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Lot 550
▲ Sherree Valentine-Daines (b.1956) 'Summertime by the Sea'; 'Fishing in the Shallows' printed canvas on board, both signed and numbered from an edition of 195, complete with certificates of authenticity from DeMontfort Fine Art together with a exhibition catalogue, 38 x 31cm (3) Condition ReportSome surface scratches to the frame.
Lot 459
An Art Nouveau Silberzinn lidded jug, 29cm high, together with a WMF dishno. 454, 20.5cm wide, a Goebel stoneware stein, 18cm high, an A E Williams cast pewter 'Art Nouveau' vase, 21cm high, and a silver-backed mirror (5)Condition ReportTarnshing and wear to the dish, other fair overall.Mirror splits and tarnished.
Lot 2
A collection of silver items comprising Art Deco silver dish, Birmingham, 1938, with Bakelite handles, 18.5cm wide, a small christening mug, engraved 'Freedy Cameron', 8cm high, a pot and cover, surmounted with a Pekinese dog, 6.5cm diameter, and a silver-plated Thornhill & Co. five part concertina beaker, with a leather pouch, 8.3cm high11.67ozt weighable (4)Condition ReportTarnishing and wear.
Lot 806
An Edwardian silver tea cannister and cover, the body embossed with Classical figures and various Temples, hallmarked by T Hazlewood & Sons, Birmingham, 1904 together with a Dutch silver ladle embossed with a church, two silver napkins and an Art Deco Christening mug with inscription dated 1941, all hallmarked, various dates and makers, weight approx 10.14 ozt
Lot 805
An Art Deco chrome novelty condiment set, the Ship shaped body with detachable funnel shaped salt and pepper pots, central mustard pot with liner, stamped to underside (liner jammed in setting, some of the plate corroded ) together with an Art Nouveau plated water \ claret jug embossed with poppies; a Modernist style chrom three light candleholder stand; two plated Georgian style decanter labels, boxed, SHERRY & WHISKEY, wine coaster etc
Lot 920
Arthur Spooner RBA (1873-1962) Portrait of a Lady wearing white dress and summer hat oil on board, 60 x 51cm signed lower right , framed Provenance: The Vendor`s Grandfather attended Nottingham School of Art and met Spooner there. By family tradition this portrait is believed to be a waitress from a Nottingham coffee house and was offered for "the price of a three-piece suit" which Spooner required to go to the Royal Academy.
Lot 535
Assorted early 20th Century American pens to include: a Parker Duofold fountain pen, the cover with gilt banding; a blue mottled small fountain pen on suspension ring, 14k plated nib and a matching pencil holder; a New York 1939 World Fair souvenir combination fountain pen and pencil, 14K gold plated nib; a Mr Peanut pencil holder together with assorted inkwells, pressed glass inkbottles, an Art Deco Parker opague glass ashtray; engine turned travelling white metal inkwell, pen stands; a German ceramic novelty Carters Ink bottle with stopper; 313 Probate nibs - two boxes, letter openers etc (1 box)
Lot 10
Laurence Stephen Lowry- A signed limited edition print " The Notice Board." Limited edition of 500. Fine Art Trade Guild blind stamp and EJC (No. 473/500) Signed in pencil lower right and within the plate Presented to the vendors family member on their retirement in 1976. 61 5cm x 70cm frame inclusive.
Lot 223
A rare Art Deco Fraureuth Kunstabteilung porcelain white mouse duo. Circa 1900-1926. German Porcelain by Fraureuth Art department Kunstabteilung Selb. This important factory had a short lived production. Established in 1885 and dissolved in 1934. Mice pieces are somewhat scarce in perfect condition. Marked to the base and impressed to the top with the word "HARDERS" P
Lot 81
David Wilde - British (1913-1974) Northern Artist "Alice and Mickey Signal the arrival of the magician via the Lyn Padarn Train." Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 50cm x 77cm David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply
Lot 111
RICHARD WANE (1852-1904) Oil on canvas - landscape Depicting a cornfield. Signed R. Wane. Lower left. Gilt framed. 44.5cm x 70cm frame inclusive Richard Wane RBA (1852-1904) Richard Wane specialised in landscape, coastal and genre painting and studied at the Manchester Academy. He was living in Manchester in 1881, Conway 1883, Deganwy 1887, Dulwich 1890 before moving to Egremont in 1895. Wane was at one time President of the Liver Sketching ClubHe exhibited at Royal Hibernian Academy 1902, Royal Scottish Academy 1902, New Water Colour Society 1903, Royal Institute Of Painters 1903, Royal Cambrian Academy 1904, Royal Society Of British Arts 1907, Royal Institute Of Oil Painters 1908. He was also a member of the Royal Society Of British Artists. He had retrospective exhibitions at the Royal Academy Of Arts in 1920 and Manchester Art Gallery in 1932.
Lot 197
A William Moorcroft- Rare salt glaze Claremont dish form bowl Circa 1930. This rare almost mustard coloured bowl with a salt glaze has been beautifully decorated with crisp clear toadstools and has been perfectly fired. Signed and impressed marks to base 25cm diameter 6cm tall. Born in Burslem, Staffordshire, he studied art at Burslem then in London and Paris, then around 1896, he experimented with his own pottery designs working for James Macintyre & Co. Moorcroft produced Aurelian Ware, which he partly decorated with transfers and partly painted by hand. He developed highly lustred glazes and used oriental shapes and decorations. By the age of 24, Moorcroft and his pottery began making its mark in the world of British ceramics. Moorcroft developed his famous Florian Ware, with heavy slip and translucent glaze to produce brilliance of colour and he personalised each piece of pottery produced with his own signature or initials. At the time, some of Moorcroft’s techniques became closely guarded secrets. In 1904 Moorcroft won a gold medal at the St Louis International Exhibition and gold at the Brussels Exhibition, followed by further accolades, medals and commendations. By 1913 an inevitable split occurred with Moorcroft from James McIntyre’s name and reputation. He set up his own factory at Cobridge with staff from the McIntyre pottery studio – and the factory in Sandbach Road is still where Moorcroft pottery is made today. P
Lot 139
A Georg Hulbe (1851 - 1917) Art Nouveau leather hand mirror. Made by renowned German leather craftsman the back of the mirror depicts in relief a peacock in full display. The tail feathers painted and highlighted with gilt. (Some wear to the paint and gilt) A criss cross braided leather handle with beveled glass. Georg Hulbe, Hamberg, Germany was a renowned artist recognised for his work in leather during the Art Nouveau period. P
Lot 39
David Wilde - British (1913-1974) Northern Artist "Windy Day In Autumn" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 50cm x 69cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply
Lot 206
A Ruskin Pottery high fired sang de bouef flambé glaze bowl set on a oriental hardwood stand The bowl is finely potted and has an all over even high fired glaze with great markings and colour. Marked to the base, dates 1927 13cm diameter. The Ruskin Pottery was an English Art Pottery Studio founded in 1898 by Edward R.Taylor, the Principal of the Birmingham School of Art. It was run by his son, William Howson Taylor from premises situated at Oldbury Road, Smethwick. The Pottery operated until 1935 when Howson Taylor was forced to retire through ill health. The Pottery produced was notable for the innovative glazes used on a range of brightly coloured pots, vases, buttons, bowls and jewellery. The most highly regarded pieces of all are the sang-de-boeuf and flambe glazes created using copper and iron oxides at very high temperatures.
Lot 212
Ruskin Pottery high fired ivory mallet vase sang be bouef flambé glaze dated 1915, 18.5cm tall The Ruskin Pottery was an English Art Pottery Studio founded in 1898 by Edward R.Taylor, the Principal of the Birmingham School of Art. It was run by his son, William Howson Taylor from premises situated at Oldbury Road, Smethwick. The Pottery operated until 1935 when Howson Taylor was forced to retire through ill health. The Pottery produced was notable for the innovative glazes used on a range of brightly coloured pots, vases, buttons, bowls and jewellery. The most highly regarded pieces of all are the sang-de-boeuf and flambe glazes created using copper and iron oxides at very high temperatures.
Lot 59
Ignacio Lalanne -Contemporary Artist. " Sigillum Rigis" Original Oil on board Monogrammed lower left. Signed, titled and seal marked to Verso. 58.5cm x 43cm A rare opportunity to own an Original work by this artist. Ignacio Lalanne trained at Chelsea College of Art and Design and at Central Saint Martins. Art history, court painting, religious iconography, costume drama and diverse cultural references all influence and inform his art. Using narrative and symbolic elements he tries to discover the innermost sacred hidden deep within us.
Lot 227
A large Art Nouveau planter. Possibly early Bretby. In rich bright colours ranging from a bright apple green to a vibrant red. The interior a rich yellow. Undulating stylized plants adorn the body of the planter in raised relief. Marked with a vase within a circle in diamond - the words Wood Ville impress stamped either side. Some crazing and fine hairline crack. 25cm high. 33cm diameter top. 19cm diametrr bsse.
Lot 41
Kevin T Kelly - American Contemporary Artist B.1960 A Limited Edition Large scale Pop art Poster. "War Bonds" Issued by Rosenstiels London 97/100 with Certificate that is numbered to match the print carrying the embossed stamp signed by the artist. Kelly’s work is decidedly “Neo-Pop” or “Post-Pop”. Infused with a postmodern sensibility, contemporaneous subject matter, and executed in what the artist refers to as a “hyper-chromatic” palette. War bonds are debt securities issued by governments to finance military operations in times of war, but this title suggests the bonds that are made between people during wartime. In many of his images depicting fighter aireraft the background acts as a metaphor to amplify the imagery in the foreground. The fireball could suggest either flirtatious attraction or detection of betrayal between the couple. Has the P-51 Mustang pilot just destroyed his target or is he narrowly making an escape? Is the man in the foreground the pilot? Is the woman? Or are they sipping champagne at a gala completely unaware their country is at war in a far-off land? Approx Size 152cm x 78cm (there may be minor creasing and/or small tear to outside edge border though general handling) P
Lot 93
David Dodsworth - British Postwar & Contemporary artist - born 1952 Mixed media print (Pair) Integer & Integer I Artist Proof Hand embelished. Signed and Titled in pencil 63cm x 55.5cm frame inclusive He was influenced at an early age by religious paintings. Later, he became increasingly fascinated and pre-occupied with primitive mark making and hieroglyphics. His work is much influenced by his study of prehistoric cave art, and he is inspired by primitivism, religion and technology. He is noted for his use of highly textured hand-made paper, with metallic foil embedded within the print.
Lot 125
Peter Cosslett - " Fishing Boats on a rough sea" original oil on boardThree Fishing Boats navigate the rough seas near a costal headland.Signed lower left67.5cm x 93cm frame inclusive.Born in Cardiff (1927 - 2016) Peter started his working life in the merchant marines, where he first became fascinated with the power of the sea. After the war he took up painting as a pastime. A serious illness which resulted in a leg amputation was a turning point for Peter and he decided to try to make a career out of his paintings, the one thing he loves. He started to attend art classes at night school but was told that there was no more they could teach him. He continued to teach himself through a process of trial and error.He has been described as probably one of the greatest contemporary realist painters of British seascapes, riverine landscapes and coastal scenes.
Lot 32
Henry Taylor Wyse (1870 - 1951) - Artist, Designer, Craftsman and Teacher. Small unframed landscape watercolour signed lower right. 19.5cm x 15cm Born in Scotland, he was a painter, ceramicist and writer. He taught art at Arbroath High School, where he was a friend of the artist James Watterson Herald P
Lot 80
Duran - Spanish contemporary Impressionism A large oil on canvas depicting a vibrant Spanish street scene. The play of the warm sunshine through the trees beautifully captured. 85cm x 100cm frame inclusive. Duran - born Valencia 1941. Formally art trained. Exhibited throughout the continent and UK.
Lot 220
Govinder Nazran (1964 - 2008) "Cat Lover" (pair)A limited edition hand painted resin sculpture 207 / 695Each individually signed and numbered.Featuring a Yellow dog with his nose resting upon a red cat.22.9cm highTogether with the Washington Green Fine Art certificate of authenticity, purchase receipt and original box.Govinder Nazran was an artist based in Bradford, West Yorkshire, England. Mostly recognised for his paintings of mammals, primarily cats and dogs, horses, people and elephants. The animals were more often than not made up of embellished Rothkoesque blocks of colour. Many of Govinder's animals came in pairs focusing on themes such as opposites, yin and yang, family, love, good versus evil and mr and mrs.Apart from painting, Govinder produced many sculptures based upon his painted works as well as figurative and abstract works.
Lot 38
David Wilde - British (1913-1974) Northern Artist "Coral Reef " Abstract Oil on board - unframed. Signed and titled lower left and right. 54.5cm x 71cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply
Lot 165
Peter Layton - A beautiful Spirale stoneform vase, featuring swirls of purple, pink and yellow, intersected by striking waves of blue and encased in clear glass. Signed Peter Layton 21cm high x 24cm across. Highly collected Artist Peter Layton is one of the founding fathers of British studio glass. He discovered the art form while teaching ceramics in the US in the mid- 1960s, and has played a major part in elevating glass from an industrial medium to a highly collectable art form. He has always taken inspiration from his environment, natural or manmade: a stone wall on a snowy day, the London skyline, or works by great painters. From a mere detail, a flash of a Klimt orange or a slick of oil on the Thames, he creates painterly works with a masterly use of colour.P
Lot 225
Govinder Nazran (1964 - 2008) " Elephant Stones"A rare limited edition hand painted resin sculpture -Artist Proof 22/50/500Each individually signed and numbered.The elephant trunks also resembling ammonite highlighted with an iridescent purple.The interlocking elephants reflect unity, family, trust, reliability - stubborn and immovable, with love being the rock.They can be displayed individually or as one. Together with the Washington Green Fine Art certificate of authenticity, Retrospective catalogue, purchase receipt and original box.Large 22cm high x 23cm acrossMedium 17cm high x 17.5cm acrossSmall 13cm high x 13cm across Govinder Nazran an artist based in Bradford, West Yorkshire, England. Mostly recognised for his paintings of mammals, primarily cats and dogs, horses, people and elephants. The animals were more often than not made up of embellished Rothkoesque blocks of colour. Many of Govinder's animals came in pairs focusing on themes such as opposites, yin and yang, family, love, good versus evil and mr and mrs.Apart from painting, Govinder produced many sculptures based upon his painted works as well as figurative and abstract works.
Lot 96
Roy Lichtenstein - Hayward Gallery Pop Art Poster. "ohhh....Alright" 1964. 70cm x 100cm frame inclusive Ohhh...Alright... was derived from the June 1963 edition of Secret Hearts by Arleigh Publishing Corp. (now part of D. C. Comics) The original comic based woman was painted at the apex of Lichtenstein's use of enlarged dots, cropping and magnification so the hair flows beyond the edges of the image. (Ideally would require reframing)
Lot 195
Paul Daschel for Amphora Art Nouveau shoulder vase with maiden, spiders Webb and a central moth motif. Circa 1900 Impressed monogram to the side 19cm high. Amphora Pottery - RStK – Riessner, Stellmacher and Kessel Alfred Stellmacher founded his first porcelain factory in Turn in 1876. The factory produced porcelain flowers which surpassed French pieces for quality. During the 1870’s, Stellmacher developed a new ceramic material which became known as ivory porcelain due to its soft yellowish shade and matte finish. The new material allowed the ceramist to create more complex modeling and detailing of shapes and applied designs. Stellmacher’s factory broadened production from flowers to decorative ceramic pieces in the Orientalism and Neo-Baroque styles. Neo-Baroque forms allowed greater innovations in design with handles shaped like monsters and pierced or waved bases and rims. At the Paris World Exhibition in 1889, Stellmacher received the Gold Medal, and he attained his greatest success at the end of the 19th century. In 1892, the Riessner, Stellmacher & Kessel (RStK) porcelain factory started production in Turn. Alfred Stellmacher helped form the new company. All the owners were related to Alfred. Karl and Hans Riessner and Rudolf Kessel were his son-in- laws and Eduard Stellmacher was his son. Karl Riessner, who attended the Art Academy in Prague handled finances, Hans Riessner, who attended the Vienna School of Arts and Crafts the same time as Gustav Klimt, was technical director, and Rudolf Kessel handled trading issues. Eduard Stellmacher, who attended the Arts and Crafts Academy in Dresden, was the artistic director. Eduard’s brother-in- law and classmate from the Arts and Crafts Academy in Dresden, Paul Dachsel, was also a creative designer for Amphora. The new company was known as Amphora I. P
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638449 item(s)/page