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Irish Interest. Smedley, Edward. Erin: A Geographical and Descriptive Poem, two parts bound as one, London: Hamblin & Seyfang, 1810. Quarto, contemporary half-calf with paper covered boards blind-embossed with heraldic device, spine lettered in gilt, raised bands, marbled page edges, silk bookmark, hand-coloured map of Ireland as frontispiece, five etched plates set within text (including that used on title), smaller woodcut motifs within text. Contents generally good and bright with pale spots/stains and light creasing in a few places (including title); binding square and solid with some splitting to joints and slight wear/loss at headcaps/extremities. Together with The Irish Tourist, by A. Atkinson, Dublin: Thomas Courtney, 1815, octavo, contemporary half-calf, internally good and bright, binding worn, upper board detached, contemporary manuscript note to verso of fold on title, 'This work contains several errors of the press, which are unavoidably refer'd for correction to the judgement of the reader'. Scarce (2)

Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Octavo, publisher's dark brown cloth lettered in gilt to spine with blind-embossed skeletal hand on upper board, unclipped dust-jacket. Contents very good, clean, bright; some light discolouration to outer edges of text-block; neat contemporary owner inscription on front free endpaper; a couple of very small, light marks on endpapers; binding very good, lightly bumped to corners; dust-jacket with splitting and short tears

A SUZANI WINDOW BLIND Approximately 155cm drop, 139cm wide Provenance: Supplied by Robert Kime

A REGENCY MAHOGANY LIBRARY TABLECIRCA 1815The top with a reeded edge, the four real drawers alternating with blind drawers, with brass pull handles, above a turned column on hipped and reeded quadruped base, on box castors74cm high, 114cm diameterProvenance: Supplied by Robert Kime Condition Report: Chip on edgeSome recent surface scratches, mostly will polish out,Surface dents and scratches consistent with age Condition Report Disclaimer

LATE 19TH CENTURY PRESS CUPBOARD - upper section with twist columns to the sides, two door and four long drawers to the lower section (2 of them blind), 206cms H, 137cms W, 51cms D

A framed George Cunningham limited edition print, Two Free Houses. Signed in pencil with blind stamp. (37cm x 49cm).

A Pocket Watch for Blind People, a braille-type full pocket watch, full hunter chrome case, dial marked 'R.N.I.B. Incabloc Swiss Made', currently running

Roscommon, Earl of. – Poems To which is added, An Essay on Poetry …, together with Poems by Mr Richard Duke,newly rebound calf-backed marbled boards, blind-decorated and panelled spine with orange label, 1717

[Wanostrocht, Nicholas] - The Cricket-Bat; and How To Use It; a treatise on the game of cricket ..., by An Old Cricketer, (4), 96pp,8pp publisher's adverts at end; original gilt pictorial and blind decorated green cloth, sm.8vo., Baily Brothers, 1861. J.I.V. Goldman's copy - with his pictorial (cricket) bookplate

Vitringa, Campegii – Observationum Sacrarum Liber Quartus …, (2nd vol of 2 vol. set), contemp. blind-stamped vellum, with panelled spine, Franeker 1711;Horace – Quintus Horatius Flaceiis (edited Daniel Heinsius), old red gilt-decorated morocco and marbled endpapers, sm.8vo., Leyden:Elsevier, 1628

Wells. H.G. – In the Days of the Comet, 1st edition, half title, publisher’s (14)pp catalogue at end, original gilt-lettered and blind-decorated green cloth, 1906

Goethe, Johann, Wolfgang von - Faust, qto, maroon gilt-blocked, blind tooled cloth, illustrated with 30 tissue guarded colour plates by Willy Pogany,spine darkened with edges worn, corners bumped, Hutchinson and Co., London [1908]

Thirty Two Ward-Lock hard back novels to include Blind Corner, Blood Royal, Cost Price etc along with a similar hard back novel, Wife Apparent

British History. Green, J. R. - A Short History of the English People. London: 1902, illustrated edition re-issue. Four volumes in six books. Re-bound in blind-stamped cloth. (6)

A George II mahogany tallboy, dentil moulded cornice over a blind carved frieze, two short over six drawers, with cast brass handles, brass escutcheons, cock beading, and brushing slide, raised on ogee bracket feet, 120 by 62 by 194cm high.

Willy Vanhuyse (1911-1993) A terracotta sculpture of a blind man with child. Signed. Een terracotta sculptuur van een blinde man met kind. Gesigneerd. H 57 cm

TWAIN, Mark. More Tramps Abroad. Chatto & Windus, London. 1897 UK 1st Edition. In original publisher’s cloth. Blind stamp pattern and gilt titling to front board. Gilt titling to spine. Teg. Patterned endpapers. 486pp plus 32pp publisher’s catalogue at end (dated Sept 1897). [1]Condition report: Sun fading to spineSlight crushing to head and tail.

A pair of medieval style oak elbow chairs, each of triform with blind carved panel backsCondition report: Late 19th century.Each with single old break to back of left arms.Otherwise good and strong with very minor age wear only.

A child's joined oak Wainscott chair, in the 17th century style, probably Victorian but recently restored, having blind carved panelled back, seat w.55cm

A Victorian mahogany wall cabinet, having a blind carved frieze over twin glazed doors, enclosing velvet lined interior and three plate glass shelves over three base drawers, the lower section fitted with two short and three long graduated drawers with cast brass handles, w.94cm, d.35cm, h.193cm

An elegant Mahogany 'X' framed open armed Armchair having carved and blind fretworked decoration, the arms terminating in ferocious lion mask, the front cross-over having a carved cherub mask, the finials to the back in the form of vicious beasts heads, the suspended seat being in deep red velvet, 23'' wide x 34'' high x 20'' deep.

Gering, Andreas -- "Das Sturmlied"Radierung und Aquatinta in Dunkelblau auf Japan. 1917.25 x 18 cm (34,7 x 27,4 cm).Signiert "A. Gering", datiert und betitelt.Prachtvoller Druck mit Plattenton und blind mitdruckender Facette, mit Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Orlik, Emil -- Frau, sich die Haare waschendRadierung in Rotbraun auf Velin. 1911.23,7 x 18 cm (33 x 25,1 cm).Signiert "emil Orlik" und datiert.Glöckner 1992, 146.Hervorragender Druck mit zarttonigem Plattenton und blind mitdruckender Facette, mit Rand. – Beigegeben: Vier weitere (drei signierte) druckgraphische Arbeiten von Emil Orlik, die Radierungen "Weiblicher Akt", 1913 (Glöckner 1992, 154) und "Liegender weiblicher Akt mit erhobenen Armen" (nicht bei Glöckner) sowie die Lithographien "Liegender weiblicher Akt mit verschränkten Armen", aus: "Erinnerungen an Hiddensee", 1919 (Glöckner 1980, 173a) und "Stehender weiblicher Rückenakt" (nicht bei Glöckner). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Kollwitz, Käthe -- Stehende Mutter, ihr Büblein fütterndStrichätzung und Aquatinta auf graugrünlichem Kupferdruckpapier. 1928.20 x 15 cm (38,2 x 29,3 cm).Signiert "Kollwitz", zudem vom Drucker Otto Felsing signiert.Knesebeck 242 III c (von IV b).Aus der Auflage bei von der Becke in den 1930er Jahren. Prachtvoller, äußerst gratiger Druck mit zartem Plattenton und blind mitdruckender Facette, mit breitem Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

An Edwardian mahogany square top occasional table with blind fretwork.

After Phil May, a limited edition artist's proof print, 9/20, action studies Von Brauchitch and the GP Mercedes victory at Reims, signed in pencil to the margin, with blind back stamp, mounted.

Bancroft, Hubert Howe, The Book Of The Fair An Historical And Descriptive Presentation Of The World's Science, Art and Industry, as Viewed through the Columbian Exposition at Chicago in 1893, Fin de Siecle Edition Limited to Nine Hundred and Fifty Copies, this copy is Number 121, Sections 0ne - Ten, with Presented to Farleigh Dickinson University Library by Charles L. Ragot label to endpaper and blind stamp to the title page. (10)

18TH CENTURY OAK CROSSBANDED 30-HOUR LONGCASE CLOCK, Humphrey Morgan, 10inch signed brass Roman and Arabic dial with silvered chapter ring, pierced brass spandrels, matt centre, square hood with cavetto cornice and blind fret frieze, four turned pillars, shaped crossbanded door, square base, 204cms high Condition: back board base damaged, top of boards with metal bracket repairs,pendulum arm broken,

HERBERT DICKSEE R.E. (1862-1942) an original artist proof etching - 'Ready', A Wire Haired Fox Terrier, signed with initials and dated 1928 in the print, signed in pencil, various blind stamps, labels verso for Charles Nicholls & Son, Manchester, and with full title details, 36 x 56cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: paper slightly browning in the margin adjacent to mount.

Valerie Thornton, 1931-1991, Lavenham, signed print, and numbered in pencil 17/250, with gallery blind stamp, together with a map of Paris, print (2)Lavenham 35 x 47cm

David Gentleman, b1930, The Seven Sisters, signed limited edition print, numbered 12/350 in pencil, with gallery blind stamp, 39 x 50cm, together with another of Ickworth, signed in pencil and numbered 69/350 (2)

John Cyril Harrison, (1898-1985), Partridges in flight over a cornfield, coloured print, signed in pencil to the margin, 41 x 53cm, together with Roland Green, (1890-1972), Canadian Geese in flight, coloured print, signed in pencil to the margin and with gallery blind stamp, 38 x 55cm. (2)

ROWLAND HILDER (1905-1993): A framed and glazed limited edition print, "The Mill at Harlow, Essex". Pencil signed and No. 87/150, blind stamped. Image size 43cm x 60cm

An 18th Century flame mahogany longcase clock with blind fretwork detail to hood. 12" square brass dial with Roman/Arabic silvered chapter rings and pierced steel hands with calendar wheel, signed Benjamin Anns, Highworth. 8 day movement with rack and snail striking a bell, of four pillar construction with recoil anchor escapement. With keys, pendulum and weights, 216cm high, case a/f in places

A mid-Victorian lady's drawing-room friendship album, the property of and compiled by/& for Jenny Townsend [? of Attleborough House] from 2nd September 1862, gilt-illuminated and hand-scrivened vellum title-page: Album, within a Gothic architectural frame, eclectically illustrated and inscribed with a herbarium page with a pressed and dried marine botanical specimen, two b/w photographs of Attleborough From breakfast room and View from Hall door onto the garden with seated figures, photographic prints of European topography, well-executed watercolours and pencil drawings of still lives of flowers, portraits, topography, and typical genre subjects, a few earlier engravings, original verse, prose, and sentiments in ink MS, corresponding selections from literature, some sincere wishes of Townsend relations and friends, some stiff card leaves elaborately embossed as frames and enclosing tipped-in original art work (some in miniature) and parlour games & related ephemera, the majority of leaves colour paper, etc., contemporary blue roan gilt (rubbed), all-edges gilt, foliate endpapers, 4to, (1); another, probably the same owner as the last, partially-filled, including 3 herbarium leaves of dried and preserved botanical specimens, etc., finely bound in green morocco, each cover embossed with a scrolling foliate frame and enclosing gilt-blocked anthemions, within gilt dogtooth and fillet borders, gilt-lettered spine, all-edges gilt, foliate, endpapers, 4to, (1); another similar, Lilly Borton, 1853, with tipped-in printed and cut-card Christmas and greetings cards, contemporary leather, elaborately tolled in blind and gilt, 4to, (1), [3]

Bindings - Scotland, Theology, Bonar (The Rev. Andrew, editor), Letters of Samuel Rutherford, With Biographical Sketches of His Correspondents, With Sketch of His Life, first and only edition, two-volume set, Edinburgh: William P. Kennedy, 1863, uniformly bound in contemporary Gothic Revival black morocco, the bevelled boards panelled in blind with a double-fillet border, the angles enclosing quatrefoils gilt, the spines gilt-lettered and tooled within raised bands, all-edges gilt, marbled endpapers, 8vo, [2]

Germany, Saxony, History and Antiquities - Abel (Caspar), Teutsche und Sächsische Alterthümer [...], two-volume set bound as one, Braunschweig [Brunswick]: L. Schröders, 1729-1730, pp: [2] (blank), frontispiece panorama, [xiv], 512; allegorical map frontispiece, [xiv], 736, [2] (blank), foliate initials, Baroque woodcut still life ornamental footers, rebacked and relayed spine over contemporary calf boards, red-specked edges, 8vo, [1]Provenance: 1) Johannes Holtmann, 19th century blue ownership stamp to first title-page; 2) Liverpool Free Public Library, blind-blocked lower-cover and their bookplate to recto pastedown.

KJV, The Holy Bible [...], London: Printed by George E. Eyre and William Spottiswoode, [n.d., c. 1850], Queen Victoria's royal arms on title-pages, separate New Testament title-page, black-ruled throughout, printed in parallel columns, two pages with 4 maps of the Holy Land printed in colours, contemporary black roan, blind-ruled, gilt-lettered spine, all edges gilt, 4to, (1); The Book of Common Prayer [...] Together with the Psalter or Psalms of David [...], London: G.E. Eyre and W. Spottiswoode, [n.d., c. 1860], black-ruled and printed in parallel columns, contemporary gilt-metal mounted brown roan by Barritt & Co., stamped, 32mo, (1), [2]

Miscellaneous - [Walker (Albert)], "The Road:" Leaves from the Sketch-Book of a Commercial Traveller, by "The Whistling Commercial", third edition, London: Smart & Allen, [1877], contemporary cloth, 8vo, (1); Guy's Pocket Cyclopædia [...], eighth edition, London: Printed for Baldwin, Cradock, and Joy, 1817, contemporary quarter-calf, 8vo, (1); Cookery, Soyer (Alexis), The Modern Housewife [...], Comprising Nearly One Thousand Receipts [...], New-York: D. Appleton & Company, 1851, rebacked blind-stamped calf, 8vo, (1); Sutcliffe (G. Lister, editor), The Modern Carpenter Joiner and Cabinet-Maker: A Complete Guide to Current Practice, Volumes I-VI & VIII only, London: Gresham, 1902 onwards, full-page plates and in-text illustrations, contemporary cloth, crown folios, (7); another copy of volume II, (1); freemasonry, travel, theology, (3), [14]

Miscellaneous - Lord Chesterfield's Letters, four-volume set, seventh edition, London: J. Dodlsey, 1776, rebacked, relayed contemporary calf boards, 19th century ink MS ownership inscriptions, 8vo, (4); Teignmouth (Lord), Memoirs of the Life, Writings and Correspondence of Sir William Jones, sixth edition, London: J. Hatchard, 1815, portrait frontispiece, rebacked contemporary calf gilt, later 19th century ownership inscription, 8vo, (1); Magee (William, D.D.), Discourses and Dissertations on the Scriptural Doctrines of Atonement & Sacrifice [...], two-volume set, third edition, London: T. Cadell and W. Davies, 1812, contemporary polished calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Paley (William), The Principles of Moral and Political Philosophy, two-volume set, sixth and fifth editions respectively, London: J. Davis, 1788, contemporary calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Buckingham and Chandos (The Duke of), Memoirs of the Court and Cabinets of George the Third, two-volume set, London: 1853, contemporary straight-grained morocco gilt (rubbed, worn), marbled edges and endpapers, crested bookplates of Archdeacon Richard Lane Freer to each pastedown, along with his 1863 bequest label and the country house book label of E.R. Dowdeswell and the library at Pull Court, Worcestershire, later ex-lib stamps, 8vo, (2); [Ovid], Publii Ovidii Nasonis Metamorphoseon [...], [London]: J. Knapton [...], 1737, title printed in red and black, contemporary calf, 8vo, (1); Walker's Key to Classical Pronunciation [...], ninth edition, London: 1830, contemporary calf, 8vo, (1); Tooke (Andrew), The Pantheon [...], London: 1806, 20th century calf over marbled boards, 8vo, (1); The Loeb Classical Library, various Greek works with parallel English text, (8); Parker's ABC of Gothic Architecture, third edition, Oxford: 1882, full-page engravings, contemporary cloth, square 8vo, (1); belles-lettres, classics, theology, history; etc., [27]

Miscellaneous - Travel, Addison (Joseph), Remarks on Several Parts of Italy, &c., In the Years 1701, 1702, 1703., London: J. and R. Tonson, 1767, illustrated with in-text illustrations of ancient coins, contemporary speckled calf, gilt spine, later 19th century crest bookplate: A.E. Morgan, small 8vo, (1); The Continental Tourist [...], Illustrated with [...] Engravings on Steel, of the Most Interesting European Scenery, first edition, London: Black and Armstrong, [n.d., 1850], contemporary cloth (spine chipped), 8vo, (1); Italy, from the Alps to Mount Etna [...], With One Hundred and Sixty-four Illustrations, London: William Glaisher, 1903, pictorial cloth as issued, 4to, (1); Natural History, Darwin (Charles), On the Structure and Distribution of Coral Reefs [...], with Portrait, Maps, Plates, and Numerous Illustrations, Londno: Ward, Lock & Co., [n.d., c. 1900], blue cloth gilt, 8vo, (1); Cowper (William), Poems, two-volume set, Chiswick: Printed by C. and C. Whittingham, 1824, contemporary blind and gilt-tooled tan calf, marbled edges and endpapers, contemporary pink bookseller's ticket: H. Sotheran, Bookseller, York, 12mo, (2), [6]

Travel and Languages- Wallace (Alfred Russel), A Narrative of Travels on the Amazon and Rio Negro, with an Account of the Native Tribes [...], first edition, London: Ward, Lock and Co., 1889, b/w plates, contemporary Mineria Library series cloth, 8vo, (1); Forbes (Duncan), A Smaller Hindustani and English Dictioary: Printed Entirely in the Roman Character [...], London: Crosby Lockwood and Son, [n.d., 187?], contemporary cloth, blind-lettered upper-cover, red-speckled edges, square 8vo, (1); Arnold (Sir Edwin), India Revisited, first edition, thus, London: Trübner & Co., illustrated, green cloth, 8vo, (1); Provincial Ayrshire Imprint, Jeanie Gilchrist, Pioneer Missionary to the Women of Central Africa, first and only edition, Kilmarnock: John Richie, [n.d., 1927], green cloth, 8vo, (1); Dyer's Rome, second edition, London: 1883, cloth, 8vo, (1); Jónsson's Primer of Modern Icelandic, first edition, Oxford: 1927, blue cloth, 8vo, (1); Biblioteca Elemental Para La Instruccion de la Juventud Española, Paris: Didot, 1846, contemporary Spanish calf, 12mo, (1); etc., [10]

A 19th century Gothic Revival oak wall mounted country house post box, shaped cresting, moulded cornice above a rectangular door with letter aperture and carved blind tracery panel, 105cm high, 31cm wide, c.1880

Early 20th Century mahogany Chippendale Revival serpentine chest of drawers, the four graduated long drawers with cast handles between blind fretwork to canted corners, 91cm x 51cm x 81cm highCondition report: Good clean condition. Top is serpentine sided but side panels are straight. Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

George III-style mahogany kneehole desk, circa 1900, with blind-tooled skiver over two short drawers, recessed cupboard and two banks of three graduated drawers between canted corners on bracket feet, 105cm x 61cm x 77cm highCondition report: Plugged holes where previously had knob handles. Repolished some years ago. Otherwise sound. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

A longcase clock, the 28 cm square brass dial signed Fabn Robin Londini Fecit to the silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial and with gilt brass spandrels, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut and with floral marquetry decoration, the hood with a blind fret frieze panel above a glazed door flanked by barley twist columns, the base on a plinth, 204 cm highMovement does not appear to have run in some time, the wire is tangled, looks to have previously been restored, with a later plinth base possibly, some splits as usual, from a client with whom we have been selling his clock collection for over many years, lovely proportions, with two brass cased weights and a winding key, and a pendulum, the trunk door with a slight bow

NO RESERVE South Asia.- Landon (Percival) Nepal, 2 vol., first edition, colour frontispieces, 13 plates, illustrations, 5 maps (4 folding), 3 large folding tables, cracked hinges, ex-library with bookplates and blind-stamps, original cloth, rubbed and worn, chipping and loss to spine extremities, shelf-mark in gilt to spine foot, 8vo, 1928.

NO RESERVE World.- A Series of Maps, Modern and Ancient ... under the supervision of the Society for the Diffusion of Useful Knowledge, 61 hand-coloured engraved maps, some duplicates, many with tissue repairs, contents leaf with large loss (tissue repairs), original paper wrappers to several parts, many laid down on tissue or linen, loss to edges, disbound, Charles Knight, 1845-47; The Stars in Six Maps, 6 hand-coloured maps, tissue repairs, loss to title foot affecting imprint, [Charles Knight], n.d., ex-library with labels to map verso, occasional blind-stamps, occasional pencil and ink annotations to covers, housed in a modern drop-back box, small label to spine, slight bumping to corners, folio; sold as a series of maps, not subject to return

World.- Howitt (William) The History of Discovery in Australia, Tasmania, and New Zealand, 2 vol., second edition, title trimmed at top corner, short tear to title (vol. 2 only), 3 folding maps, ex-library with bookplates and ink-stamps, occasional faint spotting, original cloth, labels to upper covers, rubbed, small loss to spine head (vol. 1), bumping to corners and extremities, 1865 § Beckford (Peter) Familiar Letters from Italy, to a Friend in England, 2 vol., first edition, half-titles, ex-library with blind-stamps, abrasion marks to front free endpapers where labels removed, spotting, later morocco-backed boards, blind-stamps to upper covers, slight bumping to corners, Salisbury, 1805; and 11 others travel, including 4 19th century Hakluyt Society titles, 8vo (15)

Africa.- Burton (Sir Richard Francis) Zanzibar; City, Island and Coast, 2 vol., first edition, half-titles, wood engraved frontispieces and 9 plates, large folding map, short tear with neat repair, 4 route maps, frontispieces, titles and final leaves all laid down, one or two neat marginal pencil notes, occasional faint blind-stamps, occasional faint spotting, near contemporary half-morocco, rebacked with original spine laid down, [Penzer pp.88-89], 8vo, 1872.

Africa.- Laird (Macgregor) & R.A.K. Oldfield, Narrative of an Expedition into the Interior of Africa, by the River Niger, 2 vol., first edition, 6 aquatint plates, 1 map, ex-Royal Service Institution Library with occasional blind-stamps, modern half-morocco, 8vo, 1837.

Africa.- Reade (Winwood) The African Sketch-Book, 2 vol., first edition, frontispieces, plates, maps, spotting, original decorative cloth, gilt, slight bumping to corners and extremities, 1873 § Pearce (Major F.B.) Zanzibar: the Island Metropolis of Eastern Africa, first American edition, frontispiece, plates, illustrations, folding map (short marginal tear), ex-library with bookplate, occasional ink marks and blind-stamps, cracked hinges, original cloth, paper shelf label to spine foot, a little rubbed, slight bumping to corners and extremities, 'Simpson College Library' stamped on edges, 1920; and others similar, 8vo (8)

Africa.- Reading (Joseph H.) The Ogowe Band: A Narrative of African Travel, first edition, presentation copy from the author dated November 1890, frontispiece, plates and illustrations, maps, small blind-stamp to title, original decorative cloth, gilt, very slight bumping to corners, 8vo, Philadelphia, 1890.⁂ Provenance: blind-stamp of Munger Africana Library to title.

NO RESERVE Canada.- Macfie (Matthew) Vancouver Island and British Columbia, first edition, half-title, woodcut frontispiece, 2 folding maps, illustrations, ex-library with bookplate and occasional blind-stamps, occasional faint spotting, later morocco-backed boards, blind-stamp to upper cover, shelf-mark to spine foot, a little rubbed, 8vo, 1865.

Europe.- Freshfield (Douglas W.) The Exploration of the Caucasus, 2 vol., frontispieces (1 folding), illustrations, 4 folding maps, ex-library with bookplates and occasional ink-stamps, abrasion mark to front free endpaper where label removed, occasional spotting, original cloth, blind-stamp to upper covers, slight bumping to corners and extremities, 8vo, 1902.

Greece.- Pashley (Robert) Travels in Crete, 2 vol., first edition, half-titles, lithograph frontispieces and 10 plates, one linen-backed folding facsimile, one linen-backed folding map, illustrations, occasional marginal damp-staining, scattered spotting, ex-library with ink- and blind-stamps, later morocco-backed boards, blind-stamp to upper covers, shelf-mark to spine foot, slight bumping to corners and extremities, 8vo, Cambridge, 1837.

An early 18th century walnut cased 8 day longcase clock the 12" brass dial signed Benj. Martin Manchester on the silvered chapter ring, having Roman and outer Arabic numerals, dual minutes tracks, subsidiary seconds dial and calendar aperture, brass pierced mask cast spandrels, two train four pillar movement with anchor escapement striking on a bell, the crossbanded case with moulded top hood above a blind fret frieze and a glazed door flanked by a pair of plain engaged columns, the trunk with hinged door with circular glazed lenticle, on a box base on plinthheight 199 cm., width 49.5 cm., depth 28 cm.Condition: Pendulum and weights present. Slight bowing to sides. minors losses to moulding a cross banding notably to box base and corner of hood. Movement untested and no guarantee can be offered as to the full working order.

Laurence Stephen Lowry, RBA, RA, (British, 1887 - 1976)'The Family', print, signed in blue pen lower right, with impressed blind stamp Fine Art Trade Guild CLE, framed in moulded black and faux-wood frameframed 54 x 36.7cm approximatelyCondition: Overall in good condition, print sits flat and there are no apparent marks to the image surface, the mount shows slight markings and surface dirt, no losses to the frame, old tape to the reverse which is beginning to lift.

Sir William Russell Flint (Scottish, 1880-1969)'A Question of Attribution', coloured print published by Frost & Reed, signed in pencil lower right and with impressed blind stamp Fine Art Trade Guild HHH, framed and glazedimage approx. 56 x 45cm, overall 76.5 x 64.5cmCondition: The print is in overall good condition, some slight fading and discolouration to the edges, lying flat to the mount, mount and frame in good condition showing some marks and scratches.

An Hermes Garden Party canvas and chocolate leather totewith detachable chocolate brown canvas strap in separate dust bag, with blind stamp to the interior, and outer original Hermes bagwidth approximately 31cmCondition: With some scuffing to the four edges showing signs of wear. The canvas on one side of the bag in good clean condition. The other side with a few minor stains. A few stains to the sides too.From a Private Collection