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Lot 520

WILLIAM MAW EGLEY (1826-1916); pencil drawing, 'Caliban, Stefano Fernando and Ariel (Tempest)', inscribed on Ernest Brown & Phillips Ltd V Leicester Galleries of Mayfair London label verso, 17 x 14cm, framed and glazed.

Lot 57

Three Marsaut type safety lamps, type SL M&O, two bearing brass plaques no.25 and 104, and a third similar example with remnants of plaque, each height 25cm (3).

Lot 570

WILEMAN & CO; a Foley 'Intarsio' six handled vase painted with blue anemones above green leaves on a yellow ground, printed marks to base Rd.No.330305. 3021, diameter approx 16.8cm. CONDITION REPORT: There are three hairline cracks running from the rim, some small areas of paint loss noticeably to edges of the handles, crazing throughout.

Lot 573

WILEMAN & CO; a Foley 'Intarsio' ovoid vase decorated with bands of cats on tree branches, printed marks to base, Rd.No.337997. 3136, lacking lid, height 18cm. CONDITION REPORT: The entire rim has been restored and the interior lip has now been painted brown. Surface scratches and pitting in parts.

Lot 574

WILEMAN & CO; a Foley 'Intarsio' mantel timepiece with shaped architectural case inscribed 'Carpe Diem' beneath the circular dial and with angled side panels with Art Nouveau decoration, printed marks Rd.342317?. 3160, height 29cm. CONDITION REPORT: Some crazing and rubbing to the paint in raised parts, the clock and dial are replacements. No guarantee that this is in working order. It has not been tested.

Lot 575

WILEMAN & CO; a Foley 'Intarsio' 8" rose bowl and cover decorated with large yellow flowers, printed marks to the base 3163, diameter 20.3cm. CONDITION REPORT: Some areas where the glaze hasn't quite fired correctly but this is not damage, just manufacture. Some surface scratches and rubbing to the raised parts, overall in good order.

Lot 576

WILEMAN & CO; a Foley 'Intarsio' teapot decorated with yellow and mauve narcissus flowers, printed marks to base Rd.No.330702. 3168, length 20cm. CONDITION REPORT: The spout has been totally and extensively restored as has a large area of the foot rim. There is a crack running from the rim down the side of the teapot. Heavy crazing to the interior, some crazing to the exterior. The finial of the lid has been restored as has half of the inner lip section of the lid.

Lot 577

WILEMAN & CO; a Foley 'Intarsio' Imperial teapot decorated with an Imperial crown, printed marks to base Rd.356481. 3183, length 24.5cm, believed to be the only example. CONDITION REPORT: The finial of the lid has been restored where the cross meets the body, this being the area of the band of brown. There are some small chips to the underside of the lip where the lid meets the teapot, tip of the teapot spout has been restored. Crazing to the interior and there is a 3cm crack running through the foot rim towards the base of the handle.

Lot 578

WILEMAN & CO; a rare Foley 'Intarsio' model of a small cat decorated with yellow fleur-de-lis on a blue ground, and with green glass eyes, printed marks 3321, height 24.6cm. CONDITION REPORT: Both ears have been restored otherwise light crazing.

Lot 579

WILEMAN & CO; a Foley 'Intarsio' timepiece, 'The Time Oday', decorated with two figures either side of a sunflower beneath the timepiece, printed marks Rd.379153. 3330, length 28.5cm. CONDITION REPORT: There is a 10mm x 8mm chip to the top of the clock, some crazing to the glaze and rubbing to the raised surface points.

Lot 580

WILEMAN & CO; a Foley 'Intarsio' timepiece inscribed 'The Days May Come The Days May Go', decorated with two figures beside a sundial beneath a circular dial set with Arabic numerals inscribed 'Gilbert', printed marks Rd.379152. 3455, height 26.5cm. CONDITION REPORT: Not in working order. Staining to the dial and crazing to the glaze. There is a 7 x 3mm chip to the back of the case.

Lot 582

WILEMAN & CO; a Foley semi-porcelain wrythen moulded teapot and stand with matching jug with correct pewter lid, all pieces decorated with roses, printed marks, teapot no.7366, length of teapot 25.5cm (2). CONDITION REPORT: A tiny chip to the inner lip of the teapot and spout chipped but section present., slight scuffing to the raised parts, some very light rubbing to the gilding, general surface wear. A small chip to the under rim of the lid.

Lot 583

WILEMAN & CO; a Foley semi-porcelain squat circular teapot and water jug with pewter lid, both decorated in the parrot and roses design, printed marks, no.7462, length of teapot 19.5cm (2). CONDITION REPORT: Rubbing to the gilding of both pieces, light crazing, minute chip to the rim of the teapot, general surface wear.

Lot 584

WILEMAN & CO; a Foley semi-porcelain bowl with silver plated rim decorated with cats on tree branches, printed marks, no.7605, diameter 25.5cm. CONDITION REPORT: Rubbing to the gilding, surface scratches and staining to the interior, tarnishing to the silver plate and general light surface wear.

Lot 585

WILEMAN & CO; a Foley semi-porcelain teapot decorated with large flowers and an Imperial teapot with printed mark 'Late Foley, Shelley, England 7666', the first with printed marks no.7614, length 18.5cm and 23.5cm (2). CONDITION REPORT: Heavy rubbing to the gilding of the floral decorated teapot. Crazing and staining to the interior and staining and crazing also to the exterior. Rubbing to the raised parts. The Imperial teapot has several bad cracks to the body, the lid has virtually been in two with a crack running 90% of the way through spurning a 1.5 x 2cm chip to the flange, also rubbing to the gilding.

Lot 586

WILEMAN & CO; a Foley snowdrop shaped teapot decorated with pink daisies, height 19.5cm and a small Foley teapot decorated with violets, height 10cm (2). CONDITION REPORT: The snowdrop shaped teapot has light rubbing to the gilding but shows no sign of use. The small teapot is cracked twice through the rim, each running approx 5cm, has staining to the rim and also to the interior and exterior around the base of the spout. Heavy rubbing to the gilding and some surface wear.

Lot 587

WILEMAN & CO; a Foley semi-porcelain rose spray decorated biscuit barrel with silver plated mounts and swing handle, printed marks to base no.7480, height 17cm and an Oriental floral decorated biscuit barrel with silver plated mounts and swing handle, printed marks no.7568, height 16cm (2). CONDITION REPORT: The first has tarnishing to the silver plate, rubbing to the gilding and surface wear throughout, also a ground area to the foot rim and rather dirty interior. The second one has extensive heavy rubbing to the gilding. Tarnishing to the silver plate and general surface wear.

Lot 588

WILEMAN & CO; a Foley semi-porcelain biscuit barrel decorated with cats on tree branches and with silver plated mounts and swing handle, printed marks no.7605, height 16cm. CONDITION REPORT: Tarnishing to the silver plated mounts, light rubbing to the gilding, light surface wear, otherwise appears good with no further signs of faults, damage or restorations. Postage cost to UK: Small box at £15 plus VAT. Cost to Australia: £70 plus VAT.

Lot 589

WILEMAN & CO; a Foley 'Faience' Old Chelsea triple pelican yellow floral decorated vase (missing cover), height 17.5cm, and a matching jug, height 10.6cm, both with printed marks, the jug no.8032 (2). CONDITION REPORT: Lid missing to vase, light rubbing to the gilding and some rubbing to the raised parts and light surface scratches. The small jug has light rubbing to the gilding and light staining.

Lot 59

A Marsaut type safety lamp with oval plaque inscribed 'John Davis & Son (Derby) Ltd, Davis-Kirby Lamp Approved', with further smaller plaque beneath inscribed 'Davis-Derby Approved Under Lighting Schedule', similarly stamped to the lower brass collar, height 30.5cm, a further safety lamp with distressed plaque no.312 and a third lacking plaque, no.15 to the upper collar (3).

Lot 590

WILEMAN & CO; a Foley 'Faience' Old Chelsea style Persian ewer decorated with red flowers on a cream and blue ground, with gilt heightening throughout, printed marks to base no.8053R, height 29cm. CONDITION REPORT: Light rubbing to the gilding, light surface wear but overall in good order, lid has since been damaged during viewing, finial detached and sizeable chip to finial, reglued.

Lot 591

WILEMAN & CO; a Foley crinkle rose decorated biscuit barrel, with plated mounts above ribbon tied moulded band, printed marks to base no.8275, height 17cm. CONDITION REPORT: Heavy tarnishing to the silver plated mounts, light surface wear to the body of the biscuit barrel, overall OK.

Lot 592

WILEMAN & CO; a Foley 'Faience' Old Chelsea pedestal bowl, decorated with yellow flowers on a cream ground, with gilt heightening to the blue mounts, printed marks, indistinctly no.8388, height 18cm. CONDITION REPORT: Heavy wear to the gilding and staining and surface wear to the interior. Crazing throughout.

Lot 593

WILEMAN & CO; a bamboo shaped coffee can and saucer, printed marks no.4329, diameter of saucer 12.5cm (believed to be one of only four known examples), and an early York shaped Wileman & Co Foley cup and saucer with orange leaves on a white ground, printed marks no.5457, diameter of saucer 14.2cm (2). CONDITION REPORT: The bamboo cup is cracked from the rim right through the side of the cup spurning a further 2cm hairline crack to the side, rubbing to the gilding throughout.

Lot 594

WILEMAN & CO; a Foley Devonshire shaped exotic bird and floral spray decorated five piece set comprising plate, two side plates, cup and saucer, diameter of largest plate 23.5cm, each with printed marks and no.7895, and a Wileman & Co May shaped trio, printed marks no.4940, diameter of side plate 18cm (2). CONDITION REPORT: The trio has light rubbing to the gilding, an area of staining to the back of the side plate and the leaf decorated cup and saucer has rubbing to the gilding,

Lot 595

WILEMAN & CO; a Foley Edward shaped trio in pink, printed marks and simply no.2, diameter of side plate 18cm and an Edward shaped white trio with cup and side plate stamped 'Shelley Late Foley', the saucer stamped 'Wileman & Co Foley', diameter of side plate 17.7cm. (2).

Lot 596

WILEMAN & CO; a Foley Ideal shaped plain white trio, printed marks Rd.351373, diameter of side plate 18.2cm (believed to be the only known example), an early York shaped Wileman & Co Foley cup and saucer decorated with green sprays and heightened in gilt, and a silver shaped cup and saucer with pink interior to the cup and gilt handle, printed marks no.6636, diameter of saucer 12.5cm (believed to be one of only four known examples) (3).

Lot 597

WILEMAN & CO; a Foley 'Faience' teapot decorated with stylised floral sprays, printed marks Rd.337994. 3177, length 21cm. CONDITION REPORT: Heavy rubbing to the gilding throughout. The finial has been broken off and crudely repaired, there is a small chip to the rim which has been badly repaired. There is heavy crazing to the interior, heavy crazing to the base spurning several hairline cracks running just through the foot rim. Scuffs to the raised areas, noticeably to one side leaving two unsightly areas to the decoration and general staining and surface wear.

Lot 61

A Welsh safety lamp with oval plaque inscribed 'E Thomas & Williams Ltd, Makers, Aberdare, Wales, Cambrian No.41231', also stamped 'Made in Wales UK' and 'ETW' to the lower collar, height 26cm, and two further safety lamps (both lacking plaques) (3).

Lot 612

A Wood & Sons pâte-sur-pâte twin handled vase designed by Frederick Rhead and decorated with Art Nouveau flowers, height 18.75cm. CONDITION REPORT: Firing crack to top of one handle, rubbing to gilding throughout.

Lot 613

A Wood & Sons trellis twin handled vase, height 18cm, a similar ovoid vase, a Frederick Rhead designed Elers Ware vase and an octagonal bowl, diameter 18cm (4). CONDITION REPORT: Bowl with rubbing to raised parts, heavy rubbing and scratches to interior, general surface wear throughout.

Lot 64

A safety lamp type MC40, no.545, a safety lamp GR6S M&O no.49 and a further example with upper plaque no.1 and also inscribed '1142, WC & ICOL' to the lower bracket, each height approx 25.5cm (3).

Lot 66

A safety lamp spiral arm type S by JH Naylor Ltd of Wigan, height 37cm, a safety lamp by Thomas & Williams of Aberdare indistinctly numbered and a third lamp with remnants of label (3).

Lot 1

A Large Exhibition 'Dick Petrological' Microscope, c.1891, English, signed to foot 'J Swift & Son, London' and further engraved by the original owner 'T. A. Oliver', standing on large cast brass foot finished in lacquered and oxidised brass, trunnions at top support body, large plano-concave mirror on gimbal below substage, substage assembly with rotating Nicol prism on fold out arm, iris diaphragm and focusing condenser all on rotating divided circle for angular measurement, square stage with Swift 2" patent mechanical stage and main body to rear of stage incorporating the 'Dick' rotating mechanism with fine focus via screw and course focusing via diagonal rack work, body tube incorporating a sliding plate with wheel of apertures and slide in/out Bertrand lens, to top a rotating and folding analyser engraved with 45 degree positions, complete with five Swift objectives, three eyepieces and one blank, bullseye condenser, copy of the  book 'Notes On A New Form Of Polarising Microscope' by Allan B. Dick, published by 'James Swift & Son 81 Tottenham Court Road, W, 1890' and other accessories, all fitting on mahogany base under a large glass dome, 52cm in height

Lot 1088

A Dallmeyer Dalrac f/4.5 135mm Lens, Cooke & Perkins mount, chrome, serial no. 544790, body, G-VG, elements, VG, some very light haze

Lot 13

A Petrological Microscope, c.1900, English, signed to foot 'J Swift & Son, London', stands on black enamel foot with plano-concave mirror on an articulated arm, with swing out sub-stage polariser and pull out condenser, rotating black glass stage, body tube incorporating a slide in/out analyser and Bertrand lens, with three Swift objectives, two eyepices, in fitted mahogany case, width 34cm

Lot 1354

A W. Watson & Sons Whole Plate Mahogany Field Camera, 1885-90, serial no. 14503, with W. Watson & Son f/8 8½x6½" brass lens, serial no. 1922, body, VG, lens, G-VG, some very light fungus, with three DDS, in maker's case

Lot 149

A Finely Decorated Silver & Ivory Sector, c.1700, Anglo-French, very unusual instrument, scales following the English pattern and scales in English, including latitude and hours scales for setting out sundials, silver arch hinge and arm ends with decoration in typical French fashion, unusually the sector opens out to 12 French inches, with other scales giving Inglish (sic) Amsterdam and Rhynland inches, possibly made to order for an English person resident in France

Lot 152

Imperial Russian Surveying Protractor & Scale Rule by Oskar Richter, hand engraved on heavy gauge brass, divided to half a degree, degree scale numbered in three ways; 0-90-0, 0-180, and 180-360, scale rule engraved with the ratio 1:8400 Russian ‘fathoms’ (7 Imperial British feet), scale rule divided to 1/100th inch by transversals, width 22.1cm

Lot 159

A Surveying Transit Protractor, c.1900, English, protractor arm marked 'Smeeth's Transit Protractor/Mark I/Sole Makers/Negretti & Zambra/London', with folding sights, in velvet-lined leather case, length 16cm

Lot 16

A Powell & Lealand No.3 Microscope, c.1859, English, signed to top limb 'Powell & Lealand 170 Euston Road, London', standing on typical ‘Powell & Lealand’ tripod with large trunnions supporting body, large plano-concave mirror on Powell single-sided support, fully mechanical stage with X-Y control with substage accessory mount, triangular bar with rack and pinion focusing, limb with struts supporting back of the body tube, fine focus wheel to rear of limb with date engraved below, with 16 accessories including: a camera lucida eyepiece, a complex substage achromatic condenser with integral stops and aperture, low power eyepiece, medium power eyepiece, high power eyepiece, dark wells, bar tool, live box, substage wheel of stops, pre-RMS threaded 1" objective and can, pre-RMS threaded ¼" objective and can, pre-RMS threaded â…›" objective with correction collar and can, Leiberkuhn for the 1" objective, tweezers and large table bullseye with chamois leather cover for lens, all in fitted French polished mahogany cabinet, case height 41cm

Lot 23

George Adams Senior Trade Label & Documents, early handwritten paper trade label, reading 'Invented + Made by George Adams Scientific Instrument Maker to H.R.H George III 1747', 7cm x 5.7cm, hand-written period document concerning the use of micrometer with the compound microscope, unsigned, undated, list of microscopic objects x3

Lot 7

A Large French Petrological Microscope, c.1885, French, signed to foot 'C. Verick elive specialde E Hartnack rue de la Parcheminerie 2 Paris', standing on heavy lead-filled base with a supporting column at rear with compass-type joint below the stage, plano-concave mirror held in gimbal in sliding dovetail, polariser in slide in/out substage assembly and fully rotating stage with engraved scale to edge, removable mechanical stage to top, with x & y adjustment, focusing via rackwork with screw fine adjustment, body tube with slide in/out analyser, centering, single drawer tube

Lot 87

A Victorian Perspective of The Thames Tunnel built by Brunel , in four sections, front cover opening to reveal a blue front piece with eye holes cut, label to centre 'THAMES TUNNEL, 1200 feet long, 76 feet below high water mark, was 8 years in building & cost £446000, opened the 25th day of march 1843', with Phillimore collection label dated 1943 to inside of front cover. Footnote: John Phillimore (1940) was the motoring correspondent for the London Times and an authority on the history of transportation. During the 1930s Phillimore built a large collection of historical items concerning railroads in great Britain. In 1943 his collection of books, pamphlets, letters, printed ephemera, and artifacts was broken up and sold at auction by Sotheby and Company.

Lot 88

A Magic Stereoscope , stereo viewer ,  c.1860, English, unsigned, covered in tooled leather, hinged top to front and rear, both with mirrors and both with mother-of-pearl knobs, rack and pinion focusing, with two internal pairs of supplementary lenses on pull-out section, mounted on black ebonised stand, height 49cm  For a similar stereoscope by Negretti & Zambra see: https://www.christies.com/lotfinder/lot/magic-stereoscope-no-202-1772862-details.aspx?from=searchresults&intObjectID=1772862&sid=dde69d7f-99e1-4e0a-8b97-584158a7c28e

Lot 90

A Zograscope, c.1800, English, unsigned constructed of French polished mahogany with ebony & boxwood stringing, turned base supporting column with screw clamp, mirror to rear with lens at front, height 24cm

Lot 113

Victor Pasmore (1908-1988)Norbert Lynton. The catalogue raisonné of the paintings, constructions and graphics, Vol I & IIThe two volumes of the catalogue raisonné, with title-pages, text, and illustrations, bound as published in the original wrappers, 325 x 290mm (12 3/4 x 11 3/8in) (vol) (2)

Lot 115

Henry Moore (1898-1986)Patrick Cramer. The Graphic Work Volumes I, II & IV (1931-1972, 1973-1975, 1980-1984)Three volumes (of four) of catalogue raisonné, with title-pages, text, and illustrations, bound as published in the original wrappers, with Henry Moore Complete Sculpture volume 6 1981-1986 (vol) (4)

Lot 130

Andy Warhol (1928-1987)Two plates, from A Gold Book (See Feldman & Schellmann IV.106-124)Two offset lithographs printed in black, 1957, each on gold paper, each the full sheet, each 362 x 286mm (14 1/4 x 11 1/4in) (mounted) (2)The Gold Book (1957), in which these two plates were included, is recognised as one of the most elaborate editions by Warhol, with thirteen of the plates printed on gold paper-inspired by, according to close friend Charles Lisanby, the gold-leaf furniture lacquered with black designs that the two had seen on their trip to Bangkok. The images in the twenty-two page volume were devoted to "Boys/filles/fruits/and flowers/Shoes/Ted Carey and Edward Wallowitch" in the words of the artist. Certainly, Warhol did base the designs on photographs by Wallowitch, to whom he was romantically linked at the time. He went on to exhibit the completed plates at the Bodley Gallery in New York shortly after publication, along with his related drawings and source material for the book.The first plate in this lot, of the young man leaning, is a clear reference to James Dean, the heartthrob who had died just two years earlier in 1955. Meanwhile, the second fits in with larger themes across the book of childhood and nature. Thus the Gold Book marks the beginning of Warhol's explorations into the ideas that would preoccupy him throughout his career, including the allure of celebrity and Hollywood, childhood ideals, nature versus nurture, commercialism, sexuality and of course what people will do to chase the American dream.

Lot 154

δ Sarah Lucas (b.1962)PercevalThe complete multiple, 2007, comprising an offset lithograph in colours on thick card, a further offset lithograph with the printed instructions on thin wove paper, the title and text page, needle, thread and wire, together in the original white cardboard box with printed title, overall 321 x 226 x 20mm (12 5/8 x 9 x 3/4in) (multiple)This work is accompanied by the Momart authenticity document, confirming the work is part of the Victoria & Albert Museum, London.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 26

δ Edward Bawden (1903-1989)Knole Park; Bardfield (Wallpaper)Linocut printed in colours, circa 1931, on thin wove paper, published by Curwen Press and Cole & Son Ltd., London, the full sheet with upper margin, 755 x 562mm (29 3/4 x 22 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 119

Alexander Graham Munro (1903-1985) British. "Safi, Morocco", Study of the Town Skyline, Watercolour, Signed, and Inscribed on a label on reverse, 12" x 18.5". Provenance: Royal Scottish Society of Painters and Watercolours- Aitken Dott & Son, Edinburgh.

Lot 145

Samuel Bough (1822-1878) British. "Henley on Thames", A Figure Walking towards the Bridge and Lock in Henley, Watercolour, Signed and Inscribed, and inscribed on a label on reverse, 13.75" x 19.75". Provenance: Pearson & Westergaard.

Lot 211

Marcus Ford (1914-1989) British. "Friston Hill, Near Aldeburgh, Suffolk", Oil on Canvas, Signed, and Inscribed on a label on the reverse, 18" x 30". Provenance; J. Pratt & Son (Derby) Ltd.

Lot 25

19th Century English School. "Ryde, Isle of Wight", Watercolour, Inscribed on a label on reverse, 6.25" x 9.75". Provenance: Abbott & Holder, London.

Lot 291

Ben Marshall (1767-1835) British. "Lord Lonsdale's Hunter", a Grey Standing in a Landscape, Oil on Canvas, Signed and Dated 'P. 1799', in a Carved Giltwood Frame, 25" x 30". Provenance: Arthur Ackermann & Son Ltd.

Lot 47

Sidney Tushingham (1884-1968) British. "Sunshine Shadow", Drypoint Etching, Signed in Pencil, 14.75" x 10.5". Provenance: James Connell & Sons Ltd.

Lot 57

Charles William Cain (1893-1962) British. "A Tigris Night", Etching, Signed and Numbered '82. 90.', 10" x 14.75". Provenance: Aitken Dott & Son, Edinburgh.

Lot 69

19th Century English School. "On the East Lyn Looking towards Linton & Lynmouth [sic]. Devon", Watercolour, Inscribed on mount, Unframed, 5.25" x 7.25", and Four other Watercolours by various hands, Five (5).

Lot 103

CHARLES ROBERT ASHBEE (1863-1942) FOR THE GUILD OF HANDICRAFT LTD. ARTS & CRAFTS SILVER PORRINGER, LONDON 1905 with whiplash handle inset with purple cabochon stone, bears maker's mark GofHLTD, hallmarked London 1905, with engraved initials MB 18cm long Note: The engraved monogram MB refers to Marie Brema (1856-1925), the first British singer to sing at Bayreuth.

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