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Lot 60

Art-Déco Brosche, mittig großer oval facettierter geprüfter Blautopas von 18ct, Brosche in Hammerschlagtechnik handgearbeitet, Silber 800, Halbmond und Krone, bezeichnet "Handarbeit", Maße 4,8x3,7cm und Topas 20,6x15,7mm, Gesamtgewicht 11g

Lot 140

Bernstein-Armband, Art Déco, 5 facettierte Bernsteine (Größe je ca. 18x16 mm), Steckschließe mit Sicherheitsacht, 333/8K Gelbgold, Gesamtgewicht 22,48 g, Länge 18 cm

Lot 175

Art-Déco-Ring, Ringkopf besetzt mit einem achteckigen hellblauen Spinell (ca. 7 ct.), antiker Scherenschliff umgeben von feinen Millegriffes-Mustern, Silber 935, Ringgröße 53

Lot 190

Antike Stabbrosche, besetzt mit insgesamt 11 Diamanten, wohl England, Art Déco um 1920, 625/15K Gelbgold, 2,9g, Länge 4,8cm

Lot 400B

A art nouveau style pewter lidded box made for Liberty by Sasha Bowles designs (10.25cm x 5cm x 4.75cm)

Lot 84

A good selection of coloured art glass vases and dishes*CONDITION REPORT*Red vase to the left is cracked, all other pieces appear undamaged. 

Lot 89

A quantity of red art glass including vases and bowls*CONDITION REPORT*All pieces appear undamaged

Lot 108

A selection of green art deco glass ware COLLECT ONLY

Lot 1128

An Art Deco style silver pendant and matching earrings with mother of pearl drops.

Lot 1240

An art deco green glass flower bowl with engraved rim and centre figure.*Condition report*Staining to the inside of the bowl and base of figure from use. No cracks or chips in figure. Bowl has no chips but cracked approximately 5cm long on a clear section of the bowl.

Lot 1289

A Victorian Kenrick & Sons Aesthetic movement letter box flap, an art nouveau letter box flap both marked Kenrick & Sons and a brass German pocket balance circa 1930's.

Lot 1303

Two framed and glazed David Hockney (b.1937) poster prints:- The Metropolitan Museum of Art 1988 and The Lady and the Clarinet.

Lot 1356

An art pottery vase, 18,5 cm tall.*Condition report*No cracks or chips, some crazing to glaze, no makers marks.

Lot 1371

An Art Dec chrome plated barley twiist table lamp, 40 cm tall.

Lot 1375

A rare art deco silver plated toast rack in the form of a lorry.

Lot 1616

An art nouveau style figural mirror. COLLECT ONLY.

Lot 260

An art deco style globe on polished aluminium frame with aeroplane on top height 31cm

Lot 747

Two Sylvac Art Deco Green Kissing Bunnies Rabbits Spill match Holders Posy Vases 1590

Lot 021718

14 kt Gold Ring mit Brillanten, GG 585/000,im Stil des Jugendstils, 5 Brillanten zus. ca.0.90 ct (grav.) feines Weiß-Weiß/vs, RW 56, ca4.7 g Schätzpreis: 1800, - EUR14 kt gold ring with brilliants , YG 585/000, in style of Art Nouveau, 5 brilliantstotal approx. 0.90 ct (engraved) Top Wesselton-Wesselton/vs, ringsize 56, ca 4.7 g Valuation Price: 1800, - EUR

Lot 022025

Platin Ring mit Saphiren und Diamanten, Pt gepr., im Stile des Jugendstils, symmetrische Gestaltung, zentraler ovalfacett. Saphir ca. 1.20 ct, umgeben von 42 Brillanten und 8/8- Diamanten zus. ca. 1.40 ct Weiß/si-p, RW 54, ca. 5.5 gPlatinum ring with sapphires and diamonds , Pt tested, Art Nouveau style, symmetric design, central oval bevelled sapphire approx.1.20 ct, cornflower blue, surrounded by 42 brilliants and 8/8-diamonds total approx. 1.40ct Wesselton/si-p, ringsize 54, approx. 5.5 g

Lot 021509

Ring mit Diamanten, WG 585/000, mittig mit einem Altschliffdiamant ca. 0.40 ct, seitl. Diamanten zus. ca. 0.08 ct, (1 Stein besch.), Millegriffverz., RW 48, Meistermarke unged. Schätzpreis: 1100, - EURArt-Deco ring with diamonds , WG 585/000, centered with an old cut diamond approx. 0.40 ct, sideways diamonds total approx. 0.08 ct, mille grain setting, ringsize 48, manufacturer's brand unidentified Valuation Price: 1100, - EUR

Lot 022085

Paar Platin Ohrstecker mit Smaragden, Brillanten und Onyx, im Stil des Art-Deco, insg. 4 Smaragde zus. ca. 0.6 ct, 66 Brillanten zus. ca. 1.2 ct Weiß/si, total ca. 9.6 gPair of platinum earrings with emeralds , brilliants and onyx, in style des Art-Deco, 4 emeralds total approx. 0.6 ct, 66 brilliants total approx. 1.2 ct Wesselton/si, total approx. 9.6 g

Lot 6537

Victor Veysy (British early 20th century): Art Deco Fairytale Scene Woman Before Castle, watercolour signed 32cm x 55cm

Lot 108

Anita Harris Art Pottery, 'Royal Wedding' glazed pottery wall charger, lined portraits in black on a red ground, the sponge ware border with heart motifs, printed factory marks to base, signed and inscribed, 'Royal Wedding 1st Trial', 41.5cm in diam eter

Lot 121

A Murano Art glass fish form vase, considered to have been made for the Seguso Glass works, 26cm high

Lot 123

A French Art glass vase of bulbous form, etched surface, green decoration, 25cm high

Lot 130

A mid-20th century Italian Murano Art glass vase, amber with speckled decoration, 29cm high

Lot 136

A turquoise 20th century Art glass vase of ovoid form 17cm high, together with two amorphic glass vases (3)

Lot 139

A pair of mid-20th century Art glass bottle vases of slender form in red & amber, 40.5cm high (2)

Lot 140

Two 20th century Art glass fruit bowls of amorphic form, on raised platform bases, one 18cm high, the other 12.5cm high (2)

Lot 144

Two Murano art glass vases with splatter decoration on an opaque ground, the tallest 53cm high, together with a red & white striped clear glass bulb vase (3)

Lot 203

A late 20th century conceptual Art piece, in the manner of the Boyle Family's grid reference Land Art pieces, cast plaster in a wooden frame, incised to the reverse; 'Ainsdale 4pm RT 1, 18/4/98', 45cm square

Lot 24

Roberts & Belk, a case of six silver dessert / cake forks of Art Deco design, Sheffield 1956, combined weight: 109g

Lot 271

Sue Macartney-Snape (b.1957) 'The Gentle Art of Persuasion', limited edition colour print, No.47 of 600, 49cm x 37cm, signed and inscribed in pencil, gilt framed, mounted, and glazed

Lot 31

Israel Sigmund Greenburg, a pair of Art Deco design silver toast racks, Birmingham 1936/38, 7.5cm x 4.5cm, combined weight: 89g

Lot 317

J.E. Goodchild 'Art Gallery Interior', a late 19th century watercolour drawing, inscribed 'Study, part of a design for sculpture and picture Galleries, Museums, etc. J.E. Goodchild 1899', 46cm x 52cm in an arch top gilt mount, gilt framed

Lot 331

A first-quarter 20th-century Central European plated base metal mantle timepiece with Art Nouveau stylised ordinary clockwork movement, the interior having makers mark and numbers, 1839, standing approx 25 cm high

Lot 359

A circa 1930s North European wooden framed table football game of Art Deco design, having steel handles and cast metal 10 a-side men, later painted standing, approx 100cm high x 150cm in length

Lot 100

Suzanne Valadon (French 1865-1938) La Terrasse du Chateau de St Bernard Pencil on wove paper Signed with initials (lower right) 20 x 16.5cm (7¾ x 6¼ in.) A study for the finished oil of the same title by Suzanne Valadon (1865-1938), [see Marius Mermillon, 'Valadon', pl.39, Paris, Braun et Cie, 1953]. She was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France, into relative poverty. She became an artist's model as a teenager, famously appearing in works by, amongst others, Renoir and Toulouse Lautrec, the latter giving her the nickname of Suzanne, after Susannah and the Elders, for her perceived preference for working with older artists. Suzanne was encouraged by Degas to develop her own art, eventually becoming the first female painter admitted to the Société Nationale des Beaux-Arts, In 1894. Noted in particular for her female nudes and female portraits, her proto-feminist eye was thought to be influenced by her own experience as the observed model. She was also the mother, at a very young age and illegitimately, of the painter Maurice Utrillo. Condition Report: study for a the finished oil of the same title by Suzanne Valadon (1865-1938), [see Marius Mermillon, 'Valadon', pl.39, Paris, Braun et Cie, 1953]. She was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France, into relative poverty. She became an artist's model as a teenager, famously appearing in works by, amongst others, Renoir and Toulouse Lautrec, the latter giving her the nickname of Suzanne, after Susannah and the Elders, for her perceived preference for working with older artists. Suzanne was encouraged by Degas to develop her own art, eventually becoming the first female painter admitted to the Société Nationale des Beaux-Arts, In 1894. Noted in particular for her female nudes and female portraits, her proto-feminist eye was thought to be influenced by her own experience as the observed model. She was also the mother, at a very young age and illegitimately, of the painter Maurice Utrillo, Condition Report Disclaimer

Lot 159

Alexander Jamieson (British 1873-1937) Two figures on a riverbank Oil on board Signed and dated 1913 (lower right) 32.5 x 40cm (12¾ x 15½ in.) Provenance: Duncan R. Miller Fine Art, London

Lot 189

λ Anthony Eyton (British b.1923) Beach Scene Oil on canvas Signed (lower right) 61 x 71.5cm (24 x 28 in.) Provenance: Austin Desmond Fine Art, London

Lot 223

Arik Levy (Israeli b. 1963) Love me tender Brass barbed wire, plated 24 carat gold Signed and dated 2014 (to backboard verso) Overall 77.5 x 77.5cm (30½ x 30½ in.) From an edition of 5. Designer and multi-disciplinary artist Arik Levy was born in Israel in 1963. His most notable works include his public sculptures including his series 'Rock'. In 1988, he participated in his first group sculpture exhibition in Tel-Aviv. Following this exhibition he moved to Europe and gained an distinction in Industrial Design at the Art Center Europe in Switzerland in 1991. Throughout his career Levy has explored new mediums and avenues of design and culture. After time spent in Japan, Levy returned to Europe where he worked with contemporary dance and opera companies designing set displays for production. Levy's studied is based in Paris and his love of art and industrial design prevails. Last year Levy exhibited 'Stick&Structures' at the Venice Design Biennial and in 2020 he was included in Sotheby's, The Blazing World group exhibition in London. Levy is currently working on an installation of 'RockGrowthHermitage' in Moscow, Russia which is due to be installed this year outside the future Hermitage Modern Contemporary Museum. "Creation is an uncontrolled muscle" ARIK LEVY Condition Report: In good original condition. Condition Report Disclaimer

Lot 244

Harry Callahan (American 1912-1999) Collage Gelatin silver print, circa 1956 Signed (lower right); further signed (verso) 19.5 x 24cm (7½ x 9¼ in.) Provenance: Pace/MacGill Gallery, New York Sale, Christie's, New York, 14 October 2004, Photographs from the Collection of Sir Elton John, lot 74 Exhibited: Atlanta, Georgia, USA, High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, November 2000-January 2001 Literature: John Szarkowski & Harry Callahan, Callahan, New York, 1976, pl. 110   Condition Report: Some wear to the corners of the sheet, notably a diagonal crease to the lower right tip of corner. Two small (3mm) tears to the centre of the lower edge and a small associated loss. Otherwise, in generally good condition. Framed under perspex. Condition Report Disclaimer

Lot 247

Jessica Craig Martin (American b. 1963) Cannes Film Festival, 1997 C-print Signed to gallery label (verso) 50.5 x 65cm (19¾ x 25½ in.) Executed in 1997, this work is edition number 3/5. Provenance: Lawrence Rubin-Greenberg Van Doren Fine Art, New York  

Lot 81

Continental School (19th/20th century) Portrait of a lady, seated Oil on canvas 67 x 59.5cm (26¼ x 23¼ in.) Provenance: The collection of Eardley Knollys (1902-1991), friend and associate of the Bloomsbury Group, artist, critic and owner of the Storran Gallery, London, from 1936 to 1944 Bequeathed to Mattei Radev (1927-2009) and, subsequently, to the present owner Eardley Knollys (1902-1991) was born in Alresford, Hampshire. He studied at Winchester College and continued his education at Christ Church College in Oxford. Knollys interest in the arts and his reputation as an art critic grew during the 1920s and in 1936 Knollys opened The Storran Gallery, opposite Harrods with his partner Frank Coombs. The gallery exhibited renowned artists such as Amedeo Modigliani, Maurice Utrillo, Ivon Hitchens, Pablo Picasso and Victor Pasmore to name just a few. Coombs tragically passed away in an air raid during World War II in Belfast in 1941. Knollys closed the gallery shortly afterwards.   In 1945, Knollys along with music critic and novelist Edward Sackville-West and music critic Desmond Shawe-Taylor purchased a Georgian rectory in Long Crichel, Dorset. Along with James Lees-Milne, literary critic Raymond Mortimer and gay activist and eye surgeon Patrick Trevor-Roper, the house became a centre for young creatives, where these young men and their friends could immerse themselves in books, music, art and poetry. These passionate young men hosted guests such as Ben Nicholson, Duncan Grant, Sibyl Colefax and film director Anthony Asquith.   Knollys joined James Lees-Milne working for the National Trust during World War II and published diaries recording their trips to some of the most renowned British country houses.   In 1965, Knollys, a well respected art critic and member of the Bloomsbury art group inherited a collection of artworks which had belonged to Edward Sackville-West. In 1967 Knollys and Mattei Radev purchased a hunting lodge in Hampshire and they both painted and worked in the artist's studio attached to the lodge. Knollys' interest in the arts continued and he added to the collection right up until his death in 1991. Knollys' collection was bequeathed to Mattei Radev, who continued to grow the important collection.   Mattei Radev became an iconic member of the artistic and literary Bloomsbury group. Radev was a Bulgarian émigré who settled initially in Glasgow after escaping Bulgaria through Turkey. When he first arrived in London he started working at Whittington Hospital as an orderly and met eye surgeon Patrick Trevor-Roper. Trevor-Roper was a gay activist and introduced Radev to likeminded friends in London. Influenced by these new acquaintances in artistic circles Radev decided to pursue an apprenticeship in framing. In 1960 he set up his own workshop in Fitzrovia with the help of a financial loan from Eardley Knollys. Clients included John Banting, Graham Sutherland and Duncan Grant. The framers continued under Radev's management until the 1990s. Radev visited Long Crichel many times and met his life-long lover E.M. Forster, the notable novelist and literary critic.   The Radev collection represents the three strong individuals involved, Sackville-West who championed Modernism, Eardley Knollys whose passion for French Impressionism shines through and Radev for his loyalty to British artists with whom he was friends and in business with. Condition Report: Relined. Light surface dirt and fine craquelure throughout. Condition Report Disclaimer

Lot 83

E. Hubatina Swift (British 19th century) The Hon George FitzRoy Somerset (1857-1921), later 3rd Baron Raglan, and the Hon Arthur Somerset Oil on canvas Signed and dated 1860 (lower right) 140 x 110cm (55 x 43¼ in.) Provenance: Sale, Christie's London, The Raglan Collection: Wellington, Waterloo and The Crimea And Works of Art from the Collection of the Marquesses of Londonderry, 22 May 2014, lot 221 Sale, Christie's London, Interiors Including Posters, 11 September 2019, lot 167 Literature: J. Steegman, Portraits in Welsh Houses, Cardiff, 1962, vol. II, p. 127, no. 18 The Hons. George FitzRoy and Arthur Somerset were the eldest sons of Richard Henry FitzRoy Somerset, 2nd Baron Raglan and his wife Lady Georgina Lygon, daughter of General Henry Beauchamp Lygon, 4th Earl Beauchamp

Lot 112

A contemporary Art Deco style Ralph Lauren lamp table (H103cm Dia61cm)

Lot 112A

A contemporary Art Deco style Ralph Lauren lamp table (H103cm Dia61cm)

Lot 113

A contemporary Art Deco style Ralph Lauren lamp table (H103cm Dia61cm)

Lot 113A

A contemporary Art Deco style Ralph Lauren lamp table (H103cm Dia61cm)

Lot 115

A contemporary Art Deco style Ralph Lauren lamp table (H103cm Dia61cm)

Lot 255

A contemporary Art Deco style Ralph Lauren lamp table (H102cm Dia61cm)

Lot 342

A Pair of Art Deco style ruby and opal set silver earrings

Lot 511

A selection of decorative sculptural art ceramics.

Lot 55

A set of six Art Deco style club chairs (H90cm W63cm)

Lot 79

James Bond First Edition The Art Of Bond Hardback book by Laurent Bouzereau. Published in 2006 by Boxtree Ltd Of London. Printed by The Bath Press. Spine and Dust-Jacket in Great Condition. 240 pages of Mixed Colour and Black/White Images. Superb Book. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99

Lot 150

Vintage Marvel Comic, Star Trek The Vengeance Of V'ger! issue 02417, 1980. The Vengeance Of V'Ger! was the second issue of Marvel Comics' 1980 series of Star Trek comics. The issue consisted of a single new title page and a reprint of the 18th through 34th pages of the TOS comic adaptation: Star Trek: The Motion Picture, as adapted and edited by Marv Wolfman from the screenplay by Harold Livingston, based on a story by Gene Roddenberry and Alan Dean Foster. The art was pencilled by Dave Cockrum and inked by Klaus Janson, with Jim Shooter credited as consulting editor. This item is in excellent condition throughout. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99

Lot 20

James Bond, Art Malik signed 6x4 colour photograph. In 1987, Malik played Kamran Shah, an Afghan Mujahideen leader who allies with James Bond and leads a raid against Soviet invaders in the 007 film The Living Daylights. Signature has worn over time. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99

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