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James Priddey (1916 - 1980), by and after, Kentish Landscape, signed and titled in pencil, Artist's Proof, Warwick Galleries stamp, aquatint, 34cm x 41cm

Max Papart (1911 - 1994), by and after, Mirage, signed and numbered in pencil, limited edition etching with aquatint and carborundum, No. 95 of 95, 53cm x 97cm

Max Papart (1911 - 1994), by and after, Parfum d'Ete, signed and numbered by the artist in pencil, etching with aquatint, No. 144 of 195, 58cm x 45cm

Kenneth Leech (20th C), 'Autumn Leaves,' signed in pencil, limited edition 4/200, aquatint, (broken glass), 42x51cm, together with Mary Ford landscape with flowers along a footpath, signed in pencil and dated '81,' aquatint, 40x32cm, and study of an interior with jug and basin, signed in pencil 'O.M. Read,' and numbered 125/175 aquatint, 50x63cm

Moleville (Antoine Fran‡ois Bertrand de). [The Costume of the Hereditary States of the House of Austria ... translated by R. C. Dallas], 1st edition in English, for William Miller by William Bulmer, 1804 [i.e. 1808 or later], xxviii pp. introductory text, list of plates, 50 hand-coloured aquatint plates by William Poole or William Ellis after Kininger each with leaf of descriptive text in French and English, introductory text watermarked 1796 and 1802, description leaves marked 1803, plates watermarked 1804 and 1808, English title page lacking, French title page finger-soiled, light spotting and soiling to plate margins and to introductory and descriptive text leaves, faint offseting, short closed tear to decriptive leaf for plate 1, a few other trivial nicks, endpapers renewed, all edges gilt, contemporary diced russia, rebacked and recornered retaining most of original spine, blind palmette roll and gilt laurel cornerpieces to sides, large 4to (35.2 x 25.2 cm) Abbey Travel 71 (this copy with watermarks 1815-19); Lipperheide 831; Tooley 333 (noting 'late reissues with plates bearing watermark of 1820'). According to Abbey 'early copies are on paper watermarked prior to 1804, and contain an Introduction in English and French on twelve pages, later omitted'. This copy retains the Introduction and its watermarks are largely pre-publication; five plates (19, 20, 28, 32 and 37) are watermarked 1808. The plates depict the costume of the Polish Jewry and various parts of central and Eastern Europe, including Hungary, Bohemia, Moravia, Bukovina, as well as the regions of what is now Austria. (1)

Morritt (John Bacon Sawrey). A Vindication of Homer and of the Ancient Poets and Historians, who have recorded the Siege and Fall of Troy. In Answer to Two Late Publications of Mr. Bryant, 1st edition, York, 1798, folding map, five folding aquatint plates after Gaetano Mercati, some toning and waterstains, offsetting and occasional light spotting, some pencil annotations and marginalia, original boards, manuscript title to spine, some wear to spine, upper cover detaching, some edge wear and stains, 4to Abbey Travel 398; Atabey 840; Blackmer 1157. Provenance: James Rennell (1742-1830, British geographer and 'Father of Oceanography'), his pencil annotations and bookplate, with the additional bookplate of his daughter Lady Rodd (1785?-1863), revisor and publisher of her father's works. "Morritt wrote this account of his sojourn in the Troad in response to Bryant's Dissertation concerning the War of Troy, 1796 and to his attack on Le Chevalier in Observations upon a Treatise, entitled a Description of the Plain of Troy, 1796... This journey to the Troad was made in November 1794, in company with James Dallaway and the artist Gaetano Mercati, who was in the service of the English ambassador Sir Robert Liston." (Blackmer). (1)

Sauvan (Jean-Baptiste-Balthazar). Picturesque Tour of the Seine, from Paris to the Sea: with Particulars Historical and Descriptive, 1st edition, later issue, R. Ackermann, 1821 [i.e. 1828 or after], 24 hand-coloured aquatint plates after A. Pugin and J. Gendall, hand-coloured engraved map, hand-coloured aquatint vignettes to title page and p. 177, dedication leaf, list of subscribers, text watermarked 'H S & S 1818', frontispiece watermarked 'J Whatman Turkey Mills 1828', Triel plate watermarked '1820 J Whatman Turkey Mills', other plates not watermarked, or watermarked Whatman with date obscured, mild offsetting, Havre plate soiled verso, but the plates exceptionally bright, all edges gilt, later 19th-century red half morocco gilt, 4to (34.6 x 27.4 cm) Abbey Travel 90, Tooley 445. (1)

Hassell (John). Tour of the Grand Junction, Illustrated in a Series of Engravings... of Middlesex, Hertfordshire, Buckinghamshire, Bedfordshire and Northamptonshire, through which the Canal passes, 1st edition, London: J.Hassell, 1819, 24 uncoloured aquatint plates, occasional light spotting and dust-soiling, contemporary calf, rebacked with gilt decorated spine and morocco title label, slightly worn to extremities, 8vo Abbey Scenery 30; Tooley 252. (1)

Hassell (John). Tour of the Grand Junction, Illustrated in a Series of Engravings... of Middlesex, Hertfordshire, Buckinghamshire, Bedfordshire and Northamptonshire, through which the Canal passes, 1st edition, London: J.Hassell, 1819, 24 hand-coloured aquatint plates, upper hinge broken, all edges gilt, contemporary blue green straight grain gilt and blind decorated morocco, slight wear, 8vo Abbey Scenery 30; Tooley 252. (1)

Daniel (William Barker). Rural Sports, 3 volumes (including Supplement) in 4, 1st editions, Bunny & Gold [ ... by the Philanthropic Society for the Compiler ... B. & R. Crosby & Co.], 1801-13, engraved title page to each volume, 67 engraved plates (many folding) including portrait frontispiece to Supplement, 1 folding aquatint plate, light spotting, frontispiece to volume 2 part 2 misbound to face volume 2 part 1 p. 305, bookplates, contemporary diced half russia, some minor wear to gilt spines, joints superficially cracked but firm, large 8vo in 4s, together with: Hawker (Peter), Instructions to Young Sportsmen ... the second edition, with explanatory plates, considerably enlarged and improved, printed for R. Hunter, 1816, hand-coloured aquatint frontispiece, 5 engraved plates (spotted and damp-stained), later red half morocco, large 8vo; Baker (Sir Samuel W.), Wild Beasts and their Ways, Reminiscenes of Europe, Asia, Africa, and America, 2 volumes, 1st edition, Macillan and Co., 1890, 27 wood-engraved plates including frontispieces, top edges gilt, others untrimmed, contemporary red half morocco, 8vo, and 8 other 19th-century field sports titles including Strutt's Sports and Pastimes (new edition, 1831), leather-bound, 8vo (15)

Goldsmith (Oliver). A History of the Earth and Animated Nature ... to which is subjoined an appendix ... by Thomas Brown, 5 volumes, Glasgow: A. Fullarton and Co., 1833, engraved frontispiece, additional engraved title pages to volumes 1-4, 109 mainly zoological aquatint plates (1 folding), light spotting and browning, bookplates of Susan, Countess of Southesk (1837-1915) and P. Margaret Smith, bound green silk page-markers, inner dentelles gilt, all edges gilt, contemporary green morocco gilt for W. White of 24 Pall Mall, light rubbing to extremities, spines very slightly faded, large 12mo (16.4 x 10 cm) (5)

Charles Frederick Tunnicliffe (1901-1979) limited edition aquatint on paper, 'Gulls in Iona', signed in pencil 'C.F.Tunnicliffe' to margin, no. 16/50, 18 cm x 35 cm, framed and glazed, ARR MAY APPLY TO THIS LOT

*Charles Bartlett (1921 - 2014), signed limited etching and aquatint - Burnt Moor, 7 / 60, in glazed frame, 33cm x 43cm

Charles Henry Baskett (1872 - 1953), signed etching and aquatint - Rochester Harbour, in glazed gilt frame, 22cm x 33cm

Ben Nicholson (1894 - 1982), aquatint - Forms with printed signature, mounted, 36cm x 21cm

I. Clark, early 19th century aquatint - The Town Of Lanark, published by Smith, Elder & Co. Cornhill 1825, in glazed frame, 47cm x 63cm

Terry Frost (1915-2003), Tolcarne Rhythm (Kemp 184), etching with aquatint, signed, titled and dated 1998, numbered 20/175, 39cm x 27cm. DDS Illustrated.

After John William Hill, New York, aquatint by Himly, 85cm x 133cm. Illustrated.

Julian Otto Trevelyan (British 1910-1988): 'Tower Bridge', limited edition etching with aquatint signed titled and numbered 30/50 in pencil 61cm x 47cm Condition Report Click here for further images, condition, auction times & delivery costs

Valerie Thornton (1931-1991), 'Ponte Vecchio, Florence', signed artist's proof, dated '72, aquatint and etching on paper, 31cm by 40cm; together with William 'Bill' Hewison (1925-2002) 'Tartuffe' signed and dated '91, pen, ink and watercolour, 29cm by 33cm (2)

Robert Morden (fl.1668-1703) - The Smaller Islands in the British Oceandepicting Farne Island, Holy Island, Isle of Man, Scilly Islands, Jersey, Garnsey and Alderney, sold by Abel Swale, Awnsham and John Churchill, uncoloured engraving wih decorative title cartouche, early 18th century, unframed; together with a 19th century hand coloured engraved map, 'The Piscatorial Atlas', compiled and pub. by O. T. Olsen, c.1883, mounted, unframed; a framed 19th century coaching print; and an unframed aquatint. (4)

Cheryl Ives (20th century): 'Nude', monochrome etching/aquatint, artist's proof, hand signed in pencil & dated '64, H 35 x W 25 cm

signed and editioned 21/30 aquatint and softground etching PROVENANCE The Edwine Simon Print Collection sheet size: 19 by 14cmEDWINE SIMON: A PRINTMAKERS JOURNEY A printmaker’s journey is a long and constantly challenging one in content, printing skills and technique. A printmaker should be able to print their own work, but collaboration with a master printmaker is recommended in order to push the boundaries in size, technique and content. My career began at the Michaelis School of Fine Art at the University of Cape Town under Eleanor Esmonde–White who taught design; Katrine Harries, technical virtuosity and skills of the traditional German school of etching and lithography; and May Hillhouse, colour. Oil painting and sculpture were the only two major degree subjects at the University at the time. Printmaking was the “Cinderella” until Kevin Atkinson and I broke that tradition and opened the doors for the following generations of students, enabling them to obtain a degree majoring in printmaking. We pushed the boundaries to the dismay of our lecturer. Kevin went on to study under Jennifer Dickson in Brighton England and Atelier 17 in Paris under Stanley Hayter. I went to The Institute of Education, University of London and part-time evening classes in etching at the Central School of Arts and Crafts in London under Peter Nel and Leonard Marchant. Back in Cape Town, Atkinson and I worked together teaching at The Cape Town Art Centre producing monotypes and work in acrylics. I went on to teach at the Ruth Prowse School of Art and thereafter worked with Jonathan Comerford, an ex-student of mine, who had just returned from Peacock Printmakers in Scotland. A collaborative printmaking studio, Hardground Printmakers in Roodehek Street, Cape Town, was established to provide professional printmaking facilities for the independent artist. A diverse array of artists would come to work there, both local and international, producing a wide range of printmaking. At Hardground, I produced large shaped etchings, collographs, blind embossing, viscosity etchings, silkscreens, linocuts and mixed media prints. This was made possible by Jonathan Comerford’s master printmaking expertise, as well as his wide arm span! He was able to lift soaked handmade paper, without it tearing, onto the surface of the plate and printing press. These collaborations show the complex process of printmaking and demonstrate the richness and diversity of the craft, whether it is a single print or a portfolio of exciting works. Lecturing at the Cape Peninsula University of Technology before retirement, I was able to draw upon my art experience from my collaborations with the above artists, educators and printmakers, by passing on technical knowledge to the students and other young creatives. - Edwine Simon Edwine Simon has held 11 solo exhibitions, participated in numerous group exhibitions and is represented in public and private collections in South Africa and overseas. Chilvers, I., Dictionary of Art & Artists, Kent, George Books, 2005 Craig, A., Arts & Entertainment Guide for Business South Africa Vol. 1, Cape Town, Living Art Productions, 1999/2000 Hobbs, P., Printmaking in a transforming South Africa, Cape Town, David Philip, 1997 Ogilvie, G., The Dictionary of South African Painters and Sculptors including Namibia, Johannesburg, Everard Read, 1988 Tappenden, C., Foundation Course Graphic Design, Great Britain, Octopus, 2004 History of Hard Ground Printmakers, www.hardgroundprintmakers.com/view.asp?ItemID=2&tname=tblComponent3&oname=About&pg=about [Online] Accessed 21 August 2018

signed, editioned P.A and indicipherably inscribed in pencil in the margin etching and aquatint printed in colours sheet size: 44 by 36cm

Francisco Goya (Spanish 1746-1828) MODO CON QUE LOS ANTIGUOS ESPANOLES CAZABAN LOS TOROS Á CABALLO EN EL CAMPO impressed with La Tauromaquia chopmark etching, aquatint, drypoint and engraving, pulled in 1921 from the 5th edition Deteil,L., Francisco Goya: Le Peintre graveur illustré, Collectors Editions, New York, 1968. illustrated on page 224, catalogue number 56 Harris,T., Goya:Engravings & Lithographs, B.Cassier, Oxford 1964, illustrated on page 204, catalogue number 36 sheet size: 34 by 44,5cm

Four oak framed coloured aquatint prints 'The First Steeple Chase on Record' drawn by H Alkin and engraved by J Harris, first published 1839 by Ben Brooks

Julian Trevelyan (British, 1910-1988), Tuscany, limited edition aquatint etching, signed, titled and numbered 25/30 in pencil to margin, 37cm x 55cm. . .

Berenice Sydney (British 1944-1983) Untitled (Mauve & Green) Etching and aquatint printed in colours, 1972 Signed in pencil, dated 6'72 and inscribed AP I Plate: 50 x 43cm (19½ x 16¾ in.) Unframed

Berenice Sydney (British 1944-1983) Squares and Circles (Pink, Blue & Red) Etching and aquatint printed in colours, 1969 Signed in pencil, dated 5'69 and inscribed AP Plate: 20 x 15cm (7¾ x 5¾ in.) Unframed

*Léonard Tsuguharu Foujita (French/Japanese, 1886-1968),LA PETITE AFRICAINEEtching and aquatint in colours, 1929, signed and numbered 80/100 in pencil, from 'Les Enfants', published by Les Éditions Artistiques Apollo, Paris, on Chine-collé paper, with marginsimage 35 x 26.1cm, framed*Artist's Resale Right may apply to this lot.

*Richard Bawden (British, b.1936)THE APPLE TREEEtching and aquatint printed in colours, signed, titled and numbered 10/85 in pencil, on wove paper, with full marginsimage 40.3 x 52.8cm, framed*Artist's Resale Right may apply to this lot.

*Liz Coulter (British, contemporary)LANDSCAPESTwo etchings with aquatint printed in colours, both signed, inscribed and numbered 5/20 and 6/20 respectively in pencil, on wove paper, with full marginssheet 54.6 x 41.5cm and 50.5 x 34cm, unframed (2) *Artist's Resale Right may apply to this lot.

*Gillian Ayres (British, 1930-2018)SIKAR IIEtching with aquatint and carborundum printed in colours with extensive hand colouring in acrylic paint, 1993, signed, dated and numbered 56/100 in pencil, on heavy wove paper, with full marginssheet 108.7 x 107cm, mounted*Artist's Resale Right may apply to this lot.

*Chris Plowman (British, 1952-2009)THE EDGE OF TOWNEtching and aquatint, 1983, signed, dated, titled and numbered 13/35 in pencil, on wove paper, with full marginssheet 63 x 90cm, unframed*Artist's Resale Right may apply to this lot.

*Terry Frost (British, 1915-2003)THAMAR AND AMNON (KEMP 105)Aquatint with etching printed in colours, 1989, signed in pencil, from the series 'Eleven Poems by Federico Garcia Lorca', the edition was 75, published by Austin/Desmond Contemporary Books, on wove paper, the full sheet printed to the edgessheet 55.5 x 37.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)CORPSE ON FIRE (TOKYO 88)Etching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', on wove paper, with full marginssheet 45 x 40.8cm, unframed*Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)CROW Etching with aquatint, 1994, signed and numbered 41/80 in pencil, from the series 'Nine London Birds', published by the Byam Shaw School of Art, London, on wove paper, with full marginssheet 40.5 x 30.5cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)THE CROW'S HOUSE Etching with aquatint, 1994, signed and inscribed 'A/P' in pencil, an artist's proof, on wove paper, with full margins plate 17.7 x 26.5cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)CROW AND HIS CAT Etching and aquatint, 1994, signed and inscribed 'A/P' in pencil, an artist's proof, aside from the edition of 20, on wove paper, with full margins plate 15.5 x 23.5cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)THE NIGHT CROW Etching and aquatint, 1994, signed and inscribed 'A/P' in pencil, an artist's proof, on wove paper, with full margins plate 27 x 18cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)LITTLE MISS MUFFET IEtching with aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, published by Marlborough Graphics, London, on wove paper, with full marginsplate 22.3 x 21cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)A FROG HE WOULD A-WOOING GOEtching with aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, published by Marlborough Graphics, London, on wove paper, with full marginsplate 22 x 21.5cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)ANDROMEDAEtching with aquatint, 1990, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, on wove paper, with full marginsplate 29.5 x 24cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)SOLDIERSEtching with aquatint, signed and inscribed 'A/P' in pencil, an artist's proof, on wove paper, with full marginsplate 32 x 21cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)SEWING ON THE SHADOW IIIEtching with aquatint, 1992, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsplate 29.5 x 24cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)FLYING OUT OF THE WINDOWEtching with aquatint printed in colours, 1992, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsplate 19.4 x 11cm, framed *Artist's Resale Right may apply to this lot.

*Paula Rego (Portuguese, b.1935)CAPTAIN COOK AND THE LOST BOY Etching with aquatint in colours, 1992, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, from 'The Peter Pan' series, published by Marlborough Graphics, London, on wove paper, with full margins plate 27 x 19.8cm, framed*Artist's Resale Right may apply to this lot.

*Graham Clarke (British, b.1941)HAMPTON TENNIS COURT;THE WOODEN 'O'Two etchings with aquatint, both signed, titled and numbered 102/200 in pencil, from the 'History of England' portfolio, with blindstamps, on wove paper, with full marginseach image 43 x 34.5cm, framed (2)*Artist's Resale Right may apply to this lot.

*Graham Clarke (British, b.1941)HASTINGS JOB;KEEP YOUR SAXON;JOLLY GOOD ROBIN HOOD;MEN OF KENTFour etchings with aquatint, all signed, titled and numbered 102/200 in pencil, from the 'History of England' portfolio, with blindstamps, on wove paper, with full marginseach image 43 x 34.5cm, framed (4)*Artist's Resale Right may apply to this lot.

*Graham Clarke (British, b.1941)CANTER'S CHAUCERBURY;READY SIR?;FIREWORKS;GOING WESTFour etchings with aquatint, all signed, titled and numbered 102/200 in pencil, from the 'History of England' portfolio, with blindstamps, on wove paper, with full marginseach image 43 x 34.5cm, framed (4)*Artist's Resale Right may apply to this lot.

*Graham Clarke (British, b.1941)STEAMERS;GOOD LORD!;WATERLOO VOLUNTEERS;ALBERT ALLFour etchings with aquatint, all signed, titled and numbered 102/200 in pencil, from the 'History of England' portfolio, with blindstamps, on wove paper, with full marginseach image 43 x 34.5cm, framed (4)*Artist's Resale Right may apply to this lot.

*Graham Clarke (British, b.1941)DUNROAMIN';ROMANS DO;D'ARTHUR;RUFUS SPRATLING CHRONICLEFour etchings with aquatint, all signed, titled and numbered 102/200 in pencil, from the 'History of England' portfolio, with blindstamps, on wove paper, with full marginseach image 43 x 34.5cm, framed (4)*Artist's Resale Right may apply to this lot.

*Julian Trevelyan (British, 1910-1988)VILLA GAMBERAIA, CAIUS COLLEGELithograph with etching and aquatint in colours, 1959/62, signed and inscribed 'Artist’s Proof' in pencil, published by Editions Alecto, London, on wove paper, with full margins sheet 56.5 x 70.5cm, unframed*Artist's Resale Right may apply to this lot.

*Elisabeth Frink (British, 1930-1993)THE PHYSICIAN'S TALEEtching with aquatint, 1972, signed in pencil, from the 'Canterbury Tales' series, published by Leslie Waddington Prints, London, on wove paper, with full marginsimage 50.5 x 34.3cm, framed*Artist's Resale Right may apply to this lot.

CLAUDE ROWBOTHAM. Two aquatint views, each limited to 100 signed artist's proofs. 'The Deserted Valley - Abandoned Tin Mines near Redruth' (good) & 'Daybreak - St Ives Fishing Fleet in Mount's Bay'(badly foxed).

Valerie Thornton (British school 1931-1991) - Church exterior, signed limited edition aquatint, dated 79 and inscribed Barfreston, 69/75, 56 x 76cm, framed

Georges Rouault (1871-1958) French ''L' Homme a la Myrrhe'' ''Princeps Ivventutis'' ''Chemineau et Paysans'' ''Sainte Pute'' ''Princeps Ivventutis'' Five etchings with aquatint from ''Passion'', together with ''Le Christ et Mammon'', from Passion, aquatint printed in colours, 1936, from an edition of 245 and eight pages from ''Cirque de l'etoile Filante'' two illustrated with wood engravings, 30cm by 20cm, 30cm by 19.5cm, 10cm by 20cm, 30cm by 20cm, 14cm by 20cm, 31.5cm by 22cm and 44.5cm by 33.5cm respectively, (all unframed) (14) See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

'The Settler's Farewell', aquatint with etching, hand coloured signed and titled in pencil by John Henry Amshewitz (British 1882-1942) 25cm x 22cm Condition Report Click here for further images, condition, auction times & delivery costs

After Charles Laborde (1886-1941) - 'The Three Graces', hand coloured aquatint, signed in the plate, framed, 18.5cm x 15cm

Friedrich Meckseper (B. 1936) - '12km.', etching with aquatint printed in colour, signed in pencil and dated '67, bears 'Lumley Cazalet Ltd., London' label verso, framed, 27cm x 29cm.