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Art Deco gold pave set diamond panel ring, stamped 18ct, total diamond weight approx 0.70 caratCondition Report:Approx 2.85gm, size N-O, head dimensions = 11.5mm x 8.5mm, each diamond approx 2.5mm diameter x 1.5mm depth, well presented ring, some slight grey in colour with inclusions, stones appear secure in setting
Art Deco Goldscheider Figure, designed by Josef Lorenzl of a female Tarantella dancer in a pink floral dress with a tambourine, on a black oval base, model 6759, 'Lorenzl' stamp to base along with 'MADE IN AUSTRIA'. 20cm high.Overall crazing. Restorations to the arms and neck. Fairly good quality restoration, skin tone matches, however the residue has spread to areas of the chest and lower face
Stormoguide made by Short & Mason, London, copyright 1930. Silvered dial signed S&M 'STORMOGUIDE' with red and black rising and falling aperture below. Retailed by H. Blackham & Son, 44 Lichfield St., Wolverhampton. Mounted in a hexagonal mahogany Art Deco case with brass instruction plate to front stating 'To read the Stormoguide observe the red signal. When appearing in the rising aperture, the outer circle of forecasts should be observed. When appearing in the falling aperture, the inner circle should be observed. Forecasts six to eighteen hours in advance.' Attached above the Stormoguide is a small brass presentation plaque which states the item was 'Presented to William T. Beeston on his retirement by the Officials of the Wolverhampton Corporation, 1942.' 46cm wide, 8.5cm deep, 42cm high.
After Josef Lorenzl (1892-1950), Early 20th Century Art Deco silvered bronze figure of a nude woman dancing on onyx base, signed Lorenzl and stamped 'MADE IN AUSTRIA, REAL BRONZE'. 20cm highChips to three corners and one edge of the onyx base, no cracks. Patination and wear to the silvering mainly around the legs and arms. Solidly attached to the base and stands straight. No breaks or cracks to the figure.
After Josef Lorenzl (1892-1950) Art deco cast metal figure of a partially clothed female dancer on a tapering square onyx base. Lorenzl signature scratched into the bronze base of the figure. 19cm tall including base.There is no stamp to the base to prove that the figure is or isn't bronze, there are a couple of scratched areas where the metal is silver coloured below. No splits or cracks to the figure or the base. The figure is solidly attached to the base and stands straight. the are a couple of small chips that can be felt with your fingernail to the edges of the onyx base. Patination to the figure, mainly to the arms and hair.
Eight mid 20th century Art & Crafts style oak dining chairs to include 6 standard chairs and 2 carvers. The chairs have a carved decorative panel at the top of the back above five beaded splats, each chair has a green upholstered seat and the four legs are united by a H-shaped stretcher, chairs 49cm wide, 48cm deep, 109cm high, carvers 59cm wide, 58cm deep, 121cm high.Chairs in good condition. Standard chairs are all solid with no movement, the carvers however have a couple of loose joints that move when sat on. Carving to the back of each set is in good condition.
Kentish (Thomas). The Complete Art of Firework Making. The Pyrotechnic's Treasury, new impression with illustrations, Chatto & Windus, 1905. Original blue cloth.Foxing throughout the volume mainly to the edges of the pages and sometimes in the middle. Wear to the blue cloth, again mainly to the edges and corners of the volume, most noticeable to the top and bottom of the spine. Gilded lettering to the spine all present. No loose pages.
Kosta Boda art glass Artists Choice vase by Goran Warff with etched signature to base, 30cm high and a 'Contrast Black' bowl designed by Anna Ehrner, 15.5cm diameter. Both boxed.Both in good condition, scratch to the underside of the vase. No chips or cracks. Both with original boxes in good condition.
An Art Deco platinum cased and diamond set lady's bracelet wristwatch, the jewelled lever movement detailed 'Cyntax A.1 Swiss', the unsigned silvered dial with black Arabic numerals, the case back interior detailed 'Platinum 5723', the case back detailed 'Xmas 1935', the case and pierced tapered bracelet mounted with cushion cut diamonds, otherwise expanding towards the clasp, detailed 'Plat', case width 1.2cm, total length 16.1cm, total weight 18.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A good collection of approximately 100 auction catalogues, including the Bonhams, The Perry Collection (with the Beijing enamel teapot that fetched over 2 million pounds), Important Chinese Art, Sotheby's London 2020 & 2021, and a book of a special exhibition at the National Palace Museum, Taiwan of highly important Yongzheng imperial porcelain, also Poly Beijing catalogues. 亚洲艺术品图录一组约100本Condition Report: generally good condition Condition Report Disclaimer
A Chinese cloisonné bowl, 19th century, with lotus flowerheads beneath a band of lingzhi, all on a turquoise ground, 17 cm diameter, total weight 660 grams Provenance: From the collection of the Mobile Museum of Art, Alabama, USA, and previously sold to benefit their collections, care and acquisitions fund. Exhibited at the Mobile Museum of Art, 2005-2013.清19世纪 掐丝珐琅缠枝莲纹碗(克重660g)拍品来源:美国阿拉巴马州莫比尔博物馆收藏,于2005年至2013年间在该馆展出,后因藏品调整需求售卖Condition Report: Minor wear and scratches commensurate to ageCondition Report Disclaimer
A Chinese Sancai pottery vase, the ovoid body with short flared neck, the glaze running down leaving the lower part and the base of the vase unglazed, the underside with collector's label reading 'Malcolm Collection' and inscribed in ink 'D.79', 19.5cm highProvenance: The property of a lady, with the collector's label of Sir Neill Malcolm (1869-1953). Sir Neill was a professional soldier and collector of Chinese art. After his retirement he became president of the China Society and was an early member of the Oriental Ceramic Society. His own collection of Chinese art was significant and included ceramics, jades and an important collection of early bronzes. According to the current owner this vase had a thermoluminescence test at Oxford Authentication Ltd in the late 1970s or early 1980s, when the result was deemed `inconclusive'.三彩罐拍品来源:英国私人女士收藏,并有英国著名亚洲艺术藏家Neill Malcolm (1869-1953)爵士收藏标 Condition Report: property of a private individual underglaze rim chip base drilled twice Condition Report Disclaimer
Three silk lampas panels, Central Asia or Persia, possibly Seljuq, 12th / 13th century, composed of three silk panels, each golden ground woven in blue with repeating roundels decorated with mirroring birds, each panel very approximately 135cm x 27cm, framed Provenance: Christie's London, 10 April 2014, lot 39 Christie's London, 26 April 2005, lot 54 UK art market 2000The motif of a pair of confronted or addorsed animals is found in Sassanian and Sogdian textiles and remained popular in Central Asia until the fourteenth century, see for example a garment decorated with confronting ducks within pearl roundels dated attributed to Sogdian Central Asia, 8th century, now in the Pritzker Collection, illustrated in L. Mackie, Symbols of Power, 2015, p.68, no.2.29. A fragment of a silk brocade excavated in Khara Khorum and dated to the 13th century features two similar confronting birds, but lacks the pearl roundels (illustrated in A. E. Wardwell, 'Two Silk and Gold Textiles of the Early Mongol Period' in The Bulletin of the Cleveland Museum of Art, 1992, Vol. 79, No. 10, p.367, fig.13a). The stylised vegetal decoration which fills the roundel and the ground is close to the one on a Seljuq riding coat dated to the first half of the 13th century now at the Metropolitan Museum of Art, inv.no.2008.346a-c. Condition Report: Condition Report Disclaimer
VERY RARE WILLIAM AND MARY GOLD FIVE GUINEA DATED 1691,the 'Roman Style' bust featuring the dual monarchs, with William's head uppermost, the Latin legend reads 'GVLIELMVS ET MARIA DEI GRATIA', translating to 'William and Mary by the Grace of God', the reverse features the Royal Arms, the crowned quartered shield bearing the arms of France, Scotland, Ireland and England with central shield bearing the lion rampant of Nasser, the obverse legend reads 'MAG BR FR ET HIB REX ET REGINA 1691', translating to 'King and Queen of Great Britain, France and Ireland', in boxProvenance: A Private Scottish Collection.William and Mary ruled jointly as King William III and Queen Mary II from 1689 - 1694. Born in the Netherlands, King William, known as William of Orange, was sovereign Prince of Orange from birth. Queen Mary was the eldest daughter of the Duke of York, future King James II & VII, and Anne Hyde. With the removal of James II in the Glorious Revolution of 1688, his daughter Mary and her husband Prince William of Orange rules as co-monarchs.First minted on the 6th of February 1663, under the reign of King Charles II, the guinea was a British coin originally equivalent to one pound sterling. Although not the official name for the coin, this term 'guinea' was affectionately adopted as most of the gold used in these coins came from the region in West Africa. The guinea would be in circulation from the reign of King Charles II to King George III, from 1663 – 1814, a total of 151 years.In The Great Recoinage of 1816, the guinea was replaced by the pound as the major unit of currency however long after the guinea ceased to circulate, it is still prominent in the world today. Luxury items such as land, art, horses and professional fees including horse and greyhound racing were often quoted in Guineas up until decimalisation in 1971.Present day usage of the guinea is mainly associated with horseracing. Bids for racehorses at auction are still made in guineas to the present day. This means that the buyer will pay the guinea equivalent amount for the horse and the seller will receive that figure in pounds. The difference of 5p in each guinea is traditionally the auctioneers commission. Many major horse races in Great Britain, New Zealand, Canada and other countries bear names ending in ‘guineas’.No previous signs of mounting. No grade available. Has been handled - scratches, nicks and marks visible. Please see photos.
Hamo Thornycraft: a pair of Art Nouveau period cast bronze trophy plaques, each mounted on a mahogany plinth and decorated with scenes depicting a lady gardening framed by tall trees and swagging and inscribed Open Championship Horticultural Prize presented by Toogood & Sons Ltd, Southampton, Seedsmen to HM The King - each marked with signature and dates to side

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635800 item(s)/page