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NORTH WALES/ANGLESEY OAK BREAKFRONT DRESSER - CIRCA 1830 WITH SPICE DRAWER RACK, dentil moulded cornice with diamond inlaid detail and original hanging hooks to the front upper frieze, good wide back boards to the three-shelf rack, having a run of five opening spice drawers with turned wooden knobs, the breakfront base section with three pine lined opening frieze drawers and three central blind drawers flanked by twin cupboard doors, all having turned wooden knobs with mother-of-pearl insets, half cut turned pillar detail on a shaped plinth base with corner bracket feet, 210cms H, 167cms W, 54cms D(GOV.UK self-declation form completed for the sale of this item - submission reference J5XCAJ9T)

CIRCA 1900 MAHOGANY TRIPLE WARDROBE with inverted stepped cornice and blind fret frieze, the central door with full length bevelled edge mirror opening to reveal five interior slides, upper shelf and deep lower drawer with inset brass handle, the mirror flanked by twin panelled doors, all having ring pull handles and interior hanging rail and hooks, on a corner bracket foot base, 212cms overall H, 157cms W, 51cms D

CIRCA 1840 OAK FRONTED & SCUMBLED PINE MULE CHEST, the lift off lid with moulded edging over an arrangement of two short and one long blind drawer, over two opening long drawers, pine lined with turned wooden knobs, on corner bracket feet, 102cms H, 112cms W, 54cms D

A Regency mahogany and glazed cabinet on chest, early 19th century; with moulded cornice and blind frieze above two doors, with crossbanded Gothic arch astragals; above two short and three long drawers, all with brass swing handles; above ogee moulded bracket feet; 233cm high, 115cm wide, 56cm deep

An Edwardian mahogany wardrobe in 18th century taste, early 20th century; the Greek key carved cornice above a blind fretwork frieze in Chippendale style; the panel doors flanked by canted and fluted angles; above a drawer with twin brass swing handles; on bracket feet; 200cm high, 123cm wide, 52cm deep

John Shapland (British, 1865-1928)Five studies of historical ornamentfour with blind E. S. K. stampwatercolour, gouache and pencilThe largest study 45 x 28cm, the overall frame containing the studies 60 x 85cmProvenance:A private collection of works by John Shapland, including contents of the artist's studioPublished in Peter D. Thomas, Exeter's Lost Artist, John Shapland, pub. 2016

A George III oak hanging corner cabinet, last quarter 18th century; the cornice and blind fretworked frieze above two panel doors, flanked by canted sides; above a conforming fretwork base; 114cm high, 92cm wide, 44cm deep

A walnut and crossbanded kneehole desk, in George II style, 19th century; the book-matched veneered top with moulded edges; above a frieze drawer; the kneehole with blind drawer and interior cupboard flanked to each side by three further drawers, with brass swing handles; with canted and fluted front angles; on bracket feet; 79cm high, 81cm wide, 48cm deep

A George III mahogany and inlaid bureau cabinet, last quarter 18th century; with repousse gilt metal eagle finial within a 'broken' swan neck pediment, with applied composition floral roundels; the dentilled cornice above a blind fret cut frieze; above two panel doors with quarter fan paterae spandrels and walnut banding; opening to pigeonholes and drawers; the fall front opening to further drawers, pigeonholes and a central cupboard; above four graduated long drawers all with brass swing handles and cockbeaded edges; on ogee bracket feet; 225cm high, 114cm wide, 58cm deep

▴ Beryl Cook (1926-2008)'Street Market'lithograph in colours, signed 'Beryl Cook' in pencil l.r., with Fine Art Trade Guild blind stamp l.l., published by Alexander Gallery Publications Ltd., Bristol, Englandimage 36 x 36cmCondition Reportframed: 58 x 60cmUnexamined out of glazed frame, however the work appears to be in good overall condition.

A walnut eight-day longcase clock,the brass arched dial signed Joseph Smith, Bristol, with a silvered chapter ring, date aperture and subsidiary seconds dial, housed within a caddy-top and arched blind fretcut hood with two ball and eagle finials over two pilaster columns, with a long quarter-veneered and banded door,49cm wide240cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovements, pendulums, weight and case all associated. Alterations throughout. Attention from a professional clockmaker recommended.

Armengaud,J.G.D.: Les Galeries Publiques de l'Europe. Italie, Bd. 2 (v.3). Paris, Lahure 1862-65. Fol. Mit zahlr. tls. ganzs. Holzst.-Illustr. 288 S., 6 Bl. Blind- u. goldgepräg. Ohldr. mit Goldschn. (Etw. best. u. berieb., tls. fleckig). Vgl. Vicaire I, 91. - Enthält: Genes, Turin, Mailand, Parma, Mantua, Venedig, Bologna, Pisa. - Vereinzelt etw. stockfleckig. - ╔Dabei: Lafitau,J.-F.╗ Die Sitten der amerikanischen Wilden. Lpz. 1987. - ╔Agricola,G.╗ De re metallica Libri XII. Düsseldorf 1977. - ╔Brockhaus,F.A.╗ Bilder-Atlas zum Conversations-Lexikon. Iconographische Encyklopädie der Wissenschaften und Künste. 4. Ausg. Abt. 2-4 (v.10) in 1 Bd. Lpz. 1857. Qu.Fol. Mit 125 Taf. - Zus. 4 Bde.

Hulakovsky,J.M.: Abbreviaturae vocabulorum, usitatae in scripturis praecipue Latinis medii aevi, tum etiam Slavicis et Germanicis, collectae... Prag, Vitek 1852. Kl.4°. XIV S., 1 Bl., 78, X S. Text kompl. in Lithogr. Hlwd. d. Zt. (Best.). Text in Latein, Deutsch u. Tschechisch. Vgl. Zischka 65 (Neudruck 1913). - Tls. leicht fleckig, Siegelwachs u. Blind-St. a.T. N.a.V.

Sammlung: von 5 Kinderbüchern, versch. Formate u. Einbde. (Tls. berieb. u. best.). ╔Enthält:╗ Fröhlich,K. ABC für artige Kinder in Silhouetten und Reimen. Kassel, Vollmann (um 1860). - The child's own book of tales and anecdotes about dogs. Boston 1832. - Hold,E. Neuer Briefsteller für Kinder... 2. verb. Aufl. Lpz. 1824. - Tillich,E. Erstes Lesebuch für Kinder. 2. umgearb. u. verb. Aufl. Lpz. 1809. - Hofland,Mrs. The blind farmer and his children. New York o.J.

L S Lowry limited edition print 418/850, published by Henry Donn 1974 with Henry Donn blind stamp. Size including frame 57 x 46 cm - not glazed

A COMPOSITE 17th CENTURY BROADSWORD WITH RAPIER-STYLE SWEPT-HILT, probably German, the possibly earlier 36 3/4in. blade with short blind central fuller stamped with an armourer's mark to both sides and a stylised Passau 'running wolf' mark, further isolated letter stampings (blade with irregular corrosion showing laminations but generally good), swept multiple bar hilt with pierced panel to front of guard (corroded), wire bound faceted grip and faceted 'apple' pommel. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

A FINE PAIR OF 22-BORE FLINTLOCK HOLSTER PISTOLS WITH EBONY STOCKS AND NIELLO DECORATION, UNSIGNED, no visible serial numbers, probably from the Balkans or Greece circa 1780, with 11 1/4in. brushed bright (possibly Spanish) barrels deeply carved and engraved at the breech-ends with flowers on a stippled ground, the central section with vacant cartouche of Spanish form, carved and raised blind sighting-rib, the muzzles covered with deeply embossed and carved white-metal nose-caps with further niello and possibly traces of gilt embellishment, integral fore-sights, two moulded bands at breech, plain top-tangs, radiused and curved locks with raised carved scroll-work to the pointed tails and cock platforms, raised and carved decoration to both cocks, engraved undersides to the semi rainproof pans, top-jaws and frizzen faces, extensively carved ebony full-stocks featuring raised scrolled borders surrounding areas of stylised floral designs, applied panels of deeply embossed and carved white-metal around the top-tangs and back of wrists en-suite with the nose-caps, en-suite bulbous pommel-caps with long side spurs, en-suite sideplates, trigger guards and full-length ramrod pipes, both pistols retaining their original iron ramrods, each approximately 17 1/2in. overall, weight of each approximately 2lb..

A 7.5x53.5mm (SWISS) STRAIGHT PULL BOLT-ACTION SERVICE RIFLE, MODEL 'M1889 SCHMIDT-RUBIN', serial no. 131011, circa 1892, with blued 30 3/4in. barrel, blade fore-sight, tangent rear-sight, blind-fluted receiver with straight handled bolt fitted with bakelite toggle-ends, ring safe to rear, walnut three-quarter stock, blued steel furniture including box magazine and twin barrel-bands, blued heel-plate, the rifle appearing little used and retaining its original muzzle-protector and leather sling, refurbished condition (in 1915). Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

A 10.4mm VETTERLI SINGLE-SHOT MARTINI-STYLE TARGET RIFLE, UNSIGNED, no visible serial number, Swiss circa 1885, with heavy blued octagonal 34 1/2in. barrel, each flat with a blind flute, dove-tailed prominent blade fore-sight, sliding rear-sight of Mauser style on an incrementally numbered rail, plain receiver with polished free-ramp and shallow sides, walnut butt-stock with shallow raised cheek-piece and Swiss-style heel-plate, complex finger-spurred trigger-guard, double set triggers, walnut beavertail fore-end, off-set iron clearing rod and swivels for a sling. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A SCARCE .44 (M&H) SINGLE-ACTION MERWIN HULBERT ARMY FIRST ISSUE REVOLVER, serial no. 5506, circa 1878, with 7in. quick-release barrel signed 'MERWIN HULBERT & CO. NEW YORK U.S.A.' and with patent dates to 1877, the left side of barrel marked 'THE HOPKINS & ALLEN MANUFACTURING CO., NORWICH, CONN. U.S.A.', blind-fluted cylinder, plain open frame with barrel slide release catch forwards of the trigger-guard, mottled red and black chequered hard-rubber flared grips, lanyard ring to base of butt, the whole with traces of colour and finish. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A roller blind (approx 178cms) together with a wicker side table, metal towel rail, various curtain poles etc.

Original vintage propaganda poster - I have grown grey, and now find myself going blind - Number 24 from the Character - Culture - Citizenship Guides, featuring an image of the first president of the United States George Washington (1732-1799), holding a paper and reading glasses standing in front of a group of people with the Confederate States of America's first national flag in the background. Good condition, paper skimming, tears, staining, pinholes, creasing, browning. Country of issue: USA, designer: unknown, size (cm): 42x32, year of printing: 1938.

After L.S. LOWRY Burford Church Limited edition lithograph 105/1,500 With a blind stamp for Grove Fine Art Unframed Picture size 52 x 38cm Together with another of St Luke's Church Both with certificates and a mouse mat

A Mahogany Cabinet with twin doors, chamfered sides,with blind fret decoration, central drawer, two small drawers, on carved cabriole legs, scroll feet 76 wide.

'SNAFFLES' CHARLES JOHNSON PAYNE (1884-1967) 4 coloured prints - 'The Gunner', with Snaffles blind stamp and inscription 'Good hunting old sportsman', framed and glazed, 28.5 x 20.5cms, 'The Gent in Ratcatcher', with Snaffle bit blind stamp, signed lower right with inscription 'I have my man cleaning my osses not my breeches', framed and glazed, 25 x 26cms and 'The Timber Merchant', with Snaffles blind stamp and pencil signature, 23 x 30cms, together with 'The Stone-Faceder' with Snaffles bit blind stamp and pencil signature, framed and glazed, 31 x 27cms (4)Comments: The timber merchant has slight foxing and broken glass, The stone-faceder has slight foxing

A 19th Century Mahogany Display Cabinet, the glazed upper section surmounted by pierced and carved scrollwork and blind fretwork, the lower section with two cupboard doors raised on ball and claw feet, 137cm by 37cm by 217cmSome scuffs to the beading of the cupboard door, generally clean condition througout

GOLDEN COCKEREL PRESS. Wells, H G, The Country of the Blind. Engravings by Clifford Webb. 4to, 1939. No 44/280. Quarter orange calf by Sangorski & Sutcliffe; Bates, H E, Flowers & Faces. Engravings by John Nash. 4to 1935. No 209/325. Quarter green morocco by S&S; DE CHAIR, Somerset, The Silver Chair, 4to 1943. No 409/500. Quarter blue morocco by S&S; WHITFIELD, Christopher, Lady from Yesterday. Wood engravings by Lettice Sandford. No 37/50. Quarter brown morocco by S&S; Powys, Theodore Francis, Goat Green or the Better Gift. Engravings by Gwenda Morgan. 1937. No 139/150. Quarter green morocco by S&S; RUTTER, Joan, Here's Flowers. An Anthology of Flower Poems. Wood engravings by John O'Connor. 1937. No 61/200. Quarter blue morocco by S&S (6)

JAMES PRINGLE DALKEITH; an eight day longcase clock, circa 1730, the brass face set with chapter ring bearing Arabic and Roman numerals and subsidiary dials within an oak case with gilt finial above blind fret carving and rectangular door, height 230cm.

A pair of cream rose and fushia patterned lined curtains. Drop 300cm, width (top) 150cm, (base) 390cm, and a partridge design roman blind (no pole), drop 250cm, width 220cm.

Sigismund Goetze (British, 1866-1939)Love is blind signed and dated 'Sigismund Goetze 96' (lower left) oil on canvas 113 x 87cm (44 1/2 x 34 1/4in).Footnotes:ProvenanceWith Hammer Galleries, New York, no. H25080-001.For further information on this lot please visit Bonhams.com

Alfred William Hunt (British, 1830-1896)'From mount to mount through cloudland'signed, titled, numbered and inscribed with artist's address 'No 1 'From mount to mount through cloudland'/A.W.Hunt/1 Tor Villa, Campden Hill, Kensington' (on artist's label affixed verso) oil on canvas 116.9 x 184.2cm (46 x 72 1/2in).Footnotes:ProvenanceWith Thomas Agnew & Sons, Manchester. ExhibitedLondon, Royal Academy, 1874, no. 79.Chicago Exhibition, British Section, 1893, no. 394. Lent by William S. Caine Esq. MP.Hunt titles this work 'From mount to mount through cloudland' which is a direct quote from Samuel Taylor Coleridge's poem Fancy in Nubibus, or The Poet in the Clouds, 1817. Coleridge is arguably one of the greatest poets in the English language, and he was one of the key proponents of Romanticism in Britain alongside Byron, Keats, Wordsworth, and Blake. Having not just a profound influence on literary criticism and philosophy for the generations that followed, Romanticism had a significant impact on practising artists throughout Europe and Britain in the late-eighteenth and early-nineteenth centuries. The full poem that inspired this work reads as follows:O! it is pleasant, with a heart at ease,Just after sunset, or by moonlight skies,To make the shifting clouds be what you please,Or let the easily persuaded eyesOwn each quaint likeness issuing from the mouldOf a friend's fancy; or with head bent lowAnd cheek aslant see rivers flow of gold'Twixt crimson banks; and then, a traveller, goFrom mount to mount through Cloudland, gorgeous land!Or list'ning to the tide, with closéd sight,Be that blind bard, who on the Chian strandBy those deep sounds possessed with inward light,Beheld the Iliad and the OdysseeRise to the swelling of the voiceful sea.Hunt has taken the words of Coleridge to create an atmospheric and tonal view of the valley, with its dark shadows, low clouds, and pink sky. He captures the literal atmospheric and meteorological surroundings that Coleridge describes. But Hunt also uses dramatic effects of light and shadow to bring forward shapes and colours in the clouds which indicates the more abstract romantic imagery conjured up by the poem. The sky appears in a state of flux, as the pink hues could indicate the lifting of the clouds and the revealing of the 'gorgeous land' that Coleridge describes.The influence of Romantic literature on the visual arts would have been keenly felt during this time, and this was certainly not just limited to landscape painting. Other examples of the influence include the writing of Sir Walter Scott which inspired Scottish artists such as Henry Raeburn; whilst William Blake and William Wordsworth influenced the portrait paintings of George Romney and landscapes by Joseph Wright of Derby.For further information on this lot please visit Bonhams.com

Shelley (Capt. G.E.) A Handbook to the Birds of Egypt, first edition, 14 lithographed plates with fine hand-colouring, some heightened with gum arabic, title lightly foxed, a few instances of minor finger-soiling, some pages un-opened, ?endpapers renewed, original blind-stamped red cloth, spine gilt with decorative ?flamingo, some scratches to covers, spine ends bumped, [Nissen IVB 872; Zimmer p.588], 8vo, 1872.

Parrots.- Greene (W.T.) Parrots in Captivity, 3 vol., first edition, 81 wood-engraved plates printed in colours and finished by hand, tissue guards, bookplate of Robert Mackenzie Waggaman, some very light offsetting and marginal toning, plates in vol. 3 lightly browned, occasional light spotting to fore-edge, the odd patch of very light soiling, but overall a clean copy, some cracking at gutter with one gathering in vol. 1 loose, original blind-stamped cloth with gilt pictorial upper covers, corners lightly rubbed, vol. 3 with corners a little bumped, one or two small marks, overall a crisp set, [Nissen IVB 393; Zimmer 274; Wood 368], large 8vo, 1884-87.⁂ An account of the habits of 81 varieties of parrots, parakeets, lories, cockatoos &tc. The first two volumes were issued in 18 parts between 1883 and 1884, with the third volume appearing entire in 1887. "A fourth volume is said to have been begun in 1888, of which only two parts with nine coloured plates were issued" (Wood).

Bees.- Purchas (Samuel) A Theatre of Politicall Flying-Insects. Wherein Especially the Nature, the Worth, the Work, the Wonder, and the manner of Right-ordering of the Bee, is Discovered and Described, 2 parts in 1, first edition, titles within typographical borders, woodcut initials, errata leaf c2 misbound before c1, without longitudinal half-title but with 3pp. advertisements at end of part 1 and blank leaf following title to part 2, Penelope Jephson's copy with her contemporary ink inscription "Penelope Jephson her Booke 1666" to front free endpaper facing title, title lightly soiled and stained, some worming (mostly at beginning affecting lower border of title & a few catchwords, and a few letters towards end), Rr1 & 2 torn and repaired at lower outer corner, contemporary sheep ruled in blind, a little worn and marked, rebacked with red morocco label, corners repaired, [British Bee Books 35; Hagen 55.2; Wing P4224], small 4to, by R[obert] I[bbitson] for Thomas Parkhurst, 1657.⁂ A good copy of this work by the son of the author of Purchas his Pilgrimes, with an interesting contemporary provenance.Penelope Jephson (1646-1725), daughter of Maj. Gen. William Jephson (1609-1658), M.P. for Stockbridge and a substantial landowner in Mallow, County Cork. She married Simon Patrick, a prebend of Westminster and later bishop of Ely, in 1675. The Folger Shakespeare Library in Washington DC owns a manuscript receipt book of cookery and medical recipes complied by Jephson between 1671 and 1675. Recipe 64 is for honeyed gingerbread similar to modern Anglo-American treacle/molasses gingerbread.

Mahogany and inlaid flat front hanging corner cupboard, early 19th Century, having a keyed inlaid frieze in boxwood and ebony, over a figured mahogany door opening to three shaped shelves, and with a single pullout drawer beneath flanked by smaller blind drawers, height 132cm, width 82cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Provincial oak and inlaid flat front hanging corner cupboard, early 19th Century, having a mahogany frieze, single door with foliate inlay, crossbanded in mahogany and opening to three shaped shelves, with a single pullout drawer beneath flanked by smaller blind drawers, width 78cm, height 122cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Late Regency rosewood and inlaid sofa table, the top with two drop leaves with brass line inlay, over two frieze drawers with brass knobs and appliques, opposing similar blind drawers, raised on bobbin turned supports united by a bobbin turned low stretcher, reeded sabre legs with brass toes and castors, width 81cm, depth 66cm, height 76cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Victorian burr walnut and inlaid davenport, circa 1850-70, the slope front with later rexine writing surface topped with a stationery compartment, fitted with four drawers to one side (three with replacement fronts in oak), opposing similar blind drawers, raised on fancy turned columns, the base with squat bun feet and concealed castors, width 54cm, depth 55cm, height 84cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

A George IV mahogany Pembroke table, of unusually long proportions, rounded rectangular top with fall leaves above a single frieze drawer, blind to verso, turned column, cabriole legs, brass capped casters, 75cm high, 51cm opening to 91cm wide, 122cm deep, c.1825

A Chippendale Revival mahogany low library bookcase, rectangular top with pierced three-quarter gallery above a blind fretwork frieze, a niche, a pair of glazed doors enclosing two shelves and further open shelves, divided and flanked by twin-columnar pilasters, turned forefeet, 127cm high, 145cm wide, 37cm deep, c.1910

A George IV mahogany Pembroke occasional table, rounded rectangular top with fall leaves above a fall front door, blind to verso, turned legs, brass casters, 75cm high, 61cm deep, c.1825

A Regency gilt metal mounted mahogany Pembroke table, rosewood banded canted rectangular top with fall leaves, drawer to frieze, blind to verso, turned column, hipped sabre legs, brass paw capped casters, 72cm high, 83.5cm deep, c.1820

AFTER PETER HOWSON OBE (SCOTTISH b.1958) THE BLIND LEADING THE BLIND Print multiple, 73 x 59cm Condition Report:Available upon request

A collection of signed ephemera comprising colour photograph of George Best signed "Best wishes George Best" 29.5 cm x 24.5 cm, signed colour photograph of Roger Hunt 39.5 cm x 29 cm, a Cup Kings series limited edition 396/500 colour print of the 1966 England team lead by Jack Charlton, signed Jack Charlton, bears Big Blue Tube blind studio stamp 37.5 cm x 53.5 cm together with a framed England 1966 World Cup montage display with various colour images and signed by nine of the players comprising Alan Ball, Jack Charlton, Nobby Stiles, Gordan Banks, Ray Wilson, George Cohen, Martin Peters, Geoff Hurst and Roger Hunt total image size including mount 59 cm x 78.5 cm (4)

† SHEILA OLINER (1930-2020); a group of three etchings with aquatint, 'Janet at Window', 22/100, 'Janet at Balcony', 80/100 and 'Janet Through Window', 90/100, each signed and titled, with Seen Editions London blind stamp lower left, images 30 x 20cm, framed and glazed (3).Condition Report: †This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

† STEWART W. BECKETT; watercolour, 'The Fifth Beatle', image of George Best amongst the Fab Four as per the Abbey Road cover, signed in pencil by George Best lower left, monogrammed to the blind stamp lower left for Becket Studio, set in frame with brass title plaque, info pane, photograph of George Best holding a similar artwork and a further piece of paper signed by George Harrison, Ring Starr and Paul McCartney, with certificate of authenticity from the studio attached verso, 39 x 38cm, framed and glazed.Condition Report: - † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

GLASGOW SCHOOL OF ART DIPLOMA; a rolled black and white etching after Allan Mainds, with blind stamp lower left and facsimile signatures, 66 x 51cm, hand inscribed 'Muriel F. Baxter Drawing & Painting 1918.19'.

A GEORGE III MAHOGANY SIDE CHAIRIN THE MANNER OF ALEXANDER PETER, C.1770the arched back and seat covered with petit point needlework decorated with flowers, on blind fret carved front legs and pierced stretchers

A MAHOGANY CONCERTINA ACTION CARD TABLEIN CHINESE CHIPPENDALE STYLE, PROBABLY 19TH CENTURYwith blind fret carved decoration72.7cm high, 91.5cm wide, 45cm deep To be sold without reserve. ProvenanceThe Collection of Robin and Rupert Hambro.

A SET OF CHINESE PADOUK WALL SHELVESIN CHINESE CHIPPENDALE STYLE, 20TH CENTURYwith pierced and blind fret decoration, the pagoda top above three open shelves110cm high, 84cm wide, 22.8cm deep

Laurence Stephen Lowry (1887-1976). Peel Park, Salford, artist signed print, BCD blind stamp, 42cm x 79cm excluding mount & frame. Purchased by vendors family in 1984 from Henry Donn Galleries Manchester, the original receipt for £300 attached verso.

Laurence Stephen Lowry (1887-1976). Britain at Play, artist signed print, BCD blind stamp, 47cm x 60cm excluding mount & frame. Purchased by vendors family in 1975 from Malcom Bishop Art Dealer, Manchester, gallery label attached verso. Limited edition of 850.

A collection of 1960' ,70's & later LP Records to include - Cream, Pink Floyd, Blind Faith, Vanilla Fudge, The Nice, The Doors, Cat Stevens, Taste, Emerson Lake & Palmer, Van Der Graaf Generator etc.

Victorian scumbled pine press cupboard, the moulded cornice above two blind panelled doors, the interior revealing fitted shelf above two further cock beaded drawers, the projecting base with two doors to the base, on baluster turned legs. (B.P. 21% + VAT)  Dimensions: H205xW108xD51cm approx.

19th century mahogany linen press cupboard, the moulded cornice above two blind panelled doors, the interior revealing three pullout shelves, the projecting base with an arrangement of two short and two long drawers, standing on a platform base. (B.P. 21% + VAT)

After Snaffles , "The season 1939-40, signed in pencil lower right, , Blind Dtamp, Good colour, 28 x 49cm

After Snaffles, coloured print, Andsome is Wot andsome does, signed in pencil lower left, Blind Stamp, and remark, 42cm H x 37cmW; in gilt glazed frame

1920's oak bookcase, blind fetwork frieze, leaded glazed doors above a cupboard, width 99cm, depth 32cm, height 182cm.

George III mahogany chest on chest, key and cavetto moulded cornice, the upper section with two short and two long graduating drawers flanked by blind fretwork, the base with three long graduating drawers, bracket feet, width 118cm, depth 56cm, height 173cm.Condition report:Both sides have significant and noticable old scars and patches of wear and scratching. Structurally it is all ok, the drawers have some old splits to the pine linings but all are sound. Some random losses to mouldings/ drawer spacing, etc. Old repairs to bracket feet.

Two early pressings of the 'Disraeli Gears' LP by Cream comprising UK and US releases, 'Wheels Of Fire' and the self titled 'Blind Faith' LP. US press of 'Disraeli Gears' has a few scratches.