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Lot 497
Silver cylinder engine turned hunter pocket watch, unsigned three quarter plate movement, hinged cuvette inscribed 'J.W. Benson, 62&64 Ludgate Hill, London, Watch Maker By Warranty To The Queen, the dial signed J.W. Benson, London with Roman numerals and subsidiary seconds, 50mm (at fault); together with a J.G. Graves 'The Express English Lever' silver pocket watch, Birmingham 1899, signed movement, signed dial, plain case with engraved cartouche, 53mm (2)-Hunter pocket watch is for repair, J.G. Graves watch is functioning, hands not matching, see images for general guidance.
Lot 499
Two silver cylinder pocket watches, unsigned three quarter plate movements, hinged cuvettes signed J.W. Benson, 62&64 Ludgate Hill, London, Watch Maker By Warranty to the Queen, Roman numeral dials, one signed J.W. Benson, London, within engine turned cases, 47mm and 49mm-Both functioning, dials with hairlines, one lacking button to the stem, one with rubbing to the engine turning and replacement bow, see images for general guidance.
Lot 224
J. W. Benson silver pocket watchthe white enamel dial with Roman numerals and subsidiary dial, marked 'J. W. Benson, London', the inside of the outside cover bearing hallmarks for J W Benson Ltd, London, 1886, the movement marked 'The Ludgate watch, J W Benson Patent No 4658, Best London Make, by warrant to H. M The Queen, Ludgate Hill, London' and numbered '27458', the dial measures 4.5cm across, in original retailers box At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Lot 347
A QUANTITY OF COLOURED GLASSWARE, comprising a Mary Gregory style green glass cream jug, dish and lidded urn (jug has an internal crack near handle, nibbles and worn gilt on dish, nibbles around rim and inside lid of urn), height 34cm, two large Whitefriars controlled bubble dishes, a vintage Sowerby glass trinket bowl, a 1990s Art Glass vase by Mady Benson for Alchemy Glass Galeti, frosted with applied copper overlay, height 30cm, a pair of mottled pink and blue glass vases, height 29cm, three Murano style posy baskets, a green Riihimaki style vase, height 19cm, an amethyst and green bird figure (repair to base), three paperweights, a pair of pressed glass candle holders, etc (25) (Condition Report: obvious damage is mentioned in description, dusty)
Lot 526
Three Boxes of BOOKS containing approximately sixty titles on the subject of HORSE RACING, authors include Dick Francis, Julian Wilson, Charlie Brookes, Richard Dunwoody, Francis Gibson, Dick Hern, Tony McCoy, titles include three volumes of Sires, 2002, 2003, 2004, The Stallion Book 2001, The Guiness Guide to Steeplechasing, Benson & Hedges Racing Year, Courses of Action, Treasures of the Bloodstock Breeders Review and many others (3 boxes)
Lot 280
WW2 BOB fighter pilot James Benson 141 sqn signed Mosquito cover and signature with biography to A4 page. WW2 RAF Battle of Britain pilot. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 130
A fine late 19th century Arts and Crafts style brass and copper lamp standard (originally an oil lamp now fitted for electricity): the highly elaborately-shaped large tasselled shade above a brass oil reservoir with copper leaves and central brass stem with four-shaped copper 'strenghteners', raised on four downswept tapering legs terminating in animals paws style feet in high W A S Benson style (full height including shade 185cm)
Lot 2004
Two mantle clocks including a lancet style clock, signed on the dial, JW Benson Ltd, London, single train movement, with balance escapement, in oak case with barber shop striking on edges of use, 3½" dial; a three train movement chiming on rods, German movement in oak case with 6" silvered dial
Lot 489
SELECTION, inc. complete (3), Murray Story of Ships, Phillips Ships That Have Made History, Players Old Naval Prints; Amalgamated Press Britain's Defenders (7), Rothmans Score Draw Guide 12X (with advert for 1971/2 Yearbook); Hoods Sarsaparilla, Pozzonis, shipping postcards (10); cigarette packets (49), mainly 10's, inc. hulls & sliders; Churchmans, Olympic, Tenner; Nelson, Gallaher Park Drive, Wills, Wild Woodbine, Gold Flake, Capstan; Players Navy Cut, Weights; Rothmans King Size, Senior Service, Kensitas, Benson & Hedges, Embassy, some duplications, G to VG, 75*
Lot 325
Lord Charteris of Amisfield/Lady Violet Benson, Lord Charteris's Mother/inscribed VCB, initialled MC and dated 1962/plaster bust, 53cm high/Provenance: from the Estates of Lord & Lady Charteris CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 441
Sangorski, F. and Sutcliffe, G. The Rubaiyat of Omar Khayyam. Edward Fitzgerald (Trans) introduction by A.C. Benson, Siegle Hill & Co. Ltd 1911? reproduced from and illuminated by Sangkorski & Sutcliffe. So signed. Ltd Ed. 453/550: Illustrates as per listing, top edge gilt, untrimmed paper and tooled vellum. (345 x 260mm) Binding loose, slight warping to covers, spotting
Lot 237
An Edwardian two colour gold fine figaro curblink watch chain, a late Victorian large silver page marker and a Benson silver keyless half hunter pocket watchfirst unmarked, with bolt ring to either end, second Birmingham, 1899, by Hilliard & Thomason, of tear shaped with foliate engraved decoration, initialled, the pocket watch in a fitted leather case (3)first Length 23g, weight approx. 3.5gCondition: Chain with possible replacement bolt rings, the page marker in good condition. Pocket watch lacking suspension ring and watch glass, dial with hairlines, scrape to winding crow, wear and scuffs to case. Does not wind or run.
Lot 143
Defoe, Daniel and others 10 works in one volume The Several Declarations, together with the several depositions made in Council, on Monday, the 22nd October, 1699, concerning the Birth of the Prince of Wales. London: Printed, and Sold by the Booksellers of London and Westminster, [?1711], pp. 40, [ESTC N22677];[Cibber, Colley] The Secret History of Arlus and Odolphus, Ministers of State of the Empress of Grandinsula. [London], Printed in the year MDCCX, [1710]; third edition, pp.37, [ESTC T47389];[Defoe, Daniel] Eleven Opinions about Mr H----y; with Observations. London: J. Baker, 1711; pp.89, [5], [ESTC T56890];[Swift, Jonathan, doubtfully attributed to] An Essay towards the Life of Lawrence, Earl of Rochester. London: John Morphew, 1711, pp. [4], 43, [1], [ESTC T53971];[Defoe, Daniel] A Letter to the Whigs, being an Enquiry into the Particular Resentments of the Times at the Assassination of Mr Harley by the Marquis de Guiscard. [?London]: Printed in the Year, 1711, pp. 16, [ESTC N33703];[Robinson, John] An Account of Sweden. London: Tim Goodwin, 1711. Second edition, pp. [8], 85, (1), [ESTC T56697]; [Benson, William] A Letter to Sir J- B-, by Birth a Swede, but Naturaliz'd and a M----r of the Present P-----t, concerning the Minehead Doctrine. London: A. Baldwin, 1711; pp. [8], 40, [ESTC T143007];[Benson, William] A Second Letter to Sir J- B-, by Birth a Swede... London: S. Popping, [c.1711], pp. 24, [ESTC N21733];Some Remarks by Way of Answer to a late Pamphlet, entituled A Letter to Sir J.B. London: J. Bowyer, 1711, pp. [4], 40, [ESTC T69983]; An Exhortation to the Love of our Country, with some Reflections on a Late Protest. London: J. Morphew, 1712, pp. [13, [1], 34, [ESTC T33799];10 items in one volume, contemporary blind-stamped panelled calf, red lettering piece, slight wear to top of spine
Lot 78
Flemish school; 16th century."Saint Jerome.Oil on panel.Measures: 64 x 48 cm.In this work the artist reveals an exceptional sense of drawing through which he has described the saint's anatomy, showing a great precision. Particularly successful is the anatomical capture which is revealed through the slender but defined muscles, which give a glimpse of the saint's life as a hermit. His anatomy shows a certain elongation of the forms, which makes the hands stand out in particular, rounded but at the same time defined and refined. The face also reveals this technical care, which is determined by the treatment of the wrinkles and bags under the saint's expressive eyes. The detail with which the hair has been painted is also noteworthy, with each hair forming part of the beard visible. This shows the artist's interest in capturing an almost microscopic reality. This emphasis on detail and quality is a characteristic feature of the Flemish school. This, together with the hieratic and emphatic nature of the figure, suggests aesthetic compositions similar to those of the painter Ambrosius Benson (Lombardy, ca. 1490-1500 - Bruges, January 1550), whose Saint Jerome in the collection of the Mayer van den Bergh Museum, Antwerp, is very similar to the present work. In both works the saint is immersed in a rocky interior that opens slightly onto the landscape in the upper left corner. In the centre of the composition, Saint Jerome, dressed in a greyish tunic that reveals a glimpse of his torso, holds a cross with the body of Christ in his hands. It is on this point that the two works differ, as in the present painting the saint only holds the cross. Finally, the work is completed with the iconographic attributes typical of Saint Jerome, such as the lion and the skull. Ambrosius Benson was one of the so-called masters of the tradition, a successor of Van der Goes, and was influenced by Van Eyck, Van der Weyden and the Flemish Primitives in general. Nonetheless, his work reveals 16th-century features from Italy, such as the triangular composition in the present work. Originally from Lombardy, his painting reveals more Italianate features. As can be seen in the present panel, his personal use of colour is particularly important, with a predominance of maroon tones in contrast to the whites and light tones of the flesh tones, which are thus very much emphasised in the composition. Also typical of his work is the velvety quality of the cloaks. Benson was a painter of religious subjects and portraits and trained with Gerard David in Bruges from 1518, the year in which he became a citizen.The depiction of Saint Jerome has been one of the most frequently depicted subjects in the world of art. Whether as a penitent or as a sage, the saint's biography has served to connect with the faithful and to convey the values of the Church. Saint Jerome was born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician, as well as a polyglot. Baptised at the age of nineteen, between 375 and 378 he withdrew to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. The accumulation of books and scrolls next to the saint alludes to the saint's translation of the Bible into Latin, which was considered the only official translation since the Council of Trent. The theme of Saint Jerome hearing the trumpet of the Last Judgement would become fashionable in Counter-Reformation Europe and would gradually take hold, displacing previous interpretations of the saint as a sage or penitent.
Lot 203
A late 19th / early 20th century French 'giant' brass carriage clockthe dial signed J W Benson, Ludgate Hill, Londonthe Corniche case with canted swing handle, the 3.5' enamel dial with Roman chapter ring and outer Arabic five minute track, the substantial brass twin drum movement with jewelled platform lever escapement with jewelled compensated balance, striking on a steel gong, with winding key, 26cm high, 14cm wide, 11cm deep For further information on this lot please visit Bonhams.com
Lot 2303
J.W. Benson, an 18ct gold pocket watch, the three-quarter plate movement having a lever escapement and engraved J.W. Benson, The Ludgate Watch, No. 60382, Best London Make, By Warrant to H.M. The Queen, Ludgate Hill, London,patent No. 4658, the gold dial with engine-turned and floral engraved decoration, black Roman hour numerals and blued steel spade hands, the case with floral engraved decoration and hallmarked for 18ct gold, London, 1888 with the hallmark repeated to the inner cuvee, diameter 40mm, total weight ca. 54.6gms.
Lot 2308
J.W. Benson, a 9ct gold open-faced keyless pocket watch, the movement having a lever escapement and signed The Bank, Best London Make, R.2705, J.W. Benson, Ludgate Hill, London, the white enamel dial with black Roman numerals, a subsidiary seconds dial, spade hands and signed J.W. Benson, London, the case stamped for London, 9ct gold, 1928, diameter 48mm, total weight ca. 90gms, complete with Benson stamped box.
Lot 2318
J.W. Benson, a silver half-hunter keyless pocket watch, the movement having a lever escapement and signed J.W. Benson, The Ludgate, Patent no. 4658, To H.M. The Queen, Ludgate Hill, London, 64308, the white enamel dial with black Roman numerals, subsidiary seconds dial, gilt-brass spade hands and signed J.W. Benson, London, the half-hunter case having engine-turned decoration and hallmarked for silver, London, 1918, diameter 52mm complete with Albert watch chain, length 24mm with silver medal and retailers box.
Lot 246
Exploration and militaria to include:-Smythe, F. S."Camp Six", Hodder & Stoughton 1938Cooper Duff"Operation Heartbreak", 1950, black clothWarren, C. E. T. & Benson, James"Above Us the Waves, the Story of Midget Submarines and Human Torpedoes", George G. Harrap 1953, photographic illustrations, green cloth with shelfware Marks, Leo "Between Silk and Cyanide, the Story of SOE's Code War", Harper Collins 1998, dj Montgomery Hyde, H."The Quiet Canadian, the Secret Service Story of Sir William Stevenson", Hamish Hamilton 1962 Shipton, E. E. "Mount Everest, Reconnaissance, Expedition", Hodder & Stoughton and other volumes (12)
Lot 77
A George IV gothic revival painted and parcel gilt bergere attributed to GillowsCirca 1825, probably after a design by William PordenThe hexagonal arm terminals each comprised of three tiers, each tier with five blind cusped ogee arches surmounted by a foliate boss, above a blind trefoil and quatrefoil seat frame flanked by lozenge embedded rosette angles, on four acanthus wrapped legs each with a lower section comprising five blind cusped ogee arches, signs of old screw holes and batten-carrying holes to the rails, approximately: 76cm wide x 94cm deep x 95cm high, (29 1/2in wide x 37in deep x 37in high)Footnotes:An identical bergere is illustrated in F. Collard, Regency Furniture, 1985, Woodbridge, p. 175. As with the offered lot, this carved giltwood example dates to circa 1825. Both of these are closely comparable to at least two of the armchairs which feature among the superb gothic revival furniture shown inside the Drawing Room at Eaton Hall, as depicted in one of J.C. Buckler's series of prints called 'Views of Eaton Hall', produced in 1826. The opulent and fantastical 'gothic' extravaganza that is Eaton Hall is also discussed in G. Acloque and J. Cornforth, 'The Eternal Gothic of Eaton', Country Life, Vol. CXLIX, Part I No. 3844, 11 February, pp.'s 304-7; Part II No. 3845, 11 February 1971, pp.'s 360-4. Whilst the aforementioned Buckler print appears in F. Collard, Regency Furniture, p. 172.In 1803 the architect William Porden (c.1755-1822) began work on Eaton Hall, where the Grosvenor family lived. And the project, certainly in architectural terms, seems to have been finished during the 1820s. It was evidently completed by 1826 since Mrs Arbuthnot opined the same year that Eaton Hall was: 'the most gaudy concern I ever saw. It looks like the new bought and new built place of a rich manufacturer... the house decorated with a degree of gorgeousness that is quite fatiguing & takes away all appearance of real grandeur.' See Ibid, p. 182. It is fascinating to note that this exact same model of bergere appears on one of the pages of the vast range of scrapbooks assembled by the renowned English decorator, David Hicks. This same excerpt is also included in a book entitled David Hicks Scrapbooks, which was edited by his son Ashley and published by Vendome Press. However this colour photograph of the chair actually first featured in a 1954 article in 'House and Garden' magazine, which arguably was what really kickstarted the career of David Hicks in the first place.This famous early period of David Hicks is described in some detail in a brilliant online article, once again with House and Garden, from 7 October 2017, see https://www.houseandgarden.co.uk/article/david-hicks-scrapbooksDavid Hicks (1929-1998)In 1951, as a 22 year old art student, David Hicks met up with John Fowler to discuss the possibilities of pursuing a career as a decorator. However their talk quickly turned to some flats on the King's Road, where Fowler then lived, and it wasn't long before Hicks decided to move into the one vacant flat belonging to Fowler which was located there.Despite this initial acquaintance, it seems that Hicks could not get a job working for Fowler and this led inevitably to the former moving out of the King's Road flat. Subsequently David transferred to 22 South Eaton Place, in SW1, where he resided with his mother in a William IV period house just within the bounds of Belgravia. Hicks started upon his first, and what turned out to be one of his most important, decorating schemes at this particular address.In instigating this project, a long period of preparation comprised of studying period interiors, visiting museums and galleries, along with sketching and collecting magazine pictures came to fruition for Hicks. His decision was to counter the well established 'country house' look promoted by John Fowler with his own bold and unique style, yet still to achieve this through the use of antiques and old patterns.As opposed to the apparent 'prettiness' of Fowler's output at that time, Hicks developed a striking colourist's approach to decoration. This was no doubt due to his background which included the fact that he had lost his brother in the war, had undergone two years' military conscription and hailed from country 'hunting' stock, all of which combined to produce a vivid element of masculinity or masculine boldness in his work.Also, having studied set design, David Hicks's style was always enjoyably theatrical especially in its dramatic contrasting of colours, whether between different rooms or even within the same space. A good example of this was in his completed interiors at South Eaton Place, where visitors or guests would move from the intentional colour-clashing of the drawing room to the entirely monochrome dining room, the latter with its hexagon-designed wallpaper.When everything was finished at the house in 1953, David then asked everybody he knew to come over and see its impressive new interiors. Among those acquaintances who visited was a veteran of the Second World War and hero of the North African campaign called Peter Coats. Following the cessation of hostilities Coats was appointed Viceroy of India, but he had only fairly recently become the gardening editor of the magazine, House and Garden, upon his own trip to 22 South Eaton Place.Peter Coats adored the house so much that in the course of just a week organised for it to be photographed for House and Garden. But perhaps more significantly he immediately began informing all of his own friends about David Hicks, the brilliant young man with a supreme talent, among other things, for interior decoration and design. As a consequence of all of this, the telephone at the Belgravia property started to ring much more frequently, effectively indicating the beginning of a great career for Hicks.From thereon the work and commissions accumulated rapidly, and 1954 was a year of huge activity. At that time, Hicks's important clients even included two good friends of Peter Coats, Mrs Rex Benson and Mrs Douglas Fairbanks Jr. The latter was a Hollywood celebrity whilst the former, who was the ex-wife of the famous publisher Conde Nast, actually resided in London. Ashley Hicks recalls a time when Mrs Benson, in conversation with his father, informed the latter: 'I've had Syrie Maugham and John Fowler; I want something new...' And the rest, as the saying goes, is history.See House and Garden, 7 October 2017, for more details or online at https://www.houseandgarden.co.uk/article/david-hicks-scrapbooksThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 483
Edmund T. Coleman - Scenes from the Snow-Fields Being Illustrations of the Upper Ice-World of Mont Blanc, limited edition no. 337, in a solander case; together with a selection of hardback and other books, primarily relating to mountaineering, titles including: Younghusband, by Patrick French; The Alpine Journal 1989/90; British Mountaineering, by Claud E. Benson; Nine Atop Everest, by Commander M. S. Kohli; and others, one box.
Lot 628
60s/ 70s ROCK/ POP/ SOUL - 7"/ EPs. A smashing collection of around 57 7" singles/ EPs. Artists/ titles include The Animals - Is Here (SEG 8374), The Rolling Stones inc Five By Five (DFE8590), S/T (DFE 8560), Heart Of Stone (457.066M), S/T (457.036), Got Live If You Want It. The Who - My Generation (2135 011, Dutch press), The Four Tops - When She Was My Girl, George Benson - In Your Eyes, O'Jays - Love Train, Kelly Marie - Feels Like I'm In Love, Hot Chocolate, OMD, Eddy Grant, Wizzard, Peabo Bryson/ Roberta Flack, Freda Payne, Free, Amen Corner, Gloria Gayner, Sting, Roger Daltry, Wham, Slade, Jona Lewie, Greg Lake, Diana Ross, Marvin Gaye. Condition is generally VG to Ex+.
Lot 629
ROCK/ POP & SOUL - LP COLLECTION. A smashing collection of 46 LPs. Artists/ titles include Bob Marley inc Exodus (ILPS 9498), Legend: The Best Of (BMW1), Various - The Motown Story (TMSP 1130, LP box set), Michael Jackson - Thriller, Queen inc Greatest Hits, The Works. Diana Ross, David Bowie - Hunky Dory (SF8244), Faces - Ooh La La, George Benson - The Love Songs, Lionel Ritchie - Can't Slow Down, Rose Royce - Greatest Hits, Motown Gold, London Cast - Evita, Hot Chocolate, The Police - Every Breath You Take: The Singles. Bee Gees, Diana & Marvin, Donna Summer, Barry White, Super Bad, Souled Out, Soul Motion, Sixties Mix, West Side Story, Now Christmas Album, Simon & Garfunkel, Joan Baez. Condition is generally VG to Ex+.
Lot 760
JAZZ - LP COLLECTION. A fine collection of around 74 jazz LPs, includes a smattering of trad artists towards the end of the lot. Artists/ titles include John Coltrane inc Blue Train (S11-56987), A Love Supreme (MCL 1648), Impressions (JAS 39). Quincy Jones - The Dude, Stanley Clarke inc Modern Man, If Thi Bass Could Only Talk, Rocks Pebbles And Sand, The Collection, School Days. Hank Crawford - Help Me Make It Through The Night, Billy Cobham - Simplicity Of Expression, George Benson inc Breezin, White Rabbit, Space, In Flight. Brecker Bros inc S/T, Back To Back. Jay Berliner, Art Blakey, Morrissey/ Mullen, The Three, Mahavishnu Orchestra, Ron Carter, Joe Sample, Nina Simone, Charlie Parker, The Great Kai & JJ, Stan Getz, Paco Pena, Ray Charles, Under Milk Wood, Nat King Cole, Oscar Peterson, Dave Brubeck, George Melly, Glen Miller. Condition is generally VG+ to Ex+.
Lot 762
JAZZ - CONTEMPORARY/ FUSION LP COLLECTION. Another smashing collection of around 75 jazz LPs. Artists/ titles include John Scofield - Bar Talk (AN 3022, Nimbus audiophile reissue. Record Ex/ sleeve Ex), Wayne Shorter - Night Dreamer (8435395500149), Soft Machine inc The Soft machine (SPB 1002), 4 (C30754), 5 (31748), Softs. Sonny Rollins inc Taking Care Of Business, Don't Ask. Grover Washington Jr inc Mister Magic, Then And Now, Live At The Jijou, Anthology. George Benson inc Good King Bad. Return To Forever, Ray Barretto, Sonny Stitt, Bob James, David Sanborn inc Backstreet, Stright To The Heart, Upfront, Voyeur, Close Up.Kirk Whalum, Al Di Meola Project, Weather Report, Louis Armstrong, Zawinul, Jaco Pastorius, The Zawinul Syndicate, Tom Scott. Condition is generally VG+ to Ex+.
Lot 903
SOUL/ FUNK/ DISCO/ AFRICAN - LPs. A smashing collection of around 110 LPs. Artists/ titles include Evvi Presents Le Seigneus Rochereau - Maze (EVVI 12D), Tabu Ley Rochereau - Dans Demme D'Autrui, Winston Soso inc Anniversary Jam, Out On The Edge. Somo Somo - Paris, Le Seigneur Rochereau A l'Olympia Vol.2, Ekaba-Kaba - Le Grand Maitre. Tabu Let & Mbilia Bel. Le Grand Maitre Franco, Papa Wemba -- Mwanka Molokai. Jeancy Lunsi Presents Viva La Musica. Roy Ayres - You Send Me, Michael Jackson inc Dangerous, Thriller. The Supremes inc Meet (SL 10109) & New Ways But Love Stays (STML 11175). Chaka Khan inc I Feel For You, Masterjam, What Cha Gonna Do For Me. Ray Charles, George Benson, Lou Rawls, Isaac Hayes, The Stylistics, Joyce Sims, Jerry Osborne, Earth Wind & Fire, Tavares, Steve Wonder inc Hotter Than July, Songs In The Key Of Life. Kenny G, Stanley Clarke. Condition is generally VG to Ex+.
Lot 909
ROCK & POP - LP COLLECTION. Another quality collection of around 110 LPs, includes a smattering of 12" singles. Artists/ titles include Shirley Scott - Soul Song (588 175), Fleetwood Mac inc S/T (K54043), Queen inc The Game, News Of The World. Madonna - Like A Virgin, Sade - Promise, Duran Duran - Rio, Thin Lizzy - Live And Dangerous, Edwin Starr & Blinky - Just We Two, Roxy Music - Flesh + Blood, Yes - The Yes Album, ELO inc A New World Record, Discovery. Blondie - Automatic Merchant, China Crisis - Working With Fire And Steel. Ultravox, Simple Minds, Aha, The Human League, Jennifer Rush, Eurythmics, Genesis, Paul Simon, Gerry Rafferty, Echo & The Bunnymen, Barry White Level 42, Chicago, George Benson. Condition is generally VG to Ex+.
Lot 1004
CYMA - a 9ct gold mechanical wristwatch, circa 1959, silvered dial with gilt Arabic numerals and subsidiary seconds dial, signed JW Benson, 17 jewel movement with calibre R458, case no. 01846, case width 30mm, not currently working (lacking crown)Movement - currently untested Dial - light surface pittingGlass - cleanHands - goodCase - general wear and abrasionsCrown - missing from stemBracelet - unassociated brown leather strap, general wearNotes – no box or papers
Lot 239
Gentleman's 9ct gold JW Benson wrist watch. The watch having a 35mm champagne face with numeric dial case nr 12102/990202, on a vintage leather strap, weight of watch without movement 7 gms together with a 9ct gold vintage Avia wrist watch, the watch having a 35mm champagne face with Arabic dial with subsidiary second dial, approx 6 gms without movement. Condition Report(i) The watch is moving forward at time of cataloguing. Minor scratches to back through wear, some corosion on dial visible under loup.(ii) The second watch is not moving forward at time of cataloguing. (iii) Some loss to the enamel at the 1 o clock, moving forward at time of testing, stop watch function working at time of testing, no major dents to case. (iv) watch is moving forward at time of testing, with some enamel loss, bakelite stand.(v) hairline crack running from ten to eleven, moving forward at time of testing.
Lot 66
Retailed by J. W. Benson of London, Swiss silver open faced key wound and set pocket watch, Swiss cylinder movement, cuvette engraved, case backed stamped 0.935 numbered 42131, and H. Samuel Manchester Swiss silver key wound and set open faced pocket watch, signed stepped enamel dial, unsigned Swiss cylinder movement, case backed stamped 0.935 numbered 19726, both watches not running (2)
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13312 item(s)/page