[Goldsmith] Prior (James) The Miscellaneous Works of Oliver Goldsmith, M.B., 4vols. Lond. 1837. Four engd. titles, cont. full blind tooled green mor., triple gilt fillets, recased, mor. labels; Forster (J.) The Life and Times of Oliver Goldsmith, 2 vols. Lond. 1854. First Edn., cont. hf. purple mor. Good. (6)
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A.E. (George Russell) Selected Poems, 8vo, L. 1935, First Edn., portrait title page, blind decor blue cloth; O'Grady (S.) The Triumph of Cuchulainn, 8vo D. (Talbot) n.d., illus. frontis, gilt lettered Celtic design cloth; Robinson (L.) Lady Gregory's Journal's 1916-1930, 8vo D. 1946, First Edn., cloth and d.j.; Coxhead (E.) Lady Gregory A Literary Portrait, 8vo, L. 1961, photo frontis, cloth; Morgan (C.) Epitaph on George Moore, 8vo, L. 1935, frontis, cloth backed marble boards, as a lot, w.a.f. (5)
Yeats (W.B.) Poems, L. (T. Fisher) 1914, First Edn., frontis, gilt decor. blue cloth; Reveries over Childhood and Youth, 8vo N.Y. (Macmillan Co.) 1916, First U.S. Edn., frontis illus. Jack B. Yeats, cloth backed decor. boards; Responsibilities, 8vo N.Y. (Macmillan Co.) 1916, First U.S. Edn., cloth backed decor. boards; Plays in Prose and Verse, 8vo, L. 1922 (Reprint), green embossed cloth; The Oxford Book of Modern Verse, 8vo Oxford 1939 (Reprint) blue cloth; Last Poems and Plays, 8vo L. 1940, First Edn., green cloth blind design; Autobiographies, 8vo L. 1955, First Edn., frontis, green cloth, as a lot, w.a.f. (7)
Signed by Ed. Maurice, Bishop of Ossory Brouckhussi (J.)ed. Albii Tibulli Equitis Rom Quae Exstant, 4to Amsterdam (Ex Officiana Westeniana) 1708; bound with, Sex Aurelii Propertii Elegiarum Libri Quatuor, 4to Amsterdam 1702. Two add. engd. titles, red & bl. titles with engd. vignettes. First item with title inscribed 'Ed. Maurice,' & 'T. Clements,' in cont. full calf, with blind tooled border at spine, raised bands, & orig. mor. label; also, Gronovius (J.) Ammiani Marcellini Rerum Gestarum .., 4to Leyden 1693. Engd. port. frontis., add. engd. title, with engd. vignette, & engd. ports. thro.-out, also lg. fold. Battle plates etc., front blank signed 'John O'Hagan,' cont. bind dam. As a lot, w.a.f. (2)
Aquinus (St. Thomas) S. Theme Aquinatis Praeclarissima Commentaria in Libres Aristotelis Perihemenias et Posteriorum Analyticorum, cum Antiqua Textus translatione, atque etiam noua Joannis Argyropyli:.. Folio Venice (Apud Hieronymum Scotum) 1570., title with wd. cut oval portrait, wd.-cut printers device at end, designs in text thro-out, orig. cont. boards; also Lohner (Tobiae) Instructissima Bibliotheca Manualis Concionatoria, in Qua de Virtutuibus, Vitiis Sacramentis, .. Folio 1712. Vol. III only, in fine blind tooled cont. pigskin, with orig. brass straps etc. A very good example. As bindings, w.a.f. (2)
The Book of Durrow: Evangeliorum Quattuor Codex Durmachensis, 2 vols. folio Olten, Lausanne, and Freiburg (Urs Graf-Verlag) 1960. No. 445 of Lim. Edition, 650 Copies Only. Numerous coloured & other plts. Volume of illustrations, in orig. blind stamp tan mor. in Celtic design, text volume in orig. tan mor. backed boards, spines uniformly titled in green, orig. plain dust wrappers, & in publisher's box. V. good set. (2)
Fleming (Ian) Thunderball, 8vo L. (Jonathan Cape) 1961, First Edn., black cloth with blind stamped skeleton hand and wrist on front cover, gilt lettered spine, d.j. design by Richard Chopping with skeleton hand, dagger and playing cards clipped (not priced), previous owner on f.e.p. Good copy. (1)
Story (George) A True and Impartial History of the Most Material Occurrences in the Kingdom of Ireland, In Two Parts. 4to Lond. (for Rich. Chiswell) 1693. Second Edn., gen. title & 2 other titles double ruled, & 1 hf. title, 12 fold. engd. maps (a few straight tears), & fold. table, 'Line of Battle at Aughrim' at p. 124 supplied in facsimile from Nat. Library Copy, in recent full calf, blind tooled panel, raised bands, mor. label & gilt decor. on spine. (1)
O'Rorke (T.) The History of Sligo: Town & Country, 2 vols. 8vo Dublin n.d. First Edn., dble page map, & a fold. map frontis, other plts. & text illus., also Kilgannon (Tadgh) Sligo and its Surroundings, sm. 8vo Sligo 1926. First Edn., illus. thro.-out, now in fine uniform full gilt & blind decorated dark mor., & matching slipcase by Sydney Aiken. A v. fine copy. Unusual. (3)
Barrington (Sir Jonah) Historic Memoirs of Ireland, Comprising Secret Records of the National Convention, The Rebellion and The Union, 2 vols. lg. 4to Lond. (Henry Colburn) 1833. First Edn., 36 engd. ports. (include. frontis) 5 facsimiles, and an engraved plate of the 'Round Robin' marbled ends. V. fine cont. Russia, with blind tooled borders, gilt narrow chain borders & gilt fillets, tooled gilt spines in panels, raised bands etc. V. good copy. (2)
The Book of Kells Most Sumptuous Edition Facsimile - Verlag, Luzern, Publishers: The Book of Kells, the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION, published by Authority of the Board of Trinity College, Dublin. Lg. thick 4to, Luzern 1990, LIMITED EDN., in fine white tawed leather over wooden boards. Contained in a specially created presentation box, the embossed surface with blind & gilt tooled Celtic decoration and silver and brass mounts. Together with a large Commentary Volume, with illus., leather backed cloth, and orig. advertising portfolio. An unique opportunity to acquire a complete facsimile of one of the Worlds greatest Art Treasures. As a lot. (1)
[Otway (Caesar)] A Tour in Connaught, Comprising Sketches of Clonmacnoise, Joyce Country and Achill. Sm. 8vo Dublin 1839. First Edn., wd. cut frontis, & sim. plates, 5pp of adverts at end. Attractive recent full dark green mor. with tooled gilt shamrocks & other blind tooled decorations, spine with raised bands, & tooled gilt flowers in panels, mor. label. Good. (1)
Mathematics: Beveridge (Wm.) Institutionum Chronologicarum Libri II. Una cum totidem Arithmetices Chronologicae Libellis, 4to Lond. (Thos. Roycroft) 1669. First Edn., fine cont. full mottled calf, blind tooled calf. (1) * The St. George copy, with bookplate, and title inscribed 'E. lib: Arth. St. George.'
First Edition of Joyce's First Novel Joyce (James) A Portrait of the Artist as a Young Man, 8vo, N.Y. (B.W. Huebsdch) 1916, First U.S. Edition, hf. title, blue cloth blind tooled lettering, gilt lettered spine. Good copy. [Slocum & Cahoon A11]. (1) * The American Edition pre-dates the English Edition by one year, which was printed by the Egoist Press.
With an unrecorded Joyce Item? Joyce (James). A Portrait of the Artist as a Young Man. L., Egoist [1917], First English Edition (from American sheets, with the Huebsch copyright imprint (1916) on rear of t.p. Orig. green cloth stamped in blind, spine cloth separating at lower hinge, but the hinge holding firmly. A little spotting to upper edge. S. & C. 12. Laid in is a leaflet (4pp, single folded sheet) with ‘Extracts from some Press Notices’, printed in Harlesden, dated 1916 and quoting more than 30 notices by reviewers including Ezra Pound, H.G. Wells, Ernest Boyd, The Freeman’s Journal, Irish Times, Irish Book Lover, and various English, Irish, American and Continental journals, one in Greek lettering. Fold marks, a little scuffed. We have not seen this leaflet before. Its authorship is not stated, but it is certainly possible that it was drafted or approved by Joyce and his associates. The publisher (Harriet Weaver) subscribed to a clipping service for Joyce (see S. & C. p. vii), which may explain the great range of reviews. These clippings are now in the Yale University Library. The leaflet is not recorded by S. & C. (1)
Signed Limited Edition [Gregory (Lady)] The Blessed Trinity of Ireland Stories of St. Brigid, St. Colmcille and St. Patrick, 8vo, Worcester (Colin Smythe) 1985, Signed, Limited Edition 44 (50) copies, illustrated by Margaret Gregory, hand coloured, marble endpapers, full calf, blind decor. & gilt highlighted front cover, cloth slipcase. (1)
A late George III mahogany library drum table, early 19th century, with a green and gilt leather-lined top, above four real and four blind drawers, on a turned vase turned column with reeded legs, 122cm diameter 71cm highCondition ReportThe leather top with shadows of understructure, as well as scuffs and marks, the top some veneer losses, a replaced section, small splits, marks to beading on drawers and further veneer losses, general scuffs, bruising around legs, consistent with age, Lacking castors.
A George III mahogany chest on chest,mid-18th century and later, the architectural pediment with Greek key moulding and Chinese-style blind fret carving to the cornice and canted front edges of the upper section, set with three short and six long drawers, raised on bracket feet, 111cm wide56cm deep207cm highCondition ReportSome fading and discolouration. Pediment is possibly a later addition, with evidence of alteration when viewed from above. Some modern screws and later timbers within, suggesting further repair or alteration. Splits to canted edges. Some minor knocks, losses and repairs to veneer and moulding in places. Some marks and surface wear commensurate with age and use. Moulding to the top of the base section possibly replaced. Drawers run smoothly and joints generally solid, with a tiny bit of lateral wobble in the base section. Generally in fair cosmetic and structural condition and perfectly usable.
CICERO, Marcus Tullius - M. Tullii Ciceronis opera omnia quae exstant, ex sola fere codd. ms fide emendata studio atque industria Jani Gulielmi et Jani Gruteri, additis notis et indicibus ... Full vellum blind stamped with large central device on both covers, it appears the front hinge has split and has been repaired. Interesting engraved title-page which has been repaired. Two parts bound in one. Hamborg, 1618.
FLEMING, Ian - Thunderball : org. black boards with skeleton hand blind stamped on the upper cover lettering in gilt on the spine, dust wrapper not p.c. with short tears but complete, stained to front of dustrwrapper, but this is only noticeable on the inside, first edition, 1961. With - The Spy Who Loved Me : black boards with a silver dagger on the front cover lettering sliver on the spine, dust wrapper is p. c. otherwise a little age discoloured, ownership signature on the front endpaper, first edition 1962. With - You Only Live Twice : black boards with Chinese lettering in gilt on the upper cover, spine lettered in silver, dust wrapper intact slight soiling, ownership inscription on the front endpaper which also has a single crease mark, first edition, 1964.(3)
JUSTINANUS 1, Flavius Anicius, Emp.- Codicis Justiniani D.N.Sacratissimi Principis pp. AVG ... Libri X11. Notis Dionysii Gothofredi ... in a complex blind tooled pigskin over wooden boards, the binding is stamped with the date 1620 and initialled I W I with the Latin inscription (Des Est Justa, etc) within an escutcheon around a seated figure holding a double handled sword 4to, Printed in Geneva by J. Vignon, 1614. * a nice clean volume. The revision of Roman law by the sixth century Byzantine emperor formed the basis for much of European law from the 12th century onwards and is still influential today.
A Georgian mahogany bureau bookcase, the moulded cornice with blind fret decoration above the pair of astragal glazed doors with fall front enclosing carved and fitted and compartments and drawers, above two short and three long drawers, on bracket feet, width 107cm, depth 55cm, height 212cm.
The Ethnology of the Sixth Sense. Studies and researches into its abuses, perversions, follies, anomalies and crimes. Paris, Charles Carrington, 1899. 1st and only ed. Rebound in blind cl. Printed in 1000 copies, 'Not sold to the trade.' Exhaustive study on the genital organs ('The Sixth Sense'), publ. by legendary Victiorian publ. of pornograpyhy Carrington.(2) Francis King. Sexuality, Magic and Perversion. London, N. Spearman, 1971. 1st ed. Cl. Pioneering study about occult sexuality. (3) Vocabula Amatoria: a French-English glossary of words, phrases and allusions occurring in the works of Rabelais, Voltaire, Molière, Rousseau, Béranger, Zola a.o. With English equivalents and synonyms. London, Privately printed for subscribers only, 1896. Contemp. rebound in halfcl. Impressive collection of sexual (literary) slang through the ages. All 8vo, w. bookplates and in good condition. (total 3)
approx. 240 unnumb. p. and some loosely inserted contributions, almost all in pen but a few in pencil, in 2 clothbound board notebooks w. owner's entries "Sara Wijnberg Oosterpark 45 Amsterdam", respectively "Sara Wijnberg Januari 1931" on first free endpapers, folio.W. a loosely inserted contribution on envelopes/ business writing paper with her address Oosterpark 45 in Amsterdam, and printed advertorial line: "Reeds een groot aantal ernstige gevallen van Doofheid en Ooorlijden [sic] vond bij mij blijvende geneezing". Also loosely inserted are a manuscript card and a letter addressed (both unsent and displaying great uncertainty) to "Beste Cees" and dated 26/ 28 December 1933, and some other letters, contributions, newspaper clippings. Sara Wijnberg is mentioned on the website 'Joods Amsterdam' as known from an newspaper advert in which she offers her services as a specialist in ear-related problems (1931). The diary shows that she is a pious protestant, the reformed "Elthetokerk" is mentioned regulary). The very nice and personal diary starts with annotations concerning a certain "Jr.", with whom she makes music, together with others. "Ik heb den heelen nacht van Jr. gedroomd. Steeds werd ik weer wakker en als ik dan weer insliep, verscheen hij weer." (7 April 1930). They are both members of a musical group that performs at so-called "catechisatie-avonden". Sara Wijnberg displays a great uncertainty towards this Jr., very explicit jealousy towards other women and incredible calculative behaviour in company. She confides only in her friend Lea. After a strange confrontation (13 April 1930): "Lea troostte me al: "Er komt misschien nog iets goeds van. Nu merkt hij misschien, dat je een meisje bent." "Ja één van tweeën: of hij denkt: stik! of hij zal me gaan waardeeren (om het zacht uit te drukken)." "Maandag 14 April. (...) Den heelen dag zeg ik tegen mijzelf "en vandaag is hij jarig." Ja vandaag is Jr. 18 jaar. Ik kan hem niet gelukwenschen, maar wel bidden." "Donderdag 17 April (...). Ik stel mijzelf tot plicht: Hooren, zien en zwijgen. Nu voel ik wel hoe moeilijk het is je tong te bedwingen. Maar ik heb mijn dagboek en dat is geduldig en liefdevol. Morgen een heelen dag werken. Het is al elf uur en ik ben moe, moe van de onzekerheid." "Maandag 16 Juni Avond. Lea dwingt me te schrijven n.l. dat heel bijzondere: we hebben lichte kousen aan! Dat beteekent voor onze familie heel veel, Onze zwarte onderdeelen gaven een cachet aan degelijkheid aan alle oorden waar we verscheenen. Nu zijn we de wereld gelijkvormig geworden." "Maandag 18 Augustus, avond (...). Als ik een vergelijk tusschen Kees of Jr. dan moet ik erkennen, Kees is hoffelijk, zelfs lief, maar voor Jr. zou ik iets overhebben. b.v. (zoo stel ik mij voor) wanneer Kees eens blind zou worden of aan iets anders onvolledig mocht worden, zou hij voor mij geen aantrekkingskracht meer hebben, daarentegen als Jr. ooit zoiets zou overkomen, geloof ik, dat ik hem hetzelfde hart zou toedragen, hem met dezelfde gezindheid van nu zou bedenken."
der nalatenschap van den WelEdelgeboren Heer Jan Jacob Blussé, gewoond hebbende en overleden te Dordrecht den 30 Januari 1893. dat 26 april 1893." Notarial manuscript for the use and benefit of Blussé's widow Helena Johanna Vriesendorp (1838-1907) and their 6 children, (86) p., with occas. blind tax stamps and at the end "Uitgegeven voor afschrift [signed:] J. Jongkindt, notaris" and with his stamp (Dordrecht).Includes an interesting large list of the household effects in order of the rooms they were in, each with individual valuation (among them "Een schilderij van Ludolf Bakhuyzen op vier honderd gulden"). The list ends with: "Geteekend A. Mak", apparently the valuations were done by him. The manuscript also comprises an extensive list of stocks owned by the family. The house is indicated in the manuscript as "het huis genummerd 3, staande te Dordrecht aan het Blauwpoortsplein, alwaar genoemde heer Jan Jacob Blussé in leven Notaris gewoond heeft en is overleden (...)". Old photographs of the exterior and interior of the house can be found online. The Dordrecht Blussé family is best known for their activities as booksellers and publishers in the 18th and early 19th centuries. See also lot 920 in this auction, a book that is not individually listed in this manuscript. But "In de kamer van Mijnheer" two bookcases with "eenige diverse boekwerken" are listed.
Ca. 1930-1935. Various sizes. Photos of a.o.: teaching of the Open Air School in London for the prevention of and to combat the rise of tuberculosis; teaching of deaf and blind children; and many other subjects. W. descriptions and copyright stamps on verso of Fox, Keystone and Fotobureau Holland. (total 30)
beginnende mette opdrachte der selver landen, gedaen by Keyser Karel de V aen zijnen zoon Koninck Philippus van Spangien, tot de droevige doot van zijn Excell. Willem Prince van Orangien. Leiden/Amst., Govert Basson/Michiel Colijn, 1621-(1630). 5 parts in 6 vols. Folio. 3 vols. with engr. title-p., title vol. 4 with large vignette, full-p. map, 150 half-p. engr., 22 portraits of which 2 are full-p., 2 woodcuts in the text, uniform blind-tooled vellum, ribbed spines with titles and vol. nos. in ink.Vol. 3, 4 and 5 with contemp. owner's mark in ink, stamps on front endpapers and a few half titles. Incomplete set, 14 fol. w. engr. and portraits cut out, a few w. inner margin cut through surrounding lvs., occas. incorrect pagination, a few engr. views pasted over the orig, full-p. portrait of the author has loose leaf w. text pasted on recto of leaf, some waterst., bindings sl. worn/discol. (total 6)
Illustrations de Henri Georget. Paris, Mercure de France, 1914. 79,(1) p. 4to. No. 55 of 300 numb. copies, 1 of 250 copies on vélin, finely bound in full tooled brown leather by Kieffer (label on endpaper) w. orig. wr., t.e.g., col. ills. by Georget.Front board reset, otherwise a good, untrimmed copy. (2) Paul Fort. Pontoise ou La folle journée. Orné d'illustrations de E. Legrand. Paris, R. Kieffer, 1920. (4),55,(1) p. 4to. No. 461 of 550 numb. copies, 1 of 500 copies on Arches, finely bound in full blind tooled green leather by Kieffer (label on endpaper) w. orig. wr., t.e.g., w. col. ills. by Legrand. Binding discol., top cover loose. (total 2)
12 BOTTLES GINProcera 1881 (50cl); Blind Tiger Imperial Secrets (50cl) and Piper Cupera (50cl); Maredsous Valeo (50cl), Aequatis (50cl) and Invictus (50cl); Greyson's London dry; Tesco London Dry; Finsbury London Dry Single Batch; Co-op Special London Dry; Broken Bones London Dry (50cl); Copper Head Black Batch (50cl)
Two antiquarian engravings one by Henrietta Rae, 'Apollo and Daphne', Arlington Proof blind stamp lower left corner, 56cm x 66cm; the other entitled 'Innocence', in oval aperture, 42cm x 35.5cm (2)Extensive foxing and some marks overall to both mount and pictures, scuffs, marks and general light wear to frames as expected
THREE BOXES OF ASSORTED SUNDRIES, to include a boxed set of Prinzsound Pro 5AA headphones, a pair of Chinon binoculars, a collection of 1990s martial arts magazines, an M.A.R. International punch/kick ball, a boxed Ultra Vac car vacuum, a BCE snooker cue, a boxed aluminium Venetian blind, a D.A.M Seaspray Boat Pier Combo fishing rod, an Alba DVD and video player, a York music centre (turntable, tape, radio), a Hitachi VM-E340E 8mm video camera/recorder, etc (3 boxes + loose)
Mid-18th century chain driven 30hr longcase clock with a brass dial engraved Thomas Kefford, Royston (Herts), broad flat-topped hood with dog-tooth moulding and blind fret, square hood door flanked by two reeded pillars with brass capitals, with a long trunk, round topped conforming trunk door and quarter columns to the sides, raised on a square plinth with applied shaped skirting, 12� brass dial with cast spandrels, chapter ring, roman numerals, five-minute Arabic's minute track and quarter hour track, matted dial centre with engraved square date aperture and calendar disc behind, striking the hours on a domed cast bell. With weight, no pendulum.Thomas Kefford is recorded as working �at the dial in Fore Street Royston, (b.1686) working c1710-1770, when succeeded by Samuel Coxhall�.Dimensions: Height: 213cm Length/Width: 47cm Depth/Diameter: 23cm
30-hour 18th century oak cased longcase clock by Jeremiah Standring of Bolton, (Lancs) c 1770, with a swan's neck pediment on a flat top with a blind frieze beneath, square brass dial flanked by reeded pilasters and wooden capitals, long trunk door with a concave wavy top, trunk with reeded quarter columns on a rectangular plinth on a decorative skirting, dial with a formerly silvered chapter ring and engraved dial centre, with Roman numerals, five minute Arabic's, square date aperture, circular boss engraved with the makers name, cast spandrels and �dummy� winding arbors, dial pinned directly to a rope driven countwheel striking movement, striking the hours on a bell. With weight and pendulum. 30-hour clocks with �dummy� winding arbors are more commonly found on later 19th century painted dial longcase clocks, this is an earlier example by a recorded Lancashire clock maker born in Rochdale in 1712, dying in Bolton 1782. Dimensions: Height: 225cm Length/Width: 48cm Depth/Diameter: 23cm
A George III Mahogany Tallboy, the upper part with moulded dental cornice and blind fret carved frieze, fitted two short and three long graduated drawers with blind fret carved cant corners, the base with slide and fitted three long drawers on bracket feet, 43ins wide x 22.25ins deep x 74.5ins high
10 X 12" AND 1 X 10" ROCK SINGLES AND EPS: THE HONEY DRIPPERS VOL 1 10" EP, 2 X AC/DC 12" SINGLE, BIG GUN AND DIRTY DEEDS (LIVE) WITH LTD EDITION SLEEVE, 4 X BON JOVI 12"S, BLUE VINYL LET IT ROCK EP. BLUE VINYL THE BOYS ARE BACK IN TOWN. YELLOW VINYL NEVER SAY GOODBYE AND BLAZE OF GLORY, BRYAN ADAMS LTD EDITION NUMBERED. THOUGHT I'D DIED AND GONE TO HEAVEN, BLIND MELON LTD EDITION NUMBERED PIC DISC, CHANGE, DEEP PURPLE - PERFECT STRANGERS AND THE WHO SUBSTITUTE.
A George III Mahogany Bureau Bookcase, circa 1770, the moulded, dentil and blind fret-carved frieze above moulded cupboard doors enclosing adjustable shelves, the crossbanded fall enclosing a good quality fitted interior of pigeon holes and small drawers all around a central cupboard door, the base with two short over three long oak-lined drawers, on moulded bracket feet113cm by 59cm by 202cmGood quality timber various faults throughout with section of moulding missing on left hand panel below the blindfret carved frieze further faults throughout with the cornice cupboard doors rather scuffed and scratched the fall some minor splitting but section of moulding missing on corner as photographed drawer fronts previous handle marks visible with later brasses drawers are oak lined faults to cockbeading natural? splits in the base end panelsMiddle drawer/front stuckFront bracket foot section missing possibly in stuck drawer?
BOOKS ON CHINESE JADE INCLUDING AUCTION CATALOGUES. GOETTE, Jon. Jade Lore. New York: John Day with Reynal & Hitchcock , ND [1936]. First Edition. Tall 8vo. (27cm x 20cm). xi, 321, including bibliography to rear. Covers slightly marked, wear to tips, spine ends, intermittent foxing to pages. Rear hinge weak, with developing crack to gutter. Otherwise a clean copy, no marks or scribbles, pages secure, of a desired title. Good. NOTT, Stanley Charles. Chinese Jade Throughout the Ages A Review of its Characteristics, Decoration, Folklore, and Symbolism. Tokyo and Vermont: Charles E. Tuttle, 1970. Seventh printing. ISBN: 0804801002. Sm 4to. Jade green pictorial endpapers. Previous owner's name to verso of flyleaf. xx, 193. 39 colour plates, 110 b&w plates and 73 line drawings. A classic account of jade, first issued by Batsford in 1932, and still authoritative. A very sound copy, bright and clean, in like, well-kept dust jacket housed in transparent protective sleeve. Near fine in very good dust-jacket. LIN, Shwu-shin. The Jade-Carving Art in The Ch'ing Dynasty. Taipei: Kuang-nan Huang National Museum of History, 1996. Third Edition. ISBN: 9789570078008. 4to. (30cm). Pictorial boards, in the slipcase. pp. 191. Features the acclaimed jade collection of Taiwanese connoisseur, Yeh Bor-wen, all fully illustrated in colour. Exhibited at the Bowers Museum of Cultural Art. Text in English and Chinese. Fine in fine slipcase. Bonhams, Hong Kong. Strength and Diligence: A Magnificent Large Green Jade Water Buffalo Lot No. 16, 27 November 2014. Hong Kong: Bonhams, 2014. 4to. pp. Blind embossed pale green linen over boards, blocked black titles. pp. 21 + terms and conditions. Colour illustrations. A separately produced catalogue for this lot of a monumental seated jade water buffalo, at the 27 Nov, 2014 sale. As new. CHRISTIE'S. A Private English Collection of White Jade Carvings 12 May, 2009 London London: Christie's, 2009. 4to. pp. 59. 18 Lots. Prices realised enclosed. Most with provenance of William Clayton invoice slips. Including a pair of finely carved white jade quail boxes and covers; a well carved white jade buffalo and boy group, and a mughal-style jewel-encrusted white jade scent bottle. Fine. SOTHEBY'S. Fine Chinese Jade Carvings and Jade Jewellery Tues, 19 November, 1985 Hong Kong: Sotheby's, 1985. First Edition. (27cm). 182 lots. With original price list laid down. Creased, bumped to front lower corner of covers and pages. An otherwise clean, firm copy. Very good. (6)
(1933 London - 2016 Paris)Sitzendes Mädchen mit Kaffeetasse in einem InterieurSchwarzweißfotografie. Gelatinesilberabzug/Fotopapier. Verso sign. u. dat. (19)94. Mit dem Blindstempel des Künstlers: "DAVID HAMILTON RAMATUELLE FRANCE". Darstellung 24 cm x 16 cm; Blatt 30,2 cm x 23,8 cm.Gelatin silver print on photographic paper. Signed and dated (19)94 on the reverse. Blind stamp by the artist.
(1933 London - 2016 Paris)Liegender weiblicher AktSchwarzweißfotografie. Gelatinesilberabzug/Fotopapier. Verso sign. u. dat. (19)94. Mit dem Blindstempel des Künstlers: "DAVID HAMILTON RAMATUELLE FRANCE". Darstellung 19,3 cm x 29 cm; Blatt 23,8 cm x 30,2 cm.Gelatin silver print on photographic paper. Signed and dated (19)94 on the reverse. Blind stamp by the artist.
Ovaler, von plastischen Blüten und Blättern belegter Sockel. Höfische Rokoko-Gesellschaft in edler Kleidung mit Spitzenputz beim "Blinde-Kuh"-Spiel. Polychrome Malerei mit reicher Goldstaffage. Best.; Manufakturmarke. H. 23 cm. 44 cm x 29 cm. A large Thuringian porcelain figure group of a courtly society playing the "Blind man's buff". Chipped. Manufacturer's mark.Thüringen. Aelteste Volkstedter Porzellanmanufaktur. Um 1915 - 1934.
(1933 London - 2016 Paris)Liegender weiblicher AktSchwarzweißfotografie/Papier. Verso sign. u. dat. (19)94. Mit dem Blindstempel des Künstlers: "DAVID HAMILTON RAMATUELLE FRANCE". Minim. stockfleckig. Darstellung 24,2 cm x 16 cm; Blatt 35 cm x 24,5 cm.Black and white photograph on paper. Signed and dated (19)94 on the reverse. Blind stamp by the artist. Minor foxing.
(1933 London - 2016 Paris)Ruhender weiblicher Akt auf einem LedersofaSchwarzweißfotografie. Gelatinesilberabzug/Fotopapier. Verso sign. u. dat. (19)94. Mit dem Blindstempel des Künstlers: "DAVID HAMILTON RAMATUELLE FRANCE". Darstellung 20 cm x 29 cm; Blatt 23,8 cm x 30,2 cm.Gelatin silver print on photographic paper. Signed and dated (19)94 on the reverse. Blind stamp by the artist.

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48783 item(s)/page