We found 23332 price guide item(s) matching your search

A Victorian Aesthetic period Worcester pattern blue-and-white earthenware wash basin and ewer by Edward F Bodley & Son, (a/f)

An Edwardian silver sugar basin, of diminutive size and having bright cut ribbons and swags surrounding a vacant cartouche, Birmingham, 1910, 79 g, 8.5 cm high

A Garrard and Co silver cream jug and sugar basin, decorated with winged masks among scrolls, bearing an engraved crest, internally gilt, London, 1918, 388 g, basin 7.5 cm high

An antique large jug and basin set with floral design collection only

ASSORTED CERAMICS including pair Staffordshire spaniels, pair Staffordshire figures of mounted highlanders, Copeland Spode Italian jug, modern Staffordshire style recumbent sheep and hound, three small Chinese blue and white export dishes, pottery jug and basin, silver pepperette ETC

LARGE CONTINENTAL MEISSEN-STYLE PORCELAIN BASIN, decorated with floral medallions reserved on a royal blue ground, twin gilt crabstock handles, 54w x 37.5d x 29cm h

VICTORIAN CERAMIC EWER AND BASIN,along with two chamber pots, a blue and white ashet and a Soho China fish set

Archibald Knox for Liberty - Tudric pewter three piece tea set 0231, Rd No 420290, comprising teapot with can handle, milk jug and sugar basin, all with seed pod decoration, (3)

Three watercolours by Tony Henderson - 'Bathurst Basin', 'On the Mud Norfolk', and 'Langston Mill Hampshire', 26 x 35cm and smaller, framed and glazed (3)

Minton 'Buckingham' part-tea service, tea pot, milk, sugar basin, six cups and saucers, and six plates

A CHINESE SILVER TEA SET engraved with birds with bamboo pattern handles and spout, comprising TEAPOT, sugar basin and milk jug. Weighs 33ozs.

A CHEQUER LINE INLAID MAHOGANY SIDEBOARD FORM WITH CENTRAL HAMMERED COPPER HAND BASIN. W 153 x D 60 x H 123cms. TOGETHER WITH A COPPER WARMING PAN

AN IMPRESSIVE ART DECO PEDESTAL WASH BASIN, A FURTHER WASH BASIN, TWO CISTERNS AND A BRACKET

AN ANTIQUE WROUGHT IRON SIGN HANGER, A PEDESTAL WASH BASIN ETC

A BASKET WARE DRESS AND BODICE, A WALL HANGING BODICE, A TOLE LAMP, TWO APPLIQUES, A BOAT SHAPED BLACK BASIN, ETC.

George III Cream jug and matching sugar basin engraved with crest. London 1905. 290gms

A George III sugar basin with half fluted decoration, gilt interior, 7.5" over handle, London 1806, 265g

George V silver three piece tea set, half faceted with beaded rims, comprising teapot 5.5" high, with hardwood finial and handle, jug and sugar basin, maker Adie Brothers Ltd. Birmingham 1933; also a coffee pot 7" high, dated 1932, 30.6oz t (4)

Pair of brass horse ornaments, table lamp with hunting scene shade, pewter plate, chamber pot and wash basin, light shade

A Chinese elm wood rectangular travel box, probably 20th century, with iron fittings together with an oval coopered Cypress wood basin. Together with a large Eastern hewn hardwood circular tray, a Chinese velum covered wooden suitcase with iron handles and fittings. 53 cm long x 34 cm deep x 41 cm high

A group, including Coalport dessert plate, decorated with gilt and red vine leaves; a Flight Barr and Barr saucer dish, decorated with brown and gilt ivy leaves; a Worcester slop bowl, pattern no.342, decorated with a border pattern of blue and gilt; a Newhall saucer, with a border pattern of red, blue and green flower swags; and a Sampson of Paris fluted slop basin, spuriously marked Nant Garw in gilt, c.1900 (5) 

A group of Derby porcelain, including a gold mark dessert plate, painted with a white petalled ladies slipper, by John Brewer, taken from Curtis Botanical magazine, c.1800; together with a Derby red mark cabinet stand, decorated with flower swags; and a King Street Derby cup and saucer, flower decoration; a Royal Crown Derby cup and saucer, similarly decorated; and a blue transfer printed sugar basin (7)

Claude Antoine Ponthus-Cinier, 1812 Lyon – 1885 ebendaVEDUTE DES BACINO DI SAN MARCO ÜBER DIE RIVA DEGLI SCHIAVONI Öl auf Leinwand. 80 x 141 cm. Links unten signiert „PONTHUS CINIER“ und rechts unten datiert „1871“. In vergoldetem, mit Lorbeerblattfries dekoriertem Rahmen.Die schöne Ansicht zeigt das Markusbecken von der Riva degli Schiavoni aus. Aus dieser Perspektive ist links die Basilika Santa Maria della Salute zu sehen, während die Punta della Dogana den Eingang zum Canal Grande markiert. Das in zarten Rosatönen getauchte Licht, das allmählich in Gelb und Blau übergeht, erzeugt zusammen mit dem Wolkenspiel über der Salute einen romantischen Effekt, bei dem die Gebäude in Licht getaucht und in festen Formen skizziert werden, die durch den geschickten Einsatz von scharfen Schatten definiert sind. Auf der rechten Seite wird der Himmel immer klarer und die warme Farbpalette beleuchtet die Reihe von Gebäuden, die zu dem kleinen Platz mit dem Dogenpalast, der Libreria Marciana, führen, wo einige Boote noch ihre Segel aufgerichtet haben und teilweise den Blick auf das Gebäude verdecken. Auf der rechten Seite sind einige Marktszenen zu sehen, bei denen die verstreuten Figuren entlang imaginärer Diagonalen arrangiert sind. Im Vordergrund rechts führt der Pier mit der vorbeifahrenden Gondel die Komposition auf eine eigentümliche und theatralische Weise ein. Das Werk kann als hervorragendes Beispiel für den Stil von Ponthus-Cinier angesehen werden, der sehr auf das Spiel des Lichts und den dekorativen Geschmack im Gesamtkontext bedacht ist.Der 1812 in Lyon geborene Künstler war Schüler von Paul Delaroche und besuchte die Hochschule für Bildende Künste seiner Stadt. Seine Karriere nahm 1841 eine Wendung, als er mit einem Werk, das eine historische Landschaft mit Adam und Eva, die aus dem Garten Eden verbannt wurden, darstellt, den zweiten Platz beim Prix de Rome gewann. Er reiste zwei Jahre lang durch Italien und malte nicht nur in der Hauptstadt, sondern auch in Florenz und Neapel, bevor er nach Frankreich zurückkehrte und eine lange Reihe von Landschaften schuf, die unter dem Begriff des italienischen Neoklassizismus zusammengefasst werden können und fast immer von kleinen Figuren mit einem besonderen Geschmack belebt werden. Er arbeitete in der Dauphiné, in der Provence, in den Alpen, in den Pyrenäen und in Savoyen. 1841 schickte er seine Bilder in den Pariser Salon, aber zuvor (ab 1838) nahm er auch am Salon von Lyon teil, wo er bis zu seinem Tod 1885 blieb. Schon zu Lebzeiten bekannt und geschätzt, wurde ihm vorgeworfen, zu sehr dem Dekorativen und Pittoresken zu frönen, was der Frische und Unmittelbarkeit seiner Malerei abträglich sei. Seine Gemälde befinden sich in den Museen von Lyon, Chalon-sur-Saône, Besançon, Brou und Chambery. (†)Provenienz: Französische Privatsammlung. Ausstellung: Société des Amis des Arts de Lyon, 1872, Nr. 461. (1320124) (13)Claude Antoine Ponthus-Cinier, 1812 – 1885VENICE VEDUTA OF THE BACINO DI SAN MARCO FROM THE RIVA DEGLI SCHIAVONIOil on canvas.80 x 141 cm.Signed “PONTHUS CINIER” lower left and dated “1871” lower right.In gilt frame with laurel leaf frieze.The beautiful view shows the St Mark’s Basin from the Riva degli Schiavoni. From this perspective, the Basilica of Santa Maria della Salute can be seen on the left, while the Punta della Dogana marks the entrance to the Grand Canal. The light bathed in soft pink hues, gradually fading into yellow and blue, together with the play of clouds over the Salute, create a romantic effect in which the buildings are bathed in light and outlined in solid forms, defined by the clever use of sharp shadows. To the right, the sky is clearing, and the warm colouration illuminates the row of buildings leading to the small square with the Doge's Palace, the Biblioteca Marciana, where some boats still have their sails raised and are partially obscuring the view of the building. There are market scenes on the right where the scattered figures lead along imaginary diagonal lines. In the foreground on the right, the pier with the passing gondola introduces the composition in a unique and theatrical way.The work can be considered an excellent example of Ponthus-Cinier’s style, which is very sensitive to the play of light and the decorative taste in the overall context. (†)Provenance: French private collection. Exhibitions: Société des Amis des Arts de Lyon, 1872, no. 461.

+ LÊ PHỔ (VIETNAM & FRANCE, 1907-2001)   ECOLE DES BEAUX-ARTS DE L’INDOCHINE (INDOCHINA FINE ARTS COLLEGE), 1ST CLASS (1925-1930)  Les blanchisseuses ou les lavandières au bord de l’eau, Vietnam (Washerwomen - Laundresses or Laundry Women - along the River, Vietnam)  Ink on paper / two paper leaves   Signed to the lower right  Framed with a glass  25,7 x 35,7 cm     *****DIMENSIONS SHOULD READ 25,7 x 35,7 CM*****    Provenance:  - René et Raymonde Altobianchi, antique dealers active in the 1960s-1980s in l’Escarène, near Nice, French Riviera, where Lê Phổ settled after the French army, in which he enrolled in Carcassonne, was defeated by German. Their shop was named ‘César de Peluet’ after the first name of the father of Raymonde. Probably acquired in the 1970s from a local Estate. René Altobianchi was also an ornamental sculptor and was awarded the Medal of the French National Order of Merit for his volunteer role as a technical director of judo, which he practiced along with Yves Klein, a world-renowned artist of the School of Nice prized, notably, for his famous ‘Leap into the void’ and his ‘IKB blue’.  + NOTICE TO BIDDERS: This lot has been authenticated by the Wally Findlay Institute, USA. According to them, it will be included in the forthcoming catalogue raisonne of the artist. The buyer will bear the cost of this certificate. Please e-mail the department for further details: yuchen@adams.ie. This lot is stored at CADOGAN TATE PARIS. Please contact CADOGAN TATE at Parc des Docks, Batiment 553B, 50 rue Ardouin, St Ouen, 93400 Paris, France, +33 1 48 20 85 60.   The buyer will bear the cost of this certificate. Please e-mail the department for further details: yuchen@adams.ie.  Notes: One of the leading figures of modern Vietnamese art, Lê Phổ was born in 1907 in Hà Tây province into a respected Mandarin family, his father being the last viceroy of Tonkin. Showing a predisposition for painting and drawing, he entered the first class of the Indochina School of Fine Arts in 1925. He was soon noticed by the director and founder of the school, Victor Tardieu, for whom he retained a strong attachment throughout his life. In 1931, he came to France to present his works on the occasion of the International Colonial Exhibition. He chose to stay in Paris for a year to attend classes at the École des Beaux-Arts, then undertook several trips to Europe. He returned to Vietnam in 1933 and taught at the Indochina School of Fine Arts in Hanoi. He decided to settle permanently in France in 1937 and quickly became very well known. The washerwomen installed around the laundries have marked the previous centuries. Washerwomen is a generic term that includes laundresses and laundry women who differ in the nature of the laundry they wash: the formers take care of the fine linen (e.g. costume) whilst the latter clean the less delicate, coarser linen (e.g. rags). This theme inspired many French artists of the 19th century, such as Pierre-Auguste Renoir and Honoré Daumier, with different perspectives: some glorified the hard work of these women whilst others showed their complicity at work. In Blanchisseuse, Lê Phổ, deals with a very Francophile pictorial subject with his Vietnamese soul. Two women are seated on a pier above quiet water: the first one, fronting the spectator, is soaking clothes in her hands, a laundry basin next to her; the second one, at rest and seen from the back, is melancholically staring at the horizon. The slender Vietnamese women wear traditional clothes known as áo dài. The one seen from the back also wears a traditional headdress. Lê Phổ used sweet, soft, curvy, and round lines to magnify the beauty and the femininity of those women (as would have done Jean-Auguste-Dominique Ingres), whom do not seem affected by their work. In doing so, he created an ideal depiction, an iconic vision of washerwomen. Compare with a related oil on canvas by Lê Phổ entitled ‘The Laundry Ladies’ sold at CHRISTIE’S Hong Kong, China, 2006-05-28, lot 72, for €70,910. 

AN IVORY NETSUKE OF AN ONI COMBING HIS HAIRJapan, Meiji period (1868-1912)The finely carved and stained ivory netsuke depicting a seated Oni with a satisfied facial expression, holding a water basin in his left hand, and a comb in his other hand, brushing through his hair and using the water to slick the hair back. Two symmetrical himotoshi at the backside.HEIGHT 3.9 cmCondition: Fine condition with usual traces of wear and age, with a crack to the right foot and to the water basin. Provenance: Tajan, Arts du Japon, 25 October 2012, Paris. A notable European collection, acquired from the above.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A LARGE FAMILLE ROSE BASINChina, late Qing Dynasty (1644-1912). The rounded sides rising from recessed base to a slightly flaring broad rim, brightly enamelled to the interior with a hen, butterflies, a peacock, and other birds within a fenced garden further decorated with craggy rocks, blooming peonies, bamboo, and trees. The rim with a border of floral scrolls against a dotted ground and lobed reserves enclosing birds. The backside with three blooming peony sprays.Condition: Overall good condition with some wear, minimal firing flaws and a hairline to rim. Provenance: Croatian private collection.Weight: 2922 g Dimensions: Diameter 40.5 cm

LOSOL WARE OLD TREE JUG AND BASIN SET

Four traditional barge ware painted pieces circa 1970-1973, painted after the Nurser style by Raymond Kearns, Middlewich, two water cans with swing handles, tallest 53cm overall, and a 'dipper' water basin with a painted cabin block (4)

Habaner SchraubflascheFayence aus ockerfarbenem Scherben, farbig staffiert und glasiert; sechseckige Form, abgeflachte Schulter; die Wandung mit Blaumalerei mit gelben Vögeln und Häusern; Zinnmontierung mit Schraubverschluss; minimale GlasurabsplitterungenH. 23 cmehemals Sammlung Lessner, WienRadvanyi, Laszlo Reti, Ceramic art of the Habans. The ceramic art of the Carpathian Basin, Budapest 2011, S. 239, Abb. 344

A Regency silver sugar basin, marks rubbed, perhaps London 1809, semi-fluted form with cast anthemion and scroll outline, twin handles, on lion paw feet, 12ozs, width 21cm.

An English delft basin, 18th century, broad flange decorated with a powdered magenta band of strapwork, centre decorated with a figure, fence and flowering rock-plant (cracked) diameter 30cm; a large English delft blue and white plate, early 18th century, decorated with rock flowers, (damaged) diameter 30cm; and an English delft plate, polychrome decoration with a building on an island within a trellis band.Qty: 3

GEORGE V MATCHING SILVER CREAM JUG & SUGAR BASIN, Sheffield 1912, maker Cooper Brothers & Sons Limited, both have scroll handles and wavy top rims on four hoof feet and central chase decorated bands with vacant cartouche, 6.5cms H, 11.5cms across the jug, 8.5cms H, 15.5cms across the basin, 5.1ozt gross

CHRISTOPHER DRESSER (1834-1904) FOR THE OLD HALL EARTHENWARE CO. LTD. AESTHETIC MOVEMENT ‘EUREKA’ printed and glazed earthenware, with gilt embellishments, printed marks under base EUREKA/ RD.NO. 44552(ewer 30cm high, basin 39cm diameter)

Selection of decorative ceramics, including: Wedgwood 'Autumnus' ewer, basin and vase; Royal Doulton 'Temple' planter; Denby 'Romance' vase; and other items.

A Vienna porcelain tea service and tray set with birds of paradise design on pink ground very minor wear to gilt in places, sugar basin lid has small chip as does chocolate pot lid, one cup reapired and another with a hairline.

A late 19th early 20thc Crown Devon wash basin and ewer, basin a/f, ewer measures 32cm high (2)

A pair of Late Copeland Spode basins, Staffordshire basin and a Masons bowl, largest 451cm diameter, (4)

A 19th century French large blue & white two handled ceramic basin decorated with flowers and  family crest/armorial, Chateau Toussicourt stamp to base

Porcelain basin from Canton China circa 1900 - Weight: 1.78 kg - Region: Chine - Sizes: H=125mm D=290mm - Condition: At first sight - good condition - no restoration - no repair

China Basin with doukai decorations and scene of Shoulao figures - Weight: 1.28 kg - Region: Chine - Sizes: H 95 mm D 275 mm - Condition: At first sight - patina of use - trace of wear

An 'Ironstone China' jug and basin, jug 28.5cm high, basin 35.5cm diameter. 

Clarice Cliff celtic harvest sugar basin with original chrome lid - slight staining to inside otherwise in good used condition

Vernacular elm long basin, with loop handle and spout, 136 x 44 cm

Large zinc basin with twin iron handles, 79 cm diameter

A Mason's jug and basin set.

A Royal Doulton wash basin & jug set

COLIN CARRUTHERS (CONTEMPORARY) - 'Gas Street Basin, Birmingham', oil on canvas, signed and dated '08 verso, framed, 50cm x 50cm, frame size 66cm x 66cm.

Two trays of china, 1 Royal Stafford 'Rosebud' fine bone china part teaware to include: 6 tea cups, saucers and tea plates, sandwich plate and a sugar basin, together with a tray of Royal Albert 'Gossamer' part teaware to include 6 tea cups and saucers, 6 tea plates and a sandwich plate, sugar basin and milk jug. (2) Charity sale.(B.P. 21% + VAT)

Two Trays of Royal Doulton 'Royal Gold' coffee and dinner ware to include 6 coffee cups and saucers, coffee pot and sugar basin, together with gravy boat and stand and 6 each of , dinner plates, side plates tea plates soup plates and small bowls, together with a sandwich plate. (2) (B.P. 21% + VAT)

Five Carltonware coffee cups and saucers, decorated with vignettes of a lady and a gentleman in black on a yellow ground together with a coffee pot and a sugar basin (early 20th century) (B.P. 21% + VAT)

A box of assorted pottery items together with a box of metalware. Oriental plate with markings to the base, collection of brown earthenware pottery to include a hen egg crock and 4 figures which are lidded jars marked 'Tea', 'Coffee', 'Sugar' and 'Coffee' an another unlidded, collection of 4 snuff bottles Chinese red snuff bottle, relief decorated with equine scenes, blue and white florally decorated snuff bottle, tear drop shaped snuff bottle and another with a sailing boat, blue and white basin from a wash stand set with oriental stamp to the base and a box of metalware to include: probably silver plate on copper coffee pot, white metal glass lined oval serving dish, white metal white glass lined butter dish with wild cat knop, 3 branch candelabrum, possibly silver plate on copper, fox handled hunting tankard, blue glass lined condiment set etc. (2) (B.P. 21% + VAT)

Three trays of assorted pewter ware, to include: plates, tankards, teapot and coffee pot with basket-ware handles and matching milk jug and sugar basin, flagons, beakers, measures etc. (3)(B.P. 21% + VAT)

Tray of Roslyn fine bone china part tea ware 'Delicado' to include: 6 tea cups and saucers and 6 tea plates, sandwich plate, milk jug and sugar basin. (B.P. 21% + VAT)

Tray of Picquot Ware, to include: fawn melamine tray with metal surround and wooden handles, tea pot coffee pot, milk jug and sugar basin (5) (B.P. 21% + VAT)

Varied tray containing Royal Albert 'Old Country Roses' vase, 2 Portmeirion 'Botanic Garden' lidded jars, Mason's 'Mandalay Red' planter, Windsor china milk jug and sugar basin, Wedgwood 'Kutani Crane' pin dish and Royal Worcester 'Medici' plates and bowls with blue and gilt rims. (B.P. 21% + VAT)

Two trays of Paragon fine bone china 'Spring Time' with spring flower rims, to include: 9 cups with 8 saucers and a larger cup with 3 larger saucers, milk jug, sugar basin, 6 round tea plates and 5 octagonal tea plates, 2 square sandwich plates, 3 differently sized plates, oblong sandwich tray and another jug (2)(B.P. 21% + VAT)

A Liberty's 'Tudric' beaten pewter breakfast set, to include: tea pot and glass bottomed stand, coffee pot, glass pewter lidded marmalade jar, milk jug and sugar basin with spoon. (B.P. 21% + VAT)

Four trays of Royal Albert 'Old Country Roses' to include: 12 dinner plates, 6 side plates, 6 soup plates, 10 larger bowls and 6 smaller bowls, 10 tea plates, 12 tea cups and saucers, 3 milk jugs, 1 sugar basin , pin dish or condiment dish, vase, gravy boat and stand and a 2 tiered cake plate (4) (B.P. 21% + VAT)  All Firsts. 

Box of metalware to include: a Victorian style EPNS fan shaped toast rack, large EPNS tea pot with bone heat resisters and a flower knop with matching sugar basin, 4 white metal trays, tankard etc. (B.P. 21% + VAT)

Full title: A marble wall basin, probably France, 17/18th C.Description:H 47,5 x L 74,5 x D 44 cmAbout this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.