* SIMON LAURIE RSW RGI (SCOTTISH b. 1964), GONDOLAS acrylic on board, signed, titled versoframedimage size 75cm x 81cm, overall size 93cm x 98cmNote: Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Laurie was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections including Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London; Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; TSB Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.
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* JAMES WATT RGI (SCOTTISH 1931 - 2022), UNTITLED oil on board, signedmounted and framed (frame slightly loose)image size 38cm x 58cm, overall size 59cm x 79cmNote: James Watt was born in Port Glasgow in 1931 to Alexander Watt and his wife Isabella (nee Hooper). His entire family, including his grandfather, and everybody he knew, were in shipbuilding. He was always passionate about boats. He believed he was very lucky. "I was in the right place at the right time. I caught the tail-end of the Clydeside shipbuilding boom in the 1950s. Shipyards had full order-books and the river teemed with craft of every sort. So I always had a subject”. His paintings are in a formidable array of collections – including those of HM The Queen and Prince Philip, The Princess Royal, The Arts Council, The Hunterian, Glasgow Museums, Paisley Museum & Art Gallery, IBM, Britoil, the Danish Embassy, Yarrow Shipbuilders, McKean Museum and Art Gallery, Clyde Shipping Co, the Royal Bank of Scotland and also the town council in the Faroes. Watt went to Glasgow School of Art for four years where he was taught by Ted Odling, Douglas Percy Bliss, and David Donaldson. In 1958 he was one of 13 founders of the Glasgow Group, an artists' co-operative which continues to this day. Irritated by the conformist, unadventurous policies of local exhibiting societies like the Royal Scottish Academy and the RGI, and at the dearth of commercial outlets in the city, they got together with other GSA students and graduates to exhibit at Glasgow’s then-beautiful McLellan Galleries. The Glasgow Group was the Transmission Gallery of its day. After two years National Service in the army, from 1955 to 1957 he became an art teacher, and a much-beloved one at that. He was noted for his kindness and good counsel, and one former student says of him: "I had pretty much zero talent but he sparked a lifelong love and interest in art." Another remembered “His was the fastest-moving Volvo down the school drive. He was some man." Later Watt became a member of the RGI and was elected a member of Society of Scottish Artists in 1965. In 1997 he received The Royal Bank of Scotland Award at the Glasgow Institute. He dedicated much of his life to recording the River Clyde and its industries, and his vast body of work forms a vital archive of the river. Greenock's McLean Museum and Art Gallery exhibition, The Lost Clyde: The Paintings of James Watt, was mounted to celebrate his 90th birthday. James was also the father of Alison Watt OBE FRSE RSA, one of Britain's best-known painters.
* IRENE LESLEY MAIN (SCOTTISH 1959 - 2023), SAN GIMIGNANO, ITALY watercolour on paper, signed and titled mounted, framed and under glassimage size 21cm x 12cm, overall size 52cm x 39cm Note: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship, and in Italy. She travelled extensively throughout Europe, America and Africa and exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. She was a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and had studios in Glasgow, Athens and Brodick, Isle of Arran. Lesley Main was strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpinned her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, the late Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.
* GORDON HOPE WYLLIE RSW (SCOTTISH 1930 - 2005), BEHIND LANGBANK, RENFREWSHIRE watercolour on paper, signedmounted, framed and under glassimage size 33cm x 53cm, overall size 54cm x 73cm Note: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.
* GERARD BURNS (SCOTTISH b. 1961), UNTITLED oil on canvas, signedframedimage size 92cm x 122cm, overall size 128cm x 148cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* JENNY MARTIN RSW ROADSIDE SHRINE, SORRENTO limited edition print on paper, signed and numbered 1/14, titled versomounted, framed and under glassimage size 38cm x 28cm, overall size 80cm x 50cm Note: Jenny Martin was born in 1973 and studied at the University of Edinburgh from 1991 – 1996 where she achieved an MA (Hons) in Fine Art. From 1996 – 1998 she studied at Edinburgh College of Art studying a Postgraduate course in Painting. Jenny has won many prizes and awards including in 2022, she was elected Professional Member of the Royal Society of Painters in Watercolours. In 2003, she won an Outstanding Print Award at the University of Aberystwyth. In 1997, she held the John Kinross Scholarship at the Royal Scottish Academy. Jenny is a painter and printmaker and exhibits regularly throughout the UK and overseas. She has won many awards in both disciplines, including the Aspect Prize for Painting, the Russell Trust Award, the James Torrance Memorial Prize and the Fenton Arts Trust award for her prints. She has work in many private collections both in the UK and abroad, and is represented in several public collections, including the Royal Bank of Scotland, the University of Wales, Edinburgh College of Art and the Royal Scottish Academy. She currently lives in Edinburgh and works as a lecturer at Leith School of Art.
* GEORGE DEVLIN RSW RGI ROI ARWS FRSA (SCOTTISH 1937 - 2014), MORNING, VENICE oil on canvas, signed, titled label versoframed and under glassimage size 46cm x 51cm, overall size 64cm x 70cm Label verso: Roger Billcliffe Fine Art, GlasgowNote: George Devlin was one of Scotland's most successful 20th century artists with numerous exhibitions in Scotland, throughout the UK and around the world. Corporate collections include: De Beers (South Africa and Switzerland); Robert Fleming Holdings; Dutch Water Board; London Stock Exchange; Arthur Andersen and Co; Scottish Television; Universities of Leicester, Glasgow and Strathclyde, Essex, Dunbartonshire, Argyll and Tayside; Edinburgh City Collection; Royal Bank of Scotland; Clydesdale Bank; Lloyds TSB; Bank of Scotland; J. O. Hambro; Mason Owen; Dunedin Trust Management; Dunfermline Building Society; Argyll Group; Scottish Friendly Society; United Distillers; Teachers Whisky; Edrington Group and Clan Donald Centre; Cunard (QM2), Dunbartonshire Educational Trust. Private collections include: Sir Tim Rice; Sir James Black; Earl Haig; Lord Maclay; Duke of Bedford and numerous collections in the UK and worldwide. In The Scottish Contemporary Art Auction of 6th March 2022, two smaller examples of George Devlin's continental scenes sold for £2200 and £3300 (both hammer prices).Condition of the picture is good overall, with no visible or known issues.
* GERARD BURNS (SCOTTISH b. 1961), A DREAM OF WINTER oil on canvas, signedframedimage size 51cm x 51cm, overall size 78cm x 78cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* GERARD BURNS (SCOTTISH b. 1961), BALLERINAS oil on canvas, signedframedimage size 62cm x 41cm, overall size 81cm x 60cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* GORDON HOPE WYLLIE RSW (SCOTTISH 1930 - 2005), FIELDS oil on board, signed, titled versomounted, framed and under glassimage size 15cm x 22cm, overall size 36cm x 41cm Handwritten artist's label versoLabel verso: Compass Gallery, GlasgowNote: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.
* JUNE CAREY RSW RGI (SCOTTISH b. 1942), VISION AHEAD artist's proof lithograph on paper, signed, titled and numbered A/Pmounted, framed and under glassimage size 55cm x 46cm, overall size 86cm x 73cmNote: June Carey began her art education in the 1960s at The Glasgow School of Art. She has been exhibiting her work widely throughout Britain and abroad ever since. Her awards include The Scottish Arts Council 1998, McGrigor Donald Trust 1989, European City of Culture Woman 2000 (First Prize) 1990, Dundee District Council Purchase Prize 1991, British Council Assistance Grant 1992, The Hope Scott Trust Award 1993, Scottish Arts Club Award 1993, McDonald Orr Ltd 1993, Anne Redpath Award 1996, BP Aberdeen Assistance Grant 2002, Connell & Connell Sponsorship and in 2004, a Research Grant from the Scottish Arts Council, to visit India. June Carey's work can be found in the collections of Lady Thyne; Peter Gabriel, BBC Television, The Royal Bank of Scotland, The Scottish Arts Council, Oxford University, Teachers Whisky, Highland Region, Edwins Gallery Jakarta, Barclay Lennie Fine Art Ltd, MacTaggart & Mickel Ltd. Eastern General Hospital, McDonald Orr Ltd, Dundee District Council, Arts in Fife and Private Collectors at home and abroad.
* JAMES FULLARTON (SCOTTISH b. 1946), IN THE BLUEBELL WOOD oil on canvas, signedframed and under glassimage size 61cm x 66cm, overall size 75cm x 80cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.
* JUNE CAREY RSW RGI (SCOTTISH b. 1942), GIRL WITH A BIRD artist's proof colour etching on paper, signed, titled and numbered A/Pframed and under glassimage size 18cm x 20cm, overall size 41cm x 44cm Note: June Carey began her art education in the 1960s at The Glasgow School of Art. She has been exhibiting her work widely throughout Britain and abroad ever since. Her awards include The Scottish Arts Council 1998, McGrigor Donald Trust 1989, European City of Culture Woman 2000 (First Prize) 1990, Dundee District Council Purchase Prize 1991, British Council Assistance Grant 1992, The Hope Scott Trust Award 1993, Scottish Arts Club Award 1993, McDonald Orr Ltd 1993, Anne Redpath Award 1996, BP Aberdeen Assistance Grant 2002, Connell & Connell Sponsorship and in 2004, a Research Grant from the Scottish Arts Council, to visit India. June Carey's work can be found in the collections of Lady Thyne; Peter Gabriel, BBC Television, The Royal Bank of Scotland, The Scottish Arts Council, Oxford University, Teachers Whisky, Highland Region, Edwins Gallery Jakarta, Barclay Lennie Fine Art Ltd, MacTaggart & Mickel Ltd. Eastern General Hospital, McDonald Orr Ltd, Dundee District Council, Arts in Fife and Private Collectors at home and abroad.
* IRENE LESLEY MAIN (SCOTTISH 1959 - 2023), SAUCHIEHALL STREET, GLASGOW watercolour on paper, signed and titled mounted, framed and under glassimage size 12cm x 22cm, overall size 33cm x 44cm Note: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship, and in Italy. She travelled extensively throughout Europe, America and Africa and exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. She was a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and had studios in Glasgow, Athens and Brodick, Isle of Arran. Lesley Main was strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpinned her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, the late Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.
* GERARD BURNS (SCOTTISH b. 1961), BALANCING ACT oil and mixed media on canvas, signedframedimage size 122cm x 153cm, overall size 149cm x 179cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), CAMILLIAS oil on board, signed, titled versoframedimage size 41cm x 41cm, overall size 60cm x 60cmQty: 4Note: Robert Kelsey is one of Scotland's most prominent landscape painters working today. Born in Glasgow in 1949, Robert studied painting at the Glasgow School of Art from 1966-70 under David Donaldson, James Robertson, and Alexander Goudie. Kelsey went on to teach art until 1995, at which point he left education to paint full time. Since then, Robert Kelsey has developed a reputation as one of Scotland's finest and in-demand painters, particularly for his stunning coastlines. Lot 48 "Portree Bay, Skye" by Robert Kelsey from the same private collection as "Yacht In The Sound of Iona" sold in The Scottish Contemporary Art Auction of 17th August 2023 sold for £2200 (hammer). Known collections include: Paisley Art Gallery, Lord Macfarlane of Bearsden, , Frances Shand Kydd, The Fleming Collection, Cairn Energy PLC, Credit Lyonnaise Bank, Turnberry Hotel, Taylor Woodrow, Lord Smith of Kelvin, His Grace, The Duke of Bedford, Anthony Shaffer, Highland Spring Water, Scottish Property Services, Arisaig Partners (Asia) Ltd, Enterprise Oil, Scottish Friendly Assurance.
* RONALD F SMITH RSW RGI PAI (SCOTTISH b. 1946), INCOMING TIDE oil on board, signed, titled label versoframed and under glass image size 29cm x 44cm Note: Ronnie Smith graduated from Glasgow School of Art in 1969. At that time the GSA was producing many of the best painters in the country and Smith, taught by Donaldson, Shanks and Robertson, was no exception. His work is inspired by his fascination with the Mediterranean and the Highlands of Scotland. Best known for his sweeping yet subtle landscapes, their detail picked out delicately in slight, contrasting hues, Smith is unaware of how talented he is. He is highly regarded amongst his artist friends but overbearing self-promotion and relentless focus on his image as an artist does not interest him. Instead he paints away in his Glasgow studio with dedication and modesty, totally absorbed in creating his next painting and facing the challenges it brings with integrity and creativity. Ronnie’s paintings are not scenic representations or views but are based on his individual perceptions. They are distillations of the real world with the emphasis on colour, space and structure. His awards include GSA – John and Mabel Craig Bequest; RSA – Carnegie Travelling Scholarship; GSA – Haldane Travelling Scholarship; RGI – David Cargill Award; RGI – John Cunningham Award. His work has been exhibited at prestigious galleries around the UK including The Portland Gallery (London), Lemon Street Gallery, Roger Billcliffe Gallery, Thompson's Gallery (London) and at the annual exhibitions of RSA, RSW, RGI and PAI. His known corporate and public collections include: Cunard Queen Mary II (commission), Royal Bank of Scotland, Edinburgh Fund Managers, Glasgow Museums, Leeds Education Authority, Lanarkshire Education Authority, Walter Scott & Partners and Adam & Co Bank.
* ETHEL WALKER (SCOTTISH b. 1941), SPRING SHADOWS oil on board, signed, titled label versoframed and under glassimage size 62cm x 64cm, overall size 82cm x 84cmHandwritten artist's label verso Label verso: The Gatehouse Gallery, Glasgow.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
* LESLEY BANKS (SCOTTISH b. 1962), BLUE BELLE oil on canvas, signed, titled versoframed and under glassimage size 31cm x 31cm, overall size 46cm x 46cmNote: Born in 1962, Lesley Banks grew up in Denny, Stirlingshire. In 1980 she began a four year Degree course at Glasgow School of Art specialising in Drawing and Painting. After graduating she travelled and painted throughout Europe funded by an Elizabeth Greenshields Scholarship. In 1988 she became a gallery assistant in the Compass Gallery, Glasgow. Here, encouraged by Cyril and Jill Gerber, Lesley began to exhibit more of her artworks winning various prizes and awards, such as The 1991 Scottish Prize, Royal Overseas League London. This gave her the confidence to concentrate on painting full-time. In 1999 Lesley was appointed 'Artist in Residence' at Edinburgh Zoo where her popular ''Urban Zoo'' exhibition gained funding from the Scottish Arts Council. Since this time Lesley has exhibited throughout the U.K. and as far afield as Singapore and the USA. Works in public collections include Aberdeen Art Gallery, BBC Scotland, Motherwell District Libraries, Leicestershire Schools Collection, Lillie Art Gallery, Unilever, TSB Bank, Kelvingrove Art Gallery and Museum, Perth Art Gallery and Museum.
Reserve Bank of New Zealand, a 1995 'Salute to Bravery' proof silver cameo twenty-dollar coin, a 1996 '70th Birthday Greetings' silver proof five-dollar coin and twenty-dollar bank note set, a 1997 '50th Golden Wedding Anniversary' silver proof twenty-dollar coin with gold cameo, a 2000 'Millennium' silver proof ten-dollar coin, (all cased), together with three proof sets: 1981, 1992, 2001 and other copper nickel commemorative New Zealand coins.
Elfe auf Reh, Knabe mit Enten und Kinderpaar. 2. H. 20. Jh. Weiß, 1x mit Goldstaffage und 1x mit schwarz-goldener Staffage. 2x HUTSCHENREUTHER: Elfe auf Reh (H 15 cm) und Knabe mit Enten (H 16 cm). / 1x METZLER & ORTLOFF, Modell-Nr. 4036: auf einer Bank sitzendes, in einem Buch lesendes Kinderpaar (H 10,5 cm). Aufrufzeit 25. | Okt. 2024 | voraussichtlich 17:09 Uhr (CET)Elf on a deer, boy with ducks and a pair of children. 2nd half of the 20th century White, 1x with gold staffage and 1x with black and gold staffage. 2x HUTSCHENREUTHER: Elf on deer (H 15 cm) and boy with ducks (H 16 cm). / 1x METZLER & ORTLOFF, model no. 4036: a pair of children sitting on a bench reading a book (H 10.5 cm). Call time 25 | Oct. 2024 | presumably 17:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
TIXIER, Daniel(1862 - 1915) Junge Frau im GartenÖl/Leinwand. Links unten signiert. 55 x 46 cm. Gerahmt : 72 x 63 cm (Stuckrahmen). Frau in hellem Kleid mit zwei Körben auf einer Bank nahe den Blumenbeeten. Leichte Altersspuren. Französischer Maler des Impressionismus. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:35 Uhr (CET) TIXIER, Daniel(1862 - 1915) Young woman in the gardenOil/canvas. Signed lower left. 55 x 46 cm. Framed : 72 x 63 cm (stucco frame). Woman in a light dress with two baskets on a bench near the flowerbeds. Slight traces of age. French Impressionist painter. Call time 26 | Oct. 2024 | probably 14:35 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
COLE, George V.(1833 Portsmouth - 1893 London) Englische Landschaft mit RindernÖl/Leinwand. Links unten monogrammiert. 1887. 25,5 x 50 cm. Gerahmt : 42 x 66,5 cm (Goldstuckrahmen). Flusslandschaft mit angrenzenden Weiden und Rindern nahe dem Ufer vor einer Stadt. Leinwand doubliert. Englischer Maler, stellte in der Royal Academy aus. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:53 Uhr (CET) COLE, George V.(1833 Portsmouth - 1893 London) English landscape with cattleOil/canvas. Monogrammed lower left. 1887.25.5 x 50 cm. Framed : 42 x 66.5 cm (gold stucco frame). River landscape with adjoining pastures and cattle near the bank in front of a town. Doubled canvas. English painter, exhibited at the Royal Academy. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 14:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Romantiker Mitte 19. Jh.: Flusslandschaft im GebirgeÖl/Malkarton. Unsigniert. 23,5 x 31 cm. Gerahmt : 36 x 44,5 cm (Goldstuckrahmen). Segler an der Flussbiegung vor den steilen Bergen am Ufer im Sonnenschein. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:56 Uhr (CET) Romantic mid-19th century: River landscape in the mountainsOil/painting card. Unsigned. 23.5 x 31 cm. Framed : 36 x 44.5 cm (gold stucco frame). Sailors at the bend in the river in front of the steep mountains on the bank in the sunshine. Aufrufzeit 26. | Oct. 2024 | probably 14:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICK, Anton(* 1840 Görz) FlusslandschaftÖl/Leinwand. Links unten mit Pseudonym "C. Rieder" signiert. 51 x 82 cm. Gerahmt : 72 x 103 cm (Goldstuckrahmen). Kahnfahrer am Ufer nahe dem Schilf im stimmungsvollen Abendlicht vor einer Burg weiter hinten. Minimale Altersspuren. Landschaftsmaler in Wien, studierte in Mailand unter Alb. Zimmermann und in Venedig. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 15:18 Uhr (CET) PICK, Anton(* 1840 Gorizia) River landscapeOil/canvas. Signed lower left with pseudonym "C. Rieder". 51 x 82 cm. Framed : 72 x 103 cm (gold stucco frame). Bargeman on the bank near the reeds in the atmospheric evening light in front of a castle further back. Minimal traces of age. Landscape painter in Vienna, studied in Milan under Alb. Zimmermann and in Venice. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 15:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GÖHLER, Hermann(1874 Neustadt/Haardt - 1959 Karlsruhe) "Bodenseeufer"Öl/Leinwand. Rechts unten signiert, verso bezeichnet/betitelt. 82 x 90 cm. Gerahmt : 94 x 104 cm (Goldrahmen). Befestigtes Ufer mit Treppe und dichten Baumkronen im Sonnenschein. Maler in Karlsruhe, studierte an der Akademie München und Karlsruhe bei F. Keller, Professor an der Kunstgewerbeschule Karlsruhe. Hauptsächlich Parkansichten mit Figuren in historischen Kostümen. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 16:45 Uhr (CET) GÖHLER, Hermann(1874 Neustadt/Haardt - 1959 Karlsruhe) "Bodenseeufer"Oil/canvas. Signed lower right, verso inscribed/titled. 82 x 90 cm. Framed : 94 x 104 cm (gold frame). Paved bank with steps and dense treetops in the sunshine. Painter in Karlsruhe, studied at the Munich and Karlsruhe academies under F. Keller, professor at the Karlsruhe School of Arts and Crafts. Mainly park views with figures in historical costumes. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 16:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BAYERLEIN, Fritz(1872 Bamberg - 1955 ebd.) "Mainstädtchen"Öl/Malkarton. Rechts unten signiert, verso bezeichnet/betitelt mit Zusatz München. 50 x 69,5 cm. Gerahmt : 57,5 x 77 cm (teils goldener Rahmen). Flusslandschaft mit Stadt am Ufer unter bedecktem Himmel. Deutscher Maler, studierte an der Kunstgewerbeschule Nürnberg und an der Akademie München unter Raupp. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 17:11 Uhr (CET) BAYERLEIN, Fritz(1872 Bamberg - 1955 ibid.) "Mainstädtchen"Oil/painting card. Signed lower right, verso inscribed/titled with the addition Munich. 50 x 69.5 cm. Framed : 57.5 x 77 cm (partly gold frame). River landscape with a town on the bank under a cloudy sky. German painter, studied at the Nuremberg School of Arts and Crafts and at the Munich Academy under Raupp. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 17:11 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Viehherde am Seeufer im SonnenscheinÖl/Leinwand. Unsigniert. Ende 19. Jh. 46 x 76 cm. Gerahmt : 61 x 92 cm (schwarzer Lackrahmen). Die Rinder an einem seichten Ufer dicht am Waldrand mit der weiter hinten folgenden Hirtin im milden Sonnenschein. Eine kleine restaurierte Stelle mit Hinterklebung, Altersspuren. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 18:40 Uhr (CET) Herd of cattle on the lakeshore in the sunshineOil/canvas. Unsigned. Late 19th century46 x 76 cm. Framed : 61 x 92 cm (black lacquer frame). The cattle on a shallow bank close to the edge of the forest with the shepherdess following further behind in the mild sunshine. A small restored area with backing, traces of age. Call time 26 | Oct. 2024 | probably 18:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEINBERGER, Anton(1843 München - 1912 Wiesbaden) Jagdhund in GebirgslandschaftÖl/Malkarton. Rechts unten signiert. 1889. 32 x 40 cm. Gerahmt : 44 x 53 cm (furnierter Rahmen). Ein braun-weißer Setter am Bachufer in weiter hügeliger Wiesen- und Waldlandschaft. Minimale Altersspuren. Landschafts- und Tiermaler, studierte an der Akademie München bei Hiltensperger und Strähuber, dann bei A. Schleich und Erxleben, Schüler von Meyerheim/Berlin. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 18:53 Uhr (CET) WEINBERGER, Anton(1843 Munich - 1912 Wiesbaden) Hunting dog in a mountain landscapeOil/painting card. Signed lower right. 1889.32 x 40 cm. Framed : 44 x 53 cm (veneered frame). A brown and white setter on the bank of a stream in a wide hilly meadow and forest landscape. Minimal traces of age. Landscape and animal painter, studied at the Munich Academy under Hiltensperger and Strähuber, then under A. Schleich and Erxleben, pupil of Meyerheim/Berlin. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 18:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleiner Blumenstand mit französischem Püppchen in Tracht. Holz, weiß gestrichen, mit Stoffbespannung. 26 x 20,5 x 17 cm. Marktstand mit zahlreichen Textilblumen, Bank, 2 Gießkannen und Porzellankopf-Püppchen als Verkäuferin (Unis France, L 13,5 cm). Originalzustand, Altersspuren, kleine Defekte. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 11:11 Uhr (CET)Small flower stand with French doll in traditional costume. Wood, painted white, with fabric covering. 26 x 20.5 x 17 cm. Market stall with numerous textile flowers, bench, 2 watering cans and porcelain head doll as saleswoman (Unis France, L 13.5 cm). Original condition, signs of age, minor defects. Call time 24 | Oct. 2024 | probably 11:11 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A collection of approx. fifty world banknotes, including thirty seven French notes of various denominations spanning 1915 to 1938, A 1943 Trinidad and Tobago 1943 $1 note, and approx. fourteen other notes including examples from the Bank of England, Japan, Greece, and Germany, all from circulation
A collection of British banknotes, approx. 50 notes in total, including a selection of Bank of England 10 Shilling and £1 notes, Ulster Bank and Bank of Ireland £1 and £5 notes, a selection of Bank of Scotland, RBS, Clydesdale Bank and Commercial Bank of Scotland notes, including a BOS 2003 £20 note, also noted an 1889 Darlington Bank £5 cheque, along with a selection of other notes from other British regions and territories including Guernsey, Jersey, Isle of Man, Australia, New Zealand, and others, presented in a green 'Hendon' album
A collection of four 19th Century United States banknotes, including a Vermont Bank of Windsor $3 note, circa 1800, in fair condition, general discolouration and some grubby marks, one or two tiny perforations, edges and corners generally good, some creasing, handwriting in ink to reverse, an 1876 State of Louisiana $5 bond note, clean crisp and flat, a little discolouration to edges in places, one or two dirt/ink spots, an 1862 Newark New Jersey 50 Cents certificate, considerable creasing and grubbiness, some damage to edges and corners, a small perforation near centre of note, handwriting in ink to reverse, and an 1853 Rhode Island Bank of the Republic $5 note, in fair condition, some creasing and general discolouration and grubbiness, a large number of tiny perforations across the note, edges and corners good, recommend viewing
A collection of Bank of England bank notes, including a consecutive run of five earlier Page £1 notes (serial numbers HT76 746558 to HT76 746562), a consecutive run of five earlier Page £1 notes (serial numbers HW80 323415 to HW80 323419), a consecutive run of three earlier Page £1 notes (serial numbers Y66B 844033 to Y66B 844035), all in very condition, along with five other Fforde and Hollom £1 notes from Circulation, two 'blue' Peppiatt £1 notes in good condition, a Peppiatt 10 Shillings note from circulation but in good condition, a Hollom 10 Shillings note from circulation, and a 1910 Russia 100 Roubles note in fair condition, 23 notes in total
A small collection of world coinage, including a small album containing approx. sixty Roman coins and metal detector finds, also a small album of approx. seventy world coin, mostly Russian, British and German, noted four Russian 18th Century Denga coins, along with a German States Bavaria 1 Thaler style white metal coin, marked 1641, possibly a copy, measuring 42mm and weighing 42.91g, and a Bank of England O'Brien 10 Shillings note in circulated condition
A collection of bank notes from Asia, approximately Ninety Seven notes in total, including two French Polynesia 1000 Francs notes, a 1950 St Pierre et Miquelon 5 Francs note, two Korea 1944 10 Yen notes circa 1944, a Malaya and British Borneo 1959 1 Dollar note, and much more with examples from Vanuatu, Korea, Laos, Macau, Nepal, Myanmar, and more, most in good or excellent condition, presented in a blue 'Hendon' album
A Collection of British and World coinage, including three GB 1986 Proof sets, three Isle of Man 2020 Peter Pan 50 pence collections, two still sealed in original packaging, an Isle of man Rupert Bear 50 pence collection in folder, and more, along with two Change Checker albums containing one Hundred and twenty five modern collectible 50 pence coins mostly from circulation, including Paddington Beatrix Potter etc., and a small selection of other Decimal £5, £2, and £1 coins, and a small selection of five world bank notes including a Bank of England O'Brien 10 Shilling note in good condition
A collection of British Regional and Overseas Territories banknotes, approximately thirty nine banknotes from Scotland, Ireland, Jersey, Guernsey, and the Isle of Man, the Scottish notes include fifteen £1 notes from various banks including 1964 RBS £1 note, a 1992 European Summit £1 note in folder, and a 1978 Bank of Scotland £5 note, the Irish notes include a 1982 Allied Irish Bank £20 note, a 1976 £1 note in very good condition, a 1963 10 Shillings note in very good condition, along with ten other notes of various denominations, also nine other £1 notes from Jersey (5), Guernsey (3), and Isle of Man (1), mostly from circulation, in various conditions, presented in a blue slimline banknote album
A collection of bank notes from Central America and the Caribbean, approx. sixty five bank notes in total, including examples from Aruba, Bahamas, Costa Rica, Cuba, East Caribbean, Mexico and many more, noted a 2003 Aruba 10 Florin in very good condition, a 2000 Bermuda two dollars in very good condition, two 1917 Costa Rica 1 Colon note, a Costa Rica 5 Colones note, circa 1917, a Cuba 1896 10 Peso note with red PLATA overprint, in fair condition with some edge damage, and a 1965 East Caribbean Currency Authority one dollar note in excellent condition, all other notes mostly in excellent condition and presented in a brown 'Hendon' album
A large collection of bank notes from The Middle East, including examples from Libya, Iran, Bahrain, Egypt, Iraq, Israel, Jordan, Qatar, Sudan, Turkey, Yemen, and more, approximately One Hundred and Ninety notes in total, including a 1942 Lebanon 25 Piastres note, a 1943 Libya 5 Lire Military note, a 1952 - 1960 Egypt 10 Pounds note, and much more, most in good or very good condition, presented in a green 'Hendon' album
A 1950's Bank of England White Five Pound note, dated 1952, in fair to good condition, folding and creasing evident across note, some discolouration around edges, general grubbiness particularly to back, edges generally good with minor rounding to corners, handwritten number '70' in blue pencil to back
A collection of five Reserve Bank of India banknotes, including a 2 Rupees note, circa 1943-1947, some creasing with fold to centre top to bottom, two significant perforations towards left hand margin, a few grubby marks and one or two spots of foxing, otherwise fairly clean, a 1943 10 Rupees note in very good condition, two 1937 5 Rupees notes in very good condition although on has significant perforations to left margin, probably staple holes, and a 1940 1 Rupee note in very good condition
A collection of bank notes from Europe, including examples from Bulgaria, Croatia, Cyprus, Czechoslovakia, Denmark, Finland, and France, approximately Fifty Nine notes in total, including a Croatia 1943 5000 Kuna note, a Cyprus 1976 500 Mil note, a Czechoslovakia 1942 500 Korun note, a Faroe Islands 2011 100 Kronur note, a France 1936 100 Francs note, and more, most in very good condition, presented in a green 'Hendon' album, a good selection, worth a look
A collection of bank notes from Europe, including examples from Albania, Austria, Belgium, Bohemia and Moravia, and Bosnia, approximately Fifty notes in total, including a 1945 Albania 100 Franga note, a 1957 Albania 1000 Franga note, a 1930 Belgium 100 Francs note, and more, most in good condition, presented in a blue ring binder, a good selection, worth a look
A collection of bank notes from Europe, including examples from Greece, Hungary, Iceland, Italy, Montenegro, and more, approximately Fifty notes in total, including a 1923 Hungary 100 Korona note, a 1904 Italy 5 Lire note, a 1986 Luxembourg 100 Francs note, a series of 1914 Montenegro 1, 2 and 5 Perper notes, and more, most in good or very good condition, presented in a green 'Hendon' album
A 1950's Bank of England White Five Pound note, dated 1955, in fair to good condition, folding and creasing evident across note, some discolouration around edges, a few grubby marks here and there , edges generally good with minor rounding to corners, significant amount of handwriting in ink to reverse of note
A collection of bank notes from Europe, including examples from Netherlands, Portugal, Norway, Italy, Romania, Spain, Sweden, and more, approximately Eighty Seven notes in total, including a 1798 Italian States 10 Paoli note, a 1925 Portugal 20 Centavos note, a 2002 Slovakia 50 Korun note, and much more, most in good or very good condition, presented in a brown 'Hendon' album
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