We found 20290 price guide item(s) matching your search

Norman Thomas Janes (1892-1980) Morning on the Thames, Blackfriars 21/40, signed and numbered in pencil (in the margin) etching and aquatint 22 x 26cm.

Graham Clarke (b.1941) St Georges, 1977 150/150, signed, titled, numbered, and dated in pencil (in the margin) etching and aquatint 29 x 36cm; together with a Graham Clarke proof sheet of etchings (2).

Maurice Cockrill (1936-2013) Winter, 1998 signed, titled, and inscribed 'P/P2' in pencil etching and aquatint 70 x 55cm.

Julian Trevelyan (1910-1988) Kensington Gardens, 1969 artist's proof, signed and titled in pencil (in the margin) etching and aquatint 59 x 78cm, unframed.

Julian Trevelyan (1910-1988) St James Park, 1969 68/75, signed, numbered, and titled in pencil (in the margin) etching and aquatint 59 x 77cm, unframed.

Julian Trevelyan (1910-1988) Moghul, 1968 from the Indian Suite 57/75, signed, titled, and numbered in pencil (in the margin) etching and aquatint 79 x 57cm, unframed.

Julian Trevelyan (1910-1988) Holy Ganges, 1968 from the Indian Suite artist's proof, signed and titled in pencil (in the margin) etching and aquatint 69 x 51cm, unframed.

Julian Trevelyan (1910-1988) Causse, 1981 3/50, signed, titled, and numbered in pencil (in the margin) etching and aquatint 40 x 51cm. Information: Only proofs and 3 of the edition of 50 were ever produced. All proceeds from this lot will go to Parkinsons UK.

Chris Orr (b.1943) 10PM 1390, 1970 6/75, signed, dated and title in pencil (in the margin) etching and aquatint 48 x 67cm.

Heidi Koenig (b. 1964) Oukaimeden 18/150, signed in pencil (in the margin) etching and aquatint 53 x 54cm.  

Trevor Price (b.1966) The Horse Whisperer 20/150, signed, titled, and numbered in pencil (in the margin) etching and aquatint 60 x 60cm, unframed.

Richard Beer (1928-2017) Radcliffe 27/100, signed, titled, and numbered in pencil (in the margin) etching and aquatint 61 x 45cm.

Richard Beer (1928-2017) Christchurch 25/100, signed, titled, and numbered in pencil (in the margin) etching and aquatint 61 x 44cm.

John Brunsdon (1933-2014) Rugged Farmland 11/50, signed, numbered, and titled in pencil (in the margin) etching and aquatint 38 x 43cm, unframed.

Paula Rego (b.1935) Hauling 10/75, signed, titled, and dated in pencil (in the margin) etching and aquatint 29 x 34cm, unframed.

Charles Bartlett (1921-2014) Iron Bridge 118/200, signed, numbered, and titled in pencil (in the margin) etching and aquatint 57 x 63cm, unframed.

GORDON.E.MILES (BRITISH 1947), 'Conway Castle', an artist proof aquatint etching of the Welsh landmark 10/15, signed to lower margin, framed, size approximately 38cm x 52cm, together with a watercolour of fishing boats in harbour signed Jackson, four topographical prints and a photograph on glass of a small child (7)

John William Edy, four un-framed aquatints circa 1820 inscribed 'Haoe Fall, no 57', 'Town of Drobath, no 58', 'Lake Lenongen, no 42' and 'Honbre B.Amkers House at Mos, no 68'; together with English Etchings, part XVII (one plate) and maritime aquatint or etching by Thomson

Five antique framed prints to include Jack Hall Fisherman of Eton, two engravings of Sir Philip Artrobus and an Aquatint print The View of Quenn Square.

Henri Matisse 1869 Le Cateau/Nordfrankreich - 1954 Cimiez bei Nizza Odalisque au coffret rouge. 1926. Farbaquatinta. Duthuit-Matisse III. Signiert und nummeriert. Aus einer Auflage von 200 Exemplaren. Auf Velin. 41,8 x 55,5 cm (16,4 x 21,8 in). Papier: 46,7 x 59,5 cm (18,3 x 23,4 in). Nach dem gleichnamigen Gemälde des Künstlers von 1926. [SM]. • Matisse ist einer der bedeutendsten Vertreter des Orientalismus des 20. Jahrhunderts. • Die Eindringlichkeit der Körpersprache ist, ohne herausfordernd zu wirken, von großer Präsenz und Nähe. • Neben den Zeichnungen vermitteln vor allem seine rund 800 Druckgrafiken einen Eindruck seiner scheinbar unbegrenzten Produktivität, bei gleichzeitiger thematischer Konzentration. Aufrufzeit: 12.12.2020 - ca. 18.54 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHenri Matisse 1869 Le Cateau/Nordfrankreich - 1954 Cimiez bei Nizza Odalisque au coffret rouge. 1926. Etching and aquatint in colors. Duthuit-Matisse III. Signed and numbered. From an edition of 200 copies. On wove paper. 41.8 x 55.5 cm (16.4 x 21.8 in). Sheet: 46,7 x 59,5 cm (18,3 x 23,4 in). After the artist's painting of the same name from 1926. [SM]. • Matisse is one of the most important representatives of 20th century Orientalism. • The striking body language is, without appearing challenging, of great presence and closeness. • In addition to the drawings, his around 800 prints testify to his seemingly unlimited productivity, with a simultaneous thematic concentration. Called up: December 12, 2020 - ca. 18.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Fred Marriott (British 1860-1941): 'Bruges' aquatint signed in pencil 24cm x 20cm and two others 'Carcassone' and 'A Farm Near Falaise' (3) - Condition Report

A portrait of the Victorian record breaking mile sprint runner Charles Westhall, tinted aquatint, published by George Newbold, 1861, 40 cm x 30 cm laid onto card, [Charles Westhall set one of the first world records for running the mile in a time of four minute twenty eight seconds on 26 July 1852.]

After John Harrington Bird (1846-1936), Simonian and Fullerton, study of racing greyhounds, watercolour-tinted aquatint, published 1892, in pen-line and watercolour wash card mount and Hogarth type frame under glass, 59 cm x 64 cm

3 x antique prints: Early 19th century aquatint large 8 horse drawn cart, people animals and active landscape 25.5cm x 44cm excluding frame, together with Edward Lear lithograph and Cupid & Psyche Bartolozzi print (3)

Susie Perring (British, b.1945). 'Jack of Diamonds', watercolour pen and ink on paper. Signed, titled and dated verso. Image size 21.3 x 15cm. Susie is drawn to quiet places in nature. Sunlit trees, reflections in ponds and deep water; wild creatures and plants; these are her subjects. Often, her work is imbued with a wry humour - in an animal's expression or a pun in the title. Apart from experimenting with watercolours recently, she works almost entirely in aquatint, creating tones on the printing plate rather than drawing lines. She uses multiple plates to create darker tones on the plate to contrast with the bright colours of the subjects. Susie studied at the London College of Printing in the 60's and worked as a graphic designer until the 80's, when became a full time artist. Her work is in many galleries and she has completed several commissions for cruise chips. Her work is often in exhibitions, including the RA Summer Show. www.susieperring.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Kollwitz Käthe Die Pflüger, 1921 Aquatintaradierung Signiert rechts unten, datiert in der Platte Plattengröße: 31 x 45,2 cm Leihrahmen: € 90,-- Klipstein 94 / Zustand VII Provenienz: Dorotheum Wien - Privatbesitz Wien Kollwitz Käthe The Tiller, 1921 Aquatint etching Signed lower right, dated on plate Plate Size: 12,2 x 17,8 in lent frame: € 90,-- Klipstein 94 / edition VII Provenance: Dorotheum Vienna - private collection Vienna

Kollwitz Käthe Aus vielen Wunden blutest du, oh Volk, 1896 Aquatintaradierung Blattgröße: 31,1 x 43 cm Klipstein 29 / Zustand IV Provenienz: Dorotheum Wien - Privatbesitz Wien Kollwitz Käthe You bleed from many Wounds, oh People, 1896 Aquatint etching Sheet Size: 12,2 x 16,9 in Klipstein 29 / edition IV Provenance: Dorotheum Vienna - private collection Vienna

GIBSON FRANCIS.  Memoirs of the Bastile. Eng. frontis., fldg. plan & eng. plate. Rebound half calf, some internal browning & foxing. Whitby, 1802; also (Brossais du Perray), Historical Remarks on the Castle of the Bastille, aquatint frontis & fldg. eng. plan, rubbed half calf, internal browning & foxing (some substantial), 1789. (2)

Luigi Mayer (1755-1803), two hand-coloured aquatint etchings, An Ancient Theatre at Cacamo and Sepulchral Grots at the Head of the Harbour of Cacamo,  titles in English & French, London: R. Bowyer, 1803, 27.5cm by 36.5cm, framed & glazed. Source prints for Spode Caramanian series. The etchings appear good and clean with very faint creasing and discolouration around the mount at margins, unexamined out of frames (2)Provenance: From a private, single-owner Spode collection

Collection of three French erotic prints: L'Amant Surpria, colour aquatint, a la poupee, engraved by Descourtis after Schall, 53cm by 41.5cm; Les Espiegles, colour aquatint, Descourtis after Schall, 51.5cm by 40cm; La Douce Resistance, colour stipple engraving, Tresca after Boilly, 52.5cm by 42.5cm; La Comparaison des Petits Pieds, colour aquatint, Chaponnier after Boilly, 41cm by 31.5cm. Uniformly framed & glazed, the frames bearing labels verso for Earl Cowley, with placing notes such as 'Left Hand Bed'. Together with two colour engravings depicting Egyptian scenes by Smith after Cailliaud, and a modern papyrus type tourist picture (7)

Valerie Thornton (British, 1931-1991), ‘Flatford Mill’. limited edition etching and aquatint in colours, signed, dated '71 and numbered 35/70 in pencil to lower margin, 40 x 62cm

Pallas,P.S.Pallas,P.S. Travels through the Southern Provinces of the Russian Empire, in Pallas,P.S. Pallas,P.S. Travels through the Southern Provinces of the Russian Empire, in the years 1793 and 1794. Transl. from the German (by W. Blagdon). 2 Bde. London, Strahan 1802-03. 4°. Mit 50 (43 kolor., 23 gefalt.) Aquatintataf., 28 (23 kolor.) Vignetten in Aquatinta, 5 gefalt. und gest. Karten und 1 Abb. XXIII, 552; XXX S., 1 Bl., 523 S. Neue Hldrbde. (Deckel fleckig, Ecken beschabt). Nissen, ZBI 3065. Vgl. Graesse V, 109. Erste englische Ausgabe. - Pallas (1741-1811) bereiste im Auftrag der Petersburger Akademie in den Jahren 1768-74 Russland und Sibirien bis zum Amur. Sein bedeutender Reisebericht beschreibt die geographischen, geologischen, zoologischen, archäologischen und völkerkundlichen Eigenheiten des Landes. Die hervorragenden, gut erhaltenen Kupfer gehen auf den Leipziger Künstler C.G. Geißler zurück, der Pallas auf seiner Reise begleitete. Sie zeigen u.a. Kostüme und Trachten verschiedener Völker, Pflanzen, Tiere, Gebäude, Münzen und Inschriften. - Breitrandiges, gering gebräuntes Ex. - Exlibris Henry Jardine. - First English edition. 2 volumes. With 50 aquatint plates, 28 aquatint vignettes and 5 engraved maps. Modern half leather (stained, rubbed). Slightly browned. Bookplate Henry Jardine.

Beaumont,(J.F.)A.de.Beaumont,(J.F.)A.de. Travels through the Rhaetian Alps, in the Year Beaumont,(J.F.)A.de. Beaumont,(J.F.)A.de. Travels through the Rhaetian Alps, in the YearMDCCLXXXVI. From Italy to Germany, through Tyrol. London, Clarke etc. 1792. Gr.Fol. VIII, 82 S., 1 Bl., 10 Aquatinta-Taf. in Braundruck (Sepia) v. C. Apostool nach Beaumont (8) u. H. Meyer, 1 gest. Kte. Hldr. um 1900. (Kaum berieb., gering best., kl. Schabstellen). Abbey 50; Cox I, 161; Dreyer 42; Nebehay/W. 83; W'ber 329; nicht bei Colas, Hiler u. Lipperh. - Erste Ausgabe. - Die prächtigen Tafeln mit acht malerischen Ansichten u. zwei Kostümdarstellungen. Die Karte von Beaumont zeigt 'places connected with the Route from Venice to Fussen in Swabia'. - Unkoloriertes Expl. Die Kte. mit geringem Abklatsch auf Seite 1. Titel etwas angestaubt, die Ränder leicht gebräunt. S. III/IV mit unterem repariertem Randeinriss (ca. 10 cm im w. Rand). Im übrigen vereinz. etwas stockfl., die Tafeln meist jedoch bis zum Plattenrand sauber und wohlerhalten. Einige oberste u. wenige seitl. w. Ränder wellig bzw. auch gebräunt oder angestaubt u. mit wenigen minimalen reparierten Einrissen (le. Bl. und Tafeln gegen Ende). Durchgehend ein oberes Eselsohr angeknickt und geglättet, bei den ersten beiden Bll. mit gegl. Faltspur. Insgesamt schönes breitrandiges Exemplar. - First edition. With 10 aquatint plates and 1 engraved map. Half leather around 1900, slightly rubbed and bumped. Partly slightly browned, occasionally somewhat foxing, p. III/IV with repaired tear.

SOULAGES, PIERRE SOULAGES, PIERRE 1919 Rodez Titel: Eau forte VIII. Datierung: 1957. Technik: Farbaquatinta auf BFK RIVES (Wasserzeichen). Maße: 59 x 44 x 75,5 x 56cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Passepartout. Zustand: Lichtrand. Recto minimal und verso leicht gebräunt. Bräunungs- und kleine Stockflecken. Untere Kante minimal unregelmäßig beschnitten. WVZ. Encrevé/Miessner/Pernoud, Nr. 8. Erläuterungen zum Katalog Pierre Soulages Frankreich Nouvelle École de Paris Tachismus Minimalismus Nachkriegskunst Grafik 1950er Abstrakt Druckgrafik Aquatinta SOULAGES, PIERRE SOULAGES, PIERRE 1919 Rodez Title: Eau forte VIII. Date: 1957. Technique: Colour aquatint on BFK RIVES (watermark). Measurement : 59 x 44 x 75,5 x 56cm. Notation: Signed and numberedFrame/Pedestal: Mat. Condition: Light-edge. Recto minimally and verso slightly discoloured. Discolouration and small foxing stains. Lower edge minimally irregularly trimmed. Enclosed: ichtrand. Recto minimal und verso leicht gebräunt. Bräunungs- und kleine Stockflecken. Untere Kante minimal unregelmäíg beschnitten Cat. rais. Encrevé/Miessner/Pernoud, no. 8. Explanations to the Catalogue Pierre Soulages Nouvelle École de Paris Tachism Minimalism Post-War Art Prints 1950s Abstract Print Aquatint

MARINI, MARINO MARINI, MARINO 1901 Pistoia - 1981 Viareggio Titel: Reiter.. Datierung: 1972. Technik: Farbaquatinta auf Charta Goya (Wasserzeichen). Darstellungsmaß: 48,5 x 41cm. Blattmaß: 71 x 50cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Alba, Turin (Hrsg.). Exemplar: XIII/XXV. Rahmen/Sockel: Rahmen. Zustand: Blatt im oberen Randbereich minimal gewellt. Knickspuren im unteren Randbereich. Verso im Druckbereich minimal gebräunt. Vereinzelte kleine Bräunungsflecken. Reste alter Montierung. Mit dem Trockenstempel des Druckers II Cigno, Rom. Außerhalb der Auflage von 75 signierten und arabisch nummerierten Exemplaren. WVZ. Guastalla, Nr. 286. Erläuterungen zum Katalog Marino Marini Italien Abstraktion Figurative Malerei Nachkriegskunst Grafik 1970er Figur / Figuren Druckgrafik Aquatinta Pferde MARINI, MARINO MARINI, MARINO 1901 Pistoia - 1981 Viareggio Title: Reiter. Date: 1972. Technique: Colour aquatint on Charta Goya (watermark). Depiction Size: 48,5 x 41cm. Sheet Size: 71 x 50cm. Notation: Signed and numbered. Publisher: Alba, Turin (publisher). Number: XIII/XXV. Frame/Pedestal: Framed. Condition: Sheet minimally wavy in the upper margin. Creases in the lower margin. Verso in the printed area minimally discoloured. Occasional small discolouration stains. Remains of an old mounting. With the blind stamp of the printer II Cigno, Rome. Outside of the edition of 75 signed and Arabic numbered copies. Cat. rais. Guastalla, no. 286. Explanations to the Catalogue Marino Marini Abstraction Figurative Painting Post-War Art Prints 1970s Figure / Figures Print Aquatint Horses

PENCK, AR PENCK, AR 1939 Dresden - 2017 Zürich Titel: Ohne Titel. Datierung: Um 1980. Technik: Farbaquatinta auf Velin. Maße: 90 x 199 x 125 x 229cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Rahmen. Im Rahmen beschrieben. Zustand: Knick in der oberen linken Ecke. In den Randbereichen stellenweise minimale Druckspuren. Im rechten Randbereich Stockfleck. Mit dem Trockenstempel des Druckers Vigna Antoniniana Stamperia d'Arte, Rom . Erläuterungen zum Katalog AR Penck Deutschland Neoexpressionismus Figurative Malerei Neue Wilde Nachkriegskunst Grafik 1980er Druckgrafik Farbaquatinta PENCK, AR PENCK, AR 1939 Dresden - 2017 Zurich Title: Untitled. Date: Ca. 1980. Technique: Colour aquatint on vellum. Measurement: 90 x 199 x 125 x 229cm. Notation: Signed and numberedFrame/Pedestal: Framed. Not examined out of the frame. Condition: Crease in the upper left corner. In the margins partly minimal pressure marks. In the right margin foxmark. With the blind stamp of the printer Vigna Antoniniana Stamperia d'Arte, Rome . Explanations to the Catalogue AR Penck Germany Neo-Expressionism Figurative Painting Neue Wilde Post-War Art Prints 1980s Print Colour aquatint

Mechel,C.Mechel,C. Oeuvre de Jean Holbein ou Recueil de Gravures d'après ses plus beau Mechel,C. Mechel,C. Oeuvre de Jean Holbein ou Recueil de Gravures d'après ses plus beaux ouvrages, accompagnés d'explications historiques et critiques et de la vie de ce fameux peintre, par Chrêtien de Mechel. 4 Teile in 1 Band. Basel, für den Autor 1780(-95). Fol. Mit 3 Kupertiteln, 2 gest. Vignetten, 36 (von 38) Kupfertafeln und 15 (2 dplblgr.) Aquatinta-Tafeln von Hübner, Gemelin, u.a. nach Holbein und Mechel. 12 S., 1 Bl. Massman 56. Wüthrich, Mechel, S. 141 f. Minns 266. Slg. Reichelt 31. Holbein-Kat. Basel, S. 45. Lonchamp 1529. Brunet III, 252. Thieme-B. XXIX, 324. Erste Ausgabe. - Die ausgezeichneten Kupfer gehen auf die Originalholzschnitte zurück und zeigen Totentanzdarstellungen sowie die Holbein'sche Dolchscheide mit dem Totentanz, ausserdem sind der 'Triumphus paupertatis' und der 'Triumphus divitiarum' enthalten. Die Aquatinten von Mechel mit Kostümdarstellungen. - Es fehlen der Kupfertitel in 3. Teil und 6 Kupfertafeln im 4. Teil. Vollständige Serien sind sehr selten. - 4 parts in 1 volume. With 3 copper titles, 2 engraved vignettes, 36 (of 38) copper plates and 15 aquatint plates. Lacking copper title for part 3 and 6 plates for part 4.

After Henri Matisse (1869-1954) by Jacques Villon (1875-1963)Odalisque sur la Terrasse (Ginestet & Poillon E.633; Duthuit p. 354 I) Aquatint in colours, 1922, on Arches, signed and numbered 197/200 in black ink by Henri Matisse (there was also an edition of 20 printed in black), published by Galerie Bernheim-Jeune, Paris, 625 x 855mm (24 5/8 x 33 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Barrenean (Koelen 73019) Etching and aquatint, 1973, on wove, signed and numbered 41/50 in pencil, printed by Atelier Morsang, Paris, published by Maeght Éditeur, Paris, with full margins, 450 x 355mm (17 3/4 x 14in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Bikaina VIII (Koelen 87005) Etching and aquatint, 1987, on wove, signed and numbered 25/50 in pencil, printed by Taller Hatz, San Sebastián, published by Polígrafa S.A., Barcelona, with full margins, 650 x 500mm (25 5/8 x 19 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Graham Sutherland O.M. (British, 1903-1980)Form in a Desert (Tassi 144) Etching and aquatint printed in colours, 1974, on wove, signed and numbered 30/90 in pencil, printed and published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 940 x 950mm (37 x 37 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Grey Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 32/50 in pencil, printed by Burnet Editions, New York, with full margins, 203 x 286mm (8 x 11 1/4in)(SH); together with the accompanying exhibition catalogue housed within the original grey cloth-covered solander box, overall 323 x 238 x 35mm (12 3/4 x 9 3/8 x 1 3/8in)(Folio)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Light Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 5/50 in pencil, printed by Burnet Editions, New York, with their blindstamp, with full margins, 406 x 381mm (16 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Mirror and Plant; Paper Flowers Etching and aquatint, 1996, on wove, signed and inscribed 'a/p' in pencil, an artist's proof aside from the numbered edition of 25, printed by Hope (Sufferance) Press, London, with margins, 290 x 250mm (11 3/8 x 9 7/8in)(PL); together with 'Paper Flowers', etching, 1996, on wove, signed and numbered 12/25 in pencil, printed by Hope (Sufferance) Press, London, with full margins, 355 x 380mm (14 x 15in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Untitled (Cables) Etching and aquatint with collage elements, circa 1958, on wove, signed in pencil, the full sheet printed to the edges, 210 x 210mm (8 1/4 x 8 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Peter Doig (British, born 1959)Canoe Aquatint printed in colours, 2008, on wove, signed, dated and numbered 482/500 in pencil, the full sheet printed to the edges, 593 x 750mm (23 3/8 x 29 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Anish Kapoor (British, born 1954)Untitled Aquatint printed in colours, 2002, on wove, signed and numbered 146/200 in pencil, with margins, 495 x 665mm (19 1/2 x 26 1/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Monstrous Craws at a New Coalition Feast (BM 7166) Etching and aquatint with hand-colouring, 1787, on wove, published by S. W. Fores, London, with margins, 375 x 469mm (14 3/4 x 18 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Weird Sisters – Ministers of Darkness: Minions of the Moon (BM 7937) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with margins, 250 x 348mm (9 7/8 x 13 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Frying Sprats, Vide. Royal Supper (BM 7922) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 222 x 143mm (8 3/4 x 5 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Presages of the Millenium; - with - The Destruction of the Faithful (BM 8655) Etching and aquatint with hand-colouring, 1795, on wove, published by H. Humphrey, London, with margins, 325 x 374mm (12 3/4 x 14 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Affability (BM 8616) Etching and aquatint with hand-colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 342 x 240mm (13 1/2 x 9 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Bridal-Night (BM 9014) Etching and aquatint with hand-colouring, 1797, on laid, published by H. Humphrey, London, with margins, 305 x 450mm (12 x 17 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)French Habits, No. 11 - Le Tresorier; Tirailleur Francais et Chevau Leger de l'Armée du Pacha - Evolutions of the French Mounted Riflemen; A Prince of the Old School (BM 9212; BM 9361; BM 9558) Etching and aquatint with hand-colouring, 1798, on wove, published by H. Humphrey, London, with margins, 261 x 193mm (10 1/4 x 7 3/4in)(PL)(unframed); together with 'Tirailleur Francais et Chevau Leger de l'Armée du Pacha - Evolutions of the French Mounted Riflemen' (BM 9361), etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 247 x 351mm (9 3/4 x 13 3/4in)(I)(unframed); together with 'A Prince of the Old School' (BM 9558), etching with hand-colouring, 1800, on wove, published by H. Humphrey, London, with full margins, 252 x 196mm (9 7/8 x 7 3/4in)(PL)(unframed)(3)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)United Irishmen Upon Duty (BM 9228) Etching and aquatint with hand-colouring, 1798, on wove, published by H. Humphrey, London, with trimmed margins, 193 x 265mm (7 5/8 x 10 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)London Corresponding Society Alarm'd (BM 9202) Etching and aquatint with hand-colouring, 1798, on wove, published by H. Humphrey, London, with margins, 259 x 191mm (10 1/4 x 7 7/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Punch cures the Gout, - the Colic, - and the 'Tisick; Metallic-Tractors; Playing in Parts (BM 9449; BM 9761; BM 9766) Etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with trimmed margins, 268 x 346mm (10 1/2 x 13 5/8in)(SH)(unframed); together with 'Metallic-Tractors' (BM 9761), etching and aquatint with hand-colouring, 1801, on wove, published by H. Humphrey, London, with full margins, 249 x 350mm (9 3/4 x 13 3/4in)(PL)(unframed); together with 'Playing in Parts' (BM 9766), etching and aquatint with hand-colouring, 1801, on wove, published by H. Humphrey, London, with narrow margins, 254 x 358mm (10 x 14 1/8in)(PL)(unframed)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Gout (BM 9448) Etching and aquatint with hand-colouring, 1799, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 256 x 339mm (10 1/8 x 13 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Taking Physick; Comfort to the Corns; Venus Attired by the Graces (BM 9584; BM 9585; BM 9587) Etching with hand-colouring, 1800, on wove, published by H. Humphrey, London, with narrow margins, 265 x 200mm (10 3/8 x 7 7/8in)(PL)(unframed); together with 'Comfort to the Corns', etching with hand-colouring, 1800, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 256 x 196mm (10 1/8 x 7 3/4in)(SH)(unframed); together with 'Venus Attired by the Graces' (BM 9587), etching and aquatint with hand-colouring, 1800, on wove, published by H. Humphrey, London, with full margins, 251 x 353mm (9 7/8 x 13 7/8in)(PL)(unframed)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)German Luxury or Repos al' Allemande (BM 9510) Etching and aquatint with hand-colouring, 1800, on wove, published by H. Humphrey, London, with margins, 258 x 361mm (10 1/8 x 14 1/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com