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Lieder (Friedrich) Darstellung der Koniglich Preussischen Cavallerie in 41 Figuren, 37 fine hand-coloured aquatint plates by Juegel after Lieder and Krueger, some light marginal foxing or finger-soiling but very clean generally, modern half morocco, spine gilt, slip-case, [Bobins 367; Colas 1866], folio, Berlin, L. W. Wittich, 1821.⁂ Handsome series depicting the Prussian Cavalry following its famed victories in the Napoleonic Wars.

Bowyer (Robert) A Selection of Fac-Similes of Water-Colour Drawings, from the Works of the Most Distinguished British Artists, first edition, first issue without titles below image, 12 fine hand-coloured aquatint plates, 20th century blue half morocco, covers a little rubbed, [Abbey, Life 197; Bobins 618; Tooley 100], folio, Bensley for R. Bowyer, 1825.

Ackermann (Rudolph, publisher) R. Ackermann's Military Scraps, 12 hand-coloured aquatint plates by J.Harris after H.Martens, on thick paper mounted on linen stubs, some light marginal spotting or soiling, bookplate of Army Museums Ogilby Trust to front pastedown, later crushed scarlet morocco, by Rivière & Son, spine and upper cover titled in gilt, t.e.g., very slight rubbing to joints, [Bobins 1285], oblong 4to, 1850-53.

Hogarth (William) and others. An Account of what seemed most remarkable in the Five Days Peregrination..., first edition, 9 hand-coloured aquatint plates after Hogarth and others, title a little browned, plates with light marginal staining to fore-edge just affecting border of final plate, modern half tan morocco with gilt-stamped calf label on upper cover, [Abbey, Life 307; Bobins 863], oblong folio, Printed for Livesay, 1782.⁂ The rare coloured version of the account of Hogarth's jaunt with his friends from the Bedford Arms Tavern in Covent Garden to the Isle of Sheppey.

Perkois (J.), J.H.Prins & Mattheus Sallieth. Verzameling van Verschillende Gekleede Mans- en Vrouwen-Standen..., first collected edition, engraved title-vignette by H.Kobell and 33 finely hand-coloured plates by Sallieth after Jakob Perkois and Johannes Huibert Prins, most stipple-engraved, one or two with aquatint, contemporary ink manuscript note of acquisition "acheté 20fr. le 28 Juillet [?]1825" to rear pastedown, a superb clean copy in contemporary glazed blue boards with decorative gilt roll border, slightly rubbed and marked, rebacked, small tear to spine, preserved in modern cloth drop-back box, morocco label to spine, [Bobins 429; Colas 2311; Landwehr, Dutch Books with Coloured Plates 389], folio, Rotterdam, J.Immerzeel, Jr., 1818.⁂ Rare coloured first edition of this artist's manual depicting street vendors and other workers, by Perkois (1756-1804), a teacher from the Drawing Academy in Middleburg, and Prins (1757-1806), secretary of the art society Pictura in The Hague. The engraver, Sallieth (1749-91), from Rotterdam, is known mostly for his maritime views. A few copies have appeared at auction but mostly of the later 1833 edition and all uncoloured, as is the only copy listed on Library Hub (V & A).

Alken (Henry) The Qualification; A Series of Six Subjects...dedicated...to all Fox-Hunters, first edition, 6 fine hand-coloured aquatint plates, modern green morocco by The Lakeside Press, Chicago, lettered in gilt on upper cover, cloth slip-case, [Mellon/Snelgrove 32; Schwerdt I, p.16 & plate 10; Siltzer, p.72 (dating set 1828); Tooley 33; Bobins 1379], oblong folio, R. Ackermann, Jun., [1829].⁂ A fine copy of what Schwerdt calls "one of Alken's most charming sets of its kind. The style of drawing is very minute and the colouring exquisite."Provenance: Joel Spitz (bookplate, this no.458 in his collection).

Sams (W., publisher) Roman Triumph. Pompey, hand-coloured aquatint panorama, numbered segments 4-35 only on conjoined sheets forming continuous strip (lacking first three segments 1-3 but with engraved imprint at end), c.130 x 4845mm. (of 4880mm.), rather soiled and stained at beginning, segment 4 defective at head and frayed at foot, a couple of short tears to head of 12, lacking portion from sky of 33, all repaired, otherwise clean and bright, on roller housed in original boxwood drum covered in glazed hand-coloured aquatint pictorial label, drum c.170mm. tall, top lacking portion at edge and base chipped, [Abbey, Life 489, without drum; Bobins 1311], W.Sams, 1822.⁂ Rare panorama depicting Pompey's third triumph in 61 B.C. after his successes in the East, particularly his victory of Mithridates. The strip processes from left to right but is numbered right to left and features trumpeters, sacrificial oxen, standard bearers, mounted & foot soldiers, carts of booty, camels, models of conquered cities, captives, musicians, and a chariot pulled by elephants carrying the victorious general. It was advertised as being with a descriptive key but no copy of this has been found. The Abbey copy consisted of sections 1-33 only and lacked the drum. We have traced a single copy at auction, in 1973, but this was also defective. WorldCat records one copy only (Princeton).

Havell, Junior (Robert) A Coasting View of Brighton, hand-coloured aquatint panorama with engraved title at beginning, c.125 x 3275mm., on conjoined sheets forming continuous strip, mounted on linen, a little soiled and stained, on roller housed in handsome original black straight-grain morocco drum decorated in gilt with black-stained boxwood top and base, drum c.180mm. tall, a few scuffs, [Abbey, Life 495; Bobins 1602], Robert Havell & Son, 1824.⁂ Very rare panorama of the Brighton seafront from Shoreham to the Race Ground and including the Royal Pavilion, Marine Parade, and the Chain Pier which was opened in November 1823 but destroyed in a storm in 1896. Library Hub cites only one copy in the UK (University of Cambridge, drum damaged). WorldCat adds copies at Harvard and Yale.

Duplessis-Bertaux (J.) Recueil des Principaux Costumes Militaires des Armees Alliees, 3 parts in 1, 36 hand-coloured aquatint plates, some foxing, mostly to text, original pink printed upper wrapper to part 1 bound in, later green morocco-backed marbled boards, a little rubbed, [Colas 915; Bobins 188], 4to, Paris, Gallignani etc., 1816.⁂ Russian, British and Prussian military uniforms.

Aspin (Jehoshaphat) The Naval and Military Exploits which have distinguished the Reign of George III, first edition, aquatint frontispiece and 35 circular plates, all hand-coloured, including the 2 additional hand-coloured plates of Vittoria and Pampeluna in same circular format (often absent), plates lightly offset, contemporary ink inscription of Adam Duncan to front free endpaper (loose), small later gilt-stamped roan book-label of Moncure Biddle and old bookseller's ticket W.Appleby of Bath to front pastedown, contemporary tree calf, gilt crest of Camperdown Library to upper cover, a little rubbed, corners slightly worn, rebacked in calf with black calf label, [Abbey, Life 350, frontispiece and 33 plates; Bobins 343; Tooley 70, noting the 2 additional plates sometimes included but "complete however without them"],12mo, for Samuel Leigh, 1820.⁂ An attractive copy with the 2 additional plates and a fine provenance.Adam Haldane-Duncan, 2nd Earl of Camperdown (1812-67), grandson of Admiral Adam Duncan, 1st Viscount Duncan, KB (1731-1804), the British admiral who defeated the Dutch fleet off Camperdown on 11 October 1797, a victory regarded as one of the most significant actions in naval history.

A Hand Coloured Aquatint on Paper, Published 1810, "Edinborough" After J C Ibbetson

19th Century British School, a pair of aquatint prints, Two portrayals of Victorian subject matter, framed, mounted, and under glass, 27cm x 34cm overall

William Tillyer (British, b.1938), "Living by the Esk XX", signed in pencil in the margin, coloured aquatint etching with hand applied watercolour and collage, 52/70, 55.5 x 69.5cm, and an associated book, (work illustrated on page 45). (2)

Five Georgian satirical cartoon Prints with hand-coloured aquatint, including after Rowlandson, 'CIT'S AIRING THEMSELVES ON A SUNDAY', pub. H Bunbury Del, 24.5cm x 35cm, and 'MISERIES OF LONDON, OR A SURLY SAUCY HACKNEY COACHMAN', 35cm x 24.5cm, all framed and glazed (5)

DESCOURTIS, CHARLES MELCHIOR (1753-1820), 4 Szenen aus "Paul et Virginie", nach Frédéric Schall, je Farbaquatinta/Papier, je in der Platte bezeichnet und Text unterhalb der Darstellung, HxB: Darstellung ca. 32x41 cm, Blattmaße ca. 41,5x48,5 cm, Außenmaße Rahmen ca. 44x51 cm. Je beschädigt, teilw. restauriert/ergänzt. Je mit verglastem Rahmen. | DESCOURTIS, CHARLES MELCHIOR (1753-1820), 4 scenes from "Paul et Virginie", after Frédéric Schall, each color aquatint/paper, each inscribed in the plate and text below the image, HxW: image approx. 32x41 cm, sheet dimensions approx. 41.5x48.5 cm, external dimensions of the frame approx. 44x51 cm. Each damaged, partly restored/supplemented. Each with a glazed frame.

Costume.- Tönsberg (Nils Chrstian) Udvalgte Norkse Nationaldragter, [second edition], text in Danish, German and English, chromolithographed title and 15 plates, 8pp. music at end, tissue-guards, some light foxing, mostly to text, occasional very light marginal finger-soiling, contemporary red half morocco, gilt, "Costumes of Norway" in gilt to upper cover, very slight fading to fore-edge, rubbed at joints and edges, g.e., Christiania, 1861 § Bridgens (Richard) Illustrations of the Manners and Costumes of France, Switzerland and Italy, additional engraved title and 47 plates only (of 49), mostly aquatint, all hand-coloured, one folding, title with ink ownership inscription to head, ex-library copy with usual bookplates and markings, including ink-stamp to verso of each plate, a few small marginal chips, a few short tears and tape repairs to verso, folding plate torn without loss and with ink-stamp to lower margin, some light spotting and browning, mainly to text, some soiling and staining, particularly towards end, modern library cloth, 1835; and others, a single volume of the Paquet brothers' Modes et Costumes Historiques, and c.60 disbound hand-coloured plates from a work on Russian costume, 4to & 8vo (c.63)

WHIGSTEAD HENRY.  Remarks on a Tour to North & South Wales in the Year 1797. Eng. title. 22 aquatint plates by Rowlandson, Pugh, Howitt, etc. Rebound qtr. calf. 1800.

Boris O'Klein (1893-1985) [Dirty Dogs of Paris] Group of 7 coloured etchings with aquatint, signed by the artist in pencil lower right, title lower left, separately framed and glazed, each 21 x 49cm, titles comprise: 'Le Profanateur'; 'Tu viens beau blonde'; 'Sens interdit'; 'W. C. Privé'; 'Chacun son Tour'; 'Commes nos maîtres'; 'Eternels Ennemis'

Daniell, William A Voyage round Great Britain undertaken in the Summer of the Year 1813, and commencing from the Land's-End, Cornwall, by Richard Ayton. With a Series of Views Illustrative of the Character and Prominent Features of the Coast, drawn and Engraved by William Daniell. London: Longman, Hurst, Rees, Orme, and Brown, and William Daniell, 1814-25. 8 volumes, 4to (36.7 x 25cm), contemporary russia gilt, heraldic crests gilt to top compartments of spines, twin triple-fillet borders gilt to covers, all edges gilt, 308 hand-coloured aquatint plates, uncoloured engraved plate, engraved folding map to rear of volume 8, bookplates of Fairfax Rhodes (overlaid with later bookplates of Sylvia White in volumes 5 and 8), volumes 1, 2, 7 and 8 rebacked with original spines laid down, joints of remaining volumes rubbed, volumes 3-5 with slight cracking to front joints, volume 7 rear board detached, occasional spotting and offsetting to text, a few plates spotted (generally light), plates in volume 3 extended along fore margins at an early date, closed handling tear to folding map [Abbey Scenery 16; Prideaux pp. 279-80; Tooley 177] Note: Note: First edition of 'the most important colour plate book on British topography' (Tooley). 'Such a succession of beautiful colour plates is scarcely to be found elsewhere, and they are unsurpassed both in delicacy of drawing and tinting' (Prideaux). On publication the work was priced at £60. This copy retains the folding 'Index chart to the Voyage', 'not usually included' according to Tooley, and unmentioned in Abbey.Provenance: Fairfax Rhodes (1845-1928),

Thornhill, R. B. The Shooting Directory London: Longman, Hurst, Rees, and Orme, 1804. First edition, second issue (with 2E4-2F2, pp. 215-220, cancelled), 4to, modern half leather, half-title discarded, 6 hand-coloured aquatint plates, 2 engraved plates (one folding), 3 folding tables, contemporary manuscript annotations to initial blank containing 'Extracts from General George Hanger's ... treatise on sporting, 1814', marginal repair to 2B2 [Chute 532; Schwerdt II pp. 258-9];Grose, Francis. Military Antiquities respecting a History of the English Army from the Conquest to the Present Time. A New Edition with Material Additions and Improvements. London: T. Egerton, 1801. 2 volumes, 4to, contemporary russia, rebacked, volume 2 in 2 parts, engraved title-page to each part, 139 engraved plates (of 141: lacking plates 28-9 in second part, 'A Treatise on Ancient Armour and Weapons');Idem. A Treatise on Ancient Armour and Weapons. London: S. Hooper, 1786. 4to, contemporary boards, rebacked and recornered in sheep, engraved frontispiece, title-page and 48 plates (plate 49, mentioned in text, apparently never issued), spotting and browning;[Magné de Marolles, Gervais-François]. An Essay on Shooting. London: T. Cadell, 1791. Second edition in English, 8vo, contemporary tree calf, half-title, bookplate, a very good copy [ESTC T64643];Bland, Humphrey. A Treatise of Military Discipline ... The Eighth Edition, revised, corrected, and altered to the Present Practice of the Army. London: R. Baldwin [and others], 1759. 8vo, 20th-century half roan, 7 engraved folding plates, imprimatur leaf, ownership inscription of D. Dundas, identified in a laid-in note as General Sir David Dundas (1735-1820), author of The Principles of Military Movement [ESTC T122214];Montagu, George. The Sportsman's Directory: or, Tractate on Gunpowder, founded on a Series of Experiments, 1792. First edition, 8vo, contemporary half calf, worn, lacking frontispiece [ESTC T33010: 4 copies world-wide];and 3 others including Guillaume Le Blond, A Treatise of Artillery, 1746, first edition in English, 15 engraved plates, lacking final 3 text-leaves and advertisement leaf, and John Muller, A Treatise of Artillery, 1780, third edition (these not collated)

Rawstorne, Lawrence Gamonia: or, the Art of Preserving Game and an Improved Method of making Plantations and Covers, explained and illustrated. London: published for the proprietor, by Rudolph Ackermann, 1837. First edition, inscribed 'From Laurence Rawstorne, April /93' on the initial blank, 8vo (23.5 x 15cm), original green morocco gilt, all edges gilt, 208 pp., half-title, 15 hand-coloured aquatint plates after Rawlins, heightened to gum arabic, errata slip tipped to p. 208, spine slightly faded, custom green cloth slipcase [Abbey Life 392; Schwerdt II p. 127; Tooley 393]Note: Note: 'An esteemed book. It is realy a treatise on forestry, written with a view to laying out plantations in the way most suitable to game preservation. But the highly coloured plates mostly represent shooting scenes. They are unusually attractive, and convey a good impression of the way in which our forebears killer their game, in the beginning of the 19th century' (Schwerdt).

Irish Gaelic printing The Catechism, or Christian Doctrine by way of Question and Answer [Irish title: An teagasg Críosduidhe]. Paris: James Guerin, 1742. First edition, 8vo, contemporary tree sheep (lacking front board), liv 513 pp., parallel text and title-pages in Irish and English, small ink-stain to foot of title-pages, damp-staining to quires R, S and X [ESTC T97298];Mignan, Robert. Travels in Chaldaea, including a Journey from Bussorah to Bagdad, Hillah, and Babylon, performed on Foot in 1827. London: Henry Colburn and Richard Bentley, 1829. First edition, 8vo, xvi 333 [3] pp., advertisement leaf, contemporary purple diced calf gilt, 2 folding maps, 7 aquatint plates [Atabey 908];Hartshorne, Anna C. Japan and her People. Philadelphia: Henry T. Coates & Co., 1902. First edition, 2 volumes, 8vo, original blue pictorial cloth gilt, 50 photographic plates, folding map, bookplates;and 5 othersNote: Note: This Irish catechism, written by the Roman Catholic priest Andrew Donlevy (1680-1746), is 'the most complete formal text in Irish for [its] period and draws on the author's spoken Irish' (ODNB).

Field sports Collection of works, 18th and 19th century Page, Thomas. The Art of Shooting Flying: familiarly explain'd by way of Dialogue. Containing Directions for the Choice of Guns for Various Occasions [...]. Norwich: printed by J. Crouse, and sold by the author, 1766. First edition, 8vo, modern quarter calf, spotting, B4 repaired [Chute 493; ESTC T201535; Schwerdt II p. 58];Hawker, Peter. Instructions to Young Sportsmen in all that relates to Guns and Shooting. London: Longman [et al.], 1824. Third edition ('considerably enlarged and improved'), tall 8vo, modern full morocco, top edge gilt, half-title, 5 hand-coloured aquatint plates, 5 engraved plates (one hand-coloured), [Schwerdt I p. 235: the 'most complete edition'];Daniel, William Barker. Rural Sports. London: Longman, Hurst, Rees, & Orme, 1812. 3 volumes, 8vo, contemporary tan calf decorated in gilt and blind, engraved title-page to each volume, 68 engraved plates (several folding), title-pages spotted, bookplates, front board of volume 2 detached;[Clement, Lewis]. Shooting and Fishing Trips in England, France, Alsace, Belgium, Holland, and Bavaria. London: Chapman and Hall, 1876. First edition, 2 volumes, 8vo, contemporary green half morocco by J. Larkins, thematic motifs gilt to spines, spines faded, spotting to blanks and half-titles;[Sportsman's Dictionary]. The Sportsman's Dictionary: or, the Country Gentleman's Companion, in all Rural Recreations: with full and particular Instructions for Hawking, Hunting, Fowling, Setting, Fishing, Racing, Riding, Cocking. London: J. Osborn, 1744. 8vo, contemporary panelled calf, rebacked, 25 engraved plates (of 26: lacking frontispiece), unnumbered plate facing quire Z torn, plates 9 and 22 repaired [ESTC N23268];Thornhill, R. B. The Shooting Directory. London: for Longman, Hurst, Rees, and Orme, 1804. First edition, first issue (retaining 2E4-2F2, i.e. pp. 215-220), 4to, contemporary half calf rebacked, 7 hand-coloured aquatint plates, 1 engraved plate (of 2), 3 folding tables, half-title discarded, text spotted and browned, closed tear in 2Z2 [Schwerdt II pp. 258-9];and 2 othersNote: Note: The Art of Shooting Flying by Norwich watch and gun maker Thomas Page is 'the first book in prose solely on shooting ... Very rare' (Chute); ESTC cites three copies only in libraries world-wide: Oxford, Library of Congress, and Yale.

Meyrick, Samuel Rush A General Inquiry into Antient Armour As it existed in Europe, but particularly in England, from the Norman Conquest to the Reign of King Charles II. [Together with:] Engraved Illustrations of Antient Arms and Armour, from the Collection of Llewelyn Meyrick, at Goodrich Court, Herefordshire; after the Drawings, and with the Descriptions of Dr. Meyrick, by Joseph Skelton. London: printed by G. Schulze, for Robert Jennings [-for J. Skelton], 1824-30. 5 volumes, folio (38 x 27cm), contemporary red crushed half morocco gilt by Howell of Liverpool, top edges gilt, half-title and etched additional title-page to each volume, A General Inquiry (volumes 1-3) with 10 etched plates, 70 hand-coloured aquatint plates with tissue-guards, numerous hand-coloured historiated initials heighted in gold or silver, errata leaf with directions to the binder on verso, bookplates (Messenger family), etched plates offset, a few aquatint plates offset through tissue-guards, volume 2 quire Y with repaired closed tears in margins, Engraved Illustrations (volumes 4-5) with 2 etched frontispieces, engraved portrait, 150 etched plates, bookplates (R. J. Wiginton and Bramley B. Kent), plates generally spotted, plate 138 repaired in margin

Parry, Edward and others [Voyages, abridged] Journal of a Voyage of Discovery to the Arctic Regions. London: Richard Phillips, [n.d.] 8vo, folding map, 3 plates; [bound with] Prior, James. Narrative of a Voyage in the Indian Seas... London: Richard Phillips, [n.d.] 8vo, folding map, map, 2 plates; [bound with] Dupin, Charles. Narratives of Two Excursions to the Ports of England, Scotland, and Ireland, in 1816, 1817, and 1818. London: Richard Phillips, [n.d.] 8vo, hand-coloured plate, folding map; [bound with] Chateauvieux, Frederick Lillin de. Travels in Italy... London: Richard Phillips, [n.d.] 8vo, 2 plates including one folding aquatint; [bound with] Forbin, Count. Travels in Greece, Turkey and the Holy Land, in 1817-18. London: Richard Phillips, [n.d.] 8vo, 6 plates; [bound with] Analyses of New Works of Voyages and Travels, published during the last Six Months in Great Britain. London: Richard Phillips, [n.d.] 8vo;[volume 2:] de Forbin, Count. Travels in Egypt. London: Richard Phillips, [n.d.] 8vo, folding aquatint plate and 6 others; [bound with] McKeevor, Thomas. A Voyage to Hudson's Bay, during the Summer of 1812. London: Richard Phillips, 1819. 8vo; [bound with] Freminville, Chevalier de la Poix de. Voyage to the North Pole. London: Richard Phillips, 1819. 8vo, 8 plates; [bound with] Queene, J.S. Narrative of thirty-four years Slavery and Travels in Africa. London: Richard Phillips, 1819. 8vo, frontispiece; [bound with] May, R. de. Narrative of the Sufferings and Adventures of Hendrick Portenger... London: Richard Phillips, 1819. 8vo; [bound with] Travels of M. Burckhardt in Egypt and Nubia. London: Richard Phillips, 1819. 8vo; [bound with] Prior, James. Voyage along the Eastern Coast of Africa to Mozambique, Johanna, and Quiloa; to St Helena... London: Richard Phillips, 1819. 8vo, plate, 2 folding maps; [bound with] Cordova, Admiral Don A. A Voyage of Discovery to the Strait of Magellan. London: Richard Phillips, 1819. 8vo, portrait, folding map; [bound with] Waller, John Augustine. A Voyage in the West Indies... London: Richard Phillips, 1820. 8vo, 6 plates, map; 2 volumes, 8vo, contemporary half calf, bindings worn, bookplates of Klingelheofer

A 19th century coloured aquatint of the Metropolitan Rifle Club Volunteers, by Harris after Martens, published in 1852, approx 24 x 35 cms, framed and glazed.  Provenance: Lt Col David A G Horton-Smith MBE TD (1910-1991) was commissioned into the London Scottish Regiment (his father's regiment) in 1936. In 1940 his regiment was stationed on the south coast, with the expectation of imminent invasion by which time he was captain. D-day 5th June 1944 he landed with Canadian regiments on Juno Beach and, attached to Divisional HQ Staff, he was part of the allied push across Europe. He was twice mentioned in dispatches and awarded Territorial Decoration. In later life he was Vice President, Chairman of the Works Committee of the NRA. He was strongly associated with London and Middlesex RA, The Scottish Rifle Association (SRA), The London Scottish Rifle Club, The British Commonwealth Rifle Club (formerly the India Rifle Club), The Old Marlburian Rifle Club amongst others. His contribution to shooting both at home and abroad was the source of his MBE, he had a longstanding presence on the Bisley shooting scene and was very much involved with promoting and facilitating the sport of rifle shooting in the UK. Footnote: In response to public concern at developments in Continental Europe, The Secretary of State authorised Lieutenants of counties in England to form "Volunteer Rifle Corps" (VRCs) a call that was greatly oversubscribed. VRC's were therefore the genesis of the NRA, which was formed "for the encouragement of Volunteer Rifle Corps and the promotion of rifle shooting" quote Lord Elcho, founder and 1st President. 

Caricature portrait of French dancer Auguste Vestris (1760-1842) on stage, etching with aquatint printed in sepia, titled a Stranger at Sparta, Greek inscription after Plutarch Lacome Apothegms, loosely translated 'A stranger at Sparta standing long upon one leg, said to a Lacedaemonian, I do not believe you can do as much , true (said he) but every goofe (s) can, published in London 2nd April 1781 the year of his debut on the London stage, approx 32 x 37 cms, framed and glazed.  Note: Property of a Yorkshire lady. 

Dame Paula Rego R.A. (British, 1935-2022)Ride a Cock-Horse, from Nursery Rhymes signed and inscribed A/P in pencil, one of 14 artist's proofs aside from the edition of fiftyEtching and aquatint with hand-colouring by Charlotte Hodes, 198952 x 38cm (20 1/2 x 14 15/16in).printed by Culford Press, London, with their blindstamp, published by the artist and Marlborough Graphics, LondonFootnotes:LiteratureT.G. Rosenthal, Paula Rego The Complete Graphic Work, Thames & Hudson, London, 2012 (R.42)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Westall, 'Una' and the lion from Spenser's Faerie Queen, hand coloured aquatint, 24.5" x 17.75", (62x45cm) (a/f).

James Priddey (1916-1980), 'High Tide, Tenby', aquatint, signed and inscribed in pencil, plate size 10" x 12" (25 x 30cm).

Man Ray (American, 1890-1976)Symphony (Anselmino 11) Etching and aquatint in colours, 1973, on Arches wove paper, signed with the artist's monogram and numbered 99/99 in pencil, with margins, framedPlate 472 x 319mm (18 5/8 x 12 5/8in)Sheet 746 x 549mm (28 3/8 x 21 5/8in)For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 105; Engberg & Banach 134) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 36/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist and Dain-Schiff Gallery, New York, with full margins, framedPlate 900 x 604mm (35 3/8 x 23 3/4in)Sheet 1054 x 748mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Georges Rouault (French, 1871-1958)Les ballerines and La petite ecuyère, from Cirque de l'étoile filante Two etchings with aquatint and drypoint in colours, 1934-38, on Montval laid paper, from the unsigned and unnumbered edition of 250, printed by Roger Lacourière, published by Ambroise Vollard, Paris, the full sheets, framedPlate 315 x 205mm (12 3/8 x 8in)(and smaller)Sheet 450 x 343mm (17 3/4 x 13 1/2in)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Blowing up the Pic Nic's; -or- Harlequin Quixotte attacking the puppets. Vide Tottenham Street pantomine (BM 9916) Etching with aquatint and hand-colouring, 2nd April 1802, on wove paper, published by Hannah Humphrey, London, with narrow margins, framedPlate 350 x 252mm (13 3/4 x 9 7/8in)Sheet 352 x 270mm (13 7/8 x 10 5/8in)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child X, from Mother and Child (Cramer 680) Etching with aquatint, 1983, on Arches wove paper, signed and inscribed 'PL X 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 232 x 382mm (9 1/8 x 15 1/8in)Sheet 521 x 618mm (20 1/2 x 24 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sonia Delaunay (French, 1885-1979)One Plate, from Avec Moi-Même Etching and aquatint, 1970, on Arches wove paper, signed, dated and numbered 58/75 in pencil (there were also 20 proofs numbered in Roman numerals), published by Société Internationale d'Art XXème Siècle, Paris, with full margins, framedPlate 495 x 397mm (19 1/2 x 15 5/8in)Sheet 660 x 502mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Georges Braque (French, 1882-1963)Pichet Noir Et Citrons (Maeght 1004) Etching and aquatint in colours, 1952, on BFK Rives paper, signed and numbered 86/200 in pencil, published by Maeght Éditeur, Paris, the full sheet, framedPlate 375 x 453mm (14 3/4 x 17 7/8in)Sheet 503 x 647mm (19 3/4 x 25 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 104; Engberg & Banach 133) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 44/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist, with his blindstamp and Dain-Schiff Gallery, New York, with full margins, framedPlate 902 x 606mm (35 1/2 x 23 3/4in)Sheet 1054 x 749mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Sketchbook 1928 The West Wind Relief (Edition B) (Cramer 573) The complete portfolio comprising one etching and aquatint in colours, 1980, on Arches wove paper, signed and numbered 53/75 in pencil, with full margins, loose (as issued), with the accompanying catalogue and the facsimile, signed in ink and numbered 'B 53/75' in pencil on the artist's label affixed to the inside cover, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, within the original green paper-covered Solander box Plate 225 x 300mm (8 7/8 x 11 7/8in)Folio 415 x 330 x 43mm (16 3/8 x 13 x 1 3/4in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In the Dull Village, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 54; M.C.A. Tokyo 54) Etching and aquatint, 1966, on Crisbrook handmade paper, signed and numbered 7/75 in pencil (there were also 25 proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 225mm (13 3/4 x 8 7/8in)Sheet 570 x 400mm (22 1/2 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Georges Braque (French, 1882-1963)Frontispiece, from Le Soleil Des Eaux (Vallier 47) Aquatint in colours, circa 1949, on laid paper, signed and inscribed 'Tirage pour l'artiste 2/3' in pencil, a proof aside from the standard edition of 200, printed by Lacourière, published by J. Matarasso, Paris, with marginsPlate 290 x 225mm (11 1/2 x 8 7/8in)Sheet 340 x 271mm (13 3/8 x 10 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Adolph Gottlieb (American, 1903-1974)Imaginary Landscape I (Associated American Artists 69) Aquatint in colours, 1971, on Fabriano wove paper, signed, dated and numbered 56/90 in pencil (there were also five artist's proofs), co-published by Marlborough Graphics, Inc., New York, and 2RC Edizioni d'Arte, Rome, with margins, framedPlate 450 x 605mm (17 3/4 x 23 7/8in)Sheet 618 x 768mm (18 7/8 x 25in)For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton G10) Etching and aquatint in colours, 1980, on Magnani wove paper, signed with the initials, dated and numbered 14/90 in pencil (there were also 15 artist's proofs in Roman numerals), printed by Vigna Antoniniana Stamperia d'Arte, Rome, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'Arte, Rome, with the 2RC blindstamp, with full margins, framedPlate 725 x 1420mm (28 1/2 x 55 7/8in)Sheet 885 x 1660mm (34 7/8 x 65 3/8in)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)When Reason Dreams III Etching with aquatint in colours, 1997, on Chine collé to wove paper, signed with the initials, dated and numbered 10/35 in pencil, printed by Hope (Sufferance) Press, published by Marlborough Graphics, London, with marginsPlate 585 x 445mm (23 x 17 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78) Etching and aquatint, 1969, on Hodgkinson handmade paper, watermarked DH/PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, framedSheet 445 x 310mm (17 7/8 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Magic Eye 5, from Magic Eye Etching with aquatint in colours, 1995, on Chine collé on Somerset wove paper, signed with the initials, dated and numbered 31/35 in pencil, with full margins, framedImage 318 x 370mm (12 1/2 x 14 1/2in)Sheet 515 x 504mm (20 1/4 x 19 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XVIII, from Mother and Child (Cramer 688) Etching with aquatint and roulette in colours, 1983, on Arches wove paper, signed and inscribed 'PL XVIII 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 222 x 165mm (8 3/4 x 6 1/2in)Sheet 517 x 438mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Canterbury Tales II (Wiseman 58-76) The complete set of 19 etchings with aquatint, 1971-72, on J. Barcham Green paper, with title page and justification, signed and numbered 'C.244' in black ink on the last page (from the boxed unbound edition of 175), printed by White Ink Ltd., some pages with their watermark, published by Leslie Waddington Prints Ltd., London, the full sheets, loose (as issued), within the original green portfolio boxPlate 503 x 342mm (19 3/4 x 13 1/3in)(and similar)(19)Folio 680 x 480 x 90mm (26 3/4 x 19 1/8 x 3 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Locmariaquer, Brittany (Levinson 426) Etching and aquatint in colours, 1990, on Arches wove paper, signed and numbered 47/70 in pencil (there were also 15 artist's proofs), printed by Kelpra Studio, with their blindstamp, published by Marlborough Fine Art, London, with full margins, framedPlate 407 x 615mm (16 x 24 1/4in)Sheet 575 x 770mm (22 5/8 x 30 3/8in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Old Rinkrank Threatens the Princess, from Six Fairy Tales (Scottish Arts Council 99; M.C.A Tokyo 96) Etching with aquatint, 1969, on Hodgkinson paper, signed and inscribed 'A.P. XII' in pencil, one of 20 artist's proofs aside from the edition of 100, printed by Print Shop, Amsterdam, published by Petersburg Press, London, with marginsPlate 238 x 273mm (9 3/8 x 10 3/4in)Sheet 434 x 400mm (17 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Marguerites (Scottish Arts Council 157; M.C.A. Tokyo 141) Etching and aquatint in colours, 1973, on Arches mould made paper, signed, dated and numbered 61/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with full margins, framedPlate 235 x 180mm (9 1/4 x 7 1/8in)Sheet 412 x 318mm (16 1/4 x 12 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Green Darkness (Lynton G44) Etching and aquatint in colours, 1986, on Fabriano wove paper, signed with the initials, dated and numbered 9/90 in pencil (there were also 15 artist's proofs), printed by Vigna Antoniniana Stamperia d'Arte, Rome, with their blindstamp, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'arte, Rome, with the 2RC blindstamp, with marginsPlate 340 x 558mm (13 3/8 x 22in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Honore Daumier (French, 1808-1879) Le Wagon du Troisieme Classe, aquatint, signed and titled in the plate, inscribed in pencil lower edge "de h. daumier" and numbered "354/500", Hogarth frame 7½ x 11¼in. (19 x 28.6cm.) *Viewed behind glass stained with nicotine.

A group of three silhouettes, 19th century, to include a James Bruce (act.1820-1835) aquatint showing the seated Arthur Wellesley, 1st Duke of Wellington, circa 1830, 12 x 14cm; and a pair of ink and watercolour silhouettes of a couple by Edgar Adolphe (c.1808-1890), the female signed 'Adolphe' (lower left), each 8.5 x 8.5cm

Wales, A collection of works to include: Bradley (A. C.), The Wye, London: Adam and Charles Black, 8vo, original decorative cloth with embossed gilt; Bloomfield (Robert), The Banks of Wye, London: Vernor et al, 1811, 16mo, part calf with marbled boards, engraved frontis, various engraved plates (uncollated); Gilpin (William), Observations on the River Wye and Several Parts of South Wales, London: R. Blamire, 1782, 8vo, full calf with gilt tooling to spine, marbled endpapers, various oval aquatint plates (uncollated); Wakeman (Thomas), Notes on the Architecture and History of Caldicot Castle, Monmouthshire, Newport: Henry Mullock, 4to, part calf and marbled boards, various engraved plates and foldout charts (uncollated); Caerlon, First Annual Report of the Visiting Committee of the Newport County Borough Asylum, Abergavenny: Seargeant Brothers, 1907, 8vo, with three volumes on Chepstow by Ivor Waters. (8)/Provenance: From the Library of Paul Stickler, a Gloucestershire collector of books and maps. CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Four etchings/aquatints Jean Leon Gerome FERRIS (1863-1930) Moorish Incense Burner Etching 25cm x 16.5cm John Robert Keitley DUFF (1862-1938) Shepherd with his flock Aquatint George MORLAND (1762/63-1804) Soft ground etching of a cow 23cm x 28cm And one other engraving, indistinctly-signed. Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk

After a drawing by Polidoro da Caravaggio. 1782 Plate 30: The wounded Scipio the Elder carried by his soldiers Etching and aquatint with multiple tones Print made by Johann Gottlieb Prestel After Polidoro da Caravaggio Published by Heinrich Sebastian Hüsgen The same print can be found in The British Museum 20cm x 26cm Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk

Mary FOLLETT (Falmouth School) Expression Terrain triptych Etching & Aquatint Each signed and framed 23cm x 17cm Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk

Jacobus HOUBRAKEN (1698-1780) Engraving after an oil painting of Charles Mordaunt 36cm x 22cm Together with Samuel HUBBARD (XX-XXI) Liberty of London Etching & Aquatint limited edition 1/40 Signed and dated 2008 to the verso Plate size 30cm x 24cm Jacobus Houbraken was a Dutch printmaker and portrait painter born in 1698. He was the son of renowned Dutch painter Arnold Houbraken and worked closely with him. Jacobus is best known for his engravings of portraits and historical scenes. He is said to have had a particularly good eye for capturing the unique characteristics of his subjects. His work can be found in collections around the world, including the British Museum Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk

Gilbert Browne (British), pair of etchings with aquatint titled - Little Venice III 162/200 and Little Venice IV 169/200, both signed pencil bottom right in a gilt glazed frame (7cmx8cm) (2)