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Anna Pugh (British, 20th century), 'Bright Tiger', etching with aquatint on wove paper, artist's proof, 1982, 13x13ins, signed, mounted, framed and glazed.

Attributed to Rachel Ann Le Bas (British, 20th century), 'Proveneal Farmstead', etching with aquatint, limited edition, numbered (5/75) and signed in pencil, 9x13.5ins, mounted, framed and glazed.

Oxford.- Ackermann (Rudolph) A History of the University of Oxford, 2 vol., first edition, list of subscribers, engraved portrait of the Chancellor Lord Grenville, 81 hand-coloured plates comprising 64 aquatint views by Buck, Stadler, Hill & others after Pugin, Mackenzie, Westall & others and 17 stipple-engraved plates of academic costumes, without the 33 portraits of the Founders as often, lacking half-titles, bookplate of Michael Matantos, plates bright and clean but offset, occasional light spotting or finger-soiling, vol. 2 upper hinge tender, contemporary straight-grain crimson morocco, gilt-ruled border, spine gilt but sunned, rubbed with a few marks to covers, vol. 2 with upper joint split at foot, g.e., [Abbey Scenery 280; Tooley 5], lge 4to, 1814.

Public schools.- Ackermann (Rudolph, publisher) The History of the Colleges of Winchester, Eton and Westminster; with the Charter-House, the Schools of St. Paul's, Merchant Taylors, Harrow, and Rugby, and the Free-School of Christ's Hospital, first edition, list of subscribers, 48 fine hand-coloured aquatint plates, with plate 23 'Westminster School Room' in first state, and plate 26 'Charter House from the Play Ground' in second state, with washerwomen and overslip, occasional light spotting or offsetting, contemporary calf, blind stamp and gilt decorative border, inner gilt dentelles, g.e., handsomely rebacked with some neat corner repairs, some light marking to upper cover but overall a very attractive and bright example, [Abbey Scenery 440; Tooley 3], 4to, 1813.

Westminster Abbey.- Ackermann (Rudolph, publisher) The History of the Abbey Church of St. Peter's Westminster, 2 vol., first edition, engraved plan and portrait, list of subscribers, 81 hand-coloured aquatint plates including additional vignette title, lacking half-titles, offsetting, occasional light spotting, heavier to vol. 2 pp.185-200, hinges cracked but holding firm, modern black morocco, gilt, [Abbey Scenery 213], 1812 § Smith (A. Murray) Westminster Abbey, one of 250 de luxe copies signed by the publisher, of which this is "Engraver's Copy", half-title, 21 colour plates by John Fulleylove, captioned tissue-guards, upper hinge tender, original cloth, gilt, covers slightly toned, t.e.g., 1904, bookplate of Michael Matantos, very lightly rubbed; and 2 others on the same, v.s. (5)

Ɵ A group of Asian related travel Books, including William Alexander, Picturesque Representations of the Dress and Manners of the Chinese. London: John Murray, 1814, paper, aquatint additional pictorial title (frontispiece) and 49 plates and a 50th plate numbered 46 but crossed through with number 50, all coloured by hand; J.O. Bland and E. Backhouse, China Under The Empress Dowager, London: 1909; J.O.P. Bland, Houseboat Days in China, London: 1909; etc.(15) 早期亚洲旅游志图书一组15本Condition Report: most bindings worn and stained and pages variously with discolouration and staining foxing and tears sold as seen and subject to non return additional images can be provided upon request for visual reference to condition Condition Report Disclaimer

After Robert Cruickshank. 'Football', Hand coloured aquatint, engraved by George Hunt, published Thomas Mc Lean in 1827.

REV. RICHARD WARNER. 'A Tour Through Cornwall in Autumn 1809'. Aquatint frontis, maps, half calf gilt, blind stamp to title page, label to pastedown, 1809.

Joe Tilson RA (1928-) Earth Earth Earthsigned and dated 'Tilson 1980' (lower right); numbered 28/60etching and aquatint, unframed98 x 107cmCreasing to all margins, encroaching on the plate slightly at the lower left hand side. Some foxing noted to the margins of the top right hand quadrant, again, there is a very slight encroachment to the plate. All corners a little knocked, but with no losses or nibbles. A small stain on the lower margin. See additional images.

BOUGARD (RENÉ)The Little Sea Torch: or True Guide for Coasting Pilots: by which they are Clearly Instructed how to Navigate along the Coasts of England, Ireland, France, Spain, Portugal, Italy and Sicily; The Isles of Malta, Corsica, Sardinia and others in the Straits; and of The Coast of Barbary from Cape Bon to Cape de Verd. Enriched with Upwards of One Hundred Appearances of Head-Lands and Light Houses together with Plans of the Principal Harbours.... Translated... by J.T.Serres, first English edition, list of subscribers, 137 hand-coloured aquatint land profiles by J. Stadler after J.T. Serres on 20 sheets, 24 hand-coloured engraved maps by John Luffman on 12 sheets, table of soundings and index at end, tear repaired touching image of plate 15 but generally very clean, later blue half morocco, worn and scuffed [Abbey Life 344; Phillips Atlases 2852], folio (450 x 280mm.), for the Author by J. Debrett, 1801 [watermarked 1799]Footnotes:One of the most elegantly illustrated coasting pilot guides, based on Bougard's Le petit flambeau de la mer, first published in 1684, and translated by John Thomas Serres, Marine Painter to the King, who added his magnificent views of headlands, ports, lighthouses, landmarks and harbour entrances to this English edition. The distinguished list of subscribers include Admiral Nelson, Admiral Vincent, Captain Byng, and Captain Hardy.Provenance: John Davies Enys (1837-1912), bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ACKERMANN (RUDOLPH)The Microcosm of London, 3 vol., wood-engraved pictorial titles, engraved dedication leaves with vignettes, 104 hand-coloured aquatint plates after Rowlandson and Pugin (no watermarks, text watermarked 1806-1807), 7 duplicate plates (some variant issue) loosely inserted, off-setting from plates to facing text, modern blue half morocco, gilt lettering on spines, t.e.g., others untrimmed [Abbey Scenery 212; Tooley 7], 4to (355 x 280mm.), R. Ackermann, [1808-1810]Footnotes:'One of the great colour-plate books... [which] should form the corner stone of any collection of books on this subject' (Tooley).Provenance: E. Peter Jones, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BOWYER (ROBERT)An Illustrated Record of Important Events in the Annals of Europe, During the Years 1812, 1813, 1814, & 1815. Comprising a Series of Views of Paris, Moscow, the Kremlin, Dresden, Berlin, The Battles of Leipsic, etc., 18 hand-coloured aquatint views (3 folding), 4 engraved plates (one hand-coloured), one engraved map, 1815; The Campaign of Waterloo, Illustrated with Engravings of Les Quatre Bras, La Belle Alliance..., 6 views on 4 hand-coloured aquatint plates (one double-page), one engraved map, 1816, 2 works bound in 1 vol., FIRST EDITION, watermarks dated 1811-1816, contemporary maroon morocco gilt, g.e., sides with gilt and blindstamped panelled borders, spine elaborately tooled, worn at edges, a few scuff-marks to sides [Abbey Life 352, 354], folio (465 x 330mm.)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BOYDELL (JOHN AND JOSIAH)An History of the River Thames, 2 vol., FIRST EDITION, later issue (without additional dedication leaf), engraved frontispiece, 2 double-page engraved maps in volume 1, 76 hand-coloured aquatint plates within grey wash borders (3 double-page on 2 sheets joined) by J.C. Stadler after J. Farington, occasional spotting, foxing and off-setting (heavy to 2 or 3 plates), light dampstain in margin of several leaves in volume 2 (touching image of one folding plate), a few pencil annotations, contemporary diced calf gilt, marbled edges, rebacked in morocco gilt, worn [Abbey Scenery 432; Tooley 102], folio (422 x 310mm.), W. Bulmer & Co., for John and Josiah Boydell, 1794-1796Footnotes:Provenance: David Thomas Powell (1772/73-1848, antiquarian and bibliophile), with presentation inscription from him to T. Powell '...to remain at Tottenham & never taken away without consent'; J.S. Judd, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BRADFORD (WILLIAM)Sketches of the Country, Character, and Costume, in Portugal and Spain [-Sketches of Military Costume in Portugal and Spain], 2 parts in 1 vol., LARGE PAPER COPY, 53 hand-coloured aquatint plates of views and costumes, without the engraved plate of Monument at Corunna (as often), plate of Spanish Courier with neat tear repaired with paper tabs on verso, untrimmed in original boards, printed yellow label on upper cover, worn, rebacked [Abbey Travel 135; Tooley 109], folio (495 x 340mm.), John Booth, 1809-1810 [watermarks 1808-1809]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

HASTINGS (T.)Vestiges of Antiquity; or, A Series of Etchings & Engravings of the Ancient Monastery of St. Augustine, with the Cathedral, Castle, and Other Antiquities... of Canterbury, AUTHOR'S PRESENTATION COPY, inscribed 'To the Archdeacon Forster from Capt. Hastings the Author with his sincere regards, Sept. 28th 1841' on the title, 12 engraved plates by and after Hastings, dampstains (within platemark of some plates), contents loose in original boards, original printed label on upper cover, soiled, covers detached and lacking spine, folio (510 x 310mm.), for the Author, 1813--[WESTALL (WILLIAM), CHARLES HULLMANDEL, AND JAMES DUFFIELD HARDING] Britannia Delineata: comprising Views of the Antiquities, Remarkable Buildings, and Picturesque Scenery of Great Britain. Kent, text in English and French, lithographed vignette on title, 26 lithographed views by Charles Hullmandel after Westall and Harding on 25 sheets, some spotting, contemporary half morocco, worn, covers detached, folio (560 x 380mm.), Rodwell and Martin, 1822 [-R. Ackermann 1823]--ROWE (GEORGE) Illustrations of the Cinque Ports, & Watering Places in Kent & Sussex, lithographed pictorial title, 78 lithographed views, all on india-proof paper, 2 uncoloured aquatint views, and 2 lithographed plates (each depicting 2 ships), one defective, one torn touching image, some plates and book block loose in contemporary half morocco, gilt morocco lettering label ('Illustrations of Hastings and its Vicinity') on upper cover, worn, oblong 4to (225 x 335mm.), Hastings, G. Wooll, [c.1831]; and another, Kent views, sold not subect to return (4)Footnotes:Provenance: First work, E.M. Forster, book label.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

JENKINS (JOHN)The Martial Achievements of Great Britain and her Allies; from 1799 to 1815, engraved title pictorial title, additional hand-coloured engraved pictorial title, hand-coloured dedication to the Duke of Wellington, 51 hand-coloured aquatint plates, letterpress list of subscribers, contemporary red morocco gilt, spine tooled with repeated helmet, sword and feather device, marbled edges, rubbed at extremities (exposing band at lower spine), upper hinge cracked [Abbey Life 365; Tooley 281], 4to (335 x 270mm.), J. Jenkins, [1815, watermarked 1812-1815]Footnotes:Provenance: Alexander McGrigor (1827–1891, bibliophile), gilt morocco bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

JENKINS (JOHN)The Naval Achievements of Great Britain, from the Year 1793 to 1817, engraved pictorial title, 55 hand-coloured aquatint plates by T. Sutherland, J. Jeakes and Bailey after T. Whitcombe, 2 hand-coloured engraved portraits of Nelson and Vincent (often missing), one uncoloured engraved plate, letterpress list of subscribers, contemporary gilt and blind-stamped maroon morocco, spine tooled with ship and anchor devices, marbled edges, rubbed with small losses at spine ends, upper hinge cracked (with front free endpaper loose) [Abbey Life 337; Tooley 282], 4to (335 x 270mm.), J. Jenkins, by L. Harrison, [1817, watermarks dated 1812-1816]Footnotes:'As a record of naval events spanning a period of over twenty years Jenkins' Naval Achievements has no precedent. At no time prior to 1817 had a publisher attempted such a complete volume of documentary naval prints. It is the quality of the accuracy which makes Jenkins so valuable above all, and it is the pictures rather than the text to which the value can be attributed' (Roger Quarm, National Maritime Museum).Provenance: Alexander McGrigor (1827–1891, bibliophile), gilt morocco bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MALTON (THOMAS)A Picturesque Tour through the Cities of London and Westminster, Illustrated with the Most Interesting Views, Accurately Delineated and Executed in Aquatint, 2 vol., FIRST EDITION, engraved title-pages, engraved dedication to the Prince of Wales, letterpress list of subscribers, 100 aquatint plates, spotting and some foxing (quite extensive in volume 1, light dampstain in corner of some plates, including nos. 88-100 in volume 2, a few shaved with loss to imprint), finely bound in contemporary red morocco gilt, sides elaborately tooled with roll-tool outer border, inner panels and decorative corner pieces, spine in 7 compartments within raised bands, g.e., joints and spine ends rubbed, g.e. [Abbey Scenery 204], folio (420 x 300mm.), Thomas Malton, 1792[-1801]Footnotes:Finely bound copy of Malton's rare series of London views, with the plates uncoloured.Provenance: Nigel Ronald, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MALTON (THOMAS)A Picturesque and Descriptive View of the City of Dublin, Described in a Series of the Most Interesting Scenes Taken in the Year 1791, FIRST EDITION, engraved title-page, engraved arms of the City of Dublin (dated 1792), engraved dedication (dated 1794), 25 aquatint views by James Malton, 2 aquatint plans, engraved key plate, some spotting (mostly marginal), light off-setting from plate to text, short tear repaired to margin of City Arms plate, contemporary red straight-grained morocco gilt, g.e., corners and extremities of spine worn [Abbey Scenery 474, coloured copy; Tooley 315], oblong folio (410 x 555mm.), James Malton, after 1799, [c.1818, some plates watermarked 1811]Footnotes:Finely bound copy of the most celebrated volume of Dublin views. 'Malton as a topographical draughtsman had few equals, and the plates... have a distinction of their own in addition to their value as an architectural record' (Hardie, English Coloured Books).Provenance: Constitutional Club Libary, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MAYER (LUIGI)Views in Turkey in Europe and Asia, Comprising Romelia, Bulgaria, Walachia, Syria, and Palestine, 3 parts in 1 vol., FIRST EDITION, text in English and French, hand-coloured aquatint pictorial dedication, 3 pictorial parts titles, and 60 plates by William Watts after Mayer, all hand-coloured within wash borders, tissue guards, contemporary calf gilt, wide Greek-key style border, worn, upper joint weakened [cf. Abbey Scenery 371, note; cf. Atabey 789, note; Colas 2017], large folio (530 x 410mm.), William Watts, 1 March 1801[-1806, watermarks 1800-1804]Footnotes:RARE. William Watts' fine aquatints were the first to be published after Luigi Mayer's views, and 'This work, as far as the plates arre concerned, seems to have been substantially the first edition' (Abbey).Provenance: Francis Gray Smart (1844-1913), bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

NATTES (JOHN CLAUDE)Bath, Illustrated by a Series of Views... with Descriptions to Each Plate, half-title, hand-coloured aquatint on title and one leaf, 28 hand-coloured aquatint plates, and one near full-page hand-coloured aquatint illustration by J.Hill and F.C. Lewis after Nattes, contemporary calf gilt, spine in seven compartments within raised bands, extremities rubbed [Abbey Scenery 41; Tooley 340] , folio (480 x 320mm.), William Miller, 1806Footnotes:'The comparative scarcity of the book would appear to argue for a limited circulation' (Abbey).Provenance: John Russell, sixth Duke of Bedford (1766–1839), bookplate. Russell's first wife, Georgia Elizabeth Byng, died in Bath in 1801.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ORME (EDWARD) AND FRANCIS WILLIAM BLAGDONOrme's Graphic History of the Life, Exploits, and Death of Lord Horatio Nelson, FIRST EDITION, engraved frontispiece portrait, 5 hand-coloured aqutint plates (3 double-page), one engraved facsimile plate of Nelson's writing, 6 aquatint illustrations (one hand-coloured), 2 engraved vignettes, contemporary half morocco over marbled boards, printed label on upper cover, rubbed [Abbey Life 327] Edward Orme, [1806, watermarks 'J. Whatman 1804']--ORME (EDWARD) Graphic Illustrations of the Defeat of Bonaparte and his Armies: Commencing with his Retreat from Moscow; and Ending at the Battle of Leipzig, letterpress title, 8 hand-coloured aquatint plates by M. Dubourg after Atkinson, a few light spots and smudges (mostly marginal), contemporary half morocco, upper cover detached, worn [Abbey Life 375], Edward Orme, 1814 [watermarks 'J. Whatman 18011-1813]--BOWYER (EDWARD) The Campaign of Waterloo, Illustrated with Engravings of Les Quatre Bras, La Belle Alliance..., 6 views on 4 hand-coloured aquatint plates (one double-page), one engraved map, without the 2 engraved plates, contemporary half calf, worn [Abbey Life 255], R. Boywer, 1816 [watermarks 'J. Whatman 1816']; An Impartial Historical Narrative of those Momentous Events Which Have Taken Place in this Country during the Period from the Year 1816 to 1823, 3 hand-coloured aquatint plates, 5 engraved plates, engraved plates with some spotting/light stains and fraying to edges, contents loose in publisher's boards, printed label on upper cover (with ink note 'Proof'), covers detached, lacks spine [Abbey], R. Bowyer, 1823, folio (4)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ORME (EDWARD)Historic, Military, and Naval Anecdotes of Personal Valour, Bravery, and Particular Incidents Which Occurred to the Armies of Great Britain and her Allies, in the Last Long-contested War, Terminating in the Battle of Waterloo, 40 hand-coloured aquatint plates after J.A. Atkinson, W. Heath, and Manskirch, watermarked 'J. Whatman 1811[-1816]', some light off-setting, mostly from plate to text, contemporary red straight-grained morocco gilt, sides with elaborate gilt- and blind-stamped borders, spine tooled in 6 compartments within raised bands, g.e., rubbed at extremities, spine ends worn [Abbey Life 376; Tooley 353], folio (470 x 320mm.), Edward Orme, 1819This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

PANORAMA - WELLINGTON'S FUNERALALKEN (HENRY) AND GEORGE AUGUSTUS SALA. The Funeral Procession of Arthur, Duke of Wellington, hand-coloured aquatint panorama on 56 sheets (joined), one sheet showing the funeral carriage extended in height, loose as issued within publisher's red cloth, gilt lettered 'The Funeral Procession' above gilt arms on upper cover [Abbey Life 597], total dimensions approximately 130 by 2349mm., [Ackermann & Co., 1852], sold not subject to returnThis lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

PYNE (WILLIAM HENRY)The Costume of Great Britain, half-title, hand-coloured engraved vignette on title, 60 hand-coloured aquatint plates, light off-setting from plate to text, contemporary diced calf gilt (with bookseller's label 'I.V. Hall..., Maidstone' inside upper cover), g.e., neat repair to foot of spine [Abbey, Life 430; Colas 2447], folio (345 x 245mm.), William Miller, 1808Footnotes:Provenance: L.G. Devon Astle, Hamilton's Lodge, Bickley, Kent, nineteenth century inscription on front free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ST. HELENABELLASIS (GEORGE HUTCHINS) Views of Saint Helena, FIRST EDITION, letterpress dedication to the Duke of Wellington, 3pp. list of subscribers, 6 hand-coloured aquatint plates by Robert Havell after Bellasis (one watermarked 'J. Whatman 1811'), tissue guards, contemporary half morocco over marbled boards, worn with small losses to spine [Abbey Travel 309; Tooley 87], folio (335 x 470mm.), John Tyler, 1815Footnotes:Bellasis' fine aquatint views of Saint Helena issued shortly after Napoleon's arrival on the island, thus making it 'at this time an object of interest to the whole world' (Dedication).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

WESTALL (WILLIAM)Views of the Lake and of the Vale of Keswick, FIRST EDITION, 12 uncoloured aquatint plates by and after Westall, tissue guards (a few missing), ownership inscription (1857) on title, original boards, worn, lacks spine [Abbey Scenery 191], Rodwell and Martin, 1820--DELAMOTTE (WILLIAM ALFRED) Original Views of Oxford, its Colleges, Chapels, and Gardens... with Historical and Descriptive Notices by Charles Ollier, FIRST EDITION, colour-printed lithographed additional title and 25 tinted lithographed plates by William Gauci after Delamotte, spotting, original quarter morocco, worn [Abbey Scenery 282], Thomas Boys, 1843--[BANFIELD (J., publisher) Scenery in North of Devon], 27 lithographed views (including 2 of Somerset, including additional images published by G. Rowe), some on india-proof paper, some spotting, modern cloth, publisher's printed paper label for upper cover loosely inserted [c.f. Abbey Scenery 128], [Ilfracombe, J. Banfield, c.1837]--STORER (J. & H.) Delineations of Trinity College Cambridge, engraved pictorial title, 9 engraved plates and one illustration, all on india-proof paper, modern half morocco, publisher's printed wrappers bound in, Cambridge, W. Styles, [c.1820]--RADCLYFFE (CHARLES WILLIAM) Memorials of Westminster School, tinted lithographed pictorial title and 12 views on 11 lithographed plates, 2 additional plates bound in, spotting, early limp calf, gilt lettered on upper cover, worn and scuffed, G.W. Ginger, [c.1845]--OLSEN (O.T.) The Piscatorial Atlas of the North Sea, English and St. George's Channels, FIRST EDITION, PRESENTATION COPY inscribed 'Captain Loftus Robinson... with the Compiler's Compliments, Grimsby 27th May 1884' on title-page, 50 double-page colour-printed maps, each with illustration of a fish and boat in one corner, early cloth gilt lettered on upper cover, soiled, spine torn, Grimsby, O.T. Olsen, 1883, small folio and oblong folio; and 2 others (9)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ALBERTI (LEANDRO)Descrittione di tutta Italia, 2 parts in 1 vol., engraved device on titles, 6 double-page engraved plates and maps in second part, damp-staining and some toning throughout, slight off-setting, later vellum, worn, 4to, Venice, Altobello Salicato, 1588--CHANDLER (RICHARD) Travels in Greece: or an Account of a Tour Made at the Expense of the Society of Dilettanti, FIRST EDITION,7 engraved maps (one folding), ownership inscription of Charles Kingsley on title, light spotting and off-setting, modern calf gilt [ESTC T63359], 4to, Oxford, Claredon Press, 1776--MEURS (JOHANNES VAN) Creta, Cyprus, Rhodus, FIRST EDITION, 3 parts in 1 vol., separate title-page for each part, dampstain to lower right corner of title and first few leaves, some spotting and toning, contemporary calf, rebacked, corners repaired [Blackmer 1121], 4to, Amsterdam, Abraham Wolfang, 1675-- SLADE (AUGUSTUS) Records of Travels in Turkey, Greece, &c. and of a Cruise in the Black Sea, with the Captain Pasha, in the Years 1829, 1830, and 1831, 2 vol., half-titles, hand-coloured aquatint frontispieces, folding lithographed map (light spotting), one facsimile plate, half morocco gilt, 8vo, Saunders and Otley, 1833 (5)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BLAQUIÈRE (EDWARD)Letters from the Mediterranean; Containing Civil and Political Account of Sicily, Tripoly, Tunis, and Malta, 2 vol., 2 folding engraved maps, half calf gilt, Henry Colburn, 1813--LAVALÉE (JOSEPH DE) AND LOUIS-FRANÇOIS CASSAS. Travels in Istria and Dalmatia, engraved frontispiece map, 6 folding sepia aquatint plates, Richard Phillips, 1805 --CRAVEN (RICHARD KEPPEL) A Tour through the Southern Provinces of the Kingdom of Naples, 14 engraved plates, tissue-guards, contemporary boards, rebacked retaining original printed label, Rodwell and Martin, 1821 --EUSTACE (JOHN CHETWOOD) AND RICHARD HOARE. A Classical Tour through Italy [-Sicily], 3 vol., second edition, one engraved folding plate, 10 engraved plans of churches, one engraved map of Sicily, nineteenth century diced calf gilt, J. Mawman, 1814--WILLYAMS (COOPER) A Voyage up the Mediterranean in His Majesty's Ship the Swiftsure: With a Description of the Battle of the Nile on the First of August 1798, engraved dedication, 41 sepia aquatint plates, one double-page folding map of the Mediterranean, bookplate of York Library, contemporary calf, covers detached [Abbey Travel I 196; Blackmer 1813],T. Bensley, 1802--WYSE (THOMAS) An Excursion in the Peloponnesus in the Year 1858, 2 vol., FIRST EDITION, 2 etched frontispieces, one folding map, 22 etched plates, publisher's purple cloth gilt Day, 1865--RAY (JOHN) A Collection of Curious Travels & Voyages, FIRST EDITION, 2 vol. in 1, with advertisements and Ray's catalogue of the plants of the Levant at end, lacking imprimatur leaf (A1), water-stained, contemporary panelled calf, rebacked [Blackmer 1397], S. Smith and B. Walford, 1693, some spotting and off-setting, bindings rubbed, 8vo and 4to (11)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

GESSNER (SALOMON)La Mort d'Abel: poeme en cinq chants, first French edition, frontispiece and 5 plates stipple-engraved in colour by Colibert, Casenave & Clement after Nicolas-André Monsiau, minor spotting and browning, contemporary red morocco gilt, rebacked with original spine laid down, green morocco label, g.e., light wear, housed in modern custom clamshell box [Brunet II 1568; Cohen-de Ricci, 436], large 4to (334 x 250mm.) Paris, Defer de Maisonneuve, 1793-- QUERELLES (CHEVALIER DE) Hero et Leandre, poeme nouveau en trois chants, FIRST EDITION, aquatint frontispiece in black and 8 aquatint prints in colour by Philibert-Louis Debucourt, bookseller's stamp on free front endpaper and half-title, occasional foxing, contemporary quarter morocco over red glazed boards, stamped in silver, g.e., modern folding case, boards warped, corners bumped [Cohen-de Ricci, 833], 4to (300 x 230mm.) Paris, Pierre Didot L'aine, 1801-- FÉNELON (FRANÇOIS DE SALIGNAC DE LA MOTHE) The Adventures of Telemachus, the son of Ulysses, 2 vol. in 1, first English edition, 12 hand-coloured engraved plates after Stothard and Burney, early ownership inscription opposite title, Satinsky collection bookplate, minor spotting and soiling, contemporary straight-grain morocco gilt, g.e., rebacked retaining original spine, hinges starting, corners bumped, worn, modern solander box [Brunet II 1568], 4to (265 x 212 mm.), C. and G. Kearsley, 1795 (3)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

THOMAS DANIELL (1749-1840), VIEW ON THE CHITPORE ROAD, CALCUTTA, hand coloured aquatint from 'Oriental Scenery', engraved by Thomas and William Daniell, published by Thomas Daniell, August 1797, framed, 42.5 x 60cm (image) Thomas Daniell wrote of this scene: 'In this view on the Chitpore road (taken in the Monsoon season) appears the house of a native Bengal merchant: the style of architecture is Mohommedan, except in the turret, which is an unsuccessful attempt at the Grecian...Part of a Bazar, or market, is seen, and a small Hindoo temple of modern construction' (Archer 1980, p.96) Provenance: Collection of the late Peter Millett (1925-2016)

THOMAS DANIELL (1749-1840), GATE OF THE TOMB OF THE EMPEROR AKBAR, AT SECUNDRA [SIKANDRA], NEAR AGRA, hand coloured aquatint from 'Oriental Scenery', engraved by Thomas Daniell, published by Robert Bowyer, November 1795, framed, 43 x 60cm (image) The Daniells visited Sikandra in January 1789. This scene shows the encampment of a large party which the artists had joined on the trip to Agra. See Archer 1980, no.30 & pl.V Provenance: Collection of the late Peter Millett (1925-2016)

THOMAS AND WILLIAM DANIELL (1749-1840, 1769-1837), THE WATER-FALL AT PUPPANASSUM IN THE TINNEVELLY DISTRICT, hand coloured aquatint from 'Oriental Scenery', drawn and engraved by Thomas and William Daniell, published by Thomas Daniell, January 1804, framed, 42 x 59.5cm (image) The artists visited these falls in Tamil Nadu in August 1792 and reported how the spectacular site was much visited by pilgrims and fish were abundant. Mildred Archer notes how much the scene had changed in the 20th century, with a hydro-electric scheme reducing the water flow to a trickle and few pilgrims visiting (Archer 1980, no.122 & pl.XXVI). Provenance: Collection of the late Peter Millett (1925-2016)

HENRY SALT (1780-1827), A VIEW AT LUCKNOW, hand-coloured aquatint, engraved by D. Havell, published by William Miller, May 1809, framed, 41.5 x 60cm (image) Provenance: Collection of the late Peter Millett (1925-2016)

The Battles of the British Army in Portugal, Spain, and France.
A set of 13 hand-coloured circular aquatint views of the Battles of Vimiero, The Douro, Talavera, Busaco, Albuera, Ciudad Rodrigo, Badajoz, Salamanca, Vittoria, Pampeluna, St. Sebastian, Toulouse, and Waterloo, by Edward Orme, London, 66mm diameter, each on thin card, with an historical account of the action on the reverse, contained in a circular bronze case in form of a medallion, bust of the Duke of Wellington on obverse lid; winged muse of history seated beneath an olive tree recording on a tablet the ‘Record of British Valour’ on reverse lid, ‘Picture Medal’ inscribed below; ‘The Battles of the British Army in Portugal, Spain and France from the Year 1808 to 1814 under the Command of England’s Great Captain Arthur Duke of Wellington’ title card on inside of lower lid, and housed in a contemporary red leather circular case, the lid embossed ‘Record of British Valour’, traces of tabs that originally held the cards together, otherwise very fine and rare, especially in outer case (13) £300-£400 --- Mr. Edward Orme, of Bond Street, London, was, after Ackermann, the most important publisher of coloured aquatint prints. British success at sea and on land was one of the staple subjects of his publishing: ‘He has omitted no opportunity of bringing forward to public admiration, by the graphic art, the principal events in which our arms have triumphed both by sea and land, publishing at various periods engravings of those great exploits most calculated to impress the mind with correct ideas of the arduous struggles which have immortalised the British name.'’ (The History of Aquatint Engraving, by S. T. Prideaux refers). It is thought that he produced over 700 of this series.

James Priddey, (1916-1980) 'Quiet Afternoon', aquatint in colours, signed in pencil to margin, 24.5 x 34cm, framed and glazed, with framed nineteenth-century oil on canvas landscape, 41 x 56cm, and modern oil on canvas East Asian street scene, 58 x 44cm, framed. (3)

A set of eight 19th century entomological studies of insects, aquatint prints. 20x12cm approx. modern frames. (8) (B.P. 21% + VAT)

9 ASSORTED ETCHINGS, PRINTS ETC INCLUDING A SIGNED AQUATINT BY CLAUDE ROWBOTHAM LARGEST 15" X 18"

Shoichi Hasegawa, Le Jardin Enchanté,ethcing and aquatint, signed, titled and numbered x/xl, with certificate,image 76cm x 56cm;and a late 20th century school, Figures on a beach,colour artist proof print, indistinctly signed and dated 78,51x69cm, faded.Qty: 2

Joyce Knight, "Jungle Pussy" aquatint with hand coloured eyes, 2/25, plate 29cm x 16.5cm

Gordon E Miles (British 1947-): 'La Maison Des Amis', etching and aquatint signed titled and numbered 102/150 in pencil 40cm x 9cm

G Chauveau (French Early 20th century): Ballroom Dancers, etching and aquatint signed in pencil; English School (Early 20th century): Girl in Kimono, watercolour and pastel unsigned max 44cm x 32cm (2)

SMITH J. & EMES J.  Sixteen Views of the Lakes in Cumberland & Westmorland ... Engraved by Alken. Aquatint plates as called for. Quarto. Orig. wrappers with prntd. label, book label of Bewley, Carleton Hall. W. Clarke, 1794.

TANAKA RYOHEI (1933-2019)Showa era (1926-1989), dated 1982, 1984, 1986 and 1988Comprising four etchings, the first with aquatint, titled Shukaku no kisetsu #1 (The Harvest Season #1), edition number 77/150, dated '84, Overall: 24.6 x 34cm (9¾in x 13 3/8in), the plate: 15cm x 24cm (5 7/8in x 9½in); the second titled Hanase no aki #2 (Autumn in Hanase #2), edition number 98/150, dated '82, overall: 30cm x 25.8cm (11 5/8in x 10 3/16in), the plate: 20.5cm x 16.5cm (8 1/16in x 6 1/8in); the third titled Natsubi #3 (A Summer's Day #3), edition number A.P. 11/15, dated '86, overall: 26cm x 30.5cm (10¼in x 12in), the plate: 17cm x 21cm (6 5/8in x 8¼in); the fourth titled Sakamichi (A Hill), edition number 51/150, dated '88, overall: 33.5cm x 23.6cm (13 1/8in x 9 5/16in), the plate: 23.5cm x 15.1cm (9 1/8in x 6in); each signed in Roman script in pencil T. Ryohei along the bottom edge. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

TANAKA RYOHEI (1933-2019)Showa era (1926-1989), dated 1986 and 1988Two large colour etchings with aquatint, one titled Icho taiju (The Great Gingkyo Tree) in autumn, edition number 45/120, dated '88, and signed in Roman script in pencil T. Ryohei along bottom edge, overall: 43cm x 35.5cm (17in x 14in), the plate: 30cm x 30cm (11¾in x 11¾in); the second titled Natsu no heya (Summer Room), depicting a sleeping cat on a windowsill in the foreground and a glimpse of a colorful garden beyond the latticed window, edition number 73/120, dated '86, signed in Roman script in pencil T. Ryohei along bottom edge, overall: 39cm x 39cm (15 3/8in x 15 3/8in), the plate: 30cm x 30cm (11¾in x 11¾in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Alexander MACKENZIE (1923-2002) Untitled, 1965 Etching/aquatint Signed and dated Jan '65Numbered 4/6Plate size 60 x 44.5cm Provenance - The Estate of John and Gunni Crowther This dramatic etching has not been examined out of the frame, we can see no foxing and no sign of repair or damage. The paper may have browned a little.

Breon O'CASEY (1928-2011) Untitled  Etching aquatint, signed and dated '09, 21 x 24cm.This has not been examined out of the good quality frame but it appears to be in excellent condition

[NATURAL HISTORY] [Knapp, John Leonard]. The Journal of a Naturalist, first edition, Murray, London, 1829, green half calf, folding aquatint frontispiece, six further plate illustrations, octavo. Condition Report : Scuffed; spine browned; 1.5cm tear at head of upper joint; Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

René Magritte (1898-1967) 'Poire et Rose' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition X/XXV,Kaplan & Baum 20, 16 x 11 cm. size total sheet 27 x 22 cm. [1]

René Magritte (1898-1967) 'La Folie Almayer' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition XI/XXV,Kaplan & Baum 18, 20 x 14,5 cm. size total sheet 27 x 21 cm. [1]

René Magritte (1898-1967) 'La Lecon au Musique' Etching, aquatint in colors. Stamp signature, Printed by Atelier Georges Visat, Paris, 1968, edition XI/XXV, Kaplan & Baum 15, 15 x 10 cm. size total sheet 27 x 21 cm. [1]

Michael Blaker - 'The Royal Pavilion', 20th century etching with aquatint, signed, titled and editioned 23/30 in pencil, 30.5cm x 39.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Robert Scott, after Alexander Carse - 'The Landing of King George IV at Leith Docks, 15th August 1822', 19th century engraving with etching, aquatint and hand-colouring, 47cm x 81cm, within a gilt composition frame with acanthus leaf moulding.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

James Pollard - 'Barefoot' and 'Emilius', a pair of engravings with aquatint and later hand-colouring, published by R. Pollard & Sons 1828, each 36.5cm x 46.5cm, both within stained wood and gilt frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Francisco José de Goya Y Lucientes - 'Si Sabra mas el Discipulo', 'Nadie se Conoce', 'Correccion', 'Unos a Otros', 'Miren que Grabes!', five etchings with aquatint from 'Los Caprichos', probably the eighth edition published by Calcografia Nacional for the Real Academia, each 35cm x 24.5cm, all within gilt frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

After Thomas Rowlandson - 'Doctor Gallipot', 'Breaking Cover', 'Connoisseurs', and 'The Last Shift', four etchings with aquatint and hand-colouring, published by Richard Reeve circa 1808, each 32m x 24cm, all within Hogarth style frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

John Bruce - 'Interior of the New Market-Place' (Brighton), engraving with aquatint and later hand-colouring, published circa 1830, 14cm x 24cm, together with an etching with aquatint by Frederick Lewis after Augustus Pugin, 'Gallery, Pavilion Brighton', published circa 1838, 24cm x 31.5cm, and a quantity of other prints of Brighton interest, the majority within frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Laura Knight - Stella (Profile Portrait of a Lady), early/mid-20th century etching with aquatint, signed and editioned 3/50 in pencil, 31.5cm x 25.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Ackermann Publ.1840, coloured aquatint, 'The Steamship President', 51 x 69cm

Norman Ackroyd (b.1938-), etching and aquatint, 'Study of trees and sunlight - Selborne', signed in pencil and dated 1980, 11/30, 43 x 40cm