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A Hardy Palakona 9ft 6ins split cane spinning rod in a Hardy canvas bag, a Hardy two piece 7ft 6ins spinning rod in a canvas bag, a Sealy three piece 9ft 6ins fly rod and a Sealy Black Arrow two piece 7ft 6ins spinning rod and another (damaged), (parcel of five) 40-70

English School, a portrait of Cupid firing an arrow, watercolour, 27 x 14 cm, a pencil drawing of a gazelle, a landscape of a farmyard, oil on board (3)

A Victorian rose diamond and turquoise set brooch, designed as an arrow, mounted with rose diamonds and an oval motif set with turquoise, with a safety chain, cased. Illustrated

Small Bag buttons Naval, Royal Marines, also to Isle of Man Steam Packet Co and others, a 1st World War Billy Tin, two brass Dettonators for shells marked No 9 in Broad Arrow R I, I C, RL7-39, 314 W, 10-39, Both discharged, Also bottom of a 20lb shell marked ST, GFSP392 Dez 1917, SP1917 now on ash tray trench Art Work marked Souvenier Alexander Charleroi Hollins, Belgium, also marked with leaves flowers and an Iron Cross

A Remington Bayonet dated 1913 716 broad arrow, crown B3A crown 6A X markings, in leather scabbard

Three British Bayonets, one marked 'Crown G.R.I. Mark II S R.F.' 12in Blade. Another 42 Fuf and 3076 in steel scabbard with leather Froy. 11in blade. The other Sanderson Sheffield 4.00 broad arrow crown B. 85 X in leather steel tipped scabbard 12in blade

A Webley 'Diana' Air Pistol Model 5 D.R.P. with arrow logo

Chinese armorial octagonal plate decorated in gilt bands, the centre with a lion holding an arrow, 24cm diameter, Chinese armorial coffee cup and two tea bowls, a/f, (4)

LIBERTY & CO. "TUDRIC" PEWTER VASE, of baluster form with everted rim supported by three "arrow" uprights, raised on a stepped foot, polished hammered finish, stamped "Tudric 0167". 15cm

An exceptional Lori Pambak Kazak rug, south west Caucasus, about 1860-70, 6ft.8in.x 5ft.7in. 2.03m. x 1.70m. Kink top end centre Ð no damage to pile. Mike Tschebull, in his essay on this and three other design types of Kazak rug (Raoul Tschebull, 'The Development of Four Kazak Designs', Hali vol. 1, no. 3, 1978, pp. 257-261) illustrates seven examples which show the development of this most distinctive motif throughout the 19th and early 20th centuries. The earliest version is seen on two rugs, one of which is dated the Hegira equivalent of 1846AD (figs. 21-6); the central green cruciform medallion, the defining characteristic of this group as a whole, is drawn in a more fluid and zoomorphic form than on later versions and although Tschebull suggests a link to Turkmen gols (perhaps a tamga or tribal emblem is a more probable), the central motif on these early examples also seems to show recognisably Chinese antecedents. The second of Tschebull's groups is represented by a rug dated the equivalent of 1897 (fig. 29); this is closer to the rug offered here but has some small but appreciable differences. It is virtually identical to the rug illustrated by Bennett, Oriental Rugs Volume I: Caucasian, no. 5 and may share the latter's somewhat harsh palette. Design differences include the three arrow heads above and below the principal motif on the Tschebull and Bennett rugs as opposed to the blue serrate-edged motifs seen on this rug which are close to those seen in the same position on the earlier rugs. Similarly, the present rug retains the double 'crests' on the opposed pairs of birds' heads at top and bottom of the green cruciform; in the later examples, these become single 'crests' and on even later rugs made around 1910 disappear altogether. Finally, the main ivory ground border of our rug, although a simplified version of the pattern seen on the earlier rugs, is much less angular and repetitive than the version used on the later examples; it also has the same series of simple quartered diamonds in the two flanking guards as the earlier rugs. In other words, both the design elements and the palette of this rug suggest that it represents an intermediate stage between Tschebull's early and middle groups, which would place it chronologically around the end of the third quarter of the 19th century, certainly before the introduction of synthetic dyes around 1875-80.

An American red and white 'Log Cabin' and 'Arrow' pattern quilt 8ft x 7ft a Victorian 'Grandmother's Garden' pattern bedcover worked with small hexagonal patches unlined 7ft x 8ft an embroidered Indian shawl an Indian infant's mirror work jacket three Japanese printed cotton/silk robes sundry bedcovers and fabric samples

A late 17th century silver dog nose spoon with rat tail bowl and an engraved armorial of a dragon and arrow possibly John Broake London 8ins

DECORATED ARROW BACK ARMCHAIR. Black on red graining with traces of yellow accents. Four arrow spindles with thumb back uprights. Additional arrow under turned arm. Shaped seat with incising and double ball front stretcher. Nice wear on arms. Sturdy. One spindle loose. 17h. seat. 33h. overall.

TWO BRONZES BY PETER HAINES. One is an arrow design with a artist's mark and VI/X c. 1987. Dark bronze patina. 4l. The other is on a black marble base and is marked II 1995 with artist's mark. Dark green watered patina. 4 1/4h. overall.

A gentleman's 9ct gold circular cased Accurist wristwatch, the signed silvered dial with gilt Arabic and arrow shaped numerals and with centre seconds.

A WWII British army issue pocket watch, the back marked with broad arrow over "6E/50 A 29738"; and a WWII Soviet army issue wrist watch, no strap. GC (not known if working) (2)

A scarce .65" William IV Tower New Land Pattern flintlock holster pistol, 15" overall, barrel 9" with Tower proofs, standard New Land pattern lock but unusually marked with crowned "WR", pale walnut fullstock with traces of early 1800s store keeper's mark and also later broad arrow and "BO", regulation New Land pattern brass mounts, swivel ramrod. GWO & QGC

A .56" Tower flintlock long Sea Service pistol, 19" overall, barrel 12" with Tower proofs, flat lock stamped with crowned GR and Tower, walnut fullstock, the butt stamped with 1800 storekeeper's mark, broad arrow and "BO", and date 1834, regulation brass mounts, the butt cap stamped "XX" on right side, steel belt hook, old wooden ramrod. GWO & C (old dark patina overall, very small split in fore end). Plate 15

A good .56" William IV flintlock short Sea Service belt pistol, 15" overall, barrel 9" with Tower proofs, flat lock stamped with crowned "WR" and ordnance inspector's mark, pale walnut fullstock impressed with broad arrow and "BO" and inspector's mark, regulation brass mounts, belt hook on left side, swivel ramrod. GWO & clean condition, the stock quite crisp, the barrel retaining much original protective black finish. Plate 15

4 bayonets: Swedish M1896 all steel, chequered hollow grip, in its steel scabbard (blade retains most original finish); Japanese Arisaka, wooden grips in its steel scabbard with frog (most original blade finish); No 4 Mk II spike in scabbard; continental socket (AF); a military issue panga, in leather sheath d. 1941 with broad arrow; a kaskara with plain leathr grip. Average GC. (6)

An iron bound wooden water bottle, of drum shape, stained green, stamped with broad arrow, WD and 1861 and (faintly) "G Brown/C&M/1860", diam 7?". GC (dark pitting to hoops). Plate 5

A silver thimble topped swagger cane of the Tyne Division, Submarine Miners, engraved with an arm emerging from a turret clasping winged arrow and lightning, "R E (V) T D S M" and on the top owner's monogram "CA" (C. Arnison 2d Lt 1900, Lt 1903, Capt 1911) HM JH B'ham 1900, brass ferrule. GC (thimble dented on top) Plate 5

An Italian, hand-beaten copper relief panel, 20th century, bearing label to the reverse, 'Studio Cellini made in Italy', depicting a huntsman with bow & arrow, hunting a stag in a forest. 98x61cm.

An Important Bass Viola da Gamba by Thomas Collingwood London 1680 retaining its original label Made by Thos. Collingwood and [in script and printed below] Sold by John Miller over-against the Fleece Tavern in Corn-hill 1680 the flat two-piece back of horizontal narrow curl with double-purfled edge and extensive lozenge and arrow-shaped inlaid decoration the ribs of medium curl the table of medium grain and inlaid with an elaborate fleur-de-lys foliate design cross-hatched with point d'aiguille the varnish of a golden-brown colour later neck and pegbox set for six strings the latter terminating in the original open scroll later fingerboard and tailpiece body length 27 in. (68.6 cm.) string length 26 1/4 in. (66.6 cm.) * This instrument has some repaired woodworm damage. However there can be very few surviving examples by this maker and the restoration is almost certainly the work of the highly respected Dietrich Kessler whose name is stamped on the bridge. It is in immediate playing condition. This is probably the gamba recorded in The British Violin (BVMA 2000) p.45. In the book the label is identical except that the name of the seller is recorded as John Fuller. In the present case the label is indistinct but the restorer has placed a transcription of his reading of it next to the original. Provenance: Peter & Ann Davies Collection

A rare Schrezheim shaped rectangular faience dish circa 1765 painted in blue in Strasbourg style with a flower spray with a bird in the centre and a blue-ground border reserved with strapwork flowers and foliage arrow head over three dashes and 4 in blue 27.5cm. 10.875in. haircrack and small flat chip to rim A similar dish in the Schlo§museum Ellwangen is illustrated by H.Erdner/G.Nagel Die Fayencefabrik zu Schrezheim 1752-1865 no.368.

Dinky Buses: three 289 Routemasters with Esso advertisments, 291 Atlantean Kenning, 291 Atlantean Yellow Pages, 283 Red Arrow Single Decker Bus and 296 Duple Viceroy 37 Luxury Coach in original vacuform packaging, E, packaging E (7)

A George III Inlaid Mahogany Turn-Over-Top Tea Table, with chequer-banding and boxwood border to the half-moon top, raised above a conforming frieze, on square tapered legs with arrow-flight inlaid capitals, circa 1790-1800, 91cm x 45cm (closed) x 74cm high.

An Omega stainless steel gentleman's wristwatch, British military issue, with shaped blued steel hands and centre seconds, back engraved H S [arrow] 8/8078, c1940 ++ The dial a little discoloured (speckled) the case worn on the sides to a dull lead grey colour but in apparently good working order although please note we make absolutely no warranty as to the working order or otherwise of any watch or clock

,A Meissen figure of Diana, the goddess reaching for an arrow and wearing a pale green chiton her hound seated at her feet, on circular gilt base, 20cm h, incised G74, impressed 126, painted crossed swords in underglaze blue, late 19th c ++ Tip of the arrow and thumb and one finger of the right hand damaged, small chip to one of the dog's ears. No restoration

A pre-war Hill & Co. Golden Arrow world speed record car, gold with blue hubs, generally good condition, unboxed.

A Rolex circular steel cased wristwatch, the dark textured dial with gilt arrow shaped and Arabic numeral indicators, gilt hands and centre seconds, detailed, 'Rolex Oyster, numbered between the lugs, '920174 Modele Depose Brevet'.

A gentleman's 9ct gold, circular cased Zenith wristwatch, the silvered dial with gilt Arabic and arrow shaped numerals, with a leather strap.

A Victorian 15ct gold and diamond three stone brooch, with applied beaded decoration, Chester 1896, a gold and cultured pearl brooch, designed as an arrow with a foliate spray motif, two further bar brooches and a silver and blue enamelled brooch, designed as a butterfly.

Late C19th Continental porcelain group depicting a couple seated at a table, she holding a book, on oval base, blue painted arrow mark, restorations, 14.75ins. wide.

An agate circular brooch with gold metal surround, gold metal fob with three faceted amber coloured stone, circular intaglio cut coloured glass cameo showing Cupid with bow and Diana with arrow, a gold leaf brooch, solid silver bangle, solid silver belt buckle with raised stylised design of two cranes and two cameo pendants

An Asprey sapphire and diamond pin of arrow design flight set diamonds head and shaft set sapphires cased. length 1½ins

A Meissen figure group of two cupids, one sharpening an arrow on a grinding wheel beneath a tree, the other holding an arrow aloft, raised on a rockwork base, 20cm high.

An archer's longbow and arrow

A GEORGE III MAHOGANY 'SQUARE' PIANO, the rectangular case with arrow inlay, the board with fret carved lyre and painted wild rose decoration, with inset oval porcelain plaque Muzio Clementi and Co., 26 Cheapside London, on square tapering legs. (for restoration), 61 1/2" wide and 22" deep. Muzio Clementi was born at Rome in 1752 and died at Evesham in 1832, celebrated pianist., teacher and composer, founded the firm of Clementi and Co which became Collard and Collard thence Chappell and Co.

A heart shaped locket, decorated all-over with deep red guilloche enamel, opening to reveal a glazed hair panel, contained in a fitted case stamped Hunt & Roskell...; together with a rose cut diamond set surete pin designed as an arrow (2). Lengths: 2.5cm and 3cm. Provenance: The Property of Dame Jean Maxwell-Scott DCVO

Station Direction Sign, BR(W) BICESTER NORTH STATION with right facing arrow. Excellent colour and shine with some overprinting around the edges. Ex GWR station between Haddenham and Banbury.

British Railways Alloy Double Arrow Emblem in ex loco condition, as fitted to EMUs.

BR(Sc) Station Direction Enamel Sign DUNFERMLINE LOWER STATION (with right pointing arrow), F/F. Ex NBR station between Inverkeithing and Cowdenbeath.

BR(M) Station Direction Sign, SUTTON PARK STATION, F/F with left facing arrow. Ex Midland Railway station between Walsall and Water Orton. Excellent colour and shine.

Totem BR(Sc) DUNFERMLINE LOWER, H/F. Ex NBR station between Inverkeithing and Cowdenbeath. A very scarce totem and with the Station Direction Arrow also in the auction, a chance to have a matching set of rarities.

British Rail metal Depot Sign "Freight Depot Kew Bridge North" with British Rail double arrow logo.

British Railways small alloy Double Arrow Logo, ex EMU with the number 76196 chalked on face. Together with a modern alloy sign, 'High Speed trains pass this platform. Keep back from the platform edge behind the yellow line.'

*Cessna, Lake, Piper, Swearingen. A miscellaneous collection of manufacturers publicity brochures, including Cessna 150/172 Series, 'Caravan', 'Citation', and 'Skymaster', the Lake 'Bucaneer', Piper 'Cherokee' 'Warrior' and 'Arrow' series, together with the Beechcraft 'Bonanza', Commodore Jet 11/23, Merlin IV, Metro III and others, approx. 30 (a lot)

Amis (Martin). The Rachel Papers, 1st ed., Cape, 1973, orig. cloth in rubbed. d.j., spine a little faded, some edge wear, 8vo, together with Time's Arrow, Cape, 1991, ltd. ed. 97/200 signed by the author, orig. boards in glassine d.j., 8vo, plus Banks (Iain), The Wasp Factory, 1st ed., Macmillan, 1984, sl. yellowing to fore-edge, orig. cloth in sl. rubbed d.j., sl. chipped at head of spine, 8vo, and two others by Amis, incl. a signed but significantly dampstained copy of 'Invasion of the Space Invaders' (5)

Fleming (Ian). The Man with the Golden Gun, 1st ed., Cape, 1965, small ink mark to fore-edge, orig. cloth in sl. rubbed d.j., 8vo, together with Amis (Martin), Success, 1st ed., Cape, 1978, orig. cloth in d.j. with sl. sunned spine, 8vo, plus Time's Arrow, 1991, ltd. ed. 192/200 signed by Amis, orig. cloth-backed boards, 8vo, and Greene (Graham), A Burnt-Out Case, 1st ed., Heinemann, 1961, orig. cloth in sl. rubbed d.j., 8vo, together with twenty-three others, incl. Greene, Huxley etc. (one shelf)

Compass Magnetic Marching March I by T G and Co Ltd, Broad Arrow and B27024

A mixed lot of three open face keyless Pocket Watches, the first, gun metal with perpetual calendar, the second, base metal with Roman enamelled dial and luminous markers (A/F), the third, Jaeger Le Coultre, the chromium plated case marked to the back with a Government Broad Arrow over GSTP 240560, to an Arabic enamelled dial with luminous markers, (3)

An early 20th Century nickel cased Range Finder, Carley & Clemence Ltd, London, the Swiss movement with striped decoration, No 3364, to a twin scale enamelled dial with red Arabic scale of 0 to 30 with outside scale of 500 to 6500, in a hinged and polished case, marked to the back cover with a Government Broad Arrow over No 2 Mk I QF PR13 9CWT (Mark 1), 1916, Reg No 106, width 2 ¼”

A continental brass jardinire in early 19th century style the circular top decorated with acanthus flowerheads and garrya on four stylised arrow supports suspended with ropes and tassels 98cm high 35cm wide

Late C19th Lacquered Painted & Turned Wood Truncheon 15 1/2" long, cartouche with initials M.P. impressed with War Dept. Arrow

ANCIENT COINS, Greek, North Africa, Numidia, Juba II (25 BC - AD 23), Denarius, AD 16, REX IVBA, head of Juba, as Herakles, right, club behind, rev R XXXXI, club, lion-skin, bow and arrow, 2.94g (SNG Cop 585). Iridescent toning, extremely fine.

INDIAN COINS, Gupta Kings, Chandragupta II (c.AD 380-414), Gold Dinar 7.99g, Archer type, Chandra below arm of king with nimbus standing left, left arm through bow which he holds at its top, right hand holding arrow, garuda standard in field left, Sri Vikramah, goddess Lakshmi seated facing on lotus holding long-stemmed flower and riband (BMC pl.VII, 7). Very fine.

INDIAN COINS, Gupta Kings, Chandragupta II, Gold Dinar 8.18g, Archer type, Chandra below arm of king with nimbus standing, sash at waist, left arm through bow which he holds at its top, right hand holding arrow, garuda standard in field left, rev Sri Vikramah, goddess Lakshmi seated facing on lotus, holding long stemmed flower and riband (BMC pl.VII, 1ff). Very fine.

INDIAN COINS, Gupta Kings, Kumaragupta I, Gold Dinar 8.17g, Archer type, king with nimbus standing left holding bow and arrow, legend around, rev Sri Mahendra, goddess seated facing holding long stemmed lotus and riband (BMC pl.XII, 6 var). The name does not appear, but the field may have been tooled, very fine.

INDIAN COINS, Gupta Kings, Kumaragupta I, Gold Dinar 7.82g, Archer type, Kumara at right, outside bow, king with nimbus standing left, arm through bow, holding arrow, garuda standard in field, rev Sri Mahendra, goddess seated facing holding long-stemmed lotus and riband (BMC 198, pl.XII, 10). Very fine.