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Worcester-style vase, amphora form supported by swan tripod pedestal, lobed base, unmarked, 16.5cm; a Staffordshire pottery bachelor's teaset; and a Limoges porcelain painted coffee pot, decorated with daffodils, factory marks, 24cm.Qty: 5Condition report:Loss of gilding to all items. Crazing to teapot and milk jug. Minor scratch and pink mark to coffee pot. Rim on coffee pot has also been repaired, and finial on lid missing. Please see additional uploaded images.

Patinated bronzed figure of a tall African lady carrying an amphora, 51cm.

Amphora pottery figural bowl, girl with watering can by a basket trough, 31cm.Condition report:Loss of gilding to various areas. Would benefit from a gentle clean. Please see additional uploaded images.

Pair of Wedgwood bone china amphora shape vases, one damaged; Royal Doulton figure, Greta; another, Monica; Royal Crown Derby pin dish; Queensberry pottery cabinet cup and saucer; pair of Dresden posies; and other ornamental china.

Mid-century modern ceramic tile mural featuring an abstract depiction of two classically dressed female figures engaged in agrarian work. One raises an amphora-shaped container, while the other holds a bundle of wheat and a sickle, symbolizing harvest and sustenance. Composed of individual ceramic tiles mounted on a wooden backing, the mural exhibits a textured, earthy surface with a crackled glaze finish in warm tones of brown, cream, black, and ocher. The geometric stylization and minimalist forms reflect the modernist aesthetic popular in mid-20th-century decorative arts. A monogram is present in the lower left corner that resembles an E and M, suggesting the artist's signature or studio mark. The rear of the piece shows numerical markings, indicative of a structured assembly process. This substantial mural serves as a striking example of mid-century ceramic artistry and would be an impressive focal point in any interior.Issued: c. 1960Dimensions: 22"L x 57. 25"HCondition: Age related wear. Small crack on the lower cheek of the left figure. This panel is very heavy.

AN AMPHORA CERAMIC BASKET WITH CHILDREN AND RABBITS, HEIGHT APPROX 40CM

An early 20th century Austrian Amphora bisque porcelain table centrepiece figurine. Depicts three young boys pulling baskets with makers mark to underside. 1420, 17. 22cm height approx.

Ca. 750 - 600 BC.A pottery amphora with a biconical body and a round ring base. It is fitted with two strap handles extending from the shoulders to the neck, which culminates in a large, everted short rim. The clay used is purified, and the central part of the body is adorned with painted decoration.Size: 280mm x 220mm; Weight: 2.3kg.Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987.

Ca. 850 BC.A large amphora characterised by a slightly elongated globular body resting on a short, ring-shaped foot. It features a wide neck with a short, everted rim. The primary decoration comprises a series of concentric bands on the body of the vase and on the neck, in red and brownish-red tones.For similar see: The Metropolitan Museum of Art, Object Number: 74.51.717. Size: 530mm x 400mm; Weight: 8.5kg.Provenance: Private UK collection, acquired on the UK art market; Ex. Christie's, South Kensington, 4 November 1992, no.33; Ex. an important Cambridgeshire estate; thence by descent. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 550 - 450 BC.A terracotta figurine of a rider on horseback, both depicted in a stylised, abstract form. The animal has an elongated body, sturdy legs, and a short tail. The head is angular with a rounded muzzle and slightly raised ears. The rider is seated upright with an elongated torso and the legs fused with the body of the horse. His head is oval-shaped, topped with a pointed cap. The facial features are minimally defined, with a prominent nose, shallowly incised eyes, and a protruding chin.For similar see: The Metropolitan Museum of Art, Object Number: 74.51.1664; The British Museum, Museum number 1888,0601.90.Size: 120mm x 74mm; Weight: 100gProvenance: Private UK collection, acquired on the US art market; Ex. Donald Wonder collection (1938-2023), California & New Jersey; Ex. The Time Machine, Flushing, New York, prior to 1 October 1987; Ex. Amphora, Nyack, New York, prior to 8 September 1999, (where catalogued as Syro-Hittite).

Ca. 400 - 300 BC.A gold ring with a round-section band and a flat, oval bezel decorated with a relief depiction of a sphinx facing left, next to a tall amphora. The sphinx, shown in a crouching stance, has an elongated body, muscular hind legs, and a curling tail. Its wings extend upward and outward, with individual feathers rendered in parallel lines. The head, depicted in profile, has a well-defined nose, prominent lips, and a large eye. A beaded necklace encircles the neck. The amphora, standing to the left, has a narrow body, an elongated neck, and twin handles. A linear groundline extends beneath the figure.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 168.Size: D:19.35mm / US: 9 1/2 / UK: S 1/2; Weight: 10.51gProvenance: Private London collection; Ex German art market, 1960s - 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.

Ca. 850 - 650 BC. A pottery amphora with brown painted decoration. The body is biconical, one end tapers to a circular concave base, while the broad shoulder leads to a wide, short neck with an outturned rim. A pair of arched handles extends from the shoulder and join the rim. The decoration includes an accentuated rim and handles, a zigzag pattern beneath the rim, and a thick band below. The shoulder features three spirals on each side, followed by bands of varying widths, with an additional band encircling the base.For similar see: The Metropolitan Museum of Art, Object Number: 74.51.493a.Size: 270mm x 150mm; Weight: 560gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Amphora Art Nouveau baluster vase, with flowers in coloured enamels, 17cm

Graeco-Roman An amphora, with a tapering piriform body, a cylindrical neck with a slightly flared rim, and a pair of applied strap handles.  Sea-salvaged Dimensions: 31 in. (H)

A mixed lot of silver To include: [a] French, 19th century, A silver and cut glass oil and vinegar cruet set, hallmarked. [b] An Islamic silver lidded jar, hallmarked. [c] 20th century, Fitaihi, Riyad, A silver amphora on silver stand, both hallmarked. [d] An Arabic silver coloured metal and glass set incense burner. [e] A silver coloured metal twin-handled hot water urn. [f] A silver coloured metal repoussé open bowl Property of a nobleman Weighable silver: 2771.4 approx. g.

Porta Romana - a contemporary design painted pottery desk table lamp light. The lamp having a stepped amphora shaped body in dark gray finish. Label to underside. Sold as untested.Measures approx. 35cm tall x 27cm in diameter.From the Lucknam Park Hotel & Spa, Chippenham.

A spherical terracotta strawberry planter, with lug handles, 50cm high, together with an amphora type vase with two lug handles and incised wavy decoration (2)

A late 19th Century Royal Worcester blush ivory amphora-form vase together with four other similar bottle and urn vases, tallest 17.5 cm

A Lalique 'Bougainvillier Blossom' amber glass vase of amphora form with relief body, 18 cm high, together with a large 'Sakura' frosted vase of octagonal form with flora relief, 17.5 cm high, each with etched signature to base.NB: The full hammer price from the sale of this lot will be donated directly to St Michael's Hospice, Basingstoke: https://www.stmichaelshospice.org.uk/

Amphora mit gerollten Schlangenhenkeln und Weichmalerei Meissen, um 1860/1924 Beidseitig bunt gemalte Früchtebouquets. Reiche Goldstaffage. Zweiteilig verschraubt. H. 39 cm. 1. Wahl. Blaue Schwertermarke. (61302)

A large early terracotta amphora mounted on a purpose made wrough iron stand, overall H. 88cm.

A hand-thrown terracotta amphora With twin handles.56cm wide x 70cm highQty: 1In generally good condition, with weathering and abrasion commensurate with age and use.

Two terracotta pots Of amphora form, made in Italy.26cm x 47cm and 24cm x 50cmQty: 2Weathering throughout commensurate with age and display.

A small, possibly Roman, terracotta amphora Mounted on a marble base.7.7cm wide at the base x 17cm high overallQty: 1Some minor chips to the amphora. The amphora presumably drilled for mounting to the base.

Vase, Amphora. Keramik. Gebaucht mit eingezogenem Hals und 2 Ohrenhenkeln. Umlaufend in bunten Emailfarben gemalte, niederländische Landschaft. Stempelmarke "Imperial Amphora Austria", Wien, um 1900-1910. H. 14,5 cm.

This exquisite Royal Wettina porcelain vase is designed in the classic Amphora style, featuring a stunning floral motif with vibrant purple and white flowers. The vase is adorned with a striking dragon-shaped handle, adding a unique and artistic element. It sits on an elegant sculpted brown base. The piece is marked on the base with the Royal Wettina backstamp.Issued: 20th centuryDimensions: 11"HCountry of Origin: AustriaCondition: Age related wear.

Amphora im attischen Stil / Kleiner Strickhenkelkrug, Nordafrika 1.-3. Jh., Terra Sigillata / neuzeitlicher Lekythos. Ton, teilw. figürlich bemalt; dazu mehrere Scherben, H=9,1 bis 22 cm.

A Chinese Terracotta Amphora Vase, Tang style, with dragon moulded scrolling form handle, ribbed neck and shouldered globular body, decorated in splashed blue and yellow glazes, 39cm high

A late 19th Century Art Nouveau Amphora Imperial porcelain table centrepiece, the central bowl surmounted by climbing putti and decorated in a coloured lustre glaze finish

Vase, Amphora. Keramik. Eiförmig gebaucht mit floral reliefiertem Sockelfuß und Rand. Seitlich vergoldete Handhaben. Umlaufend verschiedenfarbige, teils lüstrierende Glasur, mittig steigende Löwen neben Wappenschild in Schwarz. Prägemarken Amphora, Wien, um 1900. H. 30 cm.

Deckelvase mit Blumen-WeichmalereiKPM Berlin um 1900Porzellan, polychrom bemalt, Reliefgold. KPM Szeptermarke, roter Reichsapfel mit KPM, 1. Wahl. H. 21 cm.Kleine Deckelvase der Königlichen Porzellanmanufaktur (KPM) Berlin, Amphora-Form mit volutenfömigen Blatthenkeln, aufewölbtem Deckel mit vollplastischer, bekrönender Rosenknospe ebenso wie auf dem Gefäßkörper mit Rokoko-Kartuschen in gold, auf der Wandung Blumenmotiv in sog. Weichmalerei. Die Weichmalerei beschreibt einen Stil in der Porzellanmalerei, der insbesondere in der KPM Berlin ausgeführt wurde. Wo vorher "Blumenmalerei in alter Manier" bestellt wurde, tauchen um 1890 in den Auftragsbüchern zunehmend Begriffe wie "Neuberliner Blumenmalerei" oder die "zarte weiche Blumenmalerei" auf. Der Manufakturmaler Alexander Kips, der von 1888 bis 1908 die künstlerische Gesamtleitung der KPM innehatte, förderte den Weichmalereidekor in hohem Maße. In der Zeit des Jugendstiles erfreuten sich Objekte mit Weichmalerei größter Beliebtheit.Weichmalerei für im Jugendstil hergestellte Blumenmalerei verwendet, es werden keine grellen Farben verwendet, sondern nur blasse helle Farbtöne. Wie der Name vorausnimmt, handelt es sich um eine Malweise, bei der durch den Verzicht auf scharfe Konturen ein weichzeichnerischer Effekt erzielt wird. Durch die Gestaltung eines diffus wirkenden Hintergrundes wird dieser weiter verstärkt. Die meist aufwendigen Ensembles, die zumeist Blumen zeigen, erinnern mit ihrer Lebendigkeit, der spannungsvollen Tiefen- und Farbenwirkung, nicht mehr an die strengen Buketts des 18.Jh., sondern markieren einen neuen Meilenstein in der Entwicklung Berliner Porzellankunst.Provenienz: Nachlass von Dr. Alexander Eugen Herzog von Württemberg (1933-2024).

AN AMPHORA CERAMIC BASKET WITH CHILDREN AND RABBITS, HEIGHT APPROX 40CM

An Austrian amphora porcelain figure.

Franz Xaver Bergman (1861-1936) a cold painted bronze table lighter, of a Moroccan boy lying beside a large amphora, signed, impressed 'GESCHUTZT', no. 3065, 14cm longCondition ReportLosses to the paint.

A French barometer, together with metal amphora vase and gilt candelabra table lamps

Franz Xavier Bergman, (1861-1936) - Early 20th century Austrian cold painted bronze figure of a female snake charmer on a tasselled carpet, stamped to the base with amphora 'B' mark and numeral '5', 15cm wide

A Worcester Flight Barr and Barr porcelain blue-ground two-handled vase, c.1815, red script marks, of amphora form with gilt scrolling handles with anthemion palmette terminals, possibly painted by George Davis, the ground reserved with six gilt-edged panels with ogival ends enclosing landscape vignettes with exotic birds, the waisted neck and socle with further panels with landscape vignettes, on a square plinth foot, the neck interior gilt with palmettes, 31cm highProvenance: Porcelain from a UK Private Collection.  

A Paris porcelain clock garniture, c.1810, formed with three two-handled amphora-shaped vases and fixed covers, each decorated in black enriched in gilding with lyres and baskets of fruit in rectangular cartouches, divided by masks joined by swags below the gilt swan handles, the swan handles of the central vase with gilt satyr-mask terminals, the front mounted with a circular white enamel dial with Roman numerals, with twin train movement striking a bell, with platform lever escapement, surrounded by a black and gold stave border entwined with foliage, the domed covers with similar stave borders, the waisted necks and socles richly gilt, on black square plinth feet, the central vase 35.4cm high (3)Provenance: Porcelain from a UK Private Collection.   Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.

An English porcelain navette-shaped comport, and two English porcelain two-handled vases, c.1815-1820, the comport interior with a gold-ground central panel reserved with brightly-coloured flowers, the border with similarly decorated panels alternating with panels with gilt anthemion and scrolls, 32cm wide; one vase of amphora form with partially gilt winged female handles, the front painted with a still life of fruit on a stone plinth, within an oval gilt-band cartouche, the reverse with a basket of flowers, 20cm high; the other vase of campana form, the high broad neck with a gilt band reserved with a garland of flowers, on a short foot, 12.1cm high (3)Provenance: Porcelain from a UK Private Collection.  

A pair of English porcelain blue-ground two-handled vases, second quarter of the 19th century, of amphora form with flared necks, the blue scale ground reserved with gilt-edged oval and shaped panels painted with flowers, the gilt handles with mythical beast heads, on socles and black square plinth feet, 32.2cm high (2)Provenance: Porcelain from a UK Private Collection.  

A group of four Attic style terracotta vases, 19th - 20th century, comprising: a twin-handled amphora, 35.5cm high; a pair of Lekythos, depicting young boys on racing on horseback, one converted to a lamp, 37.4cm high excl. fitment; and an amphora, 31cm high (4)Provenance: Private Collection of Klaus Hinrichsen.  

Set of Three Terracotta Hanging Pots This collection comprises three handcrafted terracotta hanging pots featuring a traditional amphora-inspired design. Made of unglazed red clay, each pot has a rounded, bulbous body tapering to a pointed base, with faint horizontal marks indicating hand-thrown construction. Small looped handles near the rim allow for suspension, with each hanging pot secured by rope or cord: two with natural beige twine and one with a white synthetic cord. The pots vary slightly in suspension materials but are similar in size, their approximate estimated dimensions being 20–30 cm in height and 15–20 cm in diameter. Their natural reddish-brown finish, absence of decoration, and rustic appearance suggest functionality over ornamentation, suitable for planting or storage. The form and aesthetic draw inspiration from Mediterranean and Middle Eastern pottery traditions and, while influenced by historical styles, these items are likely reproductions from the late 20th or early 21st century. Suitable for decorative or functional use, these pots are a cohesive display of traditional craftsmanship.

A West German pottery jug and similar vase, by Ubelacker Keramik, the former 26cm high; together with an Amphora twin handled vase; two Studio Pottery bowls; and an unusual pottery plate. (6)

Grainger Worcester, hand painted vase of amphora form on three dolphin supports on shaped base. Painted with nesting birds decoration to body with gilt decoration to foot, supports, shoulder and rim. Height: 16cm

Janniot, Alfred-Auguste (French, 1889-1969); b. Paris FRANCE, Le pain et le vin [Bread and Wine], 1951, a bronze medal by A.-A. Janniot for the Société Française des Amis de la Médaille, male harvester carousing with a female farmworker, Cupid at right and sheaves of wheat in background, rev. hand indicating legend on an amphora, text from Rabelias on open book behind, edge impressed 42 and with foundry mark of the SFAM, 98mm, 496.40g (cf. Maier Sale, 1489; cf. iNumis Dec. 2019, 322). Extremely fine, scarce; in red card box of issue £150-£200 --- Provenance: iNumis Auction (Paris), 8 December 2015, lot 145

A pair of modern Amphora style aluminum and glass vase shaped Table Lamps, with mask handles on square bases with cream shades, 31" (79cms). (2)

Three boxed bottles to include a Martell Medallion Old Fine Cognac 1 litre, Metaxa Amphora brandy 70cl and a Remy Martin Fine Champagne Cognac 1 litreIf there is no condition report shown, please request

5th-6th century A.D. Fish-shaped lead plaque with low-relief stamped panel, menorah and legend; impression from a wine amphora stamp, rectangular with a raised rim in the name of Jakob the Scribe: ΕΙΑ - ΚΟY / ΛΙΛ - ΕΒΑ (retrograde); seven-branched menorah between a shofar (right) and lulav (palm frond) and an etrog (yellow citron). For a bronze stamp from Sardis with the Menorah between a bunch of grapes and a palm branch, now in the British Museum under inventory no.1888, 0511. 3.; cf. similar stamp with similar design in Nomos AG Auction 20 (10th July 2020) lot 396. 94 grams, 74 mm (3 in.). [No Reserve] From the collection of a London antiquarian, formed since the 1980s.The first word is the name Iacobus' (Jakob) and the second word (Λιλεβα) is likely derived from the Latin Libellarius (scribe or notary), which was borrowed by Hebrew as 'Liblar'.

6th-5th century B.C. A section of scale armour coat composed of 162 overlapping tongue-shaped scales mounted onto a cloth panel, each with three holes to the top and some with one or two holes to the right for fastening onto the original leather backing. Cf. similar scales from Egypt, dated circa 590 B.C., in the Metropolitan Museum, discovered in the palace of Apries, accession no. 09.183.7a–v; Cernenko, E.V., The Scythians 700-300 BC, Hong Kong, 1998, pp.7ff., pl.D & E; for identical scales see Полин, С.В. & Колтухов, С.Г., ‘A Scythian Burial in a mound near the S.Nadezhda in Crimea’ and Лихачёва, О.С., ‘Elements of Scythian tradition in the complex of armament of the Altai forest-steppes population, in the 6th-3rd centuries B.C.’, in Russian Academy of science, The war and the military in the Scythian-Sarmatian world, Proceedings of International Scientific Conference in tribute to the memory of A.I. Melyukova (Kagal’nik, 26–29 April 2014), pp.119-126, and pp.162-171, pl.3, p.126, fig.2, p.165. 165 grams, 16 x 12 cm (6 1/4 x 4 3/4 in.). From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12469-231236.The favourite armour of the Scythian noblemen was composed of scales, usually protecting the torso, sometimes the entire body (kataphraktoi). The Scythians found that the most efficient method was to arrange the overlapping ‘fish-scales’ as a corselet made of a number of bronze and iron plates, which then protected the wearer against sword and spear thrusts. Our scales correspond well to bronze scales found in May 1961 in an accidentally destroyed burial in a barrow, near the village of Nadezhda Sovetsky district. They were discovered together with iron scales, a Greek Corinthian helmet, fragments of an amphora, five arrowheads and fragments of an iron sword. Most of these bronze scales were oblong in shape, with a sub-rectangular upper end and a rounded lower end, but slightly bigger than our scales.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.87gr, 15mm, 6h. Good Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.48gr, 16mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.25gr, 15mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 3 (68/9 CE). Jerusalem mint. 'Year three' in Paleo-Hebrew, amphora with broad, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 1.67gr, 15mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 1.81gr, 16mm, 6h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2,79gr, 17mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 1.90gr, 15mm, 5h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.56gr, 16mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. 66-70 CE. Jerusalem mint. Dated year 3 (68/9 CE). 'Year three' in Paleo-Hebrew, amphora with broad rim, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 2.26gr, 16mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. 66-70 CE. Jerusalem mint. Dated year 2 (67/8 CE). 'Year two' (retrograde) in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 3.02gr, 18mm, 5h. Near Very Fine. Very rare with retrograde inscription.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea, Caesarea Maritima AE 'Minim'.. Mid-late 1st-2nd centuries CE. Pseudo-autonomous issue. Local issue imitating a First Jewish War prutah or a Procuratorial prutah of Valerius Gratus. Illegible legend, amphora / Illegible legend, palm frond. See Meshorer 371 and p. 183-4; cf. Sofaer 1-5. 1.35gr, 13mm. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.