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After Etienne Henri Dumaige, a patinated bronze figure of an Athenian maiden on a veined black marble socle, seated partially disrobed on an architectural plinth, 23 cm wide x 38 cm overall height.

Architectural salvage - a set of four Victorian cast iron brackets with pierced gothic tracery detail reclaimed from a green/summer house (af)

A tall and impressive puginesque 19th century continental gothic thirteen light floor-standing candelabra, with scrolling arms adorned with acanthus sprigs, cradling pierced rounders, raised on a stepped architectural tabernacle base, with cast acanthus supports, 97cm high From the private collection of a Cotswold gentleman

Architectural salvage - 80 reclaimed blue engineering bricks

A large, decorative Moroccan built antique birdcage of architectural form, in the form of a grand palace, 72cm high, 70 x 35cm.

Architectural salvage - a small collection of reclaimed terracotta ridge tiles of varying design, some stamped (10) (af)

Architectural salvage - pair of antique reclaimed fan light casement windows enclosing glazed leaded light panels with later painted finish, 83 cm high x 140 cm wide x 10 cm deep

A Regency mahogany longcase clock the architectural case with ebony string inlay, enclosing a circular painted dial and eight day striking movement with weights and pendulum

Architectural salvage - a quantity of floor tiles (3 sizes), the largest examples 23 cm square

Architectural salvage, a reclaimed early oak lintel 18 cm high x 202 cm (full length) x 30 cm wide approximately

A 19thC black slate mantel clock, the brass circular dial bearing Roman numerals for William Johnson, eight day movement, the case of architectural form, 29.5cm high.

Cyril W. Edwards - an early to mid 20th century portfolio of original watercolour paintings, sketches, architectural designs and artworks. The lot including a watercolour painting in sepia presented in a frame, and a paper portfolio containing approx. 30 topographical sketches. All unsigned. An interesting archive collection. Measures approx. 49cm x 39cm. 

A Framed W. Oulton Architectural Coloured Engraving, Signed, Subject 29x20cm

A Framed Print, Architectural Ruins, Signed, Subject 18x28cm

Two framed pairs of late 19th century French architectural photographs, each image 36xm x 27cm; 61.5cm x 82cm over-all.

A set of twenty-two clear glass architectural bricks, 19.25cm square x 10.5cm deep, part w.a.f.

Late Period, Ca. 664 - 332 BCEgyptian stone architectural element in the shape of pillar, inscribed with hieroglyphics and a kneeled woman holding two long plants. Under her, there is a depiction of a sphinx facing right.Size: 60mm x 35mm; Weight: 90gProvenance: Private UK collection; Ex. French collection, 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 700 - 900An Early Medieval rectangular relief panel, finely carved from bone with a composition depicting the Virgin Mary holding Jesus and wearing voluminous robes with copious drapery folds. Their faces are rendered with static features characteristic of the Byzantine/early Medieval period. Mother and Child are beautifully framed by an architectural monument probably an early medieval church. Size: 80mm x 40mm; Weight: 16.5gProvenance: Private UK collection; From an old British collection formed in the 1990s.

ARCHITECTURAL GARDEN MIRRORS, a set of three, arched metal frames, 160cm H x 67cm W. (3)

**Comprehensive Scale Model and Boxed Collectables of Coronation Street** This lot features a detailed scale model of a row of iconic terraced buildings from the fictional Coronation Street, including key landmarks such as the "Rovers Return Inn" and the "Corner Shop." The model intricately showcases various shop fronts and residential properties, complete with architectural elements like doors, windows, chimneys, and shop signage, reflecting the charm and character of Britain's beloved street. Accompanying the model are eight boxed items labelled "At The Street" and "Coronation St. Classic Collectables," promoting "Exquisite Reproductions of Britain's Most Beloved Street." Each box is illustrated with scenes of terraced houses and chimneys, enhancing the nostalgic appeal for collectors.

**Hawthorne Village Thomas Kinkade’s Lamplight Village Collection Assorted Collectibles** This remarkable collection features detailed miniature ornaments from the esteemed Thomas Kinkade’s Lamplight Village series, produced by Hawthorne Village and Media Arts Group, Inc. Each piece is meticulously crafted and authenticated by Thomas Kinkade, known as the Painter of Light™, encapsulating the charm and nostalgia of quaint village life. Highlighted within this assortment are the following pieces: 1. **Wiltshire Pastry Shop (Sculpture No. B9426, ©2000)** - This intricately designed stone building showcases a detailed exterior with floral arrangements, a cobblestone pathway, and a large display window filled with pastries. 2. **Lamplight Inn (Sculpture No. D084, ©2000)** - A charming inn featuring authentic architectural elements and a circular opening for a light bulb. 3. **Windermere Church (Sculpture No. G4932, ©1999)** - Depicts a picturesque church with fine details and authorized by Thomas Kinkade. 4. **Stonebrooke Inn (Sculpture No. E6910, ©1999)** - Known for its distinctive inn design, perfect for enhancing any village display. 5. **Falbrooke Florist (Sculpture No. 14427, ©1999)** - Captures the essence of a small-town florist with meticulous attention to detail. 6. **Lamplight Bridge (Sculpture No. H43267, ©1999)** - Features a scenic bridge setting with a Certificate of Authenticity. 7. **Lamplight Fountain (Sculpture No. 22800, ©2000)** - This fountain is a statement piece, adding dynamic elements to the collection layout. 8. **Lamplight Village Sign and Olde Village Carriage (©2001)** - Complements the village scene with signage and a historic carriage motif. 9. **Lamplight Tea Room (Sculpture No. D8364, ©2000)** - Showcases a quaint tea room ideal for adding a cozy atmosphere to the village. Additionally, the collection includes a selection of tree-shaped ornaments such as "Spring Elm," "Crimson Maple," "Spring Maple," and "Pine Forest," each marked with unique registration numbers ensuring authenticity. Collectively, this ensemble captures the enchanting essence of Thomas Kinkade's art, bringing idyllic village life to your living space. Each piece is designed with careful attention to detail, making them treasured additions to any collection or display.

Wedgwood Bone China Chinese Legend Collection This esteemed collection features several pieces of Wedgwood bone china adorned with the intricate "Chinese Legend" pattern. The set includes a variety of items, each meticulously decorated with oriental motifs such as pagodas, trees, birds, and boats, rendered in vibrant colours and fine detailing characteristic of Wedgwood craftsmanship. The pieces in this collection are: 1. **Oval Platter** – This large serving piece is perfect for displaying and serving dishes, its stylised design making it a standout item in any dining set-up. 2. **Cylindrical Vase** – An elegant vase with flared top, showcasing a detailed Chinese landscape, excellently suited for an ornamental flower arrangement. 3. **Small Round Lidded Box** – A charming container with ribbed sides featuring a detailed lid design including buildings and ornamental elements, though it has a slight chip on its rim. 4. **Rectangular Dish** – An elegant dish ideal for serving appetisers or showcasing as a decorative piece, adorned with traditional Chinese architectural elements. Though exact dimensions are not provided, each piece represents the elegant tradition of Wedgwood bone china, combining both utility and artistic heritage. For precise measurements, manual evaluation of each artifact would be necessary.

Japanese Lacquer Shibayama Mother of Pearl Album with Ottoman Postcards, circa 1900 This exquisite Japanese lacquer Shibayama album, dating back to approximately 1900, boasts a meticulously crafted cover adorned with mother of pearl inlay. The decorative art on the cover features a striking bird motif, set against a backdrop of floral and foliage details, exemplifying the artistry of the Shibayama technique. Contained within the album are 73 antique and early Ottoman Empire postcards, offering a fascinating glimpse into historical locations such as Constantinople, Salonica, Greece, and Hong Kong. Each postcard captures the essence of its respective locale, reflecting the cultural and architectural splendour of the time. This album not only showcases the delicate beauty of Japanese lacquer work but also serves as a valuable collection of early 20th-century historical postcards, making it a treasure trove for collectors and enthusiasts alike.Approx 14 inches by 11 inches

Commemorative Coin Collection and Selection of Historical Banknotes The centrepiece of this collection is a commemorative coin bearing the profile of Queen Elizabeth II. Dated 2015, the coin hails from the Bailiwick of Guernsey, as denoted by the inscriptions "ELIZABETH II BAILIWICK OF GUERNSEY" and the date limned finely on its edge. Encased carefully in a plastic protective holder, the coin is in pristine condition and spans approximately 5-6 cm in diameter. The collection is further supplemented with a selection of diverse historical banknotes. The array comprises an Egyptian fifty pounds note, emblazoned with Arabic inscriptions and vibrantly coloured in pink and purple hues. It showcases an architectural structure that hints towards the country's rich cultural heritage. The United Kingdom is represented by a ten shillings note, characterised by a striking blend of white and green colours and a decorative ornamental pattern. Finally, a Korean 5 won note from 1947, with its inscriptions in blue and red and illustrations of workers, speaks volumes about its historical context. Furthermore, the collection includes an interesting set of late 20th-century coins, all displaying an engraved profile of Queen Elizabeth II. Ranging through different years of issue, including 1983, 1996, 1998, and one with a partially obscured date, each coin symbolises a distinct period in Britain's numismatic history. Indeed, there are also commemorative coins within the collection which explicitly mark key British royal events. The celebration of the millennium is etched on a five pounds coin where a symbolic map signifies the dawn of the new age. Another poignant piece bears the visage of Princess Diana, commemorating the years 1961-1997. Moreover, coins celebrating the milestones within the royal tapestry are included. These comprise a coin referencing the fiftieth birthday of HRH the Prince of Wales and one marking the eightieth birthday of Queen Elizabeth the Queen Mother. These coins add a nuance of royal heritage and pique the interest of collectors interested in British history and royalty.

Ornate Gilded Mantle Clock with Mounted Figure and Dog This exquisite mantle clock is a stunning example of intricate workmanship and detailed decorative artistry. The clock sits within an elaborate, gilded structure. Sitting proudly above the clock face, a beautifully sculpted mounted figure on a rearing horse is accompanied by a dog, adding a dynamic and lifelike element to the piece. The clock face itself features a white dial with traditional black Roman numerals, punctuated by classic hour and minute hands. Two small winding holes are visible, indicative of the mainspring system used in its operation. The gilt architectural design surrounding the clock is meticulously detailed, showcasing ornate carvings of foliage and various ornamental motifs. The base of the clock continues the opulent theme with intricate scrollwork and crossed symbolic elements possibly representing torches, adorned with laurels or floral decorations. It stands on small, ornate feet, which further enriches the clock’s elegance. This impressive timepiece is not only functional but also a decorative masterpiece, perfect for any classic interior.

Collection of 28 Royal Mail Presentation Packs with Diverse Themes This collection comprises 28 Royal Mail presentation packs, each showcasing a unique theme through a series of commemorative stamps. The topmost pack is titled "Christmas Angels 1998," featuring holiday-themed stamps and illustrations. Notable themes in the collection include "Endangered Animal Pets," "Classic Children's TV," "Greetings Stamps," "St. Augustine and St. Columba," "Dinosaurs," "British Auto Legends," "Jane Austen," "Great Britons," "Architects in the Air," "Merchant Navy," "Diana: Princess of Wales," "Her Majesty the Queen," "On This Day that Changed the World," "Enid Blyton," and "Christmas Crackers." Each pack is meticulously crafted to reflect its respective theme, from the classic literature of Jane Austen and architectural marvels to beloved children's television characters and prominent historical figures. Other packs focus on sports, with sets like "Football Heroes" and "Andy Murray - Wimbledon Champion 2013," or cultural milestones such as "Her Majesty The Queen" and "Diana, Princess of Wales 1961-1997." The standard presentation pack size is around 240 mm by 125 mm, though exact measurements may vary slightly between packs. This collection offers a rich tapestry of British culture, history, and achievement captured through philatelic art.

B. & S. Martin, Paris, a large and impressive late 19th century French black slate and bronze mantle clock, the visible escapement dial with Gothic numerals, the architectural case with applied bronze details and feet, the unsigned movement numbered 2714 and 53, striking the hours and half on a bell, pendulum, key, the whole surmounted by a bronze a gilt figure of a seated woman with cupid, unsigned but in the manner of Jean Jules Salmson, overall 69cm.Please note this is very heavyMovement is working but need a service, marble is overall good with some minor chips to the edges, the bronze has good patina

Winterhalder and Hofmeier, a Victorian oak and brass mounted mantel clock, the chapter ring with Roman numerals, the architectural case with applied brass detailing, surmounted by an elephant, the signed movement striking the hours, half and quarters, pendulum, key, 41cm In good working order, appears to have had a recent service, case in good condition.

A large Moroccan North African carved wood architectural door. Typical form with carved arched panels, stud metal work and ring handle with further etched detailing. Measures approx. 136cm x 73cm.   

A collection of five 20th century cast plaster architectural embellishments in the shape of acanthus leaves. Each of elongated form with hollow back. Each measures approx. 30cm tall x 11cm wide. 

Garner (Thomas) and Stratton (Arthur), The Domestic Architecture of England during the Tudor Period, 3 vols, folio, half morocco, with photographs and drawings, B. T. Batsford, 1911; together with The Architectural Association Sketch Book, edited by Gerald C. Horsley, Theodore Fyfe, and W. Curtis Green, folio, half morocco, The Architectural Association, 1909. (4)

A Victorian black slate and marble 8-day mantel clock of architectural formLocation:If there is no condition report shown, please request

A late 19thC French green onyx mantel clock, by Sibault, La Rochelle, circular enamel dial bearing Arabic numerals, eight day movement with bell strike, the case with brass urn surmount, of architectural form, raised on four brass outswept feet, with pendulum, 48cm high, 21cm wide.

A late 19thC German oak cased mantel clock, square brass dial with floral spandrels, silvered chapter ring bearing Roman numerals, eight day HAG movement, with coil strike, the case of architectural form, with pendulum, and key, 41cm high.

A late 19thC French slate cased mantel clock, circular enamel dial bearing Roman numerals, hands lacking, eight day movement, with bell strike, the case of architectural form, with pendulum, 37cm high.

A late 19thC French clock garniture, the slate cased clock with enamel dial bearing Roman numerals, eight day movement by Japy Freres et Cie, with bell strike, the case of architectural form, with pendulum and key, 23cm high, 22cm wide, together with a pair of spelter figures, cast as Native American Indians, raised on slate plinths, 50cm high.

An Edwardian mahogany and inlaid mantel clock, circular enamel dial bearing Roman numerals, Buren clockwork movement, the case of architectural form, 23.5cm high, 19cm wide.

A FINE 19TH CENTURY ANGLO INDIAN SANDELWOOD BOX, with carved panels of architectural scene and exotic birds, 23cm x 19cm.

A stained glass panel, John 10:14 - I Am the Good Shepherd, the verse above Gothic architectural columns, a winged angel lower-right and plain oblong panes beneath, 98cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel and further ogee panel above, depicting angels amongst Gothic architectural columns, against a blue backdrop, the rectangular panel 65cm by 61cm, the ogee panel 41cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass window, an allegory of John 10:14 - I Am the Good Shepherd, Christ stands holding a shepherd's crook and cradles a lamb against his breast against a foliate backdrop, within Gothic architectural borders, 134cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve. Bidders should note the crude repair/replacement to Christ's left foot.

A stained glass panel and further ogee panel above, depicting an angel trumpeteer amongst Gothic architectural columns and archway beneath, the rectangular panel 75cm by 61cm, the ogee panel 41cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

Matthew 19:14 - 'Suffer the Little Children to Come Unto Me', Christ sits central amidst a crowd of followers, women beckon children forward to kneel before him, trees and a blue sky visible beyond, all within Gothic architectural borders, a group of three stained, painted and leaded glass lancet windows, each consisting of three rectangular panels and an upper ogee panel, each lancet 211cm by 58cm, therefore the overall width of the three being approximately 174cm. * Provenance : The South Transept Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel, with a verse fragment 'reapers are the angels', the verse above Gothic architectural columns and plain oblong panes beneath, 98cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel, with a verse fragment 'is the son of man, and', the verse above Gothic architectural columns and plain oblong panes beneath, 98cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel, Matthew 13:37 'He that soweth the good seed', the verse above Gothic architectural columns and plain oblong panes beneath, 97cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel, John 8:12 I am the light of the world, the verse above Gothic architectural columns, a winged angel lower-left and plain oblong panes beneath, 97cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass panel and further ogee panel above, depicting an angel trumpeteer amongst Gothic architectural columns and archway beneath, the rectangular panel 74cm by 61cm, the ogee panel 41cm by 66cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass window, an allegory of John 8:12 - I Am the Light of the World, Christ, robed and wearing a Crown of Thorns, stands holding a candle-lit lantern amidst a foliate backdrop, within Gothic architectural borders, 134cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass window, an allegory of Matthew 13:39 'The Reapers are the Angels', winged saints holding sickles harvest wheat, Gothic architectural border to right side, 171cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

A stained glass window, an allegory of Matthew 13:39 'The Reapers are the Angels', winged saints holding sickles harvest wheat, Gothic architectural border to left side, 171cm by 61cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: All stained glass lots to be sold entirely without reserve.

Victorian slate and marble mantel clock, architectural form, visible escapement, Ansonia Clock Co USA movement striking on a coil, 33cm (lacking pendulum or key).Condition report:Chips, and scratches nibbles to various areas of the slate. Scratches to the dial. Would benefit from a clean. Please see additional uploaded images.

Books to include ecclesiastical and architectural

Books to include ecclesiastical, architectural and others

A late Victorian architectural plan for 'Cottages at Plumpton', drawn up by W.Pusey of Penrith, dated April 1889 and unframed, measuring 45cm x 49cm, together with a selection of other plans

Two Victorian blue and white ashettes, of Spode style (unmarked) and having architectural scenes to the centre, each measuring 45cm long

An early 20th Century Thomas Fattorini's 'Bugler' alarm clock or mantel clock with two train 8 day movement, the domed pediment topped with three turned finials above an architectural body flanked by doric style columns either side of the enamelled Roman dial, all resting on a stepped and moulded base terminating in four squat feet of square and circular section, manufacturer's label verso, including pendulum bob and key, measuring 49cm high

oil on canvas, signed framed and under glass image size 29cm x 29cm, overall size 51cm x 51cm Condition of the picture is good overall, with no visible or known issues. Note: Born in Belfast in 1936. Bradshaw qualified as an architect from the Architectural Association, London. Throughout his busy professional career he never lost sight of his first love – painting. In 1992, he exhibited his work in the McGilloway Gallery, Derry, with immediate and dramatic results. During the next two years he firmly established himself and the steady increase in demand for his work led him to taking early retirement in June 1995 so that he could devote all his time and energy to painting. He currently paints in oil, watercolour and acrylic media and has held tutorials for mature students. Bradshaw’s motivation to paint stems from his great love of the natural world and the unique and ever changing nature of the Irish countryside throughout each day and from season to season. While his primary concern is to portray the moods of Ireland in a realistic and unpretentious manner—his interest in sunlight, both direct and indirect and the way in which it variously affects everything, can also be found in his still life and interior paintings. He views his efforts as a painter as a direct link with his maternal grandmother—a Baltinglass, Co. Wicklow lady who was, by reputation, an artist of very considerable talent. In March, 1996, Bradshaw was lead painter in a “No Boundaries” exhibition staged in City Hall, Boston. U.S.A. at the request of the then major—Mr. Thomas Menino. The purpose of the event was to promote the attractions and great beauty of the N.W. Region of Ireland in furtherance of the peace process and as portrayed through the eyes of local cross border/cross community artists. This was the fourth in a series of “No Boundaries” exhibitions that he and his wife were instrumental in organising in association with a Donegal gallery and the American Embassy, Dublin.

Early 20th century longcase clock of architectural form, H: 185 cm. Not available for in-house P&P

Deltiology - In excess of 500 UK and foreign cards, predominantly mid-period and later to include architectural, topographical, glamour and other. [W]