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Music autograph album 1950s vintage with a number of unidentified celebrity signatures, personal poems etc. Includes musicians Doug Wright, Jimmy Stead, Mike Peters members of John Barry Seven, Craig Douglas, Kitty Bluett, five band autographs on one page, Ron Prentice bass, Jerry Kennedy, M McDonough guitar, Sammie Calor? drums, Ron Baker, Johny Le Roe? Ray Adams the Avons, Alan Freeman, John Berry, Lee Lawrence, B Tyler plus a number of we assume friends autographs. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Original vintage music advertising poster for a concert by Buffalo Springfield at the Avalon Ballroom in 1966. Supporting acts featured The Daily Flash and Congress of Wonders. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The group released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, the group released the protest song "For What It's Worth", for which they are now best known. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock. After various drug-related arrests and line-up changes, the group broke up in 1968. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of the Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco.[4] Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997. Excellent condition. Country: USA, year of printing: 1966, designer: Ned Lamont, size (cm): 51x36
Original vintage music advertising poster for a concert by Canned Heat and Siegel Schwall at the Avalon Ballroom in 1967. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighbourhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Canned Heat is an American rock band that was formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat" (from the original 1914 product name Sterno Canned Heat). After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a line-up consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums). The music and attitude of Canned Heat attracted a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s, performing blues standards along with their own material and occasionally indulging in lengthy 'psychedelic' solos. Two of their songs – "Going Up the Country" and "On the Road Again" – became international hits. "Going Up the Country" was a remake of the Henry Thomas song "Bull Doze Blues", recorded in Louisville, Kentucky, in 1927. "On the Road Again" was a remake of the 1953 Floyd Jones song of the same name, which is reportedly based on the Tommy Johnson song "Big Road Blues", recorded in 1928. Since the early 1970s, numerous personnel changes have occurred, although the current line-up includes all three surviving members of the classic line-up: de la Parra (who has remained in the band since first joining in 1967), Mandel, and Taylor. For much of the 1990s and 2000s, de la Parra was the only member from the band's 1960s line-up. He wrote a book about the band's career, titled Living the Blues. Larry Taylor, whose presence in the band has not been steady, is the other surviving member from the earliest line-ups. Mandel, Walter Trout and Junior Watson are among the guitarists who gained fame for playing in later editions of the band. Excellent condition. Country: USA, year of printing: 1967, designer: Bob Fried, size (cm): 50.5x35.5cm
Original vintage music advertising poster for a concert by Jefferson Airplane and The Other Half at 1601, W. Evens, Denver Colorado in 1967. The event was organised by Family Dog Productions. Poster designed by Alton Kelley. Jefferson Airplane was a rock band based in San Francisco, California that became one of the pioneering bands of psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success. They were headliners at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969)—and the first Isle of Wight Festival (1968) in England. Their 1967 break-out album Surrealistic Pillow ranks on the short list of the most significant recordings of the Summer of Love. Two songs from that album, "Somebody to Love" and "White Rabbit", are among Rolling Stone's "500 Greatest Songs of All Time." The core lineup of Jefferson Airplane, from October 1966 to February 1970, was Marty Balin (vocals), Paul Kantner (guitar, vocals), Grace Slick (vocals), Jorma Kaukonen (lead guitar, vocals), Jack Casady (bass), and Spencer Dryden (drums). Marty Balin left the band in 1971. After 1972, Jefferson Airplane effectively split into two groups. Kaukonen and Casady moved on full-time to their own band, Hot Tuna. Slick, Kantner, and the remaining members of Jefferson Airplane recruited new members and regrouped as Jefferson Starship in 1974, with Marty Balin eventually joining them. Jefferson Airplane was inducted into the Rock and Roll Hall of Fame in 1996 and was presented with the Grammy Lifetime Achievement Award in 2016. Excellent condition. Country: USA, year of printing: 1967, designer: Alton Kelley, size (cm): 50.5x35.5
A Great Collection of 1960's Pop Star Autographs, obtained from the Sheffield City Hall circa 1963-65 in an autograph album and on loose paper in a contemporary album including The Birds [1960's Cult British R&B Mod Band] full band autographs signed Ron Wood, Kim Gardner [bass, vocals], Pete McDaniels [drums], Tony Munroe [guitar vocals], Ali [Ali Mckenzie-vocal] - all singed in blue and black ink circa 1965. Brian Jones, Keith Richard, (both poor condition) The Pretty Things (numerous examples Nov '64 and March '65 noted), Manfred Mann, Dusty Springfield, Rockin Berries, Poets, Dynamics, Lord Sutch, Animals, Billy J. Kramer, Four Pennies, Dave Berry, Shadows and Cliff Richard, Gary Walker, Roy Orbison, Dallas Boys, Swinging Blue Jeans, Chubby Checker, Marianne Faithful, Zombies, The Nashville Teens, amongst others. Conditions vary. All are unverified, the buyer must satisfy themselves with the authenticity lot before bidding.
Blue Note Jazz LP. Blue Note BLP 4123 "Midnight Blue" jazz LP with Kenny Burrell (guitar), Stanley Turrentine (tenor sax), Major Holley Jr. (bass), Billy English (drums) and Ray Barretto (conga), recording by Rudy Van Gelder, Blue Note BLP 4123, original deep groove US pressing, cursive 'P' ear etched in the dead wax indicating the record was pressed before the buy-out of Blue Note by Liberty, original thick cardboard outer sleeve in very good condition with red Mecolico and blue Chappell & Co adhesive import duty tax stamps on the back, original Blue Note inner sleeve (some damage), vinyl in good condition with some minor surface marks, together with Revolver by The Beatles , Parlophone PMC 7009, original UK mono recording from 1966, matrices XEX 605-2 and XEX 606-2, labels identical to first pressing, Dr. Robert song credit on label and outer sleeve, Sold in UK ... and The Gramophone Co. Ltd ... on labels, vinyl in good condition with some minor surface marks, some spindle marks visible, laminated outer sleeve in good condition with some edge soiling on the opening side and some damage to the middle portion of the flipback top on the rear, sleeve printed and made by Garrod & Lofthouse. (Qty: 2)
The Searchers interest; a small selection of items belonging to Tony Jackson (bass guitar player and singer), including framed disc presented by Pye Records to Tony for the million sale of 'Needles and Pins' march 1964, pair of silver hallmarked cufflinks with TJ monogram inscribed, and a small photo album contain personal photos of himself, the band, early Skiffle band photos, photo booth pictures, portrait photos with Tony's handwriting on the reverse, and photo negatives.
The Scottmen / Library Records, nine records by The Scottmen on Southern Library - mainly Jazz, Blues and Psychedelic Rock in style, all from 1968 with titles including Exorcism, Hot Rod, Organ Beat, Bass Guitar Stroll, Auto-Rock, Geared Up, Several Shades of Blues, Percussion Persuasion and more - plain sleeves, records mainly in excellent condition
Hofner electro-acoustic bass guitar label reads 'Hofner Foreign No.436 Model Basse 500/5', tortoise style pickguard and floral design to headstock, rosewood fingerboard, two control dials, three switches and adjustable bridge; two pick-ups; carved front and back, with black and white bindings With CITES A10 (non-transferable) licence no.580269/01
EPIPHONE; a stained mahogany EB-3 bass guitar with mother of pearl inlaid rosewood fretboard, serial number 1208201654, length of fretboard 64cm, in hard carry case. Please note that this item can only be sold within the UK. Additional InformationSome light wear in usual places, a dent and small area of damage to the edge upper left side of body, a few scuffs. Pitting to metalwork and surface scratches as to be expected.

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3394 item(s)/page