A GROUP OF CHINESE CERAMICS BOOKS AND OTHERS Comprising: Selected Treasures of Chinese Art, Min Chiu Society, Thirtieth Anniversary Exhibition, 30 November 1990 - 10 February 1991 Spirit of Han. Ceramics for the After-Life, Lu Yaw et al., Southeast Asian Ceramic Society, Sun Tree 1991 Chinese Ceramics. Selected Articles from Orientations 1982-1998, Orientations Magazine Ltd 1999 Chinese Glazes, N. Wood, Craftsman House, G+B Arts International Ltd 1999 The Chinese Potter, M. Medley, Phaidon 1989 Dehua Wares, Fung Ping Shan Museum 1990 The World of Jade. Great Masterpieces of Chinese Art, G. Fossati, Crescent Books 1994 Chinese Art at Auction 1987, Edited by Paula Gasparello and Kate Morrison, Far Eastern Press 1988 From the Family Album. Portraits from the Lee Brothers Studio Singapore 1910-1925, introduced by Gretchen Liu, Landmark Books 1995 The Arts of Thailand, S. Van Beek and L. Invernizzi Tettoni, Ibis Books 1991 Borobudur. Golden Tales of the Buddhas, J. Miksic, Periplus Editions 1990 (11 total) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
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A CHINESE WOODBLOCK PRINT (3) 'Goddess Of Mercy' Printed in Foshan, Guangdong Province, China Period: before 1911 Condition : Good. Folds and a few small holes to the left part of the print, not affecting the image Presented in a sealed acrylic frame made in 1985 56 cm high x 41 cm wide , framed . 38 cm high x 28 cm wide the paper Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Details of a book "Paper Joss - Deity Worship through Folk Prints" by Wang Shuchun , published in Beijing in 1992 . These images are characterized by the unique style of Chinese woodcut . Production centers were all over China .Prints varied regionally in terms of images depicted, composition and colour application , as well as carving the woodbloks and printing techniques. Gods' appearance and clothing looked very similar to those of the local people where the prints were made . The majority of the print workshops were set up during the mid-to late Qing Dinasty . With the Revolution of 1911 and the creation of the Republic of China , superstitious paper joss fell out of favour .However the tradition was kept alive by the practice of celebrating Lunar New Year , replacing Door Gods and Kitchen Gods . In 1983 the China Folk Customs Association was established boasting the studies of this popular art form .
AN ORIGINAL CHINESE ART POSTER The Old Hero Visits The New Underground Bunkers, 1975, by Xiao Feng & Song Xiu Ying 74 x 47cm Condition: Condition Report Minor foxing to upper border and image. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHINESE WOODBLOCK PRINT (1) 'Bestowers Of Wealth' Printed in Foshan, Guangdong Province, China Period: before 1911 Condition : Good. A missing part at the bottom that does not affect the image, presented in a sealed acrylic frame made in 1985 56 cm high x 41 cm wide , framed . 39 cm high x 30 cm wide the paper Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Details of a book "Paper Joss - Deity Worship through Folk Prints" by Wang Shuchun , published in Beijing in 1992 . These images are characterized by the unique style of Chinese woodcut . Production centers were all over China .Prints varied regionally in terms of images depicted, composition and colour application , as well as carving the woodbloks and printing techniques. Gods' appearance and clothing looked very similar to those of the local people where the prints were made . The majority of the print workshops were set up during the mid-to late Qing Dinasty . With the Revolution of 1911 and the creation of the Republic of China , superstitious paper joss fell out of favour .However the tradition was kept alive by the practice of celebrating Lunar New Year , replacing Door Gods and Kitchen Gods . In 1983 the China Folk Customs Association was established boasting the studies of this popular art form .
1989 JAGUAR XJ40 3.6 Registration Number: F471 RFB Chassis Number: SAJJFALH3AA576567 Recorded Mileage: 103,131 miles - Two recorded owners from new - Offered with No Reserve The first all-new Jaguar saloon since the Series 1 XJ6 of 1968, the XJ40 was introduced at the 1986 Motor Show. A new Jaguar saloon under the code number XJ40 had been proposed as early as 1972, the final styling proposal being adopted by 1980. The longest development programme in Jaguar’s history, the new car was also the most stringently tested model that Jaguar had produced up to that time, with 250 prototypes and development cars covering over five million miles. The model featured a new engine family, state of the art electronic technology, and a unique J-gate automatic transmission. The XJ40 was powered by the AJ6 six-cylinder engine, replacing the classic XK engine in Jaguar’s saloon range, in 3.6 and 2.9 litre versions. The all-new body had significantly improved build methods over previous models, but its angular styling and six-light design were a break with Jaguar traditions, and perhaps for that reason, the XJ40 is sometimes seen as controversial. The XJ40 was later replaced by the much-revised X300 which marked a return from the angular styling of the XJ40 to a more traditional Jaguar look. This XJ40 is a 1989 3.6 model, with just two recorded owners from new, the current since July of 2003. A running and driving car, the Jaguar has been dry stored off the road since the passing of the former keeper. Offered with V5C and key, the XJ40 will be sold with no reserve to the highest bidder on the day.
S.T. DUPONT Feurzeug "AFRIKA", Koll.: 2008. LIMITED EDITION 895/2000. Vergoldetes Modell mit Line-Art-Muster aus diagonalen Linien und Rauten, teilweise mit schwarzem China-Lack akzentuiert. Box und Papiere anbei. Gebrauchsspuren vorhanden. | S.T. DUPONT lighter "AFRIKA", coll.: 2008. LIMITED EDITION 895/2000. gold-plated model with line art pattern of diagonal lines and diamonds, partially accentuated with black China lacquer. Box and papers enclosed. Signs of wear present.
HERMÈS Seidencarré "GACROCHE LES CONFESSIONS", by Flavia Zorrila Drogo. Akt. NP.: 225,-€. 100% Seide. Design in Zusammenarbeit mit der prestigeträchtigen ENSAD (École Nationale Supérieure des Arts Décoratifs) in Paris. Die Studenten wurden gebeten, Entwürfe zum Thema "la flânerie", der köstlichen französischen Kunst des Flanierens, zu erstellen. 45 x 45 cm. Box und Rechnung anbei. Sehr guter Zustand.| HERMÈS silk scarf "GACROCHE LES CONFESSIONS", by Flavia Zorrila Drogo. Retail price: 225,-€. 100% silk. Designed in collaboration with the prestigious ENSAD (École Nationale Supérieure des Arts Décoratifs) in Paris. The students were asked to create designs on the theme of "la flânerie", the delicious French art of strolling. 45 x 45 cm. Box and invoice enclosed. Very good condition.
A Chinese carved hardwood and pink marble circular Plant Stand, circa 1900, probably Padouk Wood, with foliate carved frieze, on four cabriole legs, H 64, together with a taller example in a similar style, note missing part of its foliate frieze, H 77 cm(2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese cafe-au-lait porcelain Tea Bowl and Saucer, c. 1750, decorated to the well with floral baskets in blues and reds, brown ground verso, Saucer: D 11.4cm, Bowl H: 4cm, one bowl damaged and restuck (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A pair of antique Japanese Satsuma Vases, of bottle form, with dark brown and black ground decorated with flying gilded birds, H 30cm, together with a kutani Bottle Vase, H 30.5cm, three Kutani Plates, a miniature pair of Kutani Vases, a trinket pot, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small 19thC Chinese monochrome ovoid Bottle Vase, in shades of blue with long slender neck and potted foot, two chips to foot, H 17cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese Wucai porcelain Vase, of baluster form and slender neck, with antique repair, crazed, H 22.5cmProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese famille verte biscuit Vase, of tapering square with flared rim, restored, profusely decorated, coloured and reticulated with figures and mystic beasts, impressed seal mark to base, H 34cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese sang de beouf flambe Bottle Vase, with globular body and slender tapering neck, H 31.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese enamelled Plate, decorated with central figural scene enclosed within blue enamels, D 19cm, together with a pair of lobed Chinese enamel Plates with central floral motif, D 17cm, a small enamelled Pot and Cover, a small Beaker with zhou mark, also together with a pair of lacquer and mother of pearl inlaid Bowls, lined with metal, D 12cm x H 6cm (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of decorative Japanese and Chinese Ceramics, to comprise three Kutani Vases, a pair of interesting Chinese Teapots, a figural Teapot, Figures, a Foo Dog, etc. (a lot)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of early to mid 18thC Chinese porcelain Teawares, comprising a famille rose Tea Bowl and Saucer, D 11.5cm, another Tea Bowl and Saucer, of square form, with noir panels, saucer chipped and crack emanating from it D 12.8cm, Tea Bowl cracked and restuck, together with three further Saucers,one with unusual turquoise enamel border, D 13.6cm, three further Tea Bowls (not associated) and a Teacup (11)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An unusual 19thC Chinese export porcelain Plate, the plain ground with gilded foliate representation, D 23cm, together with another similar, D 23cm, gilding worn on both, together with two further unusual Chinese plates, both of plain ground with gilt floral motifs, D 21cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese hardwood artists Easel, with carved and pierced foliate pediment raised on three bamboo effect legs, the rear leg moving on a pin hinge, W 56 cm x H 104.5 cm x D 50 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese Kangxi famille verte porcelain Plate, with colourful enamels of a flower basket and underglaze blue pictorial mark verso, D 21.6cm, with label for Carew-Shaw collection 1969, together with a Kangxi enamelled plate with pictorial mark verso, D 22.5cm and another with central floral motif enclosed by four further panels, pictorial mark verso, damaged and restuck, D 22.6cm(3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Japanese porcelain Tray, decorated in a deep brown ground with floral enamels, black ground border, 40.5cm x 33cm, together with a lobed Dish and a Plate of similar palette, also with a quantity of other Japanese porcelain to comprise two Cups and Saucers, Sucrier, Plate, etc. and a Vietnamese ogee shaped Bowl, etc. (a lot)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small quantity of 18thC Chinese Tea Wares, to comprising two famille rose Tea Bowls, a famille rose Tea Cup, a famille rose Sparrow Beak Jug, with associated lid, H 13.5cm, also with a famille rose Plate, D 20.6cm, with an unusual Teacup decorated in black and gilt, with similar Saucer (7)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain imari palette baluster Mug, decorated in florals, H 16.5cm, together with another imari baluster Mug, H 13cm and another Chinese Mug, damage to items (3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A pair of antique Chinese blue and white Bowls, with underglaze bandes of decoration, raised on potted foot, damaged, from Shangrila Antique Amsterdam, D 20cm x H 10cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A fine 19th century Chinese hardwood inlaid side Table, inlaid with ivory and exotic woods, square top depicting detailed flora and phoenixes, the petals being ivory and foliage being wood, raised on square similar inlaid legs, under tier inlaid in hardwood depicting a classical temple, dragon and bamboo, note some missing inlay and damage to top, see images, W 42 cm x H 71 cm x D 42.5 cm. DEFRA Ivory Act submission ref: G75DE72RProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large quantity of antique and late Japanese Kutani Ware, to comprise a large Baluster Vase, H 36cm, together with a pair of bottle Vases, H 22cm, a Jar with Cover, the finial in the form of a figure, H 25cm, another lidded Jar, profusely gilded, H 24cm, a figure of a woman holding a Vase aloft, H 32.5cm, three Teapots, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A matched of 18thC Chinese export porcelain Plates, decorated in iron red flora, D 22cm, together with three further Chinese porcelain iron red Plates, one of smaller size, D 16cm (5)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain baluster Mug, decorated in colourful enamels of figures in an interior scene, on foot, H 13.5cm, together with another Chinese porcelain baluster Mug of similar decoration, H12.5cm (2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large Chinese carved hardwood centre / occasional Table, circa 1900, top with smooth flower centre surround by floral carvings and beaded edges, above foliate carved frieze and raised on cabriole legs, W 75 cm x H 62 cm x D 75 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A antique harlequin set of three Chinese carved hardwood Plant Stands / Tables, largest having a square top with foliate carved frieze below, smallest being Chinese rosewood, of rectangular form, raised on bamboo style supports, (largest) W 38.5 cm x H 73 cm x D 38.5 cm(3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An unusual 18thC Chinese famille rose Lotus Dish, with central iron red and gilded foliage contained within Lotus petals, restoration to rim, D 20.5cm, together with a Chinese porcelain Dish, with central foliate motif, cracked, D 20.4cm, and a Chinese famille verte Plate, with colourful enamels, some damage to rim, D 16.5cm (3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain Teapot Stand, of lobed hexagonal form, decorated with scene of dignitary, D 13.5cm, together with another similar, D 13.7cm (2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A pair of 18thC Chinese porcelain export Plates, decorated in underglaze blue with overpainted gilt and red, chips to rims, D 23cm, together with another Chinese porcelain Plate, this one with overlayed lace work, D 22.7cm and a Chinese octagonal Dish, with pictorial Kangxi mark verso, repaired, D 17.5cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese hardwood and mother of pearl inlaid two-tiered side Table, square top above carved, pierced and inlaid foliate frieze, over under tier, raised on square supports also with mother of pearl floral inlay, raised on scrolled square feet, W 41 cm x H 79 cm x D 41 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese export porcelain reticulated Basket and associated Saucer, with interior painted floral sprays, embellished with alternating colourful flowers, restoration to handle, W 17cm x L 23.5cm x H 8cm, the associated Saucer with similar decoration, W 23cm x L 26cm (2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese porcelain Imari palette Charger, probably Kangxi/Yongzheng, the well decorated with flower basket in underglaze blue and overpainted red and gilt, enclosed within foliate border, further decorations verso, chip to rim, D 32.8cm, together with another 18thC Chinese imari Charger, also decorated with flower basket, damaged and repaired, D 35.5cm and an 18thC Chinese Plate of smaller size, of similar subject matter, damaged and restuck, D 22.2cm, and a Chinese famille verte Plate, the well decorated with enamels enclosed within moulded rim, repaired, D 22.5cm, also with another very similar (5)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large decorative Japanese floor standing Temple Jar, decorated in reds, gilts and black lacquer enclosing panels depicting exotic birds perched on a branch, raised on painted associated wooden stand, cracked and repaired, H 92cm (including stand)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large antique Chinese celadon Charger, hairline cracks and firing fault to the foot, D 32cm, together with a Chinese celadon tripod Urn, cracked and repaired, D 24cm x H 11cm and a celadon lobed Bowl, D 16cm (3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain canton rose Plate, decorated with flora and fauna, D 19.5cm, together with two 19thC Chinese famille rose porcelain Plates, D 19.5cm and a 19thC mandarin palette Saucer, D 12cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A late 19thC Chinese blue and white Bottle Vase, of small proportions, together with Chinese blue and white Brush Pot, two blue and white Teabowls, a Chinese willow Pattern Teapot Stand, and willow pattern Jug, etc. (13)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A near pair of early 18thC Chinese porcelain blue and white Plates, the well decorated with flower basket motif and enclosed by repetitive panels of flowers, D 21.8cm, pictorial mark verso, one damaged and restuck, together with another early 18thC blue and white Plate, with lobed rim, D 21cm, restored, also with five further 18thC blue and white plates of varying sizes, the largest with restoration, D 21.8cm, the smallest also restored and the other with pictorial mark verso and hairline crack (8) Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese hardwood Side Table, probably rosewood, square top with pierced and carved foliate frieze above two asymmetrical shelves, underside of top with Chinese character markings, W 41 cm x H 72.5 cm x D 41 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small quantity of 19thC Chinese famille rose celadon Plates, each decorated in the typical style, some with marks verso, the smallest: D 18.7cm, the largest: D 26cm, some damages (6)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of antique Japanese Imari and Arita Wares, to comprise a matched pair of 19thC Japanese verte-imari Soup Bowls and associated Covers, cracked, H 12cm, also 19thC verte-imari Bowl, D 10cm x H 7cm, a verte-imari Soup Tureen of small proportions, D 15.8cm x H 9cm, five Plates, tripod Bowl, an Arita Soup Tureen and Cover and an Arita Soup Bowl (11)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese export porcelain slender baluster Vase, and cover, decorated in floral motifs with relief work vines, the Cover with foo dog sat atop, H 32.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
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