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Lot 19
Entertainment collection of approx 50 signed cards including names of Heather Headley, Billy "Crash" Craddock, Ann Bell and more. SOME DEDICATED. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 216
A French gilt metal and pink marble mantel clock garnitureThe case surmounted by an urn with fruits and foliage finial, the 3.5in dial with Roman numerals, the twin train movement striking on a bell stamped Japy Freres, together with a pair of twin-handled amphora vases.The clock 29cm wide x 45cm high, the vases 36cm high (3)Condition:The clock has some repairs to the marble around the base with one small associated loss.Case: Some repairs to the marble around the base with one small associated loss.Dial: Good.Movement: Winds, runs and strikes.Accompaniements: Winding key present. The vases are good with minor signs of age.Unless otherwise stated, all clocks are likely to have been serviced and/or repaired in their lifetime and may have had parts replaced. While a clock may be described as 'working' at the time of the report, they are not guaranteed for timekeeping and durability - it is advised that all clocks are inspected and serviced by a qualified horologist before full use.
Lot 212
A mid 18th century oak longcase clock Gilbert Bullock of Bishop's Castle With deep cornice and arched door above a plain base box, the 10 inch brass dial with a single hand, the Roman chapter with decorative half hour markers, within moulded spandrels, the 30 hour movement with four knopped pillars and outside count wheel striking on a bell. 48.5cm wide x 30cm deep x 196cm high Footnote:Gilbert Bullock is recorded as a clockmaker at Bishops Castle between 1724 and 1773. Condition:Hood: Minor/typical signs of age.Case: Loss to base plinth apron right hand bottom edge. A little play in door hinges.Dial: Good.Movement: Runs and strikes.Ancillaries: Pendulum stem a little bent.Unless otherwise stated, all clocks are likely to have been serviced and/or repaired in their lifetime and may have had parts replaced. While a clock may be described as 'working' at the time of the report, they are not guaranteed for timekeeping or durability - it is advised that all clocks are inspected and serviced by a qualified horologist before full use.
Lot 213
A George IV inlaid mahogany longcase clockJames Fowlds II of KilmarnockThe hood with swan neck pediment and inlaid with boxwood stringing, the case with moulded door above a line-inlaid base box, raised on bun feet, the arched painted dial with Roman chapter, subsidiary seconds dial and calendar dial, painted to the arch with George IIII (sic) flanked by an admiral and a general and to the spandrels with allegorical figures representing Hope, Plenty, Peace and Commerce, the eight-day movement with four knopped pillars, striking on a bell.54.5cm wide x 24.5cm deep x 216cm highFootnote:James Fowlds II is recorded as a clockmaker at Kilmarnock circa 1820, from a dynasty of makers starting with Allan Fowlds Snr., born circa 1719. The name is also found as Faulds.
Lot 1439
Georgian Irish brass inlaid mahogany table or bracket clock, the circular dial with Roman numerals and bearing maker's name Chancellor, Dublin with cast brass bezel, turned side columns, Gothic pierced sound panels and lion mask ring handles to sides, standing on bun feet. The eight day movement striking hours on a bell and having an engraved border to the back-plate, with pendulum and glazed back door, height 39.5cm
Lot 1863
Fourteen bronze / copper trade and advertising tokens for Bell medal, 1792 Birmingham Mining and Copper company, Exeter Woollen Manufacturers, Fieldings Tea Merchant, 1793 Manchester, 1812 one penny, 1791 Bevois Southampton, 1791 Macclesfield, 1795 Newgate North Wales, 1792 John Howard Birmingham, 1793 Sudbury, George Prince of Wales and 1812 Hull
Lot 98
A collection of silver and other jewellery including bangle, five lockets, chains, filigree pendant, earrings set with turquoise, fan brooch, four marcasite brooches, cross pendant, daisy pendant, pressed amber pendant, Victorian brooch, marcasite ring, bell brooch, bell pendant (Birmingham 1923), etc
Lot 34
Swarovski - A collection of boxed Swarovski crystal decorative ornaments. The collection to include a Solaris collection table bell ( 235525 ), a Crystal Memories Secrets Dolphin flacon bottle ( 265896 ), a Silver Crystal flacon rose vase ( 236693 ), a 3 Years Welcome Gift Swan, a 2005 crystal Jewellery Box ( 698714 ), a 2001 annual edition plaque ( 276870 ).
Lot 130
Large Collection of 7 inch singles - All unplayed in original mailing envelopes - Including Alan Price, Snips, Cold Comfort, Men of Steel, Creation, Raymond Froggatt, Fury, Jules, Carl Perkins, Warren, Chopyn, Royal Family, Stone Henge, Adrian Gurvitz, Tricstar, Scrambled Egos, Kennedy Express, Kim Morrison, Jim Bell, England, Oui, Third Encounter, Slow Children, Kingfish, Louis Clark, Scarlett, Voilinski, Bernie Torme, Zero G, Charlie Wayne, Lowell Folson, Cirrus, Fast Buck, Manchester United, Humble Pie, Girl, The Eyes, Madam x , Rabbitt etc some will be with picture sleeves and some without and some promos approx 250
Lot 544
AN OAK LONGCASE CLOCK SIGNED BENJAMIN BULLOCK AYFORD, the 30 hour lantern movement striking on a bell, 11" square brass dial with matted centre and signature over calendar aperture, silvered chapter ring with Roman and Arabic numerals, the case with moulded cornice over plain frieze with oval brass plaque inscribed "Robert Deverl", moulded edged trunk door with lenticle, panel base on plinth, 81 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: Movement clean and in good condition, cutch loop slightly bent, face good bar some mild rubbing to silvered dial, marriage of case and movement, case generally good and of good colour but possibly reduced at the base and some minor losses near trunk door catch.
Lot 549
A FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK, late 19th century, the twin barrel drum movement rack striking on a bell, the backplate stamped "Bennett Cheapside London 1659", 3 3/4" dial with Roman numerals, the waisted case inset with blue ground porcelain panels painted with classical figure scenes, urn surmount, berried laurel swags, on turned feet and gilt wood stand, under glass dome with ebonised base (Est. plus 24% premium inc. VAT)Condition Report: Generally good, appears to be in working order, porcelain good bar some minor wear around winding holes. Some wear to gilding of stand and small losses, dome and stand good.
Lot 556
A MAHOGANY LONGCASE CLOCK SIGNED J. SHARP, CORNERHOUSE, LONDON BRIDGE, the eight day moverment with anchor escapement striking on a bell, 11 1/2" white enamel dial with Roman numerals, the brass inlaid case with domed hood surmounted by three brass ball finials, arched panel door, stop fluted angles, cut corner beaded panel to base, on plinth, 80" high (Est. plus 24% premium inc. VAT)Condition Report: Movement needs a clean, dial paintwork retouched, incorrect pendulum, case good and of good colour but lacking sound frets to hood
Lot 549
Langlands & Bell (Ben Langlands & Nikki Bell), British b.1955 and 1959 - Air Routes in North West Europe, Day and Night, 1989; screen-print on vinyl panel in glazed wooden frame, diptych, from an edition of 5, signed, titled, dated and numbered to the reverse on each 'Langlands & Bell 1989 4/5', H77 x W69 x D15 cm each (2) (ARR)
Lot 416
Ca. 1000 - 600 BC.A Luristan cast bronze cage bell pendant of biconical shape, which features delicate openwork and a suspension loop for wearability. The bell cage is made of four vertical bars and a thick center split bar, upon which is raised circular decoration. The base of the bell features splayed, horizontal star-shaped decoration which tapers into three small feet. This delicate pendant could have been attached to horse trappings, as the Luristan people were nomads that commonly ornamented their animals in bronze attachments and fittings.Size: 75mm x 25mm; Weight: 35gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Lot 12
STATUETTE DE VAJRADHARA EN ALLIAGE DE CUIVRE DORÉNÉPAL, DÉBUT DE L'ÉPOQUE MALLA, XIVE SIÈCLEHimalayan Art Resources item no. 20418 42.5 cm (16 3/4 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF VAJRADHARANEPAL, EARLY MALLA PERIOD, 14TH CENTURY PublishedMeinrad Maria Grewenig & Eberhard Rist (eds), Buddha: 2000 years of Buddhist Art, 232 Masterpieces, Völklingen, 2016, p. 336, no. 141. ExhibitedBuddha: 2000 years of Buddhist Art, 232 Masterpieces, Völklingen, 24 June 2016 —19 February 2017. ProvenancePrivate German CollectionChristie's, New York, 22 March 2000, lot 73 The Diamond Vehicle of Nepal Vajrayāna (the Diamond Vehicle), a practice developed during the later stages of Buddhism, sees the proliferation of deities subject to the religious school or, at times, even the monastery. In addition to a rich pantheon inherited from the Indian tradition are countless entities characterised by iconographies of varying complexity. These are evoked during rituals that are sometimes esoteric, carrying moral or philosophical significance. Although the relative importance as well as the hierarchy of these deities diverge from one religious order to another, above them is a supreme Buddha, whose essence embodies the essence of all buddhas. Depicted here is Vajradhara, who presides over the monks of the Sakya order, amongst others. With both palms crossed over the chest, he holds his two characteristic attributes, the vajra (thunderbolt-diamond) and the ghanta (bell). The shape of the vajra is reminiscent of a diamond sceptre. The purity, clarity, and indestructible nature of this gemstone demonstrate the reason it became an object of much fascination in tantric Buddhism. The deity's feet are tightly crossed, akin to a yoga pose. The immaculate craftmanship of the jewellery adorning the figure is borrowed from stylistic forms that were initially developed in Northern India. Notably, two ascending floral peduncles surround the centre of the floret tiara sitting above the forehead. This fashion of ornamentation is characteristic of Nepalese sculptures as well as those influenced by the Newar artistic tradition from around the 13th century onwards. On the base of the tiara is a sneering kīrtimukha mask. The knotted ribbons which snake around both sides of the head maintain the tiara in place. A pair of elegant armbands is illustrated on either arm with a large floret replicating those on the tiara. The deity wears three necklaces, each of varying shape and size. The length of the second necklace ends at the pectoral region and is largely hidden from view behind the vajra and the ghanta. A scarf, reduced to the form of a simple ribbon with intricate blossom motifs, encircles the arms, and billows around both shoulders in an elegant swirl, emphasised by a pair of turquoise gems. Small floral pendants hang from the sash around his waist. At the front, a fall of pleats interwoven around the crossed ankles opens out at calf level. The slight inclination of his head to the right suggests that the deity had once been accompanied by another statue, that of his consort, the goddess Vajradhātvīśvarī. His facial features are characteristic of Nepalese sculptures. As described in canonical texts, these youthful traits are those of an adolescent, including the 'beauty folds' marking the neck. A small dimple indents the chin and the lips curve up in a slight smile. Wide arched eyebrows frame his small almond-shaped eyes. On his forehead, the ūrṇā is represented by a rectangular turquoise, accentuating the precious value of the deity. The monumental size of the figure implies the likelihood of its veneration in a chapel. In the Kathmandu Valley, chapels are small rooms situated at the end of the courtyard in monasteries. The abundance of copper mineral along the Kathmandu Valley has for centuries fostered the development of a diversified metalcraft industry, including in the city of Patan. Despite being part of a Buddhist sub-caste, bronze artisans in Newar society accommodated the different religious and iconographic prescriptions of their clients. Their excellent craftmanship warrants the exceptional popularity and influence their works gained in Tibet or abroad–reaching Beijing from the 13th century onwards. The impeccable gilding that is achieved using an amalgam of mercury, as well as the frequent use of inlaid fine stones, gave the statues an esteemed presence. One may only imagine how they glowed beneath the scintillating luminosity of butter lamps in temples and chapels, enhancing the sanctity of these spaces. Gilles BéguinJanuary 2024銅鎏金金剛總持像尼泊爾 馬拉王朝早期 十四世紀著錄Meinrad Maria Grewenig 及 Eberhard Rist 編，《Buddha：2000 Years of Buddhist Art，232 Masterpieces》，弗爾克林根，2016年，頁336，編號 141展覽「Buddha：2000 Years of Buddhist Art，232 Masterpieces」，弗爾克林根，2016年6月24日至2017年2月19日來源德國私人珍藏佳士得，紐約，2000年3月22日，拍品73尼泊爾之金剛乘金剛乘（Vajrayāna）作為佛教發展的最終階段，根據不同的宗派，有時甚至根據不同的寺廟，創造了眾多神祇。在其所繼承之印度傳統之萬神殿外，亦有諸多神祇或其他形象為後加，標識以種種複雜而多變之圖像學特徵。這些形象出現於神秘儀式之中，並承載著道德或哲學意義。儘管神祇們之相對重要性與上下傳承之位階，時而因不同宗教派別而異，然而，在他們的頂端，有一位至高無上的佛，其本質為所有佛之本質。此處所呈現之形象為金剛總持，居薩迦以及諸派之眾僧侶之上。其雙手交叉於胸前，握持兩件此神祇之象徵性法器：金剛杵與金剛鈴。前者為形似金剛石般的權杖。此寶石具純淨、閃光與不可腐蝕之特質，密宗佛教對其之熱衷之原因不言而喻。神祇的雙腿緊密交叉，猶如瑜珈姿勢。此造像之珠寶設計細緻無瑕，借鑒自起源於印度北部之古老樣式。其華冠便引人注目，兩朵花莖向上延伸，烘托著中央盛開的優美花盤。此種裝飾風格為尼泊爾造像以及那些十三世紀以來受尼泊爾造像影響而出現之造像之標誌性特徵。寶冠下緣中央見一張齜牙咧嘴的怪獸面具，即「天福之面」。寶冠以繒帶固定，兩端盤結於頭部兩側，如風中飄揚。優雅的臂釧上見一碩大花朵，形制與寶冠中央一致。神祇配戴三串項鍊，大小不一、樣式各異。第二串項鍊長度及頸下，大部分被其手中所持鈴杵遮擋。圍巾之樣式則簡明為細帶，刻以細密相連之花紋圖案，自然纏繞雙臂，再於肘部向上翻飛，呈現出優美的弧度，突出末端所托舉的綠松石點綴。腰帶上則懸掛下一枚枚小巧的花朵墜飾。視線落至神祇身前，層層衣褶從交叉的腳踝間流出，於小腿處形成一簇扇形。神祇的頭部微微向其右傾斜，暗示著其身旁曾另有一尊其明妃金剛界自在母造像相伴。神祇的面部體現尼泊爾造像的特徵。正如經文所描述，其面部年輕俊美，特徵正為少年人，包括環繞其脖頸的幾道細線所表示的「美麗褶皺」。下巴中央見一道淺痕，嘴角微微上揚，蘊含笑意。雙眉為大弧線，流暢舒朗，下方為小巧的杏眼。前額之白毫為一塊長方形的綠松石，烘托神祇之尊貴。鑑於其碩大的體量，此像可能曾供奉於一座小型廟堂。在加德滿都河谷之中，這一類廟堂通常位於寺院庭院的盡頭。豐富的銅礦資源沿河谷蘊藏，數個世紀以來造就了多樣的金屬手工藝的發展，帕坦市幾包含其中。儘管屬於佛教這一次支，銅藝匠人們卻能夠滿足眾多供養人之不同宗教以及圖像要求。他們精湛非凡的技藝，造就了作品之風靡，其深遠影響遠至西藏，甚至自十三世紀起，達至北京。其無可挑剔的以水銀合金而鎏金的工藝、頻繁而熟練的寶石鑲嵌，給予其作品他們的作品壯觀而輝煌之觀感。今人則僅可遙想，這些造像如何置於寺廟與佛堂的酥油燈的閃爍光線下，熠熠生輝，莊嚴著彼時的空間。Gilles Béguin2024年1月This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 526
A George III silver pint mug, inset with coins from the Jacobean silver hoard found in Deighton in 1847, the mug decorated with two bands of reeding, the sides inset with three shillings and three sixpences of Elizabeth and James I, inscribed to the rim and base: ‘coins found on the farm occupied by mr. john richardson at deighton,/ and presented to him by his landlord lord wenlock. august 1847’, maker’s mark IW, London circa 1820, together with a Victoria silver waiter, centred with engraved initials ‘IEH’ enclosed within a circular foliate engraved and beaded border and mounted with sixteen Elizabeth and James I shillings, inscribed to the underside: ‘this waiter weighing 17oz 14dwts was made to receive 16 old coins of unknown assay’, the waiter raised on three claw feet, by Samuel Roberts & Charles Beck, Sheffield 1869, mug height 10.1cm, waiter diameter 25cm, both contained in later fitted presentation case. £1,200-£1,400 --- Provenance: The original hoard was found by workmen digging a new foundation at Deighton, four miles from York, and comprised 348 coins as follows: 42 Mary groats; 18 Philip and Mary groats; Elizabeth I, shillings 55; sixpences 134; groats 24; James I shillings 49; sixpences 26. The latest coin dated to 1613. The Yorkshire Museum received 57 coins, with the rest of the hoard being melted down. Ex Sworders, 20 May 2014, lot 158. The silver mug has inset James I shillings: obverse 4th bust mm Rose; reverse mm lis. Sixpences: reverse 1604 mm Lis; reverse 1603, mm Rose; Elizabeth I shilling: obverse mm Bell; sixpence 1567 mm Coronet. The silver waiter is mounted with James I shillings: obverse 3rd bust mm Rose (3); 4th bust mm Rose; 5th bust mm Key (2); Elizabeth I shillings: obverse mm Woolpack (2) mm Tun (2); mm Key; mm Scallop; mm Martlet; mm 2; mm not visible (2). Condition Report Mug weight 272.18gm. Salver 453.89gm.
Lot 44
A POLISHED BRASS CHIMING SKELETON CLOCK,in the Gothic taste, surmounted by bell and striking hammer, mounted with a silvered chapter ring inked with roman numerals,with brass disc pendulum and winding key, housed within a glass dome and white marble base. The clock 33.5cm high, entire 39.5cm high
Lot 653
A cut-glass and silver-plated brass eight-light chandelier, late 19th/early 20th century, of multistage form, set with flower heads and numerous cascading drops, each scrolling arm terminating in a bell-shaped sconce, 90cm diameter140cm highCondition ReportThe Chandelier is assembled and electrified. General wear to glass and metal with some tiny chips and nibbles to drops and cut glass. Elements lacking. Some tarnish and discolouration to metal. Overall appears in fairly good order.PAT test - pass.
Lot 344
A William and Mary walnut longcase clock, c.1690, with an eight-day movement striking on a bell, the 11-inch engraved brass dial set with a silvered chapter ring with Roman numerals, a subsidiary seconds dial and a date aperture, inscribed 'Thomas Wise, London', the hood decorated with a pair of ball finials and wrythen column pilasters, above a moulded long door set with a glass lenticle, raised on a plinth base,40cm wide25cm deep212cm highProvenance: A private collection, Hertfordshire.Condition ReportGeneral knocks and wear to case. Some splits. Evidence of repair and restoration, with later timbers and veneers throughout, including the base, which appears to be replaced. Seatboard apears later, indicating that the case and movement did not start life together. General surface wear and tarnish to face, chime gut and pulley catching hook for weight. Ticks and strikes when wound, however, we are unable to guarantee that this represents full and complete working order and would recommend inspection by a professional.
Lot 583
A George III-style black and gilt japanned longcase clock, early 20th century, the earlier twelve-inch dial inscribed 'John Walker, Newcastle', the eight-day movement with twin pillars striking on a bell, the movement and case associated,53cm wide26cm deep228cm highCondition ReportSome general light knocks, small splits and losses to case, which is structurally stable and generally appears in fairly good structural and cosmetic condition. General wear and tarnish to face. Hands a little misshapen, ticks and strikes when wound. We are unable to guarantee that this represents full and complete working order and we would recommend inspection by a professional. Please see additional photos.
Lot 347
A William and Mary walnut and marquetry longcase clock, c.1690 and later, with an eight-day movement striking on a bell, the 10-inch brass dial set with a silvered chapter ring with Roman numerals, a subsidiary seconds dial and date aperture, inscribed 'Robert Halsted London', the hood with a fret-carved pediment and a pair of ebonised wrythen column pilasters, above a moulded long door with parquetry inlays and a glass lenticle, raised on a plinth base with short square feet, 42cm wide 25cm deep 191cm high Provenance: A private collection, Hertfordshire. Condition ReportThe case and movement are a marriage. The case with later elements, alterations and repairs. General knocks, wear, small losses and splits to case. The hood door slides off and is hinged. The chime function is not connected and lacking pulley, however appears to be functional. Ticks when wound, however we are unable to guarantee that this represents full and complete working order, and would always recommend inspection by a professional after purchase. In general, this and the other clocks from the private collection were well cared for by the owner up until the point of consignment. Height confirmed as 191cm. Width of body 27cm.
Lot 348
A William and Mary brass and silvered longcase clock movement, c.1700, the eight-day movement striking on a bell, the 11-inch brass dial set with a silvered chapter ring, subsidiary seconds dial and date aperture, inscribed 'Wm Holloway London',28cm wide12cm deep30cm highProvenance: A private collection, Hertfordshire.Condition ReportGeneral surface wear, light scratches and tarnish. All elements seemingly present and intact. See additional images.
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