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Box of metalware to include: fireside tongs, poker, shovel etc, art nouveau design copper vases, National Provincial Bank Ltd money box, candlesticks, bell, vases, sculpture of a horse on a plinth, two sculptures of women leaning against pillars, Norwegian pewter bowl etc. (B.P. 24% incl. VAT)
A FINE 19TH CENTURY GILT BRASS AND WHITE MARBLE MANTLE CLOCK. By Japy Freres of Paris. The lever movement with outside count wheel striking on a steel bell. Circular enamel dial with Roman numerals in an unusual leaf and scroll cast case, crested with a laurel wreath and scroll. Flanked to one side with a figure of Shakespeare seated on a stool, holding a quill. The other side with theatrical trophies, on a white marble two-stage moulded-plinth. Under glass dome. 17.44" x 23" (46cm x 56cms). (1)
A FRENCH GILT-BRASS FIGURAL MANTEL CLOCK. Movement with an outside count wheel striking on a steel bell. Enamel dial with Roman numerals, flanked to one side with a seated woman with floral garland and a sheaf of wheat on her lap, her right hand holding a sickle. On an ornate base with various trophies. Raised on scroll legs. 13in (33cm)h x 17in (43cm). (1)
NINETEENTH CENTURY FRENCH GILT-METAL AND PORCELAIN MANTEL CLOCK GARNITURE. Movement by Japy Freres of Paris. Circular floral decorated porcelain dial with Roman numerals, surmounted with a porcelain and gilt metal urn finial, flanked to either side with two cherubs. Outside count wheel which strikes a steel bell. Conforming base with gilt plinth. TOGETHER with a pair of matching urns with fixed covers and ornate gilt metal mounts, in the form of female mask and floral swags. On a conforming base. The clock, 14.5” (37cm) high x 13.5” (34cm) wide. The urns, 13.5” (34cm) high. (3)
AN ATTRACTIVE THREE PIECE FRENCH GILT METAL MANTEL CLOCK GARNITURE, the clock movement with outside count wheel, striking on a steel bell, with two handled urn finial. The circular porcelain dial with roman numerals and the centre panel depicting a landscape, crested above with a ribbon bow and the drum with hanging floral swags and leaf sprays, on a conforming breakfront base. 12.5" (32cm). Together with a pair of matching porcelain and gilt metal mounted urns, each on four legs. 13" (33cm). (3)
A VERY FINE EDWARDIAN INLAID PLUM PUDDING MAHOGANY WARDROBE. Dentil moulded cornice above a frieze inlaid with floral-swags and ribbon bows. Centre cupboard doors each inlaid with urns and bell flowers inside an oval floral border. The interior with shelves above an arrangement of four long and three short drawers. Flanked to either side with two bevelled mirror doors, each enclosing a shelf and hanging compartment. Raised on front square tapering legs. 7ft (208cm) wide. (1)
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED Jn, FARNHAM, BRIDPORT, the 12" painted Roman dial with subsidiary seconds dial and date aperture to the centre, powered by an eight day movement striking on a bell, ad housed in a case with swan neck pediment brass eagle and ball finial and free standing, turned fore columns, over a crossbanded long trunk door, and raised on a crossbanded base, lacking feet, 83" (210.8cm) high
COLLECTABLE ITEMS VARIOUS TO INCLUDE; CHILD'S DOLLS HOUSE TABLE AND 6 CHAIRS, CIRCA 1960's WIRE FRAMED WITH WOVEN RED AND WHITE PLASTIC STRING WORK SEATS, BACKS AND TABLE TOP, DOMESTIC ELECTRIC TELEPHONE OR DOOR BELL IN STAINED MAHOGANY CASE, FOOTBALL RATTLE, PAIR OF GLOBE PATTERN BRIDGE MARKERS, THREE FISHING REELS ETC.....
Norah McGuinness HRHA (1901-1980) PORTSALON, COUNTY DONEGAL, c.1931-1937 oil on canvas with original inscribed label on reverse detailing title, price [£14-14-0] and artist's address [Bell Steps, Hammersmith Terrace, W6] on reverse 18 by 22in. (45.7 by 55.9cm) A gift from the artist to the present owner's father, who worked for Norah McGuinness during her role as Display Director with Brown Thomas, Grafton Street, Dublin; Thence by descent The date of the present work is tied to the artist's London address at this juncture. McGuinness lived at Bell Steps, Hammersmith Terrace from 1931-1937. During this period she would return to Ireland in the summers to her cottage in Donegal, where the present work was painted. For further reading see Snoddy, pp.384-387.
A 19th century French alabaster and gilt metal demi lune portico clock garniture. With enamel dial having Arabic numeral markers and flower garlands. Housing an 8 day cylinder movement by Samuel Marti, striking half hourly on a bell, 34cm. Condition Report. To be used as a guide only. Runs only for a short timing. Strike function not working. Stone in good order. Metal work tarnished. Fine cracks to the dial. Pendulum but no key.
An early 19th century French gilt bronze portico mantel clock. Decorated to the entablature with relief anthemia, with column supports over a stepped plinth. Having enamel dial with Roman numeral markers signed Gabriel Leroy, Paris. Housing an eight day cylinder movement striking on a bell, 54cm. Condition Report. To be used as a guide only. With pendulum. No key. Bronze and enamel in good order. Not running.
A French Art Deco verdigris terracotta figural eight day mantel clock striking on a bell. Surmounted by two nymphs huddled around the rectangular dial and raised over a stepped plinth. With applied chrome Arabic numeral markers and signed M. Schnerb, terracotta signed Fath, 64.25cm wide. Condition Report. To be used as a guide only. Slight chips to the terracotta. Pendulum lacking.
An Art Deco Maurice Frecourt slate, onyx and marble clock garniture surmounted with a gilt and silvered bronze model of a stylized golden pheasant. Housing an 8 day movement striking half hourly on a bell, Signed Frecourt, clock 41cm. Condition Report. To be used as a guide only. Loss to the rear right corner of the clock plinth. Sold with key and pendulum. Springs intact but the clock doesn't run, probably needs a good service.

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134403 item(s)/page