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TOM JONES limited edition (9/20) aquatint etching - sail-boat, titled 'Tuileries I', monogram stamp, dated '94, 35 x 25cms and TOM JONES limited edition (1/20) etching and aquatint - titled 'Palazzo Nani', monogram stamped, dated '96, 36 x 26cmsComments: framed and glazed

Latiff Mohidin (Malaysian 1941-) Imago Senja (Twilight Imago) - 1968 'Proof - xx,' signed, titled, dated and inscribed in pencil (to the margin), etching and aquatint with embossing(60cm x 81cm (23.75in x 32in))

John Piper CH (1903-1992), ‘Late Summer Flowers’, 1989, limited edition etching and aquatint, signed and numbered 64/70, 40 cm x 54 cm with margins, framed and glazed.

Louise Nevelson (American, 1899-1988). Color aquatint with collage on Fabriano wove paper titled "Aquatint II" from the "Aquatint & Collage" series, 1973. Pencil signed and dated along the lower right; numbered 51/90 along the lower left.Sight; height: 31 in x width: 23 1/2 in. Framed; height: 41 1/4 in x width: 33 1/4 in.

Joan Miro (Spanish, 1893-1983). Etching, aquatint, carborundum in colors on Guarro wove paper. Plate VIII from Miro's 1975 "Espriu" series. Pencil signed along the center right and numbered 29/50 along the center left.Literature: Dupin 876.Sight; height: 33 1/2 in x width: 27 1/2 in. Framed; height: 45 in x width: 37 3/4 in.

Joan Miro (Spanish, (1893-1983). Etching and aquatint in colors on Arches paper titled "Pic de la Mirandole," 1975. Pencil signed along the lower right and numbered 49/50 along the lower left. With sale documents and a certificate of authenticity from Wolf Schulz Gallery, San Francisco, California.Literature: D. 761.Sight; Height: 40 in x width: 29 in. Framed; Height: 52 3/4 in x width: 39 3/4 in.

Alexander Calder (American, 1898-1976). Aquatint in colors on Rives BFK paper from "The Sacrilege of Alan Kent," 1976. This print is one of a set of 40 illustrations done by Calder for the work. Pencil signed along the lower right and inscribed H.C. along the lower left.Height: 16 3/4 in x width: 17 3/4 in.

Friedrich Meckseper (German, 1936-2019). Group of two etchings with aquatint on paper of a group of three bottles and four balls. The etching of four balls is signed, dated 1968, and editioned 61/75 in pencil along the lower edge. The etching of three bottles is signed, dated 1967, and editioned 61/75 in pencil along the lower edge.(Three Bottles) Sight; Height: 15 1/2 in x width: 20 in. Framed; Height: 25 in x width: 29 1/4 in. (Four Balls) Sight; Height: 21 in x width: 24 3/4 in. Framed; Height: 31 in x width: 34 1/2 in.

Beth Van Hoesen (American, 1926-2010). Etching and aquatint in colors on wove paper titled "Sally," depicting a rabbit. Pencil signed and dated 1979 along the lower right, titled along the lower left, and numbered AP 1/4 along the lower center.Sight; Height: 12 1/2 in x width: 14 in. Framed; Height: 21 1/4 in x width: 22 in.

Leon Rene Pescheret (American, 1892-1971). Aquatint in colors on paper titled "Royal Poinciana, Hawaii," depicting a house on stilts and grove of trees in the shadow of a smoking volcano. Pencil signed along the lower right and titled along the lower left.Sight; Height: 11 in x width: 13 3/4 in. Framed; Height: 20 in x width: 22 1/2 in.

Edward Duncan, aquatint, the opening of Sheerness Docks, September 5th 1823, 40cm x 56cm, framedA couple of tiny fox marks in the sky, light staining in the margin, no tears

After J F Herring, Engraved by C Tomkins, "Feeding The Horse"black and white aquatint, published 189544 x 34cmQty: 1

A pair of early 20th Century polychrome aquatint prints portraying Georgian Scottish Highland soldiers, in ebonised frames under glass, 76 cm x 56 cm

A late Georgian polychrome aquatint in the manner of Angelica Kauffman, depicting a maiden admiring herself in a looking glass, in a gilt oval frame, 29 x 24 cm

Benjamin Barker, English Landscape Scenery, a series of forty eight aquatint engravings by Theodore Fielding, Bath 1843, disbound, with coloured frontispiece and 47 loose monochrome plates, 31 x 26cm (sheet)Loose paper title and 3 text leaves present are a little creased, title is also nicked to top edge. The one coloured plate is a little toned, slightly creased to left side of margin, right side slightly finger soiled, with small repair, crease to lower right corner through image but does not immediately show. Other monochrome plates largely good with just some edge indents, small corner bumps or slight creases.

FIELDING (Theodor Henry) Cumberland, Westmoreland, and Lancashire illustrated in a Series of forty-four engravings, Exhibiting the Scenery of the Lakes, Antiquities, and other Picturesque Objects. London: printed for Thomas M'Lean, 1822, folio, 44 aquatint plates, on large paper with uncoloured proofs before letters, contemporary red half morocco, rubbed. Ref. Abbey Scenery 195The book is sold as complete. There is some general spotting/foxing to the contents. The front inner hinge is broken where the covers connect to the text block.

S.G. Hughes (engraver), View of the Intersection Bridge on the Line of the St. Helens and Runcorn Gap Railway, coloured aquatint, pub. 1832, 30 x 44cm, in gilt frame

After William John Huggins The Archimedes Steamer, fitted with Mr F.P. Smith's patent screw propeller, off the North Foreland, on her trip from Gravesend to Portsmouth, 14th May 1939, by E. Duncan, hand-coloured aquatint, published by Mr Huggins, London, 39 x 51cm (plate)Condition report: some light discolouration, light abrasions to left edge

Thomas Maltontwenty-nine loose hand coloured aquatint plates taken from 'A Picturesque Tour through London', published 1799-1801; most trimmed, spotted and stained, average sheet size around 32 x 42cm (29)

Ɵ DALLAWAY, James. (1763 - 1834). Constantinople Ancient and Modern with Excursions to the Shores and Islands of the Archipelago and to the Troad. Lord Byron Association copy. Printed by T. Bensley for T. Cadell Junr. & W. Davies, 1797. single volume, first edition, 4to, (273 x 222mm), contemporary full-tree calf, lettered in gilt on red leather panel to spine, armorial bookplate of Pietro Gamba to front pastedown, aquatint illustration to title-page, aquatint plan and nine aquatint plates by Stadler after Gaetano Mercati with neat pencil manuscript notes within a few margins, mostly 2-3 lines; a loosely inserted 1pp. manuscript note, initialled and dated 2005, reads, 'Pencil notes by Lord Byron on the following pages: 5, 20, 27, 29, 57, 116, 334, 337, 147'; a second loosely inserted 1pp. manuscript note reads, 'Byron's book was found on the 15th January 2006 by Benedicta Josephine REHMAN (age 18). The book has been lying for sometime in a cupboard . . ..' , 415pp., plus 6pp. adverts at end. Blackmer 441, ESTC T67772, Byron's Letters and Journals, edited by Leslie Marchand.  James Dallaway was chaplain and physician to the embassy of Robert Liston between 1794 and 1796. He travelled overland with Liston's entourage, which included Gaetano Mercati who became Liston's draughtsman. Count Pietro Gamba (1801 - 1827) became acquainted with Lord Byron (1788-1824) through his sister, Countess Teresa Guiccioli, one of Byron's many mistresses on the continent. Gamba became a close companion and accompanied Byron as secretary and second in command on his second expedition to Greece. Lord Byron described his secretary to the Countess of Blessington as 'one of the most amiable, brave and excellent young men he had ever encountered, with a thirst for knowledge, and a disinterest rarely to be met with' (Conversations with Lord Byron). (Qty. 1).      Condition Report: boards scuffed, spine bumped head/tail, front board detaching at title page, toning to edges and leaf edges, light foxing not affecting the plates.The pencil notes neatly written and clear to read.Condition Report Disclaimer

Ɵ Military.- JENKINS, James. (Fl. 1825). The Martial Achievements of Great Britain and Her Allies; From 1799 to 1815. London: Printed for J. Jenkins by L. Harrison & J.C. Leigh. (c. 1825). single volume, first edition, later issue, folio, (370 x 308mm), later half maroon morocco marbled boards, spine in compartments with raised bands, gilt lettering, rules and trophy-of arms ornaments, edges untrimmed, marbled e/ps., aquatint hand-coloured title-page, dedication leaf, frontispiece and 51 plates, after William Heath, without the list of subscribers, some of the text sheets watermarked 'J. Whatman 1812' and plates watermarked 'Turkey Mill 1825'. A wonderful assortment of plates mainly focusing on the Napoleonic wars culminating in the Battle of Waterloo. Abbey Life 365.(Qty. 1)   Condition Report: boards clean and bright, a few minor scratches to the leather, corners a little scuffed, 4 clean edge tears to title-page, three neatly repaired, foxing to many pages affecting some the margins of the plates and most of the tissue guards. Condition Report Disclaimer

Ɵ ELLIS, Henry. (1777 - 1869). Journal of the Proceedings of the late Embassy to China. Comprising a Correct Narrative of the Public Transactions of the Embassy, of the Voyage to and from China, and of the Journey from the Mouth of the Pei-Ho to the Return to Canton. John Murray, 1817. single volume, first edition, 4to, (281 x 223mm), contemporary calf, gilt, raised bands, marbled edges and e/ps., armorial bookplate of Sir Frances Lindley Wood, nautical bookplate of John Montagu Ratner, etched portrait frontispiece of Lord Amherst, 7 hand-coloured aquatint plates, 2 engraved maps only of 3, (lacking folding map) Appendix, Itinerary corresponding with the text, 526pp. Lord Amherst was chosen to proceed to Peking as British envoy and represent to the Emperor Kea K'ing the wrongs which British subjects were suffering under his rule. Ellis, a diplomat, accompanied Amherst to China in 1816, in capacity of third commissioner. Sir Francis Lindley Wood, 2nd Baronet (1771-1846) was a confidant of Lord Fitzwilliam who supported the abolition of slavery and the Reform Act, 1832 and held a large demonstration in York in order to demonstrate his favour for it, (Qty. 1).   Condition Report: boards marked and stained, corners scuffed, spine bumped head/tail, foxing to portrait frontispiece and title page and further occasional light foxing affecting the two maps, the plates mostly clean and bright, lacks folding map and errata.Condition Report Disclaimer

Ɵ ELPHINSTONE, Hon. Mountstuart. (1779 - 1859). An Account of the Kingdom of Caubul, and its Dependencies in Persia, Tartary, and India; comprising a View of the Afghaun Nation. and a History of the Dooraunee Monarchy.1815. single volume, first edition, 4to, (288 x 230mm), contemporary full-calf, gilt, lettered raised bands, new e/ps., nautical bookplate of John Montagu Ratner, 13 hand-coloured aquatint costume plates, 1 uncoloured aquatint view after Grindlay and local Indian artists, errata leaf, 2 engraved maps, both hand-coloured in outline, (one large and folding), 675pp. Abbey, Travel 504. Elphinstone's account of his Mission to the Court of Shah Shuja-ul-Mulk, King of Kabul, the first full description of Afghanistan and it's people. Elphinstone was appointed British ambassador to the Afghan court in 1808. (Qty. 1).    Condition Report: scuffs and some loss to front and rear boards, corners scuffed, darkening to edges, staining to frontispiece plate, occasional foxing throughout, heavier to a few pages, toning to maps o/w. both clean, toning to some of the plates o/w. clean and bright.Condition Report Disclaimer

Ɵ FITZCLARENCE, Lieutenant-Colonel George Augustus (1794 - 1842). Journey of a Route across India through Egypt to England. John Murray, 1819. single volume, first edition, 4to, (273 x 230mm), contemporary full-calf, raised bands, red leather panels lettered in gilt to spine, new e/ps., nautical bookplate of John Montagu Ratner, lacks half-title, dedication leaf, directions to the bookbinder leaf, errata, 7 engraved maps and plans, (one folding, 4 with explanatory letterpress leaf), 9 hand-coloured aquatint plates, 3 plain plates, 502pp. Abbey, Travel 519.   An account of the author's journey from India to England in 1817-18 whilst carrying despatches. The author was the eldest son of William IV by Mrs Jordan, he served as aide-de-camp to Hastings in India 1816-17 and became first Earl of Munster in June 1831. (Qty. 1).   Condition Report: boards a little scuffed, toning and occasional foxing, some heavier in places, folding map heavily foxed, plates and plans mostly clean and bright. Condition Report Disclaimer

Eduardo Chillida (Spanish, 1924-2002)Hommage à Picasso (Koelen 72016) Etching and aquatint printed in tone, 1973, chine collé on Arches, signed and numbered 87/90 in pencil, printed by Arte Adrien Maeght, Paris, published by Propyläen-Verlag, Berlin, with full margins, 760 x 565mm (29 7/8 x 22 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marino Marini (Italian, 1901-1980)La Sorpresa II, from 'Personaggi' (Guastalla A169) Etching and aquatint printed in colours, 1973, on wove, signed and numbered 13/25 in pencil, printed by Il Cigno, Rome, published by Albra, Turin, with full margins, 643 x 485mm (25 1/4 x 19 1/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)L'Aventure (Anselmino 36) Etching and aquatint printed in colours, 1972, on Arches, signed and numbered 40/90 in pencil, with full margins, 500 x 660mm 19 5/8 x 26in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Julie (Anselmino 9) Aquatint printed in colours, 1970, on Arches, signed and numbered 72/90 in pencil, with full margins, 660 x 505mm (26 x 19 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)La Maine Bleue Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 29/100 in pencil, with full margins, 655 x 505mm (25 3/4 x 19 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Monocopter; Kiki (Abselmino 7; 19) Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 25/100 in pencil, with full margins, 660 x 503mm (26 x 19 7/8in)(SH); together with 'Kiki', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 23/100 in pencil, 657 x 502mm (25 7/8 x 19 3/4in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Letter A (L'A); Magie de L'image Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 14/100 in pencil, with full margins, 502 x 604mm (19 3/4 x 23 3/4in)(SH); together with 'Magie de L'image', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 13/100 in pencil, with full margins, 662 x 505mm (26 1/8 x 19 7/8in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

Sam Francis (American, 1923-1994)Salmon (Lembark I.9; SFE-4B) Etching and aquatint printed in colours, 1973, on wove, signed and inscribed 'AP 8/11' in pencil, one of eleven artist's proofs aside from the numbered edition of 45, printed by Stamperia 2RC, Rome, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, with full margins, 635 x 890mm (25 x 35in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Frank Stella (American, born 1936)Riallaro, from 'Imaginary Places' Etching, aquatint, collagraph, lithograph and screenprint in colours, 1995, on handmade wove, signed, dated and inscribed 'A.P. 8.' in pencil, one of ten artist's proofs aside from the numbered edition of 24, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet printed to the edges, 1182 x 825mm (46 1/2 x 33 1/2in)(SH)For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The Sexton Disguised as a Ghost, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 86; Scottish Arts Council 89) Etching and aquatint, 1969, on Hodgkinson handmade wove, signed and numbered 21/100 in pencil, inscribed 'G Portfolio' in sepia ink verso, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 620 x 445mm (24 3/8 x 17 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red, 1971, on wove, signed, dated and numbered 69/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 626 x 536mm (24 5/8 x 21 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Homage to Michelangelo, from 'Omaggio a Michelangelo' (MCA Tokyo 162; Scottish Arts Council 173) Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed 'h.c.' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Gillian Ayres C.B.E., R.A. (British, 1930-2018)Sikar II Etching with aquatint and carborundum printed in colours, with extensive hand-painting, 1993, on wove, signed, dated and numbered 74/100 in pencil, printed by Jack Shirreff at 107 Workshop, Wiltshire, with full margins, 1087 x 1068mm (42 3/4 x 42in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)Providence, 2009 Etching and aquatint printed in colours, 2009, on wove, signed and numbered 17/45 in pencil, published by Other Criteria, London, with the artist's inkstamp, with full margins, 473 x 391mm (18 5/8 x 15 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Leon Kossoff (British, 1926-2019)Chaim Etching, drypoint and aquatint printed with plate tone, 1990, on wove, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof, with margins, 133 x 95mm (5 1/4 x 3 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Walton Ford (American, born 1960)Limed Blossoms (Deluxe Edition) Etching and aquatint printed in colours, 2007, on wove, signed, dated and numbered 65/100 in pencil, from the deluxe edition, printed by Wingate Studio, New Hampshire, published by Taschen, New York, with the printer's blindstamp, with full margins, loose as issued, housed in the original brown cloth-covered slipcase, 468 x 354mm (18 3/8 x 14in)(SH); together with the accompanying book 'Walton Ford: Pancha Tantra', additionally stamp-numbered '0065' and signed in black ink on the title page, all housed in the original brown cloth-covered solander box, overall size 552 x 425 x 85mm (21 3/4 x 16 3/4 x 3 3/8in)(Folio)(2)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure: Point (Cramer 425) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 40/100 in pencil, printed and published by Il Bisonte, Florence, with full margins, 168 x 245mm (6 5/8 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Four Mother and Child Studies (Cramer 442) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 52/100 in pencil, printed and published by Il Bisonte, Florence, with margins, 329 x 245mm (13 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton 85) Etching and aquatint printed in colours, 1980, on wove, signed, dated and numbered 33/90 in pencil, printed and published by 2RC, Rome, with their blindstamp, with full margins, 720 x 1420mm (28 3/8 x 55 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Harmony of Opposites Etching and aquatint printed in colours, 1995, chine collé on wove, signed and numbered 25/35 in pencil, with full margins, 430 x 610mm (16 7/8 x 24in)(PL)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Bridal-Night (BM 9014) Etching and aquatint with hand-colouring, 1797, on laid, published by H. Humphrey, London, with margins, 341 x 486mm (13 3/8 x 19 1/8in)(SH)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Old Church of Mynachlogddu (Levinson 399) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 61/70 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 395 x 534mm (15 1/2 x 21in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Yellow Flowers (Levinson 392) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 47/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with margins, 407 x 550mm (16 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Dahlias and Ferns (Levinson 391) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with the printer's blindstamp, with margins, 405 x 550mm (15 7/8 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Zeus Light (Kemp 150) Etching and aquatint printed in colours, 1996, on wove, signed, dated and numbered 44/45 in pencil, printed by Stoneman Graphics, Cornwall, co-published by the artist and Stoneman Graphics, Cornwall, with full margins, 480 x 450mm (18 7/8 x 17 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Hoyland R.A. (British, 1934-2011)Tembi Etching and aquatint printed in colours, 1980, on wove, signed, dated and inscribed 'Brians Proof' in pencil, a proof aside from the numbered edition of 60, printed by Kelpra Studio, London, published by Waddington Graphics, London, with the printer's blindstamp, with full margins, 682 x 923mm (26 7/8 x 36 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Georges Rouault (French, 1871-1958)Amer Citron, from 'Cirque de l'Etoile Filante' (Chapon/Rouault 242) Etching and aquatint printed in colours, 1934-5, on Vergé de Montval laid, from the total edition of 280, printed by Lacourière, Paris, published by Ambroise Vollard, Paris, 1938, with full margins, 447 x 342mm (17 5/8 x 13 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

.- THE TRIAL OF 'BILL BURN' UNDER MARTIN'S ACT hand coloured aquatint, framed and glazed, 57 x 49cm, Ackermann & Matthews, Stourbridge, 1838

The First Steeple Chase on Record, set of four hand-coloured aquatint etchings, engraved by J. Harris after Henry Alken, London: Ben Brooks, 1 March 1839, 34cm by 38cm, framed & glazed, one lacking glass (4)

Three sporting prints, including large etching and aquatint after J Loader, 'William Long'. Image 47cm x 66cm, glazed frame, another after H Hall, The Merry Beagles, and Fly Fishing, all framed. (3)

*Richard Bawden (b.1936) signed limited edition etching and aquatint, "The Glade", 37/75, 40cm x 50cm, framed and glazed

*Charles Bartlett (1921-2014) signed limited edition etching and aquatint - Evening Tide, 3/60, 42cm x 57cm, in glazed frame

Two hunting prints, one by Cecil Aldin 'The Harefield Harriers, The Big Fence', L81.5cm x H61.5cm, the other an aquatint after D. Wolstenholme, 'Partridge Shooting', published by Brooker, 1824, L70cm x H56cm

Philip Reeves (1931-2017)/Plates I - III/signed and inscribed in pencil/aquatint, 69.5cm x 39cm/Note: Philip Reeves founded the Glasgow Print Studio CONDITION REPORT: Plate II - foxing to mount but plate appears ok Plate III - appears to have water damage marks only visible from certain angles, we haven't removed it from the frame so are unsure if this effects the print or just inside the glass, frame has scratches and wearCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfectionGood afternoonARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Jack Coutu (born 1924)/Grasshopper/inscribed, signed and dated Coutu 54 and numbered 5/25 to margin/etching and aquatint, plate size 37cm x 29.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

JULIAN TREVELYAN, RA (British, 1910-1988) 'Banana Girl', aquatint and etching, signed, titled and numbered by the artist, published in 1966, 51cm x 38cm, framed. (Subject to ARR - see Buyers Conditions)