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A LATE 19th C. GILT FRAMED RECTANGULAR MIRROR, THE FRAME PAINTED IN BLACK WITH FOLIAGE, THE ROUND ARCH CRESTING ABOVE AN OPEN BALUSTRADE BAND FREE STANDING COLUMNS AT THE SIDES BELOW. 195 x 135cms.

AN 18th C. OAK PANEL, THE INTERLINKED ARCH CARVED TOP ABOVE THREE PLAIN PANELS. 97 x 113.5cms

Regency Mahogany Repeating Bracket Clock, by James Scott, of Gothic style. Enamel dial with Roman numerals, marked J Scott London, with carved Gothic arch with carved gadrooned edge. Striking on the bell, height 21". Raised on bal feet.

Corgi Toys: A Boxed Model 2135 2.4 Jaguar Fire Service Car, slight paint loss to wheel arch, overall good, box fair.

A 17th Century brass alms dish, Nuremberg, the centre embossed with fourteen repeating gadroons, surrounded by an arch engraved border, 39cm diameter, 

Hornby, Wills & others group of trackside accessories. To include Hornby R516 Diesel Maintenance Depot, R636 Double Track Level Crossing; R657 Girder Bridge, 5x R8014 Point Motor, 2x R8015 Point Motor housing; 2x R626 Four Underlay Sheets; Wills SS49 Decked Girder Bridge & SS53 Brick Arch Bridge kits; Pola 566 2x houses under construction kits; Gaugemaster DS transformer power controller; various layout construction booklets, Hornby HVR2 Virtual Railway DVD also Digital Command Control for Railway Modellers book,; Airfix kit built military vehicles. Conditions: Fair to Mint with Fair to Excellent boxes & packaging.

Matthew William Webb (British, 1851-1924)Sandalphon - The Angel of Prayer signed with initials and dated 'M W/88' (lower left); inscribed with title and artist's name and address (on an exhibition label attached to the reverse) mixed media on paper, laid down on panel66.5 x 22.5cm (26 3/16 x 8 7/8in).Footnotes:ProvenanceAnon. sale, Sotheby's, Belgravia, 14 June 1977, lot 44.ExhibitedLondon, Royal Society of British Artists, 1890, no. 531 (listed as a watercolour). And he gathers the prayers as he stands,And they change into flowers in his hands,Into garlands of purple and red;And beneath the great arch of the portal,Through the streets of the City ImmortalIs wafted the fragrance they shed.Sandalphon, Henry Wadsworth LongfellowLittle is known of Matthew William Webb beyond his association with Burne-Jones, where he was employed as a 'junior studio assistant' in 1877.1. In the 1870s, Burne-Jones's ambition was to 'create a workshop in the manner of the Renaissance painters'.2 and many fine artists, such as Charles Fairfax Murray, T. M. Rooke and James M. Strudwick were employed during this period.Webb was a member of the Art Workers Guild from 1890, and exhibited two works at the RBA (including the present lot) as well as three at the New English Art Club, between 1909-1911.An allegorical work, attributed to Webb, is in the collection of Harris Manchester College, University of Oxford, while a copy after Giovanni Bellini is in the collection of the William Morris Gallery, London. A small gesso relief of a Classical child was sold in these rooms in 2008 (Bonhams, Knightsbridge, 30 September 2008, lot 92.)1Tim Batchelor, writing in Edward Burne-Jones, Tate exhibition catalogue, London, 2018, p. 218.2Martin Harrison & Bill Waters, Burne-Jones, London, 1973, p.110.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

18th century English facet stem wine glass, circa 1770, engraved T. Bycot, 14.5cm tall The Cycle Club which descended from the Vaughan family of Nannau in North Wales (see P.Lole, 'Limpid Reflections', Glass Circle News, no.118, March 2009, pp.7-8). With its members' close political support of the Stuart cause, the Cycle Club is strongly associated with Jacobite glass. It is known that wine glasses bear the name of a member of the Cycle, including that of the arch-Jacobite Sir Watkin Williams Wynn, recorded in the twenty-six meetings held by a separate host from 2 July 1770 until 8 July 1772 of which 26 people were present. Twelve of the names on the set of thirteen glasses are featured on a contemporary card rota with the owner of the glasses, Robert H. Vaughan acting as host on 24 June 1771. The thirteenth inscribed glass for Philip Egerton of Oulton (1694-1776), does not feature on the rota, but as by far the oldest member - he would have been 76 at the commencement of this Cycle - he was presumably excused from hosting a meeting.Four of the glasses are now in the National Museum of Wales, Cardiff. The set included glasses for Sir Watkin Williams Wynn (1748-89; President of the Cycle); Hon. R. Barry (1719-87); Hon. I.S. Barry (1725-84); T. Bycot (d.1798); P. Davies; R.P. Price (1736-82); B. Read; R.P. Thelwall (1720-75); W. Williams (d.1808); Dr. Wynn (?1745-96?); O. Wynne (1742-82); P. Egerton of Oulton (1694-1776). Hartshorne (1897) records that at Oulton there survived a set of ten Jacobite glasses of circa 1750, which were used at Cycle meetings together with a tabernacle portrait of Prince Charles by Giles Hussey. Unfortunately, Oulton Park was burned down in a disastrous fire in the 1920s, and the glasses may not have been saved. It has been suggested that some Clubs, and the Cycle in particular, had duplicate sets of glasses at different venues, and this discovery of a set of Cycle glasses at the Vaughans of Nannau seems to confirm this belief.Further evidence to support this proposition may perhaps be observed in the two group portraits painted by Sir Joshua Reynolds of The Society of Dilettanti, dating from 1778-79, now hanging in Brooks' Club in London. Sir Watkin Williams Wynn, Bart, can be seen on the extreme left-hand side of one of the paintings (illustrated) whom along with fellow members of the Dilettanti, including Sir William Hamilton, are clearly holding facet-stem wine glasses of the type used by the Cycle. Unfortunately, the Dilettanti glasses do not appear to be inscribed This glass presumably one from a set

18th century English facet stem wine glass, circa 1770, engraved P. Davies, 14.5cm tall The Cycle Club which descended from the Vaughan family of Nannau in North Wales (see P.Lole, 'Limpid Reflections', Glass Circle News, no.118, March 2009, pp.7-8). With its members' close political support of the Stuart cause, the Cycle Club is strongly associated with Jacobite glass. It is known that wine glasses bear the name of a member of the Cycle, including that of the arch-Jacobite Sir Watkin Williams Wynn, recorded in the twenty-six meetings held by a separate host from 2 July 1770 until 8 July 1772 of which 26 people were present. Twelve of the names on the set of thirteen glasses are featured on a contemporary card rota with the owner of the glasses, Robert H. Vaughan acting as host on 24 June 1771. The thirteenth inscribed glass for Philip Egerton of Oulton (1694-1776), does not feature on the rota, but as by far the oldest member - he would have been 76 at the commencement of this Cycle - he was presumably excused from hosting a meeting.Four of the glasses are now in the National Museum of Wales, Cardiff. The set included glasses for Sir Watkin Williams Wynn (1748-89; President of the Cycle); Hon. R. Barry (1719-87); Hon. I.S. Barry (1725-84); T. Bycot (d.1798); P. Davies; R.P. Price (1736-82); B. Read; R.P. Thelwall (1720-75); W. Williams (d.1808); Dr. Wynn (?1745-96?); O. Wynne (1742-82); P. Egerton of Oulton (1694-1776). Hartshorne (1897) records that at Oulton there survived a set of ten Jacobite glasses of circa 1750, which were used at Cycle meetings together with a tabernacle portrait of Prince Charles by Giles Hussey. Unfortunately, Oulton Park was burned down in a disastrous fire in the 1920s, and the glasses may not have been saved. It has been suggested that some Clubs, and the Cycle in particular, had duplicate sets of glasses at different venues, and this discovery of a set of Cycle glasses at the Vaughans of Nannau seems to confirm this belief.Further evidence to support this proposition may perhaps be observed in the two group portraits painted by Sir Joshua Reynolds of The Society of Dilettanti, dating from 1778-79, now hanging in Brooks' Club in London. Sir Watkin Williams Wynn, Bart, can be seen on the extreme left-hand side of one of the paintings (illustrated) whom along with fellow members of the Dilettanti, including Sir William Hamilton, are clearly holding facet-stem wine glasses of the type used by the Cycle. Unfortunately, the Dilettanti glasses do not appear to be inscribed This glass presumably one from a set

A George III mahogany longcase clock, William Nicholls, London, late 18th century, the break arched moulded cornice with three brass ball and spike finials above brass capped and stop fluted columns, the trunk with corresponding quarter columns flanking a moulded door, on plinth base, the brass break arch dial with strike / silent dial in the arch, the silvered chapter ring enclosing subsidiary seconds, alarm dial, plate signed Wm Nicholls London, and calendar aperture, with cast scroll and foliate gilt spandrels, the four-pillar eight day rack striking movement with anchor escapement, subsidiary alarm movement to one side with crown wheel escapement, with weights and pendulum, approx. 240cm high   Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.   

A Regency mahogany bracket clock, first quarter 19th century, the break-arch case with brass swing handle to brass fillet moulded single pad top panel over moulded cornice, the hinged front panel with convex glass and cast brass bezel, with brass fish scale lower quadrant frets to front and corresponding arched frets to sides, on a moulded plinth base with brass ogee bracket feet, the painted circular dial with Roman numerals and outer minute track, signed NATHAN WEYMOUTH, the five-pillar two train fusee movement striking a bell, 40.5cm high (handle not extended), 32.3cm wide, 20cm deep    Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.         

An English giltwood and composite mirror, George II style, last quarter 19th century, the rectangular bevelled plate set in moulded frame, broken arch pediment with central lion head, scrolling decoration to apron surmount, 110 x 62cmCondition Report: Repairs to the pediment, some loss of gilt, some oxidation to the mirror plate, overall fair condition. 

An English longcase clock, early 18th century, the red jappaned case decorated with gilt chinoiseries, the break arch hood with twin columns, the trunk with lenticle and decorated with pagodas, trees and foliage, on plinth base, with added foliate engraved brass arch above square brass dial with chapter ring with Roman and Arabic numerals, signed Thos Stones, London, enclosing subsidiary seconds and calendar aperture, flanked by twin cherub and crown spandrels, the four-pillar eight day rack striking movement with anchor escapement, lacking bell, with weights and pendulum, 212cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.   Footnotes: Note: Thomas Stones (alias Scones), is recorded as working in London, 1692-1747?, apprenticed in 1684 to John Westoby, c.1692 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 744pp.

A George III mahogany bracket clock, third quarter 18th century, the case with a caddy top surmounted by a swing handle and flanked by brass pinecone finials, with gilt-pierced quadrants above the break arch brass lined front door, on plinth base and ogee bracket feet, with glass panels to sides and loose brass fretwork panel to reverse door, the brass dial with silvered chapter ring with black Roman and Arabic numerals, with dodecagon subsidiary date dial and shaped plaque signed Solom'n Clark London to matted dial centre, with C-scroll spandrels and Strike/Silent dial to arch, the two train fusee movement striking on a bell, the backplate engraved with a pagoda amongst scrolling foliage, with winder and pendulum, 48cm high (handle not extended), 28cm wide, 19cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.   Footnotes: Note: Solomon Clark(e) is recorded as working in Shoreditch, London, in 1762 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 155pp.

After Sir Peter Paul Rubens (1577-1640)Self-Portrait, 1623, mirrored and very finely inlaid, with a brass border and hardwood frame, numbered 10 to the back, 25cm x 16.5cm, together with a hardwood glazed wall mounted display cabinet, with brass hinges, with a forest green felt lining and Royal Blue base, in the form of an arch, with a stand to the back, 35cm wide x 4cm deep x 39.5cm high (2)Provenance: Self-Portrait with Le Garde Meuble Public Bedel & Cie,18 Rue St Augustin, Avenue Victor Hugo, 67, 194, Rue Championnet, Rue Lecourbe, 308 original label to the back Provenance: The Property of a Gentleman, from a Period Winchcombe Town House Self-portrait with signs of wear consistent with and use. Some chips. Some holes. Display cabinet with overall wear consistent with age and use.Note- green lining is not glued to the interior base of cabinet

Patricia Prentice (1923-2006)'Medieval Arch', watercolour on paper, signed lower right, 54cm x 39cm Generally in good condition. Back of the frame with signs of wear consistent with age and use. Labels are attached to the back of the frame.

Satinwood painted cabinet on stand19th Century, broken arch pediment top, above glazed doors, mirrored middle section and faux drawers, 91cm wide x 205cm high overall x 44cm deepProvenance: The Property of a Gentleman, from a Period Winchcombe Town House. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

A late 18th and later japanned longcase clockthe dial signed Thomas Weeks, Maidstone, the associated case with arched hood with swept pagoda top with three turned gilt onion spire finials, above a pair of plain columns, the trunk on moulded footed plinth base, the whole with gilt Chinoiserie foliate decoration, the arched door with figural and bird scenic pagoda landscapes, the plinth with two boats, all reserved on a black ground, the brass dial with applied maskhead spandrels, the 11' silvered Roman dial with outer five minute Arabic track and pierced steel handle, the matted centre with silvered Arabic subsidiary seconds above a date aperture with engraved floral basket decoration and flanked by ring turned winding holes, the arch with an engraved silvered oval signature flanked and twin 'boyes and crowne' decoration, the brass five pillar twin train movement with anchor escapement striking on a bell, with pendulum, case key, winder and two brass cased weights, 235.5cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An early 20th century mahogany grandmother clockthe dial signed Wm Lister, Newcastle on Tyne,the arched moulded hood with scroll pierced rectangular sound grills, the narrow trunk with shaped arched door, the plinth with moulded circular panel, the moulded foot with arched apron, the arched silvered dial with 7' silvered Roman chapter ring with pierced hand and applied makers plate, the arch with chime/silent subsidiary, the brass four pillar twin train quarter chiming movement with anchor escapement chiming on four tubular gongs, with adjustable pendulum, winder and two graduated brass cased weights, 175cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 19th century ebonised and gilt brass mounted chiming bracket clockin the George III stylethe arched case with Corinthian columns to the corners surmounted by pineapple finals, the cornice with scroll pierced frieze centred by a female mask mount, the sides with foliate pierced sound grills and cast foliate carrying handles the moulded base on scrolling paw feet, the gilt brass dial with applied scrolling spandrels, the 9' silvered Roman chapter ring with outer Arabic five minute track, the matted centre with pierced hands, the arch with corresponding Chime/Silent subsidiary, the brass four pillar triple chain fusee movement with anchor escapement and floral urn and foliate scroll engraved backplate chiming on a nest of eight graduated bells and striking on a steel gong, 65cm high, 52cm wide, 31cm deepThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and rare late 18th century mahogany longcase clocksigned John Fewller Liverpoolthe case with moulded top, three urn finials and reverse painted eglomise panels above the glazed front door framed by geometric trellis fretwork and Doric columns, the trunk with matching fretted columns and pierced brass escutcheon above the substantial moulded base with matching frets to the chamfered corners, on ogee feet, the 13' break-arched brass dial plate with gilt cherub head spandrels framing the silvered Roman and Arabic chapter ring, signed Fewller Liverpool, with matted centre and twisting dragon engraving, the silvered Arabic subsidiary seconds ring below XII and chamfered date aperture above VI, under elaborately pierced blued steel hands, brass hemispheres and a painted moonphase indicator under the arch, the twin gut barrel weight driven movement with anchor escapement, united by four knopped and ringed pillars, and external rack striking on a large bell, the slender iron rod pendulum with substantial brass cased lead bob and two cast iron weights, case key and a crank key. 250cms highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 18th century Scottish mahogany longcase clockthe dial signed Jo. Kirkwood, Repath the moulded arched hood with scrolling pierced cresting and three brass onion spire finials mounted on fluted block plinths above a pair of stop fluted freestanding columns, the trunk with arched moulded door, the plinth with moulded re-entrant cut corner panel, on footed plinth base, the brass with applied maskhead spandrels, the 10.5' silvered Roman chapter ring with outer five minute track and pierced hands, the matted centre with silvered Arabic subsidiary seconds above a ring turned silvered date aperture, the arch with signed silvered boss flanked by a pair of dolphin spandrels, the brass four pillar triple train movement with anchor escapement chiming on a pair of small graduated bells and striking a large bell, with brass pendulum, case keys, winder and three lead weights, 229cm high This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 19th century inlaid rosewood bracket clock, with carved acorn finials, flanking the arch shaped pediment above the brass face set with silvered chapter ring bearing Arabic and Roman numerals and three further dials,with tripple fusee movement, height 49cm, width 36cm, depth 24cm.Condition Report: The two side doors are open and unlocked however the front glazed door and back panelled door are locked and we do not have the key. Split to the top right side of the domed top, the movement is a tripple fusee, scuffs/scratches and marks to case, left mesh grill is loose and split and being held on with cello tape, complete with pendulum.

A 19th century white painted arch topped wall mirror with carved decoration, 194 x 127cm.

A modern gilt frame oval wall mirror, length 83cm, width 67cm, together with a brass framed arch shaped mirror (2).

AN AS NEW EX DISPLAY CHARLES TAYLOR TWO SEATER GARDEN BENCH WITH TRELIS ARCH

Philately. GB mint definitive's and commemoratives, pre and post decimalisation, some pairs, in a Royal Mail stock book, Royal Mail Millennium Collection album, and a black lever arch file. (3)

▲ Nic Fiddian GreenFire Bronze 2009 Signed NFG, numbered from an edition of 3 310cm high by 150cm wide by 140cm deep Lots 52-109 are from a private UK collection formed between 2010-2014Nic Fiddian-Green Renowned sculptor of horses trained at the Chelsea School of Art.  Horse At Water is perhaps his most iconic piece and editions can be seen at Marble Arch, Goodwood and Glyndebourne.  Other works can be seen worldwide  and his regular exhibits at art exhibitions. Animal Sculpture, Horse, Equestrian

A Japanese Madonna and Child, gouache and gilt on silk, signed and stamped, framed and glazed 47 by 40cm. Overall from the Collection of Arch Bishop of Canterbury Dr Ramsay together with A Japanese embroidered picture of a Madonna and Child, silk, mounted, framed andglazed, 41 by 32.2cm (2)

GB, Br empire & world stamps: varied boxed mint and used accumulation from QV-QEII period in 2 albums, 2 stock-books, 3 files and various sectional album pages and packets, large lever arch file includes many old album pages with good SG cat, 2 others have much S. Africa and SWA including Cape of Good Hope triangulars to 1/- green value and good postmark interest, world include France, Germany, Greece, Monaco, Poland, Yugoslavia (Red Cross sheetlet seen) and Americas such as Brasil, Cuba, Puerto Rico and Canal Zone, Panama plus others such as China.

A 17th century oak small coffer with single-board top, original hinges & till compartment featuring two carved arch-panels to the front, on tall shaped end supports, 109cm wide x 59.5cm high x 41cm deep.

A LATE 18TH CENTURY LONGCASE CLOCK, SIGNED “THOMAS FIELD, BATH” to the 12” silvered dial, with engraved figure of Neptune to the arch, husk-swag & rococo scroll spandrels, subsidiary seconds & date aperture, eight-day striking movement, in plain oak case, 7’1” high.

Regency mahogany whatnot, fitted with three shelves, each with drop leaves, arch tripod legs, on brass castors, height 111cm.Condition report:Some scuffs and marks to the shelves, replaced casters otherwise good.

Mahogany mantel clock, white enamel chapter ring, visible escapement, eight-day French movement by Samuel Marti, Paris, striking on a gong, case with arch top, boxwood stringing, moulded plinth, 31cm.

After David Roberts RA'Triumphal Arch Crossing the Ravine Leading to Petra';'Sepulchral Monuments, Petra'two coloured lithographs from 'The Holy Land and Syria', published by F G Moon, London, 1842 and 1848 respectivelyimage 34 x 23cm and 25.5 x 35cm (2)Condition Reportoverall: 57 x 45.5cm and 48.5 x 58cmDiscolouration to the paper with some light foxing starting to emerge. 'Sepulchral Monuments' has some staining to the top margin, please see images.

Giovanni Battista Piranesi (1720 – 1778) – Graphic. View of the monuments in Paestum and View of the Arch of Septimus Severus . Two Etchings on paper. Described in French. Framed under glass. 55 x 75 cm.

Francesco Guardi (1712 – 1793) – Follower. Capriccio with arch and boats. Oil on canvas. Framed. On the reverse old description, stamp and auction label. Framed. 32 x 52 cm.

Three different combs, wood, carved and pierced decoration "Geometric motifs", Angolans - Tshokwe (related peoples), 20th C. (mid), minor defects, patina wear, two purchased in Munhango, in 1966, the other in Luau (former Teixeira de Sousa), in 1967. Notes: Provenance: Collection of Engineer Elísio Romariz dos Santos Silva, items with the numbers 76, 85 and 108 mentioned in the notebook of the collector «Angola - Arte Negra, Relação e descrição das peças», each identified as «Comb». No. 76, referred to in the collector's notebook, is described as containing a "Crosspiece pierced by a circular sector. The upper part is adorned with vertical incisions; the lower part with vertical and oblique incisions forming triangles. Purchased in Munhango, in 1966 [...]." No. 85 is described, containing a "Crosspiece decorated with incisions surmounted by an arch with two small stems [...]. Purchased in Munhango in 1966 [...]." Item nº 108 is referred to, containing a "Crosspiece decorated with incisions forming four panels with four triangles each; the panels are divided two by two by vertical incisions in the center of the crosspiece. This is topped by an arch with two small and diverging rods . [...] Purchased in Luau [former Teixeira de Sousa] in 1967, [...]." Other combs are represented in DIAS, Jorge (direc.) - "Escultura Africana no Museu de Etnologia do Ultramar". Lisboa: Junta de Investigações do Ultramar, 1968, s/p, nº 157; in JORDÁN, Manuel. “Chokwe!- Art and Initiation Among Chokwe and Related Peoples”. Munich/London/New York: Prestel-Verlag, 1998, p. 63, nº 52; and in the auction catalogue held on February 1, 2023 at Lempertz "Art of Arfrica, the Pacific and the Americas". Brussels: Lempertz, 2023, lote 46., Dim. - (o maior) 21 cm

A cabinet with ten drawers simulating twelve, mannerist, Scots pine fully coated with Brazilian-rosewood veneer and ivory and Brazilian-rosewood plaques, central drawer occupying the height of two drawers with relief front «Perfect round arch», turned Brazilian-rosewood handles, «wafer» feet, Italian, 17th C., wooden top plaque, minor faults and defects. Notes: This lot is subject to CITES export/import restrictions and is duly certified No. 21PTLX12075C. Cabral Moncada Leilões warns of the fact that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries in question., Dim. - 46 x 67 x 28,2 cm

METAL ARCH GARDEN MIRROR

FLORENCE A SALTMER (FL 1882- 1900) OIL ON CANVAS - HENS EATING CORN IN HAYFIELD - SIGNED 50CM X 60CM - A FEW ARCH REPAIRS

METAL ARCH GARDEN MIRROR

DAVID YOUNG CAMERON (1865-1945)Drypoint on paper ‘Clocktower Arch’, signed in pencil25cm x 12.5cm

An arch top mirror

An oak arch topped waterfall bookcase

A late 19th century gilt wood lit de repos of Lois XVI style, the arch scrolled headboard surmounted by a pair of doves on a pair of quivers above a laurel carved top rail and foliate draped scroll ends beneath festooned stretchers, the footboard similarly decorated, height 142.5cm, width 165cm, depth 216cm.Provenance: Messrs. Christie's, London 27th September 2007 lot 97, 19th Century Furniture, Sculpture, Works of Art and Ceramics.

Ca. 200-300 AD.An arch-shaped schist frieze exhibiting unparalleled craftsmanship, with intricate carvings of Bodhi tree leaves adorning its surface. Each leaf is uniquely depicted with its characteristic shape with a pointed tip, creating a sense of naturalism. The reverse of the frieze is unworked, indicating that it was originally part of a larger sculpture setting. The Bodhi tree, under which the Buddha is said to have attained enlightenment, holds great significance in Buddhism, and as such, the frieze would have been a crucial element in a religious context. It is believed that the Buddha meditated under a Bodhi tree for 49 days before achieving enlightenment. Size: L:290mm / W:620mm ; 27.2kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Belgium; previously in 1970s European collection.

ARMCHAIR, Victorian walnut with gothic tracery silk twill upholstery with arch deep buttoned back, scroll back and arms and turned front supports, 77cm W.

A needlework upholstered pair of arch topped headboards, 122cm H, 90cm W, together with a two part Vi sprung bed, 60 H, 184cm W, 190 cm D, and base to include five cushions, two pillows etc

A pair of modern girandoles. Wire for electric bulbs, with a break arch mirror over a bow front lower tier, each 41.5 cm high x 19 cm at it's widest.

1994 Land Rover Defender 90 County Transmission: manualMileage:99196The Land Rover Series I was launched in 1948 and, incredibly, production only finished in January 2016 after a continuous run of 67 years through various evolutions before becoming the Defender, though the design stayed largely un-changed. Outwardly, there is little to distinguish the post-1983 vehicles from the Series III Land Rover. A full-length bonnet, revised grille, plus the fitting of wheel arch extensions to cover wider-track axles are the most noticeable changes. Internally, coil springs offered a more comfortable ride and a permanent four-wheel drive system derived from the Range Rover featuring a two-speed transfer gearbox with a lockable centre differential. A modernised interior and a new series of progressively more powerful and modern engine characterised things under the skin.This Defender has lived a relatively sedate life, it was with its original keeper, a Mrs Doyle until 2012, before being bought by our vendors neighbour, Mr Litton, in 2012. Our vendors neighbour decided to treat himself to a brand new Defender when he retired, but decided he wanted a second vehicle to keep the mileage down on his shiny new purchase. Mr Litton fitted the option of a hand controlled brake pedal to the vehicle and when our vendor purchased the vehicle from him earlier this year, he decided to leave it fitted as it wasn't in the way and it may help someone else at a later date. The vendor reports that the speedometer stopped working and had to be replaced some years ago, so the true mileage is understood to be in the region of 120,000. This rugged go-anywhere Defender is being offered without reserve, so why not have a go at buying one of the most accomplished off-roaders?

2012 Rolls-Royce Phantom Coupé Transmission: automaticMileage:36177A historic model in the continuing history of the Rolls-Royce marque, the Phantom was the first all-new design to be introduced by the company following its takeover by BMW. Produced at a new factory near Goodwood in Sussex, the Phantom revived a great name from Rolls-Royce's past, which had always been synonymous with unrestrained luxury. In keeping with the tradition established by previous Phantoms, the newcomer was a very large motor car, outstretching the old Silver Seraph by 18 while boasting a radiator shell four inches taller. Priced at around £260,000 at time of launch, it was also 40% more expensive. While the body structure represented the ultimate in automotive technology, its accoutrements remained entirely traditional in choice of materials, consisting of the finest hide trim, genuine woollen carpets, and carefully selected wood veneers.This Phantom Coupé was originally registered by Rybrook Rolls-Royce as a demonstrator and was specified in this stunning colour combination of Metropolitan Blue with Seashell extended leather interior. The car was purchased by the vendor in 2013 and has been cherished ever since, maintained regardless of cost and presented in absolutely immaculate condition. The original specification includes the all-important starlight leather headlining, Piano black veneer, 21" fully polished alloy wheels, automatic soft close doors and boot lid, two Rolls-Royce door umbrellas, front and rear parking cameras, garage door opener, 15 speaker premium surround sound, active cruise control, sat nav, Bluetooth, ambient interior lighting, heated seats and automatic Spirit of Ecstasy. Quite simply, this car is the very height of luxury, there is nothing aside from a private jet which would be better appointed for a journey to the south of France.Further cementing just how fastidious the vendor is, the car had over £12,000 of paintwork in 2018, just to bring it up to the standard he desired, attending to any stone chips which had been picked-up over the preceding years. A further £8,205 was spent in 2021, attending to rubber seals around the windows, doors, wings, arch clips and so on, the car now must be seen to be fully appreciated. These cars are sure to go down as one of the most desirable modern Rolls-Royce's in years to come, produced in such small numbers and beginning to look even better with age, this example would be the perfect addition to any collection of significant cars.

1999 Maserati Quattroporte IV Evoluzione (3.2 litre) Transmission: manualMileage:23342Maserati launched its first Quattroporte back in 1963 and has continued to make a version of this luxury four-door sports saloon ever since. The fourth-generation model came out in 1994 and was the first Maserati to be produced under new owners Fiat, who had bought this illustrious Italian marque from Alejandro de Tomaso in 1993. An evolution of the Biturbo platform, the Quattroporte IV was styled by Marcello Gandini (of Lamborghini Miura and Countach fame) and featured his signature slashed rear wheel arch design which had first been seen on the Countach and later on the Maserati Shamal. Initially powered by the 280bhp twin-turbo 24-valve 2.8 V6 from the Ghibli, the Quattroporte IV got the flagship Shamal engine in 1996, a 336bhp twin-turbo 3.2 V8 which gave it blistering performance, 0-60 in 5.8 seconds and a top speed of 168mph. A Getrag six-speed manual gearbox came as standard, but a more town-friendly ZF four-speed automatic was also available as an option.This excellent, rare right hand drive, 1999 Maserati Quattroporte IV has only covered 23,400 miles from new which is supported by comprehensive service history. Supplied new by Meridien Maserati in the New Forest, Hampshire to Mr. J Peters of St. Peters Port, Guernsey. In his ownership the car was looked after by Meridien Modena and Doyle Motors Guernsey. In 2015, the car was sold to Dr. D Mitchell and imported into the UK, for the three years that he kept the car it was maintained by Autoshield Maserati, Manchester. The next change of keeper came in 2017/18 when passed to Mr. P Winfield whose preferred repairer was McGrath Maserati. The last recorded service with the cambelts changed was with Autoshield at 23,176 miles in November 2021, this was done for the current owner who purchased the car in June 2021. Since that service the car has covered less than 200 miles. Finished in Netuno Blue metallic with Ivory leather interior, this excellent Maserati Quattroporte IV is supplied with an MoT test certificate which expires in August 2024, the handbook pack which contains the service record book and a file containing invoices from 2015 to the last service. The Quattroporte IV Evoluzione is regarded as the best Quattroporte produced as this was after Maserati was taken over by Ferrari.

1986 BMW E28 M535i Transmission: manualMileage:109566The E28 BMW 5-Series, released in September 1981, was BMW's breakthrough executive saloon. Designed by the iconic BMW designer Claus Luthe, the E28 was initially sold with a combination of four and six-cylinder engines, but in 1984 BMW revealed the very first M5 at the Amsterdam motor show. When it was launched 42 years ago, the new BMW E28 5-Series looked like little more than a facelifted BMW E12 5-Series, a car that had been around since 1972. The E12 had earned itself a fine reputation as a well-made, mid-range saloon that ranged from the 518 to the hot-rodded 528i and M535i.The E28 5-Series range started with the 518, powered by a 90bhp four-cylinder known by its M10 engine code. A 518 with optional five-speed gearbox and power steering was next up the chain, followed by six-cylinder cars, all with five speeds and PAS, with the 125bhp M20 520i and 150bhp M30 525i, plus the 184bhp M30 528i with standard alloy wheels and electric front windows. A three-speed ZF automatic box was optional on all six-cylinder cars as well. The 535i came in two forms, the M535i with the plastic bodykit (bumpers, sills and arch spats) and special metric wheels, plus a metal-bumper version that looked like most other models but had the same special wheels and arch spats. Both models had the Bilstein dampers and M Technic suspension. The M535i was by far the more popular model; the metal bumper version was discontinued but remained available to special order and was renamed 535i SE. This is an exceptional unmolested example of the super cool E28 M535i with the all-important dog leg first gearbox. We are informed the car has led a very gentle life and has been maintained exceptionally well by the fastidious owner while sitting on original old stock E28 M5 wheels with Michelin Pilot Sport tyres. The Diamond Black bodywork is beautiful after a significant body restoration costing in excess of £10,000, all the floors are solid and jacking points excellent. The invoices for recent maintenance are endless but include, a new master cylinder, accumulator, bushes, exhaust, shock absorbers, viscous fan, front brake calipers, rear main seal, new control arms, plus much more. Boasting a great specification including electric sunroof, rear head rests, on board computer, head light wash wipe, rear blind and a Blaupunkt Bremen radio to give you the period look but with modern functionality. Present is a great service history with ample service and parts invoices, original dealer plates and the vendor who has owned the car for the last four years assures us it drives faultlessly and is ready to enjoy and impress at any car show. The original full book pack is there with original dealer cards and service book. With an MoT test certificate valid until March 2024, this is a very well 'sorted' and exceptionally well presented example of one of the 80's most iconic cars. * Interested parties should note that the private registration plate shown is to be retained by the vendor and a new, age-related registration issued instead

Konvolut 6 Vitrinenobjekte. JAPAN: 2 Tiere aus Metall, 1 Schnitzerei in Nussform, 1 Tempelbogen gepunzt 'KUYEDA STERLING', 2 Donnerkeilzepter aus Messing. Altersspuren, tlw. besch.| 6 showcase objects. JAPAN: 2 metal animals, 1 nut-shaped carving, 1 temple arch hallmarked 'KUYEDA STERLING', 2 brass thunderbolt scepters. Signs of age, partly dam.

UNITED KINGDOM. Elizabeth II, 1952-2022. Platinum 5 pounds (crown), 2008. Royal Mint. Proof Piedfort. Only 150 minted.Commemorating the 450th anniversary of the accession of Queen Elizabeth I. The last of five monarchs of the House of Tudor, Elizabeth I was Queen of England and Ireland from 17 November 1558 until her death on 24 March 1603.Fourth crowned head of Elizabeth II facing right; 'FIVE POUNDS' below; ELIZABETH · II D · G · REG · F · D around. Design by Ian Rank-Broadley. / Crowned portrait of Elizabeth I set within two mandorlas, intersections marked with Tudor roses and each side arch with an elaborate leaf pattern carving reminiscent of those made by Robert Dudley, Earl of Leicester, the entire design inspired by the magnificent 'Armada' portrait by George Gower; separated by the four arches the inscription 'ELIZABETH REGINA' above, 'MDLVIII' and 'MMVIII' representing the anniversary dates (1558 and 2008) below. Design by Rod Kelly. Edge milled and inscribed (incuse lettering); I HAVE REIGNED WITH YOUR LOVES.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Reference: S-L18Mintage: 150.Diameter: 38.61 mm.Thickness: 2.89 mm.Weight: 94.2 g. (APW=3.0259 oz.)Composition: 999.0/1000 Platinum.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

A collection of masonic uniform regalia and medals to include; The Craft Provincial Full Dress Apron with levels, English Constitution Royal Arch star jewel 31st degree, Mark Master Masons Breast Jewel, Royal Ark Mariner Grand Masters Breast Jewel, Knight Templar silver plated breast star, Past Master Collar Jewel (silver 62.5g) and others. Housed in the gentlemans brown leather case with initials to lid.

Edwardian mahogany and satinwood inlaid table, with pierced square legs joined by a shelf with arch pierced sides.70cms x 68.5cms x 51cms

A Small Lantern Form Timepiece, 4" arch brass dial, dial arch bearing a later inscription Jno Davies, London, single weight driven movement, 21cm high (dial 18th century, movement later)

A Mahogany Eight Day Longcase Clock, circa 1850, 14" arch painted dial, signed M. Ritchie, Thornley, 231cm highWith pendulum, sispension spring broken and missing, with two weights