at 6H, gilt three-quarter plate crown wind mechanical movement with diamond end stone, top plate marked CHAS FRODSHAM BY APPOINTMENT TO THE KING 115 NEW BOND STREET LATE OF 84 STRAND LONDON NO 09380, the raised going barrel engraved with foliate decoration and hand setting button at 4H, case, 48mm diameter, interior with casemaker's mark of Harrison Mill Frodsham and London hallmarks for 18ct gold, numbered 009380, the cuvette similarly marked and additionally engraved TO ROBERT SINCLAIR FROM SIR VICTOR AND LADY HORSLEY IN GRATEFUL RECOLLECTION OF HIS PROMPT AND KIND ACTION ON THE 22ND AUGUST 1911, 115.7g gross, presented with a copy of the purchase receipt, analysis sheet from Charles Frodsham and rating certificate from June-July 1914 Provenance:Purchased back by Charles Frodsham from a descendant of the Sinclair family, and subsequently sold to the present owner in 2014 Charles Frodsham was a distinguished English horologist, founding his business in the 1840s. From 1884, he traded as Charles Frodsham & Co, which remains in existence as the longest continuously trading firm of chronometer manufacturers in the world. Lot 354 & 355: A ‘fine gold watch and albert’ presented for an act of bravery. Sir Victor A.H. Horsley (1857-1916) was an accomplished scientist and professor, and the first neurosurgeon appointed to the National Hospital for Neurology and Neurosurgery in London. Known as 'the father of neurosurgery', he was the first surgeon in the world appointed to a hospital post as a 'brain surgeon'.In August 1911 he was on holiday with his family in Rousay - one of the largest of the Orkney Islands - off the north coast of Scotland. His son, Siward Myles Horsley, who suffered from epilepsy, went fishing in a boat just offshore, but suffered a fit and fell overboard. The local newspaper - the 'Orcadian' - of Saturday August 26th, 1911, carried the following report on the incident:'BOATING ACCIDENT AT ROUSAY - A serious boating accident occurred off Sourin, Rousay on Tuesday. From information to hand it appears that a son of Sir Victor Horsley was fishing from a small boat...when he fell into the sea. Fortunately, the accident was observed from the shore and a rescue party set off. By this time the young man had sunk, and it was only after some difficulty that he was picked up from the bottom. He was...in a serious condition...and was only restored after great difficulty’.Two months later, the 'Orcadian' carried a further report:BOATING ACCIDENT AT ROUSAY - Sir Victor Horsley has presented fine gold watches and alberts to the (two) boys who recently saved his son from drowning. The names of the boys are Alfred Hermisgarth and Robert Sinclair. The inscription on the watches is "To (name of recipient) from Sir Victor and Lady Horsley in grateful recollection of his prompt and kind action on 22nd August 1911" Crystal - Complete. Some extremely minor scratches visible under reflected lightDial - In good condition. No obvious signs of damage or crackingMovement - In working order, though not tested for timekeeping or endurance. Hand adjusting button operational and the hands move freely in both directions, though there is a little play. Crown winds satisfactorilyCase - In good condition with no obvious sign of damage or repair. Cover opens and closes satisfactorily, and the hinges do not appear strained. Verso with some light scratches and scuffs as to be expected and commensurate with age and use.

A Victorian silver combination hip flask and cigarette case, mark of Alfred Fuller, London 1892, of rectangular form, the corner with captive bayonet cap, piano hinged part marked cover, gilded interior engraved THORNHILL & CO 144 NEW BOND ST. with elasticated retainer, 10 x 7cm,151.9g (4.9ozt) grossOverall in good condition with no obvious sign of damage or repair. Some surfaces scratches and minor nicks as to be expected and commensurate with use and age. Bayonet cap operates satisfactorily, though a little loose (the cork insert could probably do with being replaced to improve the fit). Hinge in good order and the cover opens and shuts satisfactorily. Untested for water tightness.

Alfred Montague (British, 1832-1883)View of boats crossing the Meuse and a companion each signed and dated 'Alfred Montague/1875' (lower right); one bears inscription 'View of boats crossing the meuse AM' (on stretcher)oil on canvaseach approximately 35.9 x 61cm (14 1/8 x 24in). (2)Footnotes:ProvenancePrivate collection, UK.For further information on this lot please visit Bonhams.com

PIPER, John. Brighton Aquatints…with…an Introduction by Lord Alfred Douglas. London: Curwen Press for Duckworth, 1939. Limited edition, being one of 200 copies only, oblong folio (253 x 389mm.) 12 black and white aquatints with tissue-guards, accompanying text on blue paper. (Some light spotting to first text leaves, some offsetting to one plate.) Original red cloth-backed boards, paper label mounted to upper cover (toning to extremities, slight dust-soiling to lower cover).

LE FANU, Joseph Sheridan. The Purcell Papers… with a Memoir by Alfred Percival Graves. London: Richard Bentley, 1880. 3 vols., first edition, 8vo (184 x 115mm.) (Light spotting to preliminaries of vols. 1 and 2.) Original red cloth, gilt lettering to spines (minor sunning to spines (lightly bumped spine ends). Note: Le Fanu’s posthumously published collection of his earlier fiction (3).

A collection of Rupert Bear annuals to include Rupert Bear Classics 2nd Ed. published 2007 with original Alfred Bestall illustrations, facsimile of the 1939 edition published in 1991, various 1960s/70s and later annuals, and other mixed books Location:

ATTRIBUTED TO ALFRED VICKERS (1786-1868) Horses and cart in a country fieldoil painting on panel, P&D Colnaghi & Co label verso, 17cm x 21.5cm

ALFRED WILLIAM RICH (1856-1921) “The village windmill” a study with figures in foreground, watercolour, signed lower right, titled to margin 23 cm x 38 cm

Circle of Sir Alfred Munnings (British, 1878-1959), An oil sketch landscape with trees, Oil on canvas, Unsigned, inscribed 'Alfred Munnings' verso, 20cm x 30cm, Framed

Manner of John Constable (British, 1776-1837), 'A View In Suffolk', an oil sketch of a windmill on a hill against a cloudy sky, Oil on canvas mounted on panel, Indistinctly signed lower right, titled to later label verso reading: 'Given to G. Buckler Esq. F.S.A. by John Constable himself, exhibited at "The Society Of Painters" Exhibition in Sloane Street, 1835. The above is a copy of statement written on the back of the picture when purchased by me Alfred James Day at a sale at Arundel in the early part of 1897. This picture was restored and relaid on this panel and reframed by Messrs. Tooth and Son of the Haymarket, London, May 1897.' 23cm x 30cm, Framed

A Henry Howell & Co 'YZ bird' combination table vesta and ashtray, possibly for Alfred Dunhill, registered design number 715319, 'YZ' trademark lozenge to base, 18.5cm high

Collection Of 93 Post War Royal Navy Cap Tallies including HMS Icarus ... HMS Impulsive ... HMS India ... HMS Invincible ... HMS Iron Duke ... HMS Jackal ... HMS Jersey ... HMS Juno ... HMS Kangaroo ... HMS Kelly ... HMS Kenya ... HMS King Alfred.  93 items. PAYMENT ON RECEIPT OF INVOICE PLEASE. BACS ONLY - NO CARDS ACCEPTED

A COLLECTION OF 13 CABINET PLATES PLUS A LARGE ALFRED MEAKIN AND WREN BOWLS